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2. Cover

3. 5. Best Practices for Children and Their Families in Postconflict Settings: A Culturally Informed, Strength-Based Family Therapy Model

4. PART II. Participatory Approaches

5. PART I. Socio-Ecological Approaches

6. Notes on Contributors

7. 10. Arts-Based Research Innovations in Work with War-Affected Children and Youth: A Synthesis

8. Acknowledgments

9. 12. Drawing to Be Seen and Heard: A Critical Analysis of Girls' Drawings in Three Refugee Camps

10. 13. Young People with Refugee Experiences as Authors and Artists of Picture Books

11. Index

12. 11. Creative Arts Therapies in School-Based Interventions with Children and Youth Affected by War

13. 9. An Arts-Based Participatory Approach to Research with Migrant Young People in South Africa

14. PART III. Arts-Based Approaches

15. 8. Ethical Tensions in Participatory Research with Queer Young Peoplefrom Refugee Backgrounds: Critiquing a Code of Ethics

16. 3. A Case for Preservice Teachers Reflexively Engaging in Work with War-Affected Children in Canadian Schools

17. 4. The Thunder of War Is Much Less Heard: Engaging Young People and Older Adults to Restore Social Cohesion in the Midst of Crisis in Eastern Ukraine

18. 6. Navigating Participatory Research with Children Affected by Armed Conflict: Conceptual, Methodological, and Ethical Concerns

19. 2. Unlearn and Deconstruct to Collaboratively Build a Sense of Well-Being around Children Affected by War: A Family and Community Approach

20. 1. A Tri-pillared Approach to Studying Children and Families Affected by War, Migration, and Displacement

21. Title Page, Copyright

22. 7. The Right to Be Heard in Research: Participatory Research Ethics in Kakuma Refugee Camp

24. Unlocking Creativity: 6-Part Story Method as an Imaginative Pedagogical Tool

25. The Arc of Workshop

26. Devising Workshop: The Dance of Potentials

27. An Interview with Authors Tony Gee and Warren Linds

28. Prologue

29. Recovery

30. What Is Workshop?

31. Widening the Angle: Film as Alternative Pedagogy for Wellness in Indigenous Youth

37. Reflections in a Maze of Mirrors: Exploring Our Emerging Identities as Arts Educators.

38. The Spiralling Journeys of the Been-Being-Becoming-Imag(e)ining Drama Facilitator.

39. Embodied Voices: Using Applied Theatre for Co-Creation with Marginalised Youth

43. Youth reflections on ethics in research and practice: a case study of youth born of genocidal rape in Rwanda.

46. Willing to Learn More: Storytelling-Responsive Consulting through the Six-Part-Story Method

49. Click, Clack, Move: Facilitation of the Arts as Transformative Pedagogy

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