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The year of 1972 is a very important date in the understanding of the evolution of Catalan poetry, during the decade of the 70's. The changes in this year make up the basic framework for the future characterization of the genre. The article aims to establish a syncronized break away from the year previously mentioned to choose the objective facts that this break demonstrates and interpret them in order to show the repercussion of all. There are four basic elements: the death of Gabriel Ferrater; the publication of three fundamental poetry books by significant poets (Pere Gimferrer, Narcís Comadira and Francesc Parcerisas); the appearance of new names like Xavier Bru de Sala or Ramon Pinyol, and the formatiom of the magazine group Tarotdequinze.

Resum: This essay presents a revisión of the Catalan poetry of the 1960s linked to the historical realism, starting from the different ideas and heterogeneous formulations at that time. After introducing the divergent positionings of the critics, the essay revises the poetic programme from the making up of an action-taking discourse as planned by ideologists, from the making up and tuming-into-myth of poetic models, from the recovery of a given tradition such as that of Salvat-Papasseit, and from the existence of platforms of dissemination. Then follows a more exhaustive analysis of the various kinds of realism in the poetry of the writers of the 1960s.Paraules clau: poesia catalana: anys seixanta; realisme; Joan Salvat-Papasseit