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The article is a case study intended to demonstrate how the narrative material documented for the ethnological contextualisation of museum objects and collections is also useful for linguistic research, especially for dialectology. An extensive database of spoken language recordings from six western Slovenian dialects and one subdialect, which was acquired in the course of the cross-border project ZborZbirk: Cultural Heritage in the Collections between the Alps and the Karst Region, enables research on all linguistic levels (dialect vocabulary, morphology, syntax). At the text level, it also allows for the aesthetic and stylistic analysis of spoken discourse. Applicability is demonstrated on some concrete examples. Prispevek želi na podlagi študije primera pokazati, kako je gradivo, ki je bilo dokumentirano za etnološko kontekstualizacijo muzejskih zbirk in predmetov, uporabno tudi za jezikoslovne, predvsem dialektološke raziskave. Obsežna podatkovna zbirka zvočnih posnetkov z območja šestih zahodnoslovenskih narečij in enega podnarečja, ki je nastala v okviru čezmejnega projekta ZborZbirk: kulturna dediščina med Alpami in Krasom, omogoča raziskave na vseh jezikovnih ravninah (narečno besedje, oblikoslovje, skladnja), na ravnini besedila pa tudi proučevanje stilistike govorjenega diskurza. Uporabnost gradiva je ponazorjena z nekaj konkretnimi primeri.

This article inventories the choronyms in the village of Čadrg in the Tolmin region. These are presented in the context of their physical location based onan orthophoto image. This method clearly shows the richness of this heritage - which is rapidly being forgotten because of changing lifestyle - ina relatively small area. The article also catalogues oeconyms (house names) because many of the choronyms are connected with these. Some of the collected choronyms and oeconyms are described with anecdotes from narrative tradition. V prispevku so popisana ledinska imena v vasi Čadrg na Tolminskem, ki so na podlagi orto foto načrta postavljena v kontekst fizičnega prostora. Ta način (metoda) nazorno kaže, kako veliko je (bilo) bogastvo tovrstnega izročila na relativno majhnem območju, ki pa se zaradi spremenjenega načina življenja hitro pozablja. V prispevku so bila popisana tudi hišna imena, saj je velik delež ledinskih imen povezan prav z njimi. Nekatera od nabranih imen, hišnih in ledinskih, so bila orisana z utrinki iz pripovednega izročila.

The paper focuses on the notion of good narrator, his or her characteristics, and pecularities, and the perception of such a person by the public on the receiving end, and by a researcher (folklorst). It tries to answer the question whether a narrator who is good according to the public is similarly, viewed by the researcher who is trying to documents a certain folkloristic event. Listed are the opinions of informant6s from the vicinity of Bovec, who in certain cases have themselves acted as narrator's (their statements have been obtained in the course of collecting material for author's M. A. paper). The paper also focuses on author's own experience, as well as on conclussions by Milko Matičetov, a well-known folklorist who conducted his own research of the area several years ago V prispevku želim opredeliti pojem dobrega pripovedovalca, njegove lastnosti in posebnosti ter pogled nanj z zornega kota sprejemalca (občinstva) in raziskovalca (slovstvenega folklorista). Odgovoriti poskušam na vprašanje, ali je pripovedovalec, ki je po kriterijih publike označen za dobrega, enako dober tudi za raziskovalca, ki želi folklorni dogodek dokumentirati. Podajam mnenja informatorjev z Bovškega, ki so v nekaterih primerih obenem tudi pripovedovalci ( njihove izjave sem pridobila z interjuji med zbiranjem gradiva za svojo magistrsko nalogo), svoje izkušnje in opažanja ter ugotovitve znanega folklorista Milka Matičetova, ki je pred leti raziskoval na Bovšekm

Gašper Križnik je bil obrtnik in trgovec iz Motnika, ki je zapisan v zgodovino kot nadarjen in vztrajen zapisovalec folklornega izročila v njegovi izvirni obliki v času, ko je bila to redkost. Pravljice, ki jih je zapisal v drugi polovici 19. stoletja, so bile l. 2020 izdane v knjigi Sveti Coprijan in so osrednja tema magistrskega dela. Pravljica v Križnikovem zapisu je predstavljena kot folklorni žanr z ozirom na okoliščine (realizacija s pripovedovanjem v živo ter s sočasnim zapisom v konkretnem folklornem dogodku) in hkrati kot literarni žanr. Namen naloge je prikazati skupne značilnosti in posamezne posebnosti glede na opredelitev Maxa Lüthija, pri čemer opazujemo, katere sestavine pravljic so stalne in katere nekoliko bolj spremenljive. Ugotovitve potrjujejo teze Maxa Lüthija o pomenu forme, saj dogajalna struktura kaže največjo skladnost z lastnostmi žanra, prav tako prostor in čas, ostali elementi pa dopuščajo več pripovedovalske kreativnosti in so bolj dovzetni za aktualizacijo. Najbolj je to razvidno pri psihologizaciji pravljičnih likov. Ker so bile pravljice slišane in zapisane med ljudmi, je upoštevan koncept folklornega dogodka. Primerjava treh variant iste pravljice, ki so jo zapisali zapisovalci v različnih časovnih obdobjih, prikazuje individualne odločitve pripovedovalcev in zapisovalcev pri oblikovanju pripovedi. Kontekst časa in prostora pripovedovanja in zapisovanja ima precejšen vpliv na vsebino oz. pripoved samo. Danes je zaradi spremenjenega načina življenja pripovedovanje pravljic za otroško in odraslo publiko v živo možno spremljati predvsem na javnih pripovedovalskih dogodkih. Kamniška knjižnica si z vsakoletnim pravljičnim festivalom pa tudi knjižnimi objavami gradiva prizadeva, da bi se motniške pripovedi še naprej ohranile v zavesti domačinov in drugih obiskovalcev ter bralcev. Gašper Križnik was an artisan and merchant from the village of Motnik, who got himself noted in history as a gifted and persistent collector of folklore in its original form in a period when that was rare. Fairy tales that he collected in the latter part of the 19th century were published in the work called Sveti Coprijan and are the core of this master's thesis. Fairy tales in Križnik’s writings are presented as a folklore genre in a wider context (with the story being told live and written down simultaneously in a particular folklore event) and as a literary genre. The purpose of this master's thesis is to show common properties and some particularities in regards to Max Lüthi’s description, while observing, which fairy tale elements are constant and which are more interchangeable. My findings confirm the thesis set by Max Lüthi about the importance of form, as the sequence of events is highly compatible with what is expected of the genre. The same goes for space and time, while other elements allow for a more creative approach by the storyteller and are more susceptible for actualization. This is most obvious when psychologizing fairy tale characters. Because the fairy tales were observed and written down among people, the concept of a folklore event is also taken into account. A comparison of three variations of the same tale, written down by different writers in different time periods, shows us personal choices made by the storytellers and collectors when forming the tale. The context of time and space of telling and writing has significant influence on the content of the tale. Nowadays, because of our different lifestyle, it is most common to listen to live storytelling for both children and adults on special public events. The public library in Kamnik promotes and preserves tales from Motnik by organizing yearly fairytale festival and by publishing the tales.

Diplomska naloga prinaša transkripcijo štirih zvočnih posnetkov, ki jih je folklorist in etnolog Milko Matičetov naredil na območju Gorenjske konec 60-ih let preteklega stoletja. Posnetki vsebujejo folklorno srečanje s pripovedovalcem Tinetom Capudrom – Oštirjevim iz Škocjana (Dob, Domžale) in gradivo, posneto za televizijsko oddajo s pravljičarjem Petrom Jakljem – Smerinjekovim iz Kranjske Gore. Pred analizo gradiva je nekaj pozornosti posvečene opisu slovstvene folkloristike kot vede in njenim metodam, nato je prispevek tega diplomskega dela umeščen med že objavljeno gradivo in raziskave z Gorenjske. Sledi analiza posnetkov z vidika konteksta, podrobneje so namreč predstavljeni posamezni udeleženci folklornih srečanj. Za razumevanje teksta sta na kratko opisana krajevna govora glavnih pravljičarjev, ziljsko-gorenjski kranjskogorski in gorenjski dobski govor. Podrobnejše folkloristične analize posnetkov so si med seboj precej različne, saj vsak posnetek odpira specifična vprašanja. Stilno oblikovanje pripovedi z ritmizacijo pripovedi in barvo glasu, primerjanje različnih izvedb iste pripovedi in vloge sprejemalcev so vprašanja, s katerimi želim nakazati možnosti za nadaljnje raziskovanje. The degree paper is mainly focused on transcription of four recordings, documented by Milko Matičetov in late sixties of the past century in Slovenian region Gorenjska. Recordings contain meeting with Tine Capuder – Oštirjev from Škocjan and material, assembled for television show on Peter Jakelj – Smerinjekov. The opening chapter is discussing the matters and methods of folklore studies, then the overview of the past research in Gorenjska field is given. This chapter is followed by analysis of recordings. The context of folklore meetings is included by discussing the roles of participants, and a short introduction to the dialect of the main two storytellers. Each recording is then described in detail according to its own specifications. Rhythm of narration, tone colour, comparison between different versions and role of listeners are questions that are leading into further research.