1,262 results on '"Mazzola, Guerino"'
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2. Consciousness, Creativity, and Complex Time in Music
3. Computer und Musik: Eine Einführung in die digitale Klang—und Musikverarbeitung by Philipp Ackermann (review)
4. Gestural Interpretation of Harmonic Dynamics in Tonal Modulation and Future Developments
5. The Classification Theorem for Global Compositions
6. Local Gestures, Structures of Knots, and Local Gestures as Local Compositions
7. The Classification Problem of Global Gestures
8. Classification Lists
9. Global Composition and Gesture Classification
10. Singular Homology of Hypergestures
11. Local Composition and Gesture Classification
12. Motif Classes
13. Composition Denotators and Classification
14. Ontology, Oniontology, and Creativity
15. Denotators over General Categories
16. Exploring Exotic Counterpoint Compositions
17. Gestural Denotators: A First Overview
18. Counterpoint Worlds
19. The Gestural Construction of Musical Time
20. Applications and Consequences
21. Cech Cohomology
22. Yoneda
23. Examples
24. Semiotics
25. Semiotic Classification of Creative Strategies
26. Functorial Semantics Category
27. Motivation and Background
28. Dodecaphonic Rows
29. Classification of Chords
30. Microtonal Contrapuntal Theories
31. The Escher Theorem for Compositions and Gestures
32. Harmony through Third Chains
33. Formal Representation of Musical Structures
34. Strong Interval Dichotomies
35. The Basic Problem of Classification
36. Conclusions and Perspectives
37. Semantic and Expressive Topology
38. A Projection-Oriented Mathematical Model for Second-Species Counterpoint
39. Modulation in Tetradic Harmony and its Role in Jazz
40. A Projection-Oriented Mathematical Model for Second-Species Counterpoint
41. Modeling Kramer’s Time Concepts
42. Structures of Organized Time
43. Musical Gestures
44. Limits of Gestural Diagrams
45. Goebel, Pang, and Rochester: Applications
46. Semiotics of Time
47. Kramer’s Time Concepts Summary.
48. Genealogy and Ontology of Human Time Perception
49. Meters and Rhythm
50. Ontology, Oniontology, and the Artistic Presence
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