188 results on '"Mueller, Gabriele"'
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2. Cultural “Transfer” in European Science Fiction Cinema: From Elia Barceló’s Mil euros por tu vida to Damir Lukačević’s Film Adaptation Transfer
3. 12 Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek – Museum für Film und Fernsehen
4. Title Page, Copyright
5. Bibliography
6. Index
7. 11 Sex on Display: Sexual Science and the Exhibition PopSex!
8. 4 The Concealed Curator: Constructed Authenticity in Uli Edel's Der Baader-Meinhof Komplex
9. List of Contributors
10. 2 Refracted Memory: Museums, Film, and Visual Culture in Urban Space
11. 8 Framing the Past: Visual Musealizations of the Nazi Past in Harlan – Im Schatten von Jud Süß and Jud Süß – Film ohne Gewissen
12. 9 Moving Statues: Arthur Grimm, the Entartete Kunst Exhibition, and Installation Photography as Standfotografie
13. 7 Historical Museum Meets Docu-Drama: The Recipient's Experiential Involvement in the Second World War
14. 10 “In a Hundred Years of Cinema …': History and Musealization in Harun Farocki’s Arbeiter verlassen die Fabrik in elf Jahrzehnten
15. 6 Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday
16. 5 Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany's Everyday Life
17. 1 The “Museal Gaze' and “Civic Seeing': City, Film, and Museum in Wim Wenders’s Der Himmel über Berlin
18. 3 Nikolaus Geyrhalter’s Unser täglich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence
19. List of Illustrations
20. Contents
21. Acknowledgments
22. Introduction
23. Going East, Looking West: Border Crossings in Recent German Cinema
24. 13 The Transnational Deutschkei in Yilmaz Arslan’s Brudermord
25. Index
26. Filmography
27. AN INSIDER’S VIEW
28. Notes on Contributors
29. 15 The Construction of Reality: Aspects of Austrian Cinema between Fiction and Documentary
30. 10 Haha Hitler! Coming to Terms with Dani Levy
31. 14 Diasporic Queers: Reading for the Intersections of Alterities in Recent German Cinema
32. 11 German Fascination for Jews in Oliver Hirschbiegel’s Ein ganz gewöhnlicher Jude
33. 7 Troubled Parents, Angry Children: The Difficult Legacy of 1968 in Contemporary German-Language Film
34. 5 Literary Discourse and Cinematic Narrative: Scripting Affect in Das Leben der Anderen
35. 9 “Looking for an Old Man with a Black Moustache': Hitler, Humour, Fake, and Forgery in Schtonk!
36. QUESTIONING COLLECTIVE IDENTITIES
37. 6 Heimat 3: Edgar Reitz’s Time Machine
38. 12 Border, Bridge, or Barrier? Images of German–Polish Borderlands in German Cinema of the 2000s
39. 8 Creative Chaos as Political Strategy in Recent German-Language Cinema
40. REASSESSING AND CONSUMING HISTORY
41. 4 Subversions of the Medical Gaze: Disability and Media Parody in Christoph Schlingensief’s Freakstars 3000
42. 2 The Counter-Cinema of the Berlin School
43. 3 The Triumph of Hyperreality: A Baudrillardian Reading of Michael Haneke’s Cinematic Oeuvre
44. CHALLENGING VIEWING HABITS
45. 1 Cinema of Dissent? Confronting Social, Economic, and Political Change in German-Language Cinema
46. Acknowledgements
47. Contents
48. List of Illustrations
49. Popular German Science Fiction Film and European Migration
50. The Invisible Game: The Secrets and the Science of Winning Minds and Winning Deals
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