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81 results on '"Neil P. McAngus Todd"'

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1. The Contribution of Anthropometric Factors to Individual Differences in the Perception of Rhythm

2. Reply to 'Embodied Rhythm' by Bruno Repp and 'Do Preferred Beat Rate and Entrainment to the Beat Have a Common Origin in Movement?' by Laurel Trainor

3. Effects of Stimulus Intensity and Frequency on the Force and Timing of Sensorimotor Synchronisation

7. Source analyses of axial and vestibular evoked potentials associated with brainstem-spinal reflexes show cerebellar and cortical contributions

9. Non-invasive recording from the human cerebellum during a classical conditioning paradigm using the otolith-evoked blink reflex

12. The inion response revisited: evidence for a possible cerebellar contribution to vestibular-evoked potentials produced by air-conducted sound stimulation

13. Mapping the vestibular cerebellar evoked potential (VsCEP) following air- and bone-conducted vestibular stimulation

14. Vestibular cerebellar evoked potentials in humans and their modulation during optokinetic stimulation

15. On the rhythm of infant- versus adult-directed speech in Australian English

16. The Radium Committee of the Royal Society and the fate of the substances purchased by it

17. Ocular vestibular evoked myogenic potentials produced by impulsive lateral acceleration in unilateral vestibular dysfunction

19. Low-frequency tuning in the human vestibular–ocular projection is determined by both peripheral and central mechanisms

20. A utricular origin of frequency tuning to low-frequency vibration in the human vestibular system?

21. Tuning and sensitivity of the human vestibular system to low-frequency vibration

22. Ocular vestibular evoked myogenic potentials (OVEMPs) produced by impulsive transmastoid accelerations

23. Towards an auditory account of speech rhythm: application of a model of the auditory ?primal sketch? to two multi-language corpora

24. A short latency vestibular evoked potential (VsEP) produced by bone-conducted acoustic stimulation

25. A brief history of Lord Rutherford's radium

26. The 'double dissociation' is based on a circular logic

27. Recruitment properties and significance of short latency reflexes in neck and eye muscles evoked by brief lateral head accelerations

29. Thresholds for vestibular-evoked myogenic potentials (VEMPs) produced by impulsive transmastoid acceleration

30. Vestibular responses to loud dance music: A physiological basis of the 'rock and roll threshold'?

31. A Sensory-Motor Theory of Rhythm, Time Perception and Beat Induction

32. Motion in Music: A Neurobiological Perspective

33. Reply to 'Embodied Rhythm' by Bruno Repp and 'Do Preferred Beat Rate and Entrainment to the Beat Have a Common Origin in Movement?' by Laurel Trainor

34. Visualization of rhythm, time and metre

35. A theory of the principal monaural pathway. I. Pitch and time perception

36. A theory of the principal monaural pathway. II. Rhythm, streaming, and comodulation masking release

38. The kinematics of musical expression

39. Contributions of ocular vestibular evoked myogenic potentials and the electrooculogram to periocular potentials produced by whole-body vibration

40. The auditory 'Primal Sketch': A multiscale model of rhythmic grouping

42. The dynamics of dynamics: A model of musical expression

43. Vestibular evoked myogenic potentials evoked by brief interaural head acceleration: properties and possible origin

44. Ocular vestibular evoked myogenic potentials (OVEMPs) produced by air- and bone-conducted sound

45. Siamang gibbons exceed the saccular threshold: intensity of the song of Hylobates syndactylus

46. Evidence for a behavioral significance of saccular acoustic sensitivity in humans

47. A saccular origin of frequency tuning in myogenic vestibular evoked potentials?: implications for human responses to loud sounds

48. Ocular vestibular evoked myogenic potentials (OVEMPs) in superior canal dehiscence

49. Is all hearing cochlear?—revisited (again)

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