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The article discusses the theme of hybridity inherent in the paintings of English painter Jenny Saville. Themes of feminism, gender identity, and sexual self-expression in Saville's paintings are discussed. The animalistic qualities of Saville's depictions of women are analyzed, with a focus on her representations of nude overweight women. Specific paintings discussed include "Plan," "Host," and "Branded." The author concludes that Saville's paintings seek to undermine gender stereotypes while promoting female subjectivity.

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This article analyses Jeanette Winterson's Written on the Body, discussing its use of the female body as a text and, more specifically, as a palimpsest. The article aims to demonstrate that the novel's genderless narrator uses the beloved's body as a palimpsest since in trying to celebrate it, s/he is unable to depict it as it is and merely inscribes a set of meanings onto it. The female body is described through two major sets of images: as a landscape, via a colonial language, and as a diseased body, via an anatomical language. The article discusses this particular use of the female body as a traditional way of describing it, which is confirmed by the novel's wide use of literary references from canonical texts. The novel, then, appears to be positioned outside a feminist or lesbian tradition, since it is not able to represent the female body in a new and fertile way and draws too much on an all-male literary tradition, configuring itself as a palimpsest just like the body it is trying to describe. [ABSTRACT FROM AUTHOR]