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Elementi dizajna u arhitekturi desetak analiziranih antologijskih zgrada tridesetih godina u Zagrebu prominentnih protagonista moderne arhitekture, pored moderne, imaju i klasičniju morfologiju koja obilježava kontinuitet tradicionalnog nasljedstva. Adolf Loosovo poimanje dekoracije kao neusklađene s Zeitgeistom u analiziranim zgradama potencirano je oskudnim sredstvima financiranja radi čega se uređenje interijera unatoč reprezentativnom karakteru palača uglavnom svodi na nužni minimum. Istraživanje otkriva elemente dizajna unutarnjeg uređenja, namještaja i opreme: kreacije arhitekata za naručene zgrade. U reprezentativnim palačama nema primjera total designa iako su pojedini arhitekti primjenjivali ovaj koncept u drugim tipologijama zgrada. U međuratnom razdoblju posebnu pažnju dizajnu, a na tragu funkcionalističkih ideja, daju arhitekti Stjepan Planić i Juraj Denzler, dok primjenu koncepta Gesamtkunstwerka pronalazimo u zgradi Doma obrtnika arhitekata Aleksandra Freudenreicha i Zvonimira Požgaja. Arhitekti dizajniraju i tipografiju za nazive zgrada na glavnim pročeljima te logotipove i murale. Funkcionalnost, jednostavnost i čistoća linija i formi njihovog dizajna vidljiva je na sačuvanim nacrtima i fotografijama te u samim zgradama gdje je manji dio ove baštine još u uporabi., The design elements which appear in the architecture of ten anthological buildings from the 1930s in Zagreb by prominent protagonists of modern architecture, besides being modern, also have a classical morphology, which marks the continuity of a traditional heritage. Adolf Loos’s statement of decoration as unadjusted with the Zeitgeist was emphasized in the analyzed buildings by the lack of finances, which made the interior design, in spite of the representative character of the palaces, reduced to a bare minimum. The analysis reveals design elements of interior and furniture design, the architects’ creations for the commissioned buildings. There are no examples of total design in the representative palaces, even though some architects applied this principle in other building typologies. In the interwar period, architects like Stjepan Planić and Juraj Denzler paid special attention to design on the basis of functionalist ideas, while the application of the Gesamtkunstwerk concept can be found in the building Dom obrtnika (Artisans' Building) by architects Aleksandar Freudenreich and Zvonimir Požgaj. Architects designed typographies for building names on the front facades and logotypes. The functionality, simplicity, and purity of lines and forms in their design can be seen on preserved plans, photos, and even in buildings for a small portion of this heritage that is still in use.

Participation in social and cultural life is the right of every human being, but for some persons (with disability, chronic illness, mobility and sensory issues…) it is greatly hindered by the inaccessibility of spaces and content. This topic has recently gained importance, owing to our growing awareness of the percentage of persons with mobility problems, and particularly regarding the aging population in many countries. Moreover, for several countries, the issue of accessibility is also related to the growing importance of tourism to their economy or the presence of many persons with disabilities related to wars. This paper presents the research on the evaluation of the accessibility of cultural locations (urban sites, museums, parks, theatres, etc.) through in- depth interviews and surveys with representatives of persons with disabilities, chronic illness, mobility and sensory issue and mental health issues, and by creating an evaluation multicriteria model with guidelines based on these inputs. The results reveal that while it is possible to evaluate the flow and content of cultural activities, there are problems of inaccessibility and lack of awareness among the general and professional public.

Cilj članka je analiza rekonstrukcije hotela President u Dubrovniku 2013. godine. Rad je nastao na temelju diplomskog rada studenta Deana Sošića obranjenog na Građevinskom fakultetu Sveučilišta u Rijeci 2020. godine pod nazivom „Rekonstrukcija hotela President u Dubrovniku 2013. godine“. Student analizira izvorni projekt arhitekta Edwarda Stonea Durella iz sedamdesetih godina te zahvate na hotelu do 2013. godine kada je temeljito rekonstruiran za potrebe novog investitora. Pored konstruktivne analize rad donosi i valorizaciju rekonstrukcije., The aim of this paper is to provide an analysis of the reconstruction of Hotel President in Dubrovnik in 2013. The paper is based on student Dean Sošić's Master's thesis titled "Reconstruction of Hotel President in Dubrovnik in 2013," successfully defended at the Faculty of Civil Engineering, University of Rijeka, in 2020. The student analyzes Edward Stone Durell's original design from the 1970s and subsequent works on the hotel until 2013 when it was thoroughly reconstructed for the new investor. In addition to a construction analysis, this paper also brings an evaluation of the reconstructed hotel.

The paper addresses the oeuvre of a lesser- known Austrian architect Theodor Träxler in Rijeka (at that time called Fiume), which is thus far the only known city in Croatia in which this scholar of the Wagner School lived and worked. During the four-year period of his stay in Rijeka, from 1911 to 1914, Theodor Träxler participated in several residential and public building projects. He is linked with projects and their implementation in Port Warehouse 19, the Celligoi residential building, the Gubernia House, the Fenice Theatre, the Benedictine Monastery and the Marač residential building.

The melting ice installation in a shape of a house archetype represents the next reason for mass migrations: climate change.

Cilj ovog rada je prezentacija diplomske disertacije „Hotel Lišanj arhitekta ignjata Fischera, Novi Vinodolski“ na jugu Primorsko-goranske županije u blizini Crikvenice, sagrađenog 1923. godine u duhu Carske arhitekture. Autor hotela je poznati zagrebački arhitekt Ignjat Fischer koji je projekt napravio prije raspada Austro Ugarskog Carstva 1917. godine. U radu se analizira povijest hotela Lišanj koja se isprepliće s razvojem turizma u Novom Vinodoslkom. Analiza je fokusirana na povijesnu građevinu hotela Lišanj. Pored pregleda razvoja turizma na ovom području, analizirana je fazna dogradnja hotelskog kompleksa, te rekonstrukcija povijesne zgrade u nekoliko navrata do danas, a dana je i funkcionalna analiza te usporedba sa hotelom Esplanade u Crikvenici slične povijesti. Metoda rekonstrukcije temeljila se na „adiciji“ suvremene arhitekture, koja se trebala podrediti ambijentu u kojem nastaje. Slaba usklađenost i kvaliteta dograđenih sadržaja vjerojatno je razlog radi kojeg se hotelski lanci danas intuitivno reklamiraju prvenstveno povijesnim građevinama. Iako je i Carska arhitektura težila ujednačenosti arhitektonskog izričaja, s vremenskim odmakom ove građevine daju dodanu vrijednost još uniformiranijoj suvremenosti svjedočeći o slojevitosti povijesti prostora., The aim of this paper is to present the graduation thesis Architect Ignjat Fischer's Hotel Lišanj, Novi Vinodolski, in the south of Primorsko-Goranska County near Crikvenica, built in 1923. The hotel was designed by a well-known architect from Zagreb, Ignjat Fisher, who developed the project before the collapse of the Austro-Hungarian Empire in 1917. The paper analyzes the history of Hotel Lišanj, which intertwines with the development of tourism in Novi Vinodolski. The analysis is focused on the historic building of the hotel. A review of the phases of reconstruction of the hotel from the 1923 until today, and a functional analysis of today’s buildingin comparison to Hotel Esplanade in Crikvenica with a similar history is given. The method of hotel reconstruction was “addition” of new volumes in contemporary style, which design should have adapted to the context. Poor consistency and quality of new hotel facilities is probably the reason why hotel chains intuitively advertise themselves primarily with historic buildings. Although the imperial architecture aimed at uniformity of architectural expression, as the time passes, these buildings give an added value to an even more uniform contemporaneity, bearing witness to the multiple layers of the region's history.

Cilj je ovog rada predstavljanje doktorske disertacije Arhitektura, konstrukcija i konzervacija: reprezentativna palača tridesetih godina u Zagrebu obranjene na Sveučilištu Roma “Tor Vergata“, Rim, Italija 2010. godine. U radu je analizirana kompleksna tipologija zgrada, pretežno poslovne namjene, nastale na vrhuncu zagrebačkog modernog pokreta - tridesetih godina dvadesetog stoljeća u Donjem gradu, današnjem središtu Zagreba. Razmatrana tipologija prerasta prvotnu inačicu poslovnih građevina s funkcionalnom podjelom po etažama i postaje kompleksan spoj raznolikih sadržaja za veliki broj korisnika; zajednička karakteristika odabranih građevina je da su sve predstavništva poduzeća ili udruga građana radi čega su u istraživanju nazvane reprezentativna palača. Analiza objedinjuje desetak palača koje danas čine antologijsko tkivo grada te otkriva Zagreb kao konzervativnu sredinu po pitanju konstruktivnih karakteristika građevina, primjene suvremenih materijala i njihovih mogućnosti., The goal of this article is a presentation of a doctoral dissertation Architecture, construction and conservation: representative palace in Zagreb during 1930ies completed at the Italian University Roma „Tor Vergata“, in 2010. A complex building typology mainly of business function is being analyzed; the buildings were constructed at the peak of the modern movement in Zagreb-during 1930ies, in today's downtown called Donji Grad. This studied typology outgrows the first version with functional division per floors, and becomes a complex mix of various components for a large number of users. All the chosen buildings are built as seats of firms and citizen's associations, that's why they get called representative palaces in the research. The analysis connects ten palaces which make today the anthological tissue of the town, and discovers Zagreb as a conservative milieu concerning constructive characteristics and the use of modern materials.

Architects Jovan Korka, Đorđe Krekić and Georg Kiverov founded the KKK Group in 1931 in Zagreb, and worked together until 1939. During its activity, the Group built in total five public buildings for public use: The Chamber of Labour in Zagreb and Public Labour Exchange buildings in Zagreb, Osijek, Slavonski Brod and Karlovac. The emphasis on the analysis conducted was on hidden architectural and structural values of anthological buildings in the authors’ body of work, omitted in the existing research, and the presentation of unknown works. The survived buildings, the legacy of the KKK Group, are the testimony of functionalist and avant-garde modern architecture in Croatia.

The research presented is oriented to research questions: Do users without disabilities use, perceive and participate in cultural heritage spaces in different or similar way than users with disabilities? Can we find out? Is it possible to create a model of evaluation of accessibility and inclusiveness of space that gives realistic feedback on the inclusiveness of cultural heritage? How to create such a model? Verify the model on bases of user inputs. Does the legislation cover all aspects of use of cultural heritage, especially considering the flow and inclusion? Does the situation on site result from non-adherence to regulation or of lack in regulation? What is the situation of inclusiveness, why is it so, and how can the situation be improved?

Natječajni rad osvojio je 1. nagradu na javnom urbanističko-arhitektonskom natječaju za trgovačku zonu K-2 južno od Jadranske avenije u Zagrebu

Urbanističko-arhitektonsko idejno rješenje za uređenje trga Poljana maršala Tita u Šibeniku.

skupna izložba natječajnih radova

Nella presente ricerca si intende analizzare la tipologia complessa di progetti e costruzioni, prevalentemente dedicate al lavoro, sviluppate negli anni ’30, a Donij Grad, oggi centro di Zagabria. La prima versione dei palazzi per il lavoro risale ai primi del ’900 e si basa su una divisione funzionale per piani. La tipologia qui presa in esame, invece, è un insieme complesso di molteplici contenuti destinata a un gran numero di utenti. I palazzi esaminati in questa ricerca sono definiti “palazzi di rappresentanza”, in virtù di una loro caratteristica comune: sono, infatti, tutti uffici di rappresentanza di aziende e ditte private o pubbliche oppure di associazioni cittadine. La presente ricerca mira a spiegare i collegamenti tra una decina di palazzi o, comunque, i loro tratti comuni e a rivelare un aspetto particolare di Zagabria, intesa come ambiente conservativo per quel che riguarda le caratteristiche costruttive e l’uso di materiali nuovi e delle loro possibilità

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Arhitektonsko-urbanistički natječajni rad za osnovnu školu “Dragutin Kušlan“ u Zagrebu

skupna izložba natječajnih radova

Idejno rješenje interpolacije stambeno-poslovne građevine unutar blokovske strukture Maksimirske ulice u Zagrebu.

Rad je osvojio 3. nagradu na Državnom, javnom, otvorenom natječaju za Župnu crkvu s pastoralnim centrom i hostelom, Špansko-Oranice, u Zagrebu. Raspisivač natječaja je Grad Zagreb, Gradsko poglavarstvo, a provoditelj je Društvo arhitekata Zagreb (DAZ).

skupna izložba natječajnih radova

skupna izložba natječajnih radova

Natječaj za izradu idejnog urbanističkog-likovnog rješenja spomen obilježja žrtvama stradlim u Vukovaru i vukovarskoj bolnici

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Idejno urbanističko- arhitektonsko rješenje školske športske dvorane uz OŠ Ante Kovačića u Zagrebu.

Idejno arhitektonsko-urbanističko natječajno rješenje dječjeg vrtića u Vrbanima, Zagreb.