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Your search keyword '"Piscator, Erwin"' showing total 39 results
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39 results on '"Piscator, Erwin"'

1. Was Rolf Hochhuth's Play, The Deputy, the Result of a KGB Plot? Assessing the Merits of a Decades-old Conspiracy Theory

Author

Ruff, Mark Edward

Subjects
Dramatists, Conspiracy theories, History, Philosophy and religion, Catholic Church -- Officials and employees
Abstract

This article seeks to debunk a conspiracy theory regarding the origins of the German playwright Rolf Hochhuth's incendiary play from 1963, The Deputy, which denounced Pope Pius XII for his alleged silence about German crimes in the Holocaust. According to these conspiracy theories, this plays success was the result of a masterstroke by Soviet intelligence, which had infiltrated the Vatican and stolen documents from the Vatican archives. By examining letters and correspondence pertaining to the play's origins, including its original drafts, this article argues that this conspiracy theory is chronologically implausible. Hochhuth's own account of the play's origins remains more or less correct, some inaccurate details notwithstanding. Keywords: conspiracy, Rolf Hochhuth, Ion Mihai Pacepa, The Deputy, Pius XII, Introduction This article seeks to debunk a conspiracy theory regarding the origins of the German playwright Rolf Hochhuth's play, The Deputy} This incendiary play was premiered at the Free People's [...]

Published
2023

2. Rolf Hochhuth: breaking the silence.

Author

Bigsby, Christopher

Abstract

The world is silent. The world knows what is going on here – it cannot help but know, and in the Vatican, the deputy of God is silent, too. This statement, from another time, shaped into an accusation, opens the printed version of the third act of a play written by a thirty-two-year-old German author who as a child had been a member of the Deutsches Jungvolk, a Hitler youth group, the young members of which, in 1943, were set to collect leaflets dropped from Allied planes telling the Germans of the extermination of the Jews. Rolf Hochhuth was born in 1931 in Eschwege, in Northern Hesse, the son of a man who worked in a shoe factory founded by his great-grandfather. That father had served in the First World War and went on, briefly, to serve in the second. Rolf met his wife-to-be while still at school. Her mother, a Social Democrat councillor, was removed by the Nazis, imprisoned and decapitated. Her father died while serving in the Wehrmacht. Rolf's parents were anti-Nazi but had to keep their views to themselves. Their son, by contrast, looked for the German victory that they feared. Where W. G. Sebald protested that postwar Germans were silent about the catastrophe they had suffered, Hochhuth would be one of those who broke that silence, in 1964 observing that 'because of the bombing of the Allies, we hated the Allies … the English destroyed Kassel. [ABSTRACT FROM AUTHOR]

Published
2006
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3. Flirting with the vernacular: America in Europe, 1900–45.

Abstract

‘What composer hasn’t flirted with this seductive temptress? ’ Louis Gruenberg, ‘Der Jazz als Ausgangspunkt’, Anbruch 7 (April 1925). The remarks of Louis Gruenberg (1884–1964) quoted above appeared in a Sonderheft of the Musikblätter des Anbruch, the in-house organ of Universal Edition, widely known for its publications of new music. Devoted entirely to jazz, the issue included articles by critics and composers including Gruenberg, Darius Milhaud, and Percy Grainger, representing Germany and the United States (through Gruenberg's German–American residence and training), as well as France and Britain. While the authors did not agree on the extent of jazz's influence on their compositions or the works of others, they all acknowledged a fascination with and desire to utilize this kind of popular music as a transnational aspect of 1920s musical modernity. In identifying jazz ‘as a point of departure’ for the composition of new music, Gruenberg drew upon long-standing views of popular culture and its music as accessible, irresistible, and personified as female. Coming into its own in the 1920s, jazz was thus not unlike another social phenomenon of the time, the New Woman. Both were perceived as youthful, urban, and free from past conventions of propriety and morality. While more women did enter the public workplace during the 1920s, and often in ways that utilized modern technology, the new woman of the modern city was in many respects an overdrawn fiction. Similarly jazz and its seductive temptations were also potent fantasies of modernism, fantasies that originated in the dichotomies of mind and body, classical and popular, cultural insiders and outsiders. [ABSTRACT FROM AUTHOR]

Published
2004
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4. Erwin Piscator a Catalunya (1936)

Subjects
Teatre i estat, Federació Catalana de Societats de Teatre Amateur (FCSTA), Influència literària, artística, etc, Valldeperes, Manuel, Vinyes, Ramon, Teatre i societat, Carner Ribalta, Josep, Teatre polític, Teatre alemany S. XX, Teatre Història Catalunya, Piscator, Erwin
Published
2021

5. Erwin Piscator a Catalunya (1936)

Author

Foguet i Boreu, Francesc

Subjects
Teatre i estat, Federació Catalana de Societats de Teatre Amateur (FCSTA), Influència literària, artística, etc, Valldeperes, Manuel, Vinyes, Ramon, Teatre i societat, Carner Ribalta, Josep, Teatre polític, Teatre alemany S. XX, Teatre Història Catalunya, Piscator, Erwin
Abstract

Estudi de les motivacions que van dur Erwin Piscator a Catalunya, de la seva concepció del teatre, del contingut de les seves "lliçons d'urgència" i de la influència que va exercir en determinats sectors intel·lectuals catalans. Premi Crida als escriptors joves

Published
2021

8. Late Expressionist performance in Berlin: the Emblematic mode.

Author

Kuhns, David F.

Abstract

THE EMBLEMATIC ACTOR The acting of Expressionist performers such as those in Schreyer's Kampfbühne ensemble resembled the evocative art of the French Symbolists. It created images which signaled such a multiplicity of possible meanings that audience reading of the performances was unavoidably idiosyncratic. For the purposes of this final chapter, therefore, I should like to draw a theoretical distinction between this kind of Expressionist performance and yet a third type which I shall call “emblematic stage Expressionism.” The typically denotative imagery mobilized in this mode drastically curtailed ambiguity by reinforcing a single dominant idea. Denotative signification is most clearly operative in allegorical representation. The actors in the medieval morality play Everyman, for instance, do not play characters but rather abstract moral ideas. Assuming a production which stresses the play's allegorical quality, the actors must create images which denote those ideas. The images thus created become emblems of these ideas; and the aggregate of such images becomes a macroemblem of the whole production – the composite emblem, that is, of the production's dominant idea. In Everyman, the embodiment of the title character himself could most readily function as the macroemblem, into which all the other emblematic significations – such as those denoting the Seven Deadly Sins, Death, and so forth – are subsumed. The abstractionism of the late Expressionist theatre in Berlin utilized this allegorical method of reinforcing a predominant idea through the emphatic coordination of all production elements. [ABSTRACT FROM AUTHOR]

Published
1997
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9. 20. yüzyıl tiyatrosunda film ve projeksiyon kullanım biçimleri

Author

Olgun, İlksen Gözde, Karaboğa, İhsan Kerem, and Tiyatro Eleştirmenliği ve Dramaturji Anabilim Dalı

Subjects
Sahne ve Görüntü Sanatları, Avant-garde art, Documentary theatre, 20. century, Projection, Projection tracing method, Piscator, Erwin, Theatre, Film, Performing and Visual Arts
Abstract

Bu çalışma 20. Yüzyıl başından günümüze uzanan süreçte, tiyatroda film, projeksiyon ve görüntü üreten araçların, teatral pratiklerle gerçekliğin değişen ilişkisi çerçevesinde nasıl bir serüven yaşadığının izini sürmektedir. İlk bölümde avangart hareketlerin ortaya çıkış sürecinde, Piscator'un avangart sanat estetiğinden etkilenerek görüntü üreten araçlarla Belgesel Tiyatro'yu oluşturmasının ilkeleri incelenmektedir. İkinci ve üçüncü bölümde Wooster Group ve Rimini Protokoll'ün farklı sanatsal ve estetik yönelimleri çerçevesinde görüntü üreten araçların kullanım ilkeleri belirlenmiştir. This work aims to investigate what kind of a process the usage of film, projection and image technologies in theatre practices has been through within the framework of the changing relationship of theatrical practices with reality since the beginning of the 20th century until today. In the first section, the emergence of avant-garde movements, the principles of Piscator?s founding the Documentary Theatre, by the visual material through his influence from aesthetics of avant-garde art, are examined. In the second and the third sections, the usage principles of visual material are examined within the framework of different artistic and aesthetic approaches of Wooster Group and Rimini Protokoll. 121

Published
2011

10. Remodeling and expansion erwin piscator-house: construction of pedestrian / -plaetzen - producing open spaces - redesign of biegenstraE-e section gerhard-jahn-platz to savignystraE-e

Subjects
Residential construction, Business, international
Abstract

Contract notice: Remodeling and expansion erwin piscator-house: construction of pedestrian / -plaetzen - producing open spaces - redesign of biegenstraÈ-e section gerhard-jahn-platz to savignystraÈ-e. The city of Marburg plant by [...]

Published
2015

11. Remodeling and expansion erwin piscator-house: transformation of biegenstraE-e section gerhard-jahn-platz to savignystraE-e: delivery of covering elements of concrete with natural stone intent in 3 diff

Subjects
Business, international
Abstract

Contract notice: Remodeling and expansion erwin piscator-house: transformation of biegenstraÈ-e section gerhard-jahn-platz to savignystraÈ-e: delivery of covering elements of concrete with natural stone intent in 3 different colors. The city [...]

Published
2015

13. Delivery of loose furniture

Subjects
Household furniture, Business, international
Abstract

Prior Information Notice: Erwin piscator-house delivery of loose furniture. The city of Marburg plans by the redesign and expansion of the existing City Hall from 1968 - as Erwin Piscator-house [...]

Published
2015

17. expansion of the existing city hall

Subjects
Business, international
Abstract

Contract notice: Remodeling and expansion erwin piscator-house: kitchen equipment. The city of Marburg plans by the redesign and expansion of the existing city hall from 1968- Also referred to as [...]

Published
2014

18. Remodeling and expansion erwin piscator-house - Kitchen appliances

Subjects
Home appliances, Business, international
Abstract

Prior Information Notice: Remodeling and expansion erwin piscator-house - creating a modern and multifunctional culture, theater, and event house: kitchen equipment. Kitchen appliances. This contract is divided into lots: yes [...]

Published
2014

20. Meyerhold ve Piscator'un gerçekçi tiyatroya karşı bütüncül tiyatro anlayışları

Author

Aydoğdu, Ümit, Balay, Metin, Güzel Sanatlar Enstitüsü, and Sahne ve Görüntü Sanatları Anabilim Dalı

Subjects
Sahne ve Görüntü Sanatları, Tiyatro yapımcı ve yönetmenleri, Piscator, Erwin, 1893-1966, Realism, Tiyatro, Piscator, Erwin, Theatre, Meyerhold, Vsevolod, Meyerhold, Vsevolod, 1874-1940, Performing and Visual Arts
Abstract

Tez (yüksek lisans) - Anadolu Üniversitesi, Anadolu Üniversitesi, Güzel Sanatlar Enstitüsü, Sahne Sanatları Anasanat Dalı, Kayıt no: 121879, Tiyatro sanatı çağlar boyunca insan yaşamında iki açıdan önem taşımış ve sürekli ilgi çekmiştir. Bunlar, çoşkulu, eğlenceli oyunsu biçimi ve hayatın içinde son derece somut bir amaca hizmet eden işlevidir. Değişik dönemlerde değişik işlevler yüklenen tiyatro, yine bu işlevlerin değişimine koşut olarak değişik biçimlere bürünmüş, seyircisi ile kurduğu organik bütünlüğü hep bu iki nokta aracılığıyla sağlamıştır. Tiyatro, kurduğu yapıntı dünya ile seyircisini farklı bir gerçeklik boyutuna taşımış, ona hayal gücünün sonsuz ufuklarını açmıştır. Ancak öte yandan oyunsuluğunun sağladığı özgür yaratıcığıyla da gerçek yaşamın çelişen değerlerini tüm çıplaklığıyla seyircisinin önüne sererek bir yüzleşme alanı yaratmıştır. Tiyatro sanatının yaşamla olan bu sağlam bağı gerçekçi tiyatro anlayışının gelişmesi ile sarsılmış, tiyatro sanatı yaşamın etkin sahnesinde çekilerek çerçeve sahnenin, dördüncü duvarın ardına sığınmıştır. Artık tiyatro, yaşamın büyük çelişkilerini seyircisi ile tartışmak yerine, kaderine tutsak olmuş insanın içdünyasındaki psikolojik bunalımlara yönelmiştir. Bir yandan da tüm oyunsuluğunu bir kenara bırakarak, gerçek bir yaşam kesitini tün ayrıntılarıyla taklit etmeye uğraşmıştır. Tüm bunları yaparken de en önemli ögeyi, yani seyirciyi yok saymış, seyir yerini karartarak tiyatronun organik bütünlüğüne bir darbe daha vurmuştur. Ancak toplumsal hareketliliğin doruk noktasına ulaştığı, teknolojik ve ekonomik dengelerin sınıfsal uçurumları derinleştirdiği bir dönemde ağırlığını hissettirmeye başlayan ve yaşamın çelişen değerlerini yürekten hisseden bir seyirci kitlesi gelişmekteydi ve bu seyircinin tiyatrosu gerçekçi tiyatro olamazdı. Tiyatro sanatına yaşamın içinde etkin bir işlev kazandırmayı hedefleyen ve oyunsu tadını tekrar yaratmayı amaç edinmiş tiyatral arayışlar, Meyerhold ve Piscator'un gerçekleştirdiği sahnesel ve dramaturjik yeniliklerle sağlam bir temele oturmuş, yirminci yüzyıl tiyatrosunun yenilikçi ve modern yüzünün çıkış noktası olmuştur. Meyerhold ve Piscator'un tiyatro anlayışları ve uygulamaları kimi noktalarda birbirinden farkli yönlere gitmekle beraber, sonuç olarak ortak bir noktada buluşmaktadır. Bu da, yönetmen, oyuncu ve seyircinin yaratıcı katılımlarıyla oluşan organik bir yapı, bütüncül

Published
1997

25. Transformation and expansion erwin piscator house: painting work

Subjects
Business, international
Abstract

Contract notice: Transformation and expansion erwin piscator house: painting work. The city of Marburg plans by the redesign and expansion of the existing City Hall from 1968 - also known [...]

Published
2013

27. Transformation and expansion erwin piscator house estricharbeiten

Subjects
Business, international
Abstract

Contract notice: Transformation and expansion erwin piscator house estricharbeiten. The city of Marburg plans by the redesign and expansion of the existing City Hall from 1968 - also known as [...]

Published
2013

31. Provide lift equipment

Subjects
Fire extinction -- Equipment and supplies, Business, international
Abstract

Contract notice: Refurbishing and expansion of erwin piscator~s house: handling equipment - lift equipment The city plans to Marburg by the redesign and expansion of the existing City Hall from [...]

Published
2013

33. Refurbishing and expansion of erwin piscator house: air-conditioning systems

Subjects
Heating, ventilation, and air conditioning industry, Business, international
Abstract

Contract notice: Refurbishing and expansion of erwin piscator~s house: air-conditioning systems. The city plans to Marburg by the redesign and expansion of the existing City Hall from 1968: - As [...]

Published
2013

37. Gas-fitting installation work

Subjects
Business, international
Abstract

Tenders are invited for refurbishing and expansion of erwin piscator s house: gas, water and drainage systems The city plans to Marburg by the redesign and expansion of the existing [...]

Published
2013

38. Pollutants tracking and monitoring and rehabilitation services

Subjects
Business, international
Abstract

Tenders are invited for refurbishing and expansion of erwin piscator s house: pollutant removal and gutting, disposal, including dismantling hlsk / elt. The city plans to Marburg by the redesign [...]

Published
2013

39. Heating materials

Subjects
HVAC equipment, Business, international
Abstract

Tenders are invited for refurbishing and expansion of erwin piscator s house: heating and cooling systems. The city plans to Marburg by the redesign and expansion of the existing City [...]

Published
2013

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