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Copyright of Revista de Psicoterapia y Psicosomática is the property of Instituto de Estudios Psicosomaticos & Psicoterapia Medica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A central debate in contemporary Latin American social sciences revolves around the enduring presence of colonial patterns, practices, and forms of domination in research methodologies and the subjective framing of societal issues. However, decolonizing initiatives are emerging, concurrently, to challenge the ways coloniality has been entwined with the expansion of capital in the 21st century. This introductory article explores the key debates surrounding colonial persistence and decolonization within the social sciences. The dossier employs a methodology centered on documentary analysis and participatory social and political reflection, particularly through experimental approaches. The articles reviewed reveal that colonial persistence and decolonization are inherently dialectical, contradictory, and conflict-ridden, manifesting across diverse social, cultural, economic, and political domains. The uniqueness of this thematic issue lies in its ability to weave together a theoretical and conceptual discourse on symbolic and imaginary aspects within culture, spanning anthropological, legal, and educational dimensions. The analysis underscores that these issues are pluralistic and deeply intertwined with struggles over land and natural resources, enriching interdisciplinary understanding of the complex dialectical relationships between social, anthropological, economic, and political factors, alongside the aesthetics of cultural practices. [ABSTRACT FROM AUTHOR]

This article analyzes the presence of the exile and memorialist issue in Maruxa Vilalta's short narrative. It focuses on three aspects of her work: the stories "Diferència" and "El meu dia foll" and the collection "El otro día, la muerte". These texts reveal different identity levels that range from post-memory to collective and multidirectional memory. The objective of the article is to highlight Vilalta's literary production in relation to her condition as an exile, an aspect that has been little studied in existing academic analyses about her. [Extracted from the article]

The article analyzes the work of Cristina Peri Rossi from a perspective of poetic drift, highlighting the influence of exile on her work and the presence of literary figures related to the sea and travel. The relationship between exile, nostalgia, and writing is explored, suggesting the idea that exile can be seen as a form of reconquest and the search for a new dwelling. The importance of memory in exile is mentioned, and how nostalgia transforms the time of loss into an evocative time. The article also analyzes the novel "La nave de los locos" as a metaphor for exile, and highlights the character of Equis as a representative of exiled subjectivity and identity instability. [Extracted from the article]

Revenge, estrangement, nihilism. These are the main feelings identified by historians to describe the political culture and anthropology of the subversive far right, from the second post-war period to the years of terrorism. Social scientists have placed at the centre of their analysis the radical right’s process of coming to terms with the grief caused by the defeat of the fascist regimes in the Second World War. The emphasis on pessimism, however, has pushed into the background the specificity of the elaboration of defeat within right-wing radicalism. The efforts of far-right intellectuals, in fact, had been aimed at overcoming ‘nostalgism’, that particular form of political melancholy, widespread in neo-fascism, which led to regret rather than overcome the fascist experience. In this perspective, the outbreak of global protest in the 1960s opened a difficult generational confrontation within the Italian far right. Neo-fascist youth movements rediscovered the myth of the ‘fascist revolution in its original form’. The division even ran through families, opposing veterans of the Italian Social Republic with extra-parliamentary militants who later entered underground terrorism. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The importance of monuments goes beyond representing or commemorating some event or character. In our everyday life we come across many monuments that we sometimes overlook, it is worth asking ourselves what is the importance of these monuments and if they still remember the same as when they were built or if they have gone through processes of resignification, destruction, appropriation or, even more, if they have fallen into oblivion. This paper will attempt to address these questions by taking as a reference two monuments in the city of Xalapa, Veracruz, Mexico. [ABSTRACT FROM AUTHOR]

The objective of this paper is to reflect on the place of memory in social research based on a doctoral research experience based on the construction of life trajectories of reincorporated members of the farc-ep with a gender perspective. Among the main reflections, it is observed how memory and the narratives that make it up must be studied and approached not from the veracity of their data, but from the meaning, lessons and interpretations that those who produce them wish to transmit. It is also noted that, within the collective or social memory, we find memories of subgroups that make up that community. Some of these subgroups do not have a story or are marginalized from the collective or social memory, as can happen with women and the reincorporated. Life trajectories with a gender perspective allow the construction of a social memory by allowing us to recognize ourselves with the other from the common places and the differences that we have when inhabiting the same territory, which in the Colombian case has been crossed by particular dynamics, the armed conflict. The work stands out because it not only reflects on the place of memory in social research from a de-colonial and feminist perspective, but also provides an example of how it can be carried out within the framework of an investigation. The sources used focused on theoretical and methodological texts on memory and life trajectories, as well as on four life trajectories of reincorporated members of the Ffarc-ep, these trajectories were part of the doctoral research. [ABSTRACT FROM AUTHOR]

Based on a wide and varied corpus of sources, which include colonial documents, chronicles of nineteenth-century travelers and recent musical themes, the article analyzes the musical practices of Colombian Afrodiasporic peoples as part of an acoustemological horizon that, together with associated corpo-oralities, plays an important role as a framework for apprehension and explanation of the world, support for memory, strategy of resistance and expression of their political agency; at the same time it constitutes a field in which a deep dispute develops over the meanings of historical experience. [ABSTRACT FROM AUTHOR]

This article aims to examine the role of historical memory, as well as the challenges and opportunities that arise from the intersection between memory and history in the context of Afro-descendant populations. It is based on the premise that, although there are no homogeneous and unbreakable memories, it is possible to use historical documentary sources to explore how Afrodescendants in the past constructed narratives of memory and how these practices can help to better understand the present. The first part of the article presents a review of the main debates between memory and history, addressing the tensions and convergences between these two dimensions of knowledge. Theories on historical memory and its application in recent decades in Latin America are discussed, with particular emphasis on the case of Afro-descendant communities. The second part analyzes two concrete examples of memory practices: one based on municipal documents revealing how a group of pardo militiamen used collective memory in their interactions with local authorities, and another based on a colonial periodical publication about a life story that shows, within its exceptionality, the socio-spatial mobility of the Afrodescendant population. The article concludes with some hypotheses about the process of constructing historical oblivion for this sector of the population. [ABSTRACT FROM AUTHOR]

Copyright of Historia Contemporanea is the property of Historia Contemporania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En este artículo se expone cómo se creó una colección de registros de un territorio específico en Medellín, Colombia. Para ello, se hizo un breve recuento de la historia del barrio Moravia y el sector El Morro; luego, se presentó el entretejido metodológico y conceptual; después, se exteriorizó cómo se construyó el inventario de fuentes a partir de los videos del territorio, al describir los campos y criterios con los que se clasificaron y refirieron las piezas audiovisuales. Se presentan los resultados de los procesos de selección aplicados y como anexo se reúnen los 42 videos en una tabla resumen, con el fin de evidenciar el trabajo de documentación y elaborar un estado del arte audiovisual. Se cierra con una reflexión respecto a la importancia de una bibliografía especializada de videos que como memorias mediáticas expresan la cultura del recuerdo local, y permiten valorar prácticas, saberes y resistencias de residentes del barrio, habitantes de la ciudad y extranjeros a través del cine y video como parte de los soportes de información para la historia, susceptibles de convertirse en patrimonio fílmico.

Diferentes manifestações de adesão e de rejeição e sucessivos tempos de exaltação e de esquecimento, ambos assumidos ao longo das épocas por diferentes grupos, indivíduos e instituições, contribuíram para fixar a memória histórica da revolução de 1820. A partir de meados do século XX, consistentes leituras e interpretações sobre o triénio liberal português (1820-1823) vieram acentuar a complexidade do campo historiográfico. Com enfoques diferenciados, a historiografia rompeu com velhos paradigmas de interpretação, nomeadamente de tradição liberal e republicana, e com a noção de revolução burguesa, de inspiração marxista, aplicada à emergência do liberalismo. Os mais recentes estudos têm procurado evidenciar as conexões ibéricas e atlânticas da conjuntura revolucionária. A importância da Constituição de 1822 para a história política e institucional portuguesa do século XIX tem sido estudada em articulação com a reação contrarrevolucionária iniciada em 1823 e com o triunfo posterior do constitucionalismo cartista. Numa perspetiva global, o enfoque colocado na emergência de um movimento internacional liberal da era pós-napoleónica tem contribuído para o estudo das conexões das revoluções da Europa do Sul.

Uno de los principales reservorios literarios cuyo origen es exclusivo del imaginario medieval proviene de la materia de Bretaña, específicamente del universo artúrico. El amplio abanico de su productividad ofrece usos muy variados y ha oscilado entre el predominio de la recuperación del Arturo histórico o el ficcional. La novela The Buried Giant (2015) de Kazuo Ishiguro parte de la concepción histórica para la construcción de su marco posartúrico. Durante el siglo VI, un hechizo en forma de niebla, sostenido por la vida de una dragona, hace que el pueblo pierda sus recuerdos y su memoria resulte borrosa. El efecto había sido ideado para dar comienzo a una nueva sociedad sin la enemistad o el resentimiento entre britanos y sajones. A partir del enfoque del neomedievalismo, se analizará el trabajo en el texto con el olvido y la memoria en términos colectivos e individuales.

Copyright of Retos: Nuevas Perspectivas de Educación Física, Deporte y Recreación is the property of Federacion Espanola de Asociaciones de Docentes de Educacion Fisica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

O presente estudo analisa a vivência do luto como estratégia pedagógica de resistência do sujeito migrante às violências perpetradas pelo Estado e por grupos radicalizados de extrema-direita. A reificação dos sujeitos considerados indesejados e a adoção de uma lógica cinegética a partir da qual o Estado se converte em predador e, os ditos indesejados, em presas, são relacionadas à ascensão da extrema-direita nos últimos decênios. Discutem-se as perspectivas críticas de Theodore Adorno e Paulo Freire para dar suporte à proposta da escrita como trabalho de luto com potencial para, através de uma educação voltada à emancipação, construir a memória, afirmar a identidade e reivindicar a condição humana inalienavelmente digna do sujeito migrante.

Todo ser humano conocerá el dolor en algún momento de su existencia, este se presenta como una señal de protección ante estímulos nocivos. En algunas ocasiones, continua de una manera crónica, más allá de los 3 meses. En un sistema errático cualquier estímulo puede provocar dolor (alodinia) o la sensibilidad a estímulos dolorosos puede ser exagerada (hiperalgesia). Las investigaciones nos han brindado conocimiento de cambios adaptativos y desadaptativos como potenciales activados a largo plazo, aumentos de señalización, apoptosis celulares, cambios en la expresión génica, aumento de sensibilidad en los nociceptores, cicatrización glial, cambios de homeostasis en la microglía y astrocitos. Así como los sitios anatómicos involucrados y modificados por el dolor crónico y comorbilidades, como son el núcleo accumbens, núcleo dorso medial, hipotálamo, núcleo parabraquial, corteza cingulada anterior, corteza somatosensorial primaria, tabique medial, hipocampo y núcleo de la estría terminal. Esta revisión puntualizó en la información más reciente respecto a neuroplasticidad y dolor crónico, con el objetivo de facilitar el enfoque multi y transdisciplinario.

La guerra civil española tuvo en el País Vasco características singulares. El principal rasgo distintivo residió en el elemento religioso, ya que en el País Vasco la guerra civil fue también una guerra entre católicos que generó una profunda fractura en la Iglesia local. Acabada la guerra, la Iglesia vasca se convirtió en una Iglesia de vencedores y vencidos. En las décadas de posguerra ambos sectores continuaron enfrentándose, ahora por el relato y por la memoria de la guerra civil. Este artículo examina ese combate mnemónico, mediante el análisis de diversa documentación: el Boletín Oficial del Obispado, la literatura de eclesiásticos franquistas sobre la guerra civil en el País Vasco, las numerosas publicaciones de religiosos vascos del exilio, la prensa católica clandestina del interior, etc. Nuestro punto de partida es el análisis de la singular experiencia bélica de la Iglesia vasca. Después examinamos los relatos que la Iglesia vencedora y la Iglesia vencida elaboraron sobre aquel pasado traumático y la manera en que transmitieron su memoria del conflicto. Nuestra conclusión es que una parte importante de la Iglesia vasca tempranamente impugnó la memoria oficial de la guerra civil. Como consecuencia de ello, el principal soporte ideológico y legitimador sobre el que se asentó el régimen franquista —la memoria de la victoria en una supuesta guerra santa— adoleció en el País Vasco de una enorme debilidad desde los primeros años del régimen. El artículo concluye que a inicios de la década de los sesenta ese combate mnemónico en el seno de la Iglesia vasca se había resuelto a favor de la memoria alternativa de la Iglesia vasca vencida.

El presente trabajo se acerca a los orígenes y primeros años de Hijos e Hijas por la Identidad y la Justicia contra el Olvido y el Silencio (H.I.J.O.S) Regional Mar del Plata (Provincia de Buenos Aires, Argentina). Se trata de una agrupación surgida a nivel local en el año 1994, que tuvo su aparición pública en el año 1995 y que luego se fragmentó y dio origen a dos organizaciones. Observaremos el perfil de sus integrantes, algunas de sus acciones colectivas, el funcionamiento interno y los vínculos con otras organizaciones del movimiento de derechos humanos de esa ciudad turística, como la Asamblea Permanente por los Derechos Humanos, Familiares de Detenidos Desaparecidos y Madres de Plaza de Mayo. Asimismo, daremos cuenta de algunas similitudes y diferencias con otras regionales de dicha agrupación con las cuales se vincularon rápidamente a partir de los Encuentros Nacionales y que han sido estudiadas por otros autores, como La Plata, Córdoba, Rosario, Santa Fe, Tucumán y la Ciudad Autónoma de Buenos Aires (Capital Federal de la Argentina). Para tal fin, utilizaremos diversas fuentes, como: testimonios orales del Programa de Derechos Humanos de la Biblioteca Nacional y del Archivo Oral Memoria Abierta; prensa local y nacional (digital, audiovisual y escrita); documentos de inteligencia de la policía de la Provincia de Buenos Aires; producción artística de integrantes de la regional de H.I.J.O.S; ordenanzas de la municipalidad de General Pueyrredón; páginas web y bibliografía específica.

The Funeral of Mr. Wang: Life, Death and Ghosts in urbanizing China, de Adam B. Kipnis, discute as transformações sociais na China contemporânea a partir dos impactos gerados pelo processo de urbanização em rituais funerários e práticas de memorialização. Através de uma espécie de jogo de espelhos entre o meio rural e o urbano, as empresas privadas e estatais de serviços funerários, governos locais e o Partido Comunista (também nomeado ao longo da obra pelos termos “governo central” ou “governo-partido”), parentes e fantasmas, religião e secularismo, Kipnis ilumina a trama que implica vivos e mortos em um processo histórico de mudanças crescentes na conformação socioespacial das cidades chinesas.

El propósito de este artículo es analizar los discursos sobre el patrimonio en la cobertura mediática de las protestas feministas realizadas en la Ciudad de México entre el 2019-2023. La centralidad de la intervención patrimonial durante este periodo propició una discusión pública sobre las formas de protesta, el feminismo y el patrimonio, que se extendió a los medios de comunicación. Las preguntas que guían el análisis son: ¿cuáles son los discursos sobre el patrimonio que entran en disputa? ¿qué valor y función se le confiere al patrimonio? ¿qué voces se retoman para validar esos discursos? Con la perspectiva del Análisis Crítico del Discurso (ACD) se revisan los textos de cuatro portales mexicanos de noticias. En el análisis, se destacan tres enfoques en la cobertura: la noción estática del patrimonio y el estigma de la vandalización; el énfasis en el valor del conocimiento experto para determinar la acción legítima sobre el patrimonio; y las posibilidades de resignificación del patrimonio, de la producción de memoria y de las prácticas de conservación a partir de la intervención feminista.

En este artículo se presentan los resultados de un ejercicio de cartografía sobre intervenciones al patrimonio en la Ciudad de México, ocurridas durante las protestas conmemorativas de 2022 y 2023 contra la desaparición forzada de 43 estudiantes matriculados en la Escuela Normal de Ayotzinapa en el año 2014. A nueve años del hecho, la lucha social contra la supuesta “verdad histórica” del Estado sigue vigente; la protesta por los 43 cuestiona de manera profunda la escritura de una historia oficial que deslinda al ejército de los hechos e inculpa impune y unidireccionalmente al crimen organizado. Esta investigación se enfoca en las intervenciones sobre el patrimonio ocurridas en dos años de movilizaciones. Nuestra intención es hacer visibles los recorridos y las acciones de protesta sobre monumentos y edificios históricos en la Ciudad de México. Buscamos hacer un registro fotográfico y una bitácora etnográfica de los ciclos de rayado y borrado, para discutir, desde las voces del activismo y la academia, cuáles son los roles y significados del patrimonio que entran en juego durante las protestas sociales. El patrimonio es un palimpsesto donde se reescribe de manera activa la memoria y se lucha contra el olvido, y como tal es un testimonio multicapa donde se ritualiza la disputa simbólica entre lo instituyente y lo instituido.

Este artigo tem como objetivo refletir sobre os usos da memória no trabalho da artista chilena Cecilia Vicuña, nascida em 1948. A fluidez e a multidimensionalidade da sua arte permitem que Vicuña atue sobre várias linguagens e suportes, dando ênfase ao quipu, meio de comunicação de povos originários. Para pensar a respeito das instalações Quipu Menstrual, Quipu dos Lamentos e Brain Forest Quipu, questionamos como a artista abre novas perspectivas ao futuro através do processo de recriação desse artefato comunicacional. Por meio da leitura crítica dessas obras, percebe-se que a memória trabalhada é posta em fluxo: volta-se a um passado ancestral e atualiza-o a partir de um olhar decolonial, em movimentos vinculados à biografia da artista latino-americana. O encontro da sabedoria das tecnologias ancestrais com o presente torna visível o legado histórico em uma busca pela restauração simbólica dessa memória e pela reivindicação da luta anticolonial.

A escolha de um itinerário terapêutico é atravessada por vivência de diferentes naturezas (social, cultural, econômica e entre outras) estando a memória no cerne de todas elas. Quando passamos por um processo de adoecimentos é comum que a memória nos direcione para essas vivências, nos oferecendo direcionamentos que integram o itinerário terapêutico que traçamos na busca por bem-estar. É a partir dessa concepção que surge este estudo, que buscou identificar como o Centro Espírita William Crookes, localizado na cidade de Maceió (AL) se tornou para seus frequentantes uma rota na busca por bem-estar. A partir desse estudo foi identificado que a história de um espaço é um arcabouço significativo na produção de memórias que o aponte como um local de cuidado. Considerando que o centro citado foi criado durante o período de repressão do Espiritismo brasileiro, se consolidou em Maceió a partir da assistência à comunidade neste período conflituoso, e se tornou uma das rotas mais procuradas por espíritas da cidade de Maceió na busca por bem-estar.

Copyright of Environmental & Social Management Journal / Revista de Gestão Social e Ambiental is the property of Environmental & Social Management Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The remaining Araucaria Forest in the Southern Region of Brazil represents an important natural bank of medicinal plants, but with little report on the Ethnomedicine practiced in the area. Much of the ancestral knowledge of the medicinal plants in the region is attributed to the "tropeirismo" movement, which drove Brazil during the main economic cycles of the Imperial times. In this context, the aim is to investigate and document the popular rural knowledge on the nomination and use of medicinal plants in the treatment of diseases in domestic animals. For this purpose, we visited the family agriculture communities of eight municipalities in the Microregion of Capanema, Southeast of the State of Paraná. The selection of informers by snowball sampling, where a researching individual appoints another one with knowledge about medicinal plants, resulted in 165 opened and structured interviews for the rescue of popular beliefs. The main result of this study was the elaboration of an inventory of native or introduced medicinal plants which are used regionally for the treatment of diseases that affect animals, with the evaluation of their therapeutic potential. To the same extent, as the forest has been devastated by monocultures, popular knowledge and its cultural singularities about medicinal plants are being lost. [ABSTRACT FROM AUTHOR]

Copyright of Apotheke is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The purpose of this article is to elucidate the transition from grassroots movements advocating for memory preservation to the acknowledgment of memory as a state policy. It perceives the State not as a static entity but as a dynamic arena of power struggles between dominant and subordinate groups, whose transformations lead to reconfigurations. The analysis focuses on the social and political dynamics between Law 975 of 2005 (the Justice and Peace Law) and the Victims Law (Law 1448 of 2011), delineating a highly contentious process that culminated in the institutionalization of public memory policy in Colombia. This transition emphasizes the State's obligation to democratize memory. [ABSTRACT FROM AUTHOR]

It has been twenty years since the physical death of Jacques Derrida. Yet his legacy seems to be extraordinary alive and rich in a work which is profusely studied, which gives what to think in the sense about how it is possible to use his theoretical analyses to "think" in another way the world's problems both in the philosophical, political and sociocultural fields. Derrida's thought represents --perhaps more than ever-- an enigmatic challenge for the 21st century scholar. This paper aims a call to what could be "his name" in a "tribute" based on what Derrida called himself a "work of mourning" from the memory of the absent. He questions "what's left?", "is there any kind of surplus (of life, of meaning) which remains?". I seek therefore not exactly a homage to Derrida's death but rather to take some terms closely related themselves in Derrida's thought, in a way alike to what himself sought through concepts like différance, deconstruction, double session, spectrum, among others. [ABSTRACT FROM AUTHOR]

This essay on the multiple forms of violence against women's bodies or feminized bodies, the memories of these violences, their effects on subjectivities, and the collective practices of resistance, struggle and reworking of experiences of violence, focused on The massacre of Acteal, Chiapas (1997), is a contribution to a broad debate that we have held in the research seminar "Alteridad y exclusiones" and that we have socialized in the workshop "Género, ciudadanía, derechos humanos y desarrollo sostenible" del Museo de la Mujer, unam. [ABSTRACT FROM AUTHOR]

Introduction. The study of ocular movements in patients with Alzheimer disease is a useful tool to evaluate recognition memory. Methods. Assessment of this specific type of explicit memory in 15 individuals diagnosed with Alzheimer disease and 15 controls. The parameters of ocular fixation were examined using the Eye-Tracking Tobii Tx300 through Pair-wised ranking with the paradigm novel object recognition. Discussion. The analysis of oculomotorius behavior can simplify the evaluation of recognition memory without appealing to verbal report and the visual paired comparison task. This contributes to the comprehension of the relationship among spatial attention, working memory, and episodic memory. Results: People with Alzheimer disease present difficulties in the recognition of previously presented stimulus when the latency of presentation of the familiarization and the test period is longer than two minutes. [ABSTRACT FROM AUTHOR]

This article analyzes the technology of memory as truth, based on the work carried out by the Commission for the Clarification of Truth, Coexistence, and Non-Repetition, created in Colombia within the framework of the Peace Agreements signed by the government and the FARC-EP guerrillas in 2016, utilizing the confessional dispositif proposed by Michel Foucault in the 1970s and 1980s. The study of confession and testimony is developed in three stages: 1. The mechanism for collecting testimonies in the volume Cuando los pájaros no cantaban will be analyzed. 2. The studies on confession and truth in Foucault's analyses will be revisited. 3. An articulation between memory and history based on testimonies is proposed. The article concludes with references to historical memory from the proposal of a testimonial technology, proposed from the confessional dispositif. [ABSTRACT FROM AUTHOR]

Objective/Context: In the field of Holocaust studies, the Latin American experience has occupied a liminal space. Even when the global character assumed by its forms of remembrance is widely accepted, little attention has been paid to the national cases of this region. This paper deals with a specific national case through the construction record of the National Monument to the Victims of the Jewish Holocaust, located in the city of Buenos Aires, Argentina. The present research reveals the legal and administrative process that accompanied its gestation, the recognition of the actors that intervened throughout the period, and, finally, the character and debates that the architecture of the pantheon provoked. This cycle, which lasted a little more than two decades, allows us to qualify the meaning of the global character of Holocaust memory by considering how this experience was redefined in a national context. Methodology: For this research, qualitative techniques are used in the analysis of the legislative and patrimonial records, journalistic sources, interviews with involved actors, and a documentary film called "Monument," which aims to give an account of the history of its construction and the representational matrix of that memorial. Originality: Although there have been, in recent years, some works that addressed the memory of the Holocaust in Argentina, they focused on various cultural media: literature, film, and testimonial narratives. This paper addresses an object whose materiality is different--monumental--and which was conceived as a public policy of commemorative character. The analysis of the construction of this memorial pantheon allows recognition of how the transnational dimensions of Holocaust remembrance intersected with aspects of the Argentine political process of the last twenty years. Conclusions: The analysis of the construction process and the materiality assumed by its architecture demonstrate, first, how the global dimensions of Holocaust remembrance interact with local contexts and, second, the tensions raised between the actors and organizations that promote its memory and the victims of Nazi persecution in Argentina. [ABSTRACT FROM AUTHOR]

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