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UNESCO's Convention Concerning the Protection of the World Cultural and Natural Heritage (1972) (Convention) provides the highest level of international recognition for outstanding universal heritage places. While the Convention has been instrumental in aiding heritage preservation, arguably it has also reinforced a problematic 'culture' and 'nature' division in protected area management. This is not a new observation. One solution that attempted to address this issue was the introduction of the World Heritage (WH) 'Cultural Landscape' category in 1992. Yet, as of 2023, there are only 127 Cultural Landscape properties of the total 1157 properties on the WH List (10.9%). Poor recognition of the category appears particularly acute in some regions, such as Australia-Oceania, and in this paper, we consider this apparent under-utilisation with a systematic review of the literature about the category. Our analysis reveals significant and concerning regional variations in both use of the cultural landscape category and in research about it. In our current era, when better recognition of First Nation heritage is demanded, and when greater protection of heritage assets is required, further uptake of the Cultural Landscape category has the potential to redress these pressing societal concerns. [ABSTRACT FROM AUTHOR]

This article examines the surprisingly prevalent incidence of contemporary handstamps impressed upon the final leaf of Restoration playbooks. These are all circular and contain either individual letters or are bisected and contain a combination of letters and numerals. As they are demonstrably not part of the printing process, they have not attracted the attention of textual editors; but as this article shows, neither are they markers of ownership that would interest scholars researching provenance. We identify the marks as being the stamps of letter receivers; in particular, receivers (James Magnes and Richard Bentley) who were also stationers involved in the publishing of the plays we examined. The presence of these stamps suggests that Magnes and Bentley served not only as publishers and booksellers, but as distributors of the playbooks they produced. The presence of these stamps thus has implications for the distribution of Restoration playbooks through the English postal system. [ABSTRACT FROM AUTHOR]

This paper considers a problematic dynamic in the protection of natural World Heritage properties for sites that also possess significant cultural assets, but that fall short of the World Heritage designation 'outstanding universal value' standard for cultural significance. The destruction of cultural heritage places in natural settings is a global concern and we use an Australian case study to illustrate the argument that cultural assets located within natural properties should be given an allied protection status. We argue that protection problems arise, represented by a nature/culture binary trope, despite significant progress in using more holistic approaches, as exemplified by cultural landscapes. To demonstrate our argument, we consider controversy surrounding a development proposal within the Greater Blue Mountains World Heritage Area (GBMWHA), located in the state of New South Wales, Australia. We find that a development proposal to raise a storage dam wall triggers significant problems for protecting both natural and cultural heritage features across the GBMWHA landscape and, in this context, we recommend a reconsideration of the rigid natural/cultural heritage binary of World Heritage classifications. [ABSTRACT FROM AUTHOR]

The article presents a brief note regarding the use of the phrase "grene of spayne," or "Spanish green," by William Caxton in his 1480 book "Dialogues in French and English."