Search

Im Fruhjahr 1900 unternahm eine Gruppe deutscher Wissenschaftler eine Expedition in das Gebiet zwischen dem ersten und zweiten Nilkatarakt im heutigen Sudan. Der 26-jahrige klassische Archaologe Hermann Thiersch (1874 - 1939), spaterer Ordinarius und Rektor der Universitat Gottingen, war mit von der Partie und hielt in einem Reisetagebuch und zahlreichen Skizzen seine Eindrucke dieser Nubienexpedition fest. Mit den beteiligten Agyptologen studierte er die archaologischen Hinterlassenschaften der Grenzfestungen des alten Agypten. Noch grosseres Augenmerk widmete er aber den Gefahren und Beschwerlichkeiten der abenteuerlichen Reise, dem Alltagsleben der nubischen Bevolkerung und der Kulturgeschichte dieser jahrtausendealten Grenzregion zwischen Agypten und Zentralafrika, die heute unwiederbringlich in den Fluten des Nasserstausees versunken ist.

John Keats was a trained surgeon who studied at Guy's Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected Keats manuscript: the notebook he maintained during this period. Reconstructing the lively medical world that played a formative role in Keats'intellectual and imaginative development, it seeks to show the intriguing connections between Keats'medical knowledge and his greatest poetry. It offers new research on Keats'medical career – including a new edition of his medical Notebook compiled from the manuscript – and recovers the various ways in which Keats'creativity found expression in his two careers of medicine and poetry, enriching both. Topics explored include the ‘hospital poems'Keats wrote at Guy's; the medical milieu of his daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and the collection Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820).John Keats'Medical Notebook: Text, Context and Poems reveals how Keats'visceral knowledge of human life, gained during his medical training at Guy's, transformed him into ‘a mighty poet of the human heart'.

As artists not uncommonly keep sketchbooks, so thinkers often write notebooks. Schubert Ogden is a thinker for whom writing notebooks has been an essential discipline throughout his long career of trying to think as a Christian systematic theologian. By his own confession, constantly writing down his thoughts so he could discover what he wanted to think has always been as necessary to learning how to think theologically as constantly reading in order to think fruitfully with the minds of others. This volume is a selection from the indefinitely larger corpus of Ogden's notebooks now archived in the Drew University Library. All arising from his thinking as a theologian, the entries selected are addressed to some of the more fundamental, and therefore mainly philosophical, issues now facing anyone who would do Christian theology systematically. While each entry stands on its own and may well be read discretely, they together make up a single many-sided argument for a distinctive way of doing theology today by resolutely pursuing a comparably distinctive way of doing metaphysics and ethics.

The Russian writer Lydia Ginzburg (1902–90) is best known for her Notes from the Leningrad Blockade and for influential critical studies, such as On Psychological Prose, investigating the problem of literary character in French and Russian novels and memoirs. Yet she viewed her most vital work to be the extensive prose fragments, composed for the desk drawer, in which she analyzed herself and other members of the Russian intelligentsia through seven traumatic decades of Soviet history. In this book, the first full-length English-language study of the writer, Emily Van Buskirk presents Ginzburg as a figure of previously unrecognized innovation and importance in the literary landscape of the twentieth century.Based on a decade's work in Ginzburg's archives, the book discusses previously unknown manuscripts and uncovers a wealth of new information about the author's life, focusing on Ginzburg's quest for a new kind of writing adequate to her times. She writes of universal experiences—frustrated love, professional failures, remorse, aging—and explores the modern fragmentation of identity in the context of war, terror, and an oppressive state. Searching for a new concept of the self, and deeming the psychological novel (a beloved academic specialty) inadequate to express this concept, Ginzburg turned to fragmentary narratives that blur the lines between history, autobiography, and fiction.This full account of Ginzburg's writing career in many genres and emotional registers enables us not only to rethink the experience of Soviet intellectuals, but to arrive at a new understanding of writing and witnessing during a horrific century.

John Aubrey (1626-1697), antiquary, natural philosopher, and virtuoso, is best-remembered today for his Brief Lives, biographies of his contemporaries filled with luminous detail which have been mined for anecdotes by generations of scholars. However, Aubrey was much more than merely the hand behind an invaluable source of biographical material; he was also the author of thousands of pages of manuscript notebooks covering everything from the origins of Stonehenge to the evolution of folklore. Kelsey Jackson Williams explores these manuscripts in full for the first time and in doing so illuminates the intricacies of Aubrey's investigations into Britain's past. The Antiquary is both a major new study of an important early modern writer and a significant intervention in the developing historiography of antiquarianism. It discusses the key aspects of Aubrey's work in a series of linked chapters on archaeology, architecture, biography, folklore, and philology, concluding with a revisionist interpretation of Aubrey's antiquarian writings. While covering a wide variety of scholarly territory, it remains rooted in the common thread of Aubrey's own intellectual development and the continual interaction between his texts as he studied, discovered, revised, and rewrote them across four decades. Its conclusions not only substantially reshape our understanding of Aubrey and his works, but also provide new understandings of the methodologies, ambitions, and achievements of antiquarianism across early modern Europe.

A treasure trove of personal writings by the great post-punk singer-songwriter—with a foreword by his wife Deborah and an introduction by Jon Savage.So This Is Permanence presents the lyrics and personal notebooks of one of the most enigmatic and influential music artists of the late twentieth century, Joy Division's Ian Curtis.The fact of the band's relatively few releases belies the power and enduring fascination its music holds, especially in light of Curtis's tragic suicide in 1980 on the eve of the band's first American tour.This volume features Curtis's never-before-seen handwritten lyrics, accompanied by earlier drafts and previously unpublished pages from his notebooks that shed fascinating light on his writing and creative process.Also included are an insightful and moving foreword by Curtis's widow Deborah, a substantial introduction by writer Jon Savage, and an appendix featuring books from Curtis's library and a selection of fanzine interviews, letters, and other ephemera from his estate.