130 results on '"Jennings LA"'
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2. Confronting Margaret Garner in Cincinnati: The Opera, the Toni Morrison Society Conference, and the Public Debate
3. Imagining Margaret Garner: Classical and Contemporary Texts and Intertexts
4. Margaret Garner and Appomattox : Performing Slavery/Rewriting Opera
5. Haiti, the African-American Libretto Tradition, and Margaret Garner
6. Turning Words into Music: Toni Morrison’s Libretto Margaret Garner and Its Musical Realization
7. Contributors
8. “Dangerous Territory': The Margaret Garner Opera and the Margaret Garner Case
9. Who Speaks for Robert Garner? The Historical and the Libretto Representations
10. Rendering Margaret Garner Accessible: The Preproduction Outreach Campaign
11. Introduction: Writing Margaret Garner
12. Synopsis
13. Cast of Characters
14. Acknowledgments
15. Foreword: Performing Margaret Garner
16. Half title, Title page, Copyright, Dedication
17. 8 - Voodoo and the Black Vernacular as Weapons of Resistance: Liberation Strategies in Their Eyes Were Watching God
18. Index
19. Contributors
20. 9 - “All Those Signs of Possession': Love and Death in Their Eyes Were Watching God
21. 10 - Zora Neale Hurston’s Vodun-Christianity Juxtaposition: Theological Pluralism in Their Eyes Were Watching God
22. 7 - “Legba in the House': African Cosmology in Their Eyes Were Watching God
23. 5 - “Papa Legba, Ouvrier Barriere Por Moi Passer': Esu in Their Eyes and Zora Neale Hurston’s Diasporic Modernism
24. 6 - “Come and Gaze on a Mystery': Oya as Rain-Bringing “I' of Zora Neale Hurston’s Atlantic Storm Walkings
25. 4 - “Black Cat Bone and Snake Wisdom': New Orleanian Hoodoo, Haitian Voodoo, and Rereading Hurston’s Their Eyes Were Watching God
26. Title Page, Copyright, Dedication
27. 3 - Vodou Imagery, African American Tradition, and Cultural Transformation in Zora Neale Hurston’s Their Eyes Were Watching God
28. Acknowledgments
29. 1 - Remembering the Sacred Tree: Black Women, Nature, and Voodoo in Zora Neale Hurston’s Tell My Horse and Their Eyes Were Watching God
30. Introduction: Zora Neale Hurston, Seven Weeks in Haiti, and Their Eyes Were Watching God
31. Variations in Spelling
32. 2 - The Myth and Ritual of Ezili Freda in Hurston’s Their Eyes Were Watching God
33. Contributors
34. Frontmatter
35. Index
36. II. Performance
37. Stalling Zion: Hegemony, Whiteness, and Racial Discourse in the Matrix Phenomenon / Douglas A. Cunningham
38. The Threat to Whiteness: White Women’s Marital Betrayals in Colonial Settings / Suzanne Leonard
39. The Myth of Whiteness and a Changing Italy: Historic Memory and Colonialist Attitudes in Lamerica / Renée D’Elia-Zunino
40. Beyond the White Negro: Eminem, Danny Hoch, and Race Treason in Contemporary America / Kimberly Chabot Davis
41. The Suspect Whiteness of Spain / Baltasar Fra-Molinero
42. “Claiming': White Ambition, Multiracial Identity, and the New American Racial Passing / Meredith McCarroll
43. From “Yélida' to Movimiento de Mujeres Dominico-Haitianas: Gendering Resistance to Whiteness in the Dominican Republic / Dawn Duke
44. A Dream of a White Vienna after World War I: Hugo Bettauer’s The City without Jews and The Blue Stain / Peter Höyng
45. Romancing Whiteness: Popular Appalachian Fiction and the Imperialist Imagination at the Turns of Two Centuries / Emily Satterwhite
46. Argentina White / Amy Kaminsky
47. I. Literature
48. Introduction: The Race for Whiteness in the Twentieth Century / La Vinia Delois Jennings
49. Acknowledgments
50. A Mercy: Toni Morrison Plots the Formation of Racial Slavery in Seventeenth-Century America
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