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The article offers information on the anticipation surrounding "Dune: Part Two," delving into director Denis Villeneuve's approach to completing the saga and the expansion of characters like Paul Atreides and Chani. It discusses the challenges faced during the filming process; the additions to the cast, including Austin Butler as Feyd-Rautha, contributing to the film's rich and immersive universe; and portrayal of Giedi Prime with infrared lenses, cinematic experience in the IMAX format.

Richard Gelfond knew little about the movie business when he and a partner acquired IMAX, back in 1994. At the time, most IMAX movies were nature documentaries, shown in the theaters of science museums, but he recognized that the entertainment experience the company provided had great potential. Figuring out how to move into mainstream markets turned out to be far more challenging than Gelfond had anticipated, however. The technology constraints of the predigital era and the cultural constraints of the Hollywood movie industry combined to slow IMAX's progress toward the successful business model it relies on today. At one point in 2001, the stock was trading at 55 cents a share, and some bondholders tried to force IMAX into bankruptcy. In 2006 Gelfond and his team actively tried to sell it. But doubts about its survival faded in 2009- particularly after the IMAX version of Avatar became a global phenomenon, bringing $250 million in revenue to the company. INSET: IMAX FRAME BY FRAME. [ABSTRACT FROM AUTHOR]

The article reports that Imax, the Ontario, Canada based company that makes three dimensional (3-D) documentaries, now screens concerts, does 3-D animation, and motion picture blockbusters such as the "Harry Potter" films. Imax's stunning images and sound quality have set it apart from others, and now Imax is changing its technology from film to a digital format. This change will allow expansion into new markets, and the share price is expected to rise.

The article examines how commercial movie theatres and motion picture direction is returning to Saudi Arabia. It presents views of Prince Mohammed bin Salman Al-Saud on using entertainment as one key building block in transformation. It also mentions about operating of improvised movie theaters in Saudi; and mentions about the an IMAX theatre in Khobar, Saudi Arabia. It also mentions that film industry in Saudi is itself continued to produce a limited number of feature and documentary films.

The article talks about trip of couple Heidi and Jason Lepper, who celebrated their first anniversary on cruise line Carnival Vista, a cruise ship built for Carnival Cruise Line to the Caribbean. They talks about the food served on the cruise, special dining arrangements, and other entertainment and fun activities on cruise. The article adds that IMAX theater and roller coaster-like cycling track, and Lido Deck whirlpool.

The article presents an interview with filmmaker Christopher Nolan over his "Dunkirk" film. Nolan mentions consideration of the Operation Dynamo related to evacuation of Allied soldiers in Dunkirk, France at 1940 for production of film regarding World War II. He states development of the film under IMAX process along with usage of the Spitfire fighter planes in shooting. Nolan discusses usage of different aircrafts for shots such as the HA-1112 Buchón to represent the Messerschmitt Bf 109E.

The article reports on the increasing number of Chinese cinemagoers choosing homegrown productions. Topics include China's total box office in 2013 based on figures from the Film Bureau, the role played by IMAX and 3D technology in helping boost the number of Chinese cinemagoers, and the prevalence of homegrown films over Hollywood productions in box office earnings. Also mentioned is the increasing number of investors being enticed by the substantial returns offered by the film industry.

The article discusses the film "The Dark Knight Rises," directed by Christopher Nolan with cinematography by Wally Pfister. The film uses 35mm and 15-perf 65mm film as well as Imax material filmed with MSM 9802 Imax cameras. Optical engineer Dan Sasaki of the Panavision company worked on lenses for the cameras, and Chris Corbould was the special-effects supervisor for the film. Also discussed are the settings for the film.

The article discusses various motion picture theaters around the world that feature large screens and improved sound systems. Theaters discussed include the Giant Screen at Millennium Point in Birmingham, England, the IMAX experience at Cineworld in Edinburgh, Scotland, and the Cinesa Principe Pio theater in Madrid, Spain.

The article presents new briefs related to Canadian railroads and railroad history. The Agence Métropolitaine de Transport (AMT) will donate locomotives to the Canadian Railroad Historical Association (CRHA). The IMAX movie "The Rocky Mountain Express," dealing with the construction of the Canadian Pacific Railway (CPR) has been released. The Smith Falls Railway Museum in Smith Falls, Ontario received grant funding from the Ontario Ministry of Tourism and Culture.

The article discusses the so called passive three-dimensional (3D) glasses for three-dimensional (3D) high-definition televisions (HDTV), as well as movie theaters. It cites the two most broadly utilized formats for theatrical 3D, namely, the IMAX and the RealD. It presents the definition of HD as established by the Consumer Electronics Association (CEA) during the early transition to HD.

The article focuses on the cinematography of the Imax film "Hubble 3-D," with James Neihouse as the director of photography. It notes that Neihouse trained astronauts to act as cinematographers for the three-dimensional (3-D) Imax camera in space. The article details the technique of shooting the film as well as the equipment used for different parts of the film.

The article presents an interview with motion picture director Greg MacGillivray. MacGillivray discusses his decision to make a series of documentary films on water resources and how Hurricane Katrina affected the filming of his motion picture "Hurricane on the Bayou." He comments on his experiences using three-dimensional photography in the IMAX film format for the motion picture "Grand Canyon Adventure."

The article focuses on the architectural design of movie theaters in the U.S. According to the article, movie exhibitors are tempting patrons with new, carefully designed theaters that cater to increasingly sophisticated desires. It is stated that theater owners are discovering that good design not just pulls patrons from competitors but also helps create new audiences. It adds that since the inception of IMAX in 1967, it has lured audiences with its digital surround sound and large-screen format.

Presents information on the production of the car commercial of Lexus IS that was ran in the Imax film "Adrenaline Rush: The Science of Risk." Appropriateness of running the spot in Imax; Approach used by Andrew Oran, vice president of FotoKem's sales and operations, in transferring the DigiBeta version of the commercial to 15-perf 70mm; Goal of FotoKem for implementing a full 4K digital-immediate workflow.

This article reports that executives at Imax Corp., had good reason to think big, and long term, when they first envisioned giant-sized China as an ideal market for the company's jumbo-sized screens. The announcements during 2005 of 13 new deals for theaters to be constructed in mainland China are the result of building up its presence and brand awareness in the crucial territory during the past decade. That deal brings to 25 the number of theaters Imax expects to open in China by 2008, making that market the second-largest for Imax after the U.S., where Imax has about 100 theaters.

The article presents information on the new three-dimensional (3-D) cinema. The curtain is about to rise on new digital stereoscopic capabilities that will bring an Imax-like experience to the local multiplex starting this year. So far, the early reviews are mixed on which digital technologies work best and what market impact they may have. The 3-D debate arises as box office revenues slump and home high-definition television sales rise. The release of a 3-D version of "Polar Express" to analog Imax theaters last winter reportedly reaped $45 million, 20 percent of the film's box office revenues.

Focuses on the IMAX film "Fighter Pilot: Operation Red Flag," which will premiere on December 9, 2004 at the National Air Space Museum's Steven F. Udvar-Hazy Center in Virginia. Overview of the military training conducted at the Nellis Air Force Base in Nevada captured in the film; Use of the Nellis Air Combat Training System in the training.

The article discusses how IMAX, the huge, ultra-definition movie screens, have become a necessity for Hollywood studios who release big-budget films. Statistics are offered on the number of movies with the best opening weekends of 2009 that premiered in theaters equipped with IMAX, as well as ticket prices for IMAX films versus regular films. Observations are offered by Jeffrey Katzenberg, chief executive officer of DreamWorks Animation SKG.

The article discusses the contribution of Tim Richards, CEO of Vue Entertainment Ltd.for the social cause. It states that he linked up with Hope and Homes for Children (HHC) as they don't play around with charity money and do hiring locally. The author mentions Tim has plans for IMAX as it's a great product combined with right deals, introducing laser projectors, get into computer gaming and video and give something back U.K.'s homeless population.

The article offers information about the movie industry in Bonavista North in Newfoundland and Labrador. It mentions the arrival of movie houses in Newfoundland's capital city and audiences witnessed the fast moving action on screen unspool to the tinkle of piano music in several venues. Information about IMAX theatres is provided.

The article discusses the Regal Premium Experience (RPX) program and motion picture theater renovations from the U.S. motion picture theater chain Regal Entertainment Group. Details related to charity events connected to 2013 theater openings in Issaquah, Washington, Atlanta, Georgia, and Nanuet, New York, the installation of IMAX theatres in Regal establishment, and recliner theater seating are provided. Commentary from Regal's chief marketing officer (CMO) Ken Thewes is provided.

The article focuses on the efforts of film director Greg MacGillivray and his co-director David Breashears in designing a 42-pound image maximum (IMAX) camera that could still inhale 65-millimeter film at 5.5 feet per second for the filming of the documentary "Everest" in 1997. Topics covered include the detail and clarity of the film through the use of an IMAX camera and his desire to increase the percentage of U.S. population who typically sees an IMAX movie.

The article discusses the efforts made by the entertainment technology company IMAX for the technological advancement of the motion picture industry. Topics discussed include the development of the 70mm film and IMAX film, the use of digital projectors, Light Emitting Diode (LED) cinema screens, and Panavision's Super 70 65mm cameras. It also mentions the success of premium large-format cinema screen (PLF).

The article discusses technological innovations in the motion picture industry by referring to the use of holographic projection and IMAX. Topics discussed include video conferencing by using tools such as Skype, the creation of holographic posters for the film "Jaws 19", the use of holographic technology by marketing and promotional companies, and 3D films.

The article discusses the Latin American motion picture theater chain Cinépolis, which will receive the 2013 Global Achievement in Exhibition Award at the CinemaCon motion picture industry trade show. Executive Alejandro Ramírez Magaña is mentioned, as well as the company's digital, 3D, and IMAX theaters. Box office profits in Mexico and theaters in India and the U.S. are also mentioned.

The article provides information on U.S. motion picture theater openings during 2012 operated by Regal Entertainment Group. Specific attention is given to the San Benardino Stadium 14 and RPX in California, the Huebner Oaks Stadium 14 and RPX in Texas, and a theater at Waugh Chapel Towne Centre in Gambrils, Maryland. Information is provided on the theatres' capabilities for IMAX and three-dimensional (3D) films.

The article examines the Canadian company IMAX and how their motion picture film format is impacting the film industry. It extensively quotes the President of IMAX Theatres, Mark Welton, who discusses the company's business model. Several films that were produced using IMAX technologies are discussed including "Mission: Impossible-Ghost Protocol," "The Dark Knight" and "The Dark Knight Rises."

The article presents criticism on the film "To the Arctic 3D," directed by Greg MacGillivray and narrated by Meryl Streep. Particular focus is given to the film's plot, which documents climate change in the arctic and how it is putting polar bears, caribou and other wildlife at risk. Additional topics discussed include the film's cinematic techniques, how the crew adapted to working with the animals and MacGillivray's reaction to the harsh realities of global warming.

The article features the motion picture theaters of Regal Entertainment Group in the U.S. A description of Regal L.A. LIVE Stadium 14 in downtown Los Angeles, California is given. It mentions the completion of six projects by Regal in 2009. These include the Regal Westchester Commons Stadium 16 in Midlothian, Virginia, the Regal Thornton Place Stadium 14 & IMAX in Seattle, Washington and the Regal River Point Stadium 14 in Sheridan, Colorado.

The article reports on the film "Beowulf," from director Robert Zemeckis, which would be the first Hollywood feature to open simultaneously in Imax 3-D and digital 3-D. The release of "Beowulf will help expose of the 3-D format to the wide audiences. The film will open in 3-D on about 800 screens in the U.S. It is mentioned that the Imax 3-D and digital 3-D represent immensely different economic models.

The article reports on the important role of Imax, the large-format film, in the motion picture industry. Imax was born in Mississauga, Ontario in 1967 and now boasts a network of 290 theaters in 40 countries worldwide. Barman, Spider-Man and the armies of 2006's "300" are among the characters to take advantage of the big screen through the company's proprietary DMR reformatting technology.

The article profiles Imax and its proprietary DMR reformatting technology that has become the format of choice by mainstream filmmakers who wish to create a larger-than-life viewing experience for movie patrons. It includes background information on the company and its creation, as well as a description of how the Imax format creates immersive and high-quality images on the big screen.

The article provides information on the IMAX film directed by Stephen Judson and produced by Greg Mac-Gillivray documenting the climb of mountaineer John Harlin III to summit the Eiger mountain of the Alps in Switzerland via the North face. Harlin III said that he climbed the North Face of the Eiger to honor his father, John Harlin II who died while attempting a direct route up the Eiger.

Describes the production of the wildlife documentary film, "Roar: Lions of the Kalahari," by director and cinematographer Tim Liversedge. Review of Liversedge's career in filmmaking; Significance of the film as the first feature to finish entirely in digital intermediate; Equipment and techniques used during the shooting of the film.

The article presents a collection of facts about motion pictures. It is noted that the first celluloid roll film was developed by an Episcopalian minister, Hannibal Goodwin, in 1887. In "The Ten Commandments," for the scene in which Moses parts the Red Sea, filmmakers filmed water pouring into a tank and played the footage backwards. Information about IMAX projectors is provided.

The article offers a discussion about the growing popularity of concert movies as a substitute for the live music concert experience. Technological advances in High Definition and 3-D film are attracting larger audiences to watch their favorite acts in IMAX theaters and movie theaters. Particular attention is paid to release of the film version of "Hanna Montana/Miley Cyrus: Best of Both Worlds," tour and the rock band U2's 3-D tour film "U23D."

The article reviews the IMAX motion picture "Mummies: Secrets of the Pharaohs.

The article looks at Michael Quaranto, co-founder of 1570 Cinema Services. Quaranto and his business partner, Andrew Brown travel around the U.S. and clean eight-story-tall IMAX theater screens. The article describes the cleaning devices, the use of lamb's wool, and the amount of dust and debris on the screens.

This article reviews the IMAX documentary motion picture "Greece: Secrets of the Ancient Past," produced and directed by Greg MacGillivray.

The article offers information on the new technology that drives the Asia-Pacific region, with consumers enjoying the novel experiences enabled by experiential cinema and manufacturers targeting the region for initial growth. It states that Asia comprises 54.6% of all three dimentionsl (3D) screens, significantly higher than the 41.3% of the world's screens that it possesses. It adds that the region will host at least one screen of each of the seven global brands such as Dolby Cinema and IMAX.