139 results on '"Posmodernity"'
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2. El cine digital de Jess Franco (1999-2012): reciclaje y posmodernidad.
- Author
-
Mendíbil, Álex
- Subjects
DIGITAL video recording ,LITERARY sources ,FILMMAKERS ,POPULAR culture ,INTERTEXTUALITY ,ALLIGATORS - Abstract
Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
3. El debilitamiento teórico de la pedagogía en la posmodernidad.
- Author
-
Álvarez Gallego, Alejandro
- Subjects
CAPITALISM ,RESEARCH & development ,TEACHING ,LIBERTY ,CORPORATIONS - Abstract
Copyright of Pedagogía y Saberes is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
- Full Text
- View/download PDF
4. La Comunicación como transdisciplina: Avatares de la teoría
- Author
-
Follari, Roberto and Follari, Roberto
- Abstract
We try to demonstrate that to understand Communication as a transdisciplinary space does not resolve its epistemological status. The praise of the trans is typical of our times as postmodern and attached to the mix of genders. This is the base for the pretens of being “transdisciplinar” that is usually ascribed to Communication research. Such ascription responds to the difficulties for stablishing the epistemological status of Communication, given that it lacks its own theoretical object, and refers to contributions made from other disciplines. But in these cases there is usually no theory about transdiscipline, and about its relationship with the disciplinary and the multidisciplinary. Thus, the presence of other disciplines in the formation of one of them (Communication) is confused with the transdisciplinary condition, which is the consequent to the previous formation of the intervening disciplines, and which implies levels of inter/theoretical integration that do not occur between the disciplines present in Communication. An additional problem is that in the name of transdisciplinarity no limits are proposed to the topics that Communication may take on, which entails important epistemic and ideological inconveniences., O artigo busca demonstrar que definir a Comunicação como um espaço transdisciplinar não resolve seu estatuto epistemológico. O elogio ao trans é próprio da nossa época, como pós-moderna e ligada à mistura de gêneros. Nisso se baseia a pretensão de ser “transdisciplinaria” que costuma ser adjudicada à pesquisa em Comunicação. Tal filiação responde às dificuldades em estabelecer o estatuto epistemológico da Comunicação, visto que esta carece de objeto teórico próprio e remete a contribuições de outras disciplinas. Mas geralmente não há teoria sobre a transdisciplina nesses casos, e sua relação com o disciplinar e o multidisciplinar. Assim, a presença de outras disciplinas na formação de uma delas (Comunicação) confunde-se com a condição transdisciplinar, que é posterior à formação das disciplinas intervenientes, e que implica níveis de integração inter/teórica que não ocorrem entre os insumos de outras disciplinas presentes na Comunicação. Um problema adicional é que em nome da transdisciplinaridade não se propõem limites aos temas que a Comunicação pode assumir, o que acarreta importantes inconvenientes epistêmicos e ideológicos., El artículo procura demostrar que definir Comunicación como un espacio transdisciplinar no resuelve su estatuto epistemológico. El elogio de lo trans es propio de nuestra época, que es posmoderna y apegada a la mezcla de géneros. En ello se asienta la pretensión de ser “transdisciplinaria”, que suele adscribirse a la investigación en Comunicación. Tal adscripción responde a las dificultades para establecer el estatuto epistemológico de la Comunicación, dado que ésta carece de objeto teórico propio y remite a aportes de otras disciplinas. Pero no suele haber en estos casos teoría sobre la transdisciplina, y de su relación con lo disciplinar y lo multidisciplinar. Así se confunde la presencia de otras disciplinas en la conformación de una de ellas (Comunicación) con la condición transdisciplinar, que es posterior a la conformación de las disciplinas intervinientes, y que implica niveles de integración inter/teórica que no se dan entre los insumos de otras disciplinas presentes en la Comunicación. Un problema adicional es que en nombre de lo transdisciplinar no se propone límites a los temas que pueda asumir la Comunicación, lo que conlleva inconveniencias epistémicas e ideológicas de importancia.
- Published
- 2023
5. La Comunicación como transdisciplina: Avatares de la teoría
- Author
-
Follari, Roberto
- Subjects
Cultural Studies ,epistemología ,Communication ,pós-modernidade ,epistemology ,epistemologia ,Estudios Culturales ,Comunicação ,posmodernidad ,Estudos Culturais ,transdisciplina ,Comunicación ,transdiscipline ,posmodernity - Abstract
We try to demonstrate that to understand Communication as a transdisciplinary space does not resolve its epistemological status. The praise of the trans is typical of our times as postmodern and attached to the mix of genders. This is the base for the pretens of being “transdisciplinar” that is usually ascribed to Communication research. Such ascription responds to the difficulties for stablishing the epistemological status of Communication, given that it lacks its own theoretical object, and refers to contributions made from other disciplines. But in these cases there is usually no theory about transdiscipline, and about its relationship with the disciplinary and the multidisciplinary. Thus, the presence of other disciplines in the formation of one of them (Communication) is confused with the transdisciplinary condition, which is the consequent to the previous formation of the intervening disciplines, and which implies levels of inter/theoretical integration that do not occur between the disciplines present in Communication. An additional problem is that in the name of transdisciplinarity no limits are proposed to the topics that Communication may take on, which entails important epistemic and ideological inconveniences. El artículo procura demostrar que definir Comunicación como un espacio transdisciplinar no resuelve su estatuto epistemológico. El elogio de lo trans es propio de nuestra época, que es posmoderna y apegada a la mezcla de géneros. En ello se asienta la pretensión de ser “transdisciplinaria”, que suele adscribirse a la investigación en Comunicación. Tal adscripción responde a las dificultades para establecer el estatuto epistemológico de la Comunicación, dado que ésta carece de objeto teórico propio y remite a aportes de otras disciplinas. Pero no suele haber en estos casos teoría sobre la transdisciplina, y de su relación con lo disciplinar y lo multidisciplinar. Así se confunde la presencia de otras disciplinas en la conformación de una de ellas (Comunicación) con la condición transdisciplinar, que es posterior a la conformación de las disciplinas intervinientes, y que implica niveles de integración inter/teórica que no se dan entre los insumos de otras disciplinas presentes en la Comunicación. Un problema adicional es que en nombre de lo transdisciplinar no se propone límites a los temas que pueda asumir la Comunicación, lo que conlleva inconveniencias epistémicas e ideológicas de importancia. O artigo busca demonstrar que definir a Comunicação como um espaço transdisciplinar não resolve seu estatuto epistemológico. O elogio ao trans é próprio da nossa época, como pós-moderna e ligada à mistura de gêneros. Nisso se baseia a pretensão de ser “transdisciplinaria” que costuma ser adjudicada à pesquisa em Comunicação. Tal filiação responde às dificuldades em estabelecer o estatuto epistemológico da Comunicação, visto que esta carece de objeto teórico próprio e remete a contribuições de outras disciplinas. Mas geralmente não há teoria sobre a transdisciplina nesses casos, e sua relação com o disciplinar e o multidisciplinar. Assim, a presença de outras disciplinas na formação de uma delas (Comunicação) confunde-se com a condição transdisciplinar, que é posterior à formação das disciplinas intervenientes, e que implica níveis de integração inter/teórica que não ocorrem entre os insumos de outras disciplinas presentes na Comunicação. Um problema adicional é que em nome da transdisciplinaridade não se propõem limites aos temas que a Comunicação pode assumir, o que acarreta importantes inconvenientes epistêmicos e ideológicos.
- Published
- 2022
- Full Text
- View/download PDF
6. Control social e imaginarios en las teleseries actuales.
- Author
-
BONETE-VIZCAÍNO, Fernando
- Subjects
PERFORMING arts ,MASS surveillance ,HYPERSEXUALITY ,SOCIAL control ,FICTION writing techniques ,CONSTRUCTION - Abstract
Copyright of Mediterranean Journal of Communication / Revista Mediterránea de Comunicación is the property of Revista Mediterranea de Comunicacion / Mediterranean Journal of Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
- Full Text
- View/download PDF
7. DERECHO A LA IDENTIDAD PERSONAL, COMO RESULTADO DEL LIBRE DESARROLLO DE LA PERSONALIDAD.
- Author
-
LÓPEZ SERNA, Marcela Leticia and KALA, Julio César
- Abstract
Copyright of Ciencia Jurídica is the property of Universidad de Guanajuato and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2018
- Full Text
- View/download PDF
8. Modernidad, historia y lenguaje. Actualidad del pensamiento ilustrado.
- Author
-
Perdomo Batista, Miguel Á.
- Abstract
Copyright of Ingenium: Revista Electrónica de Pensamiento Moderno y Metodología en Historia de las Ideas is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2018
- Full Text
- View/download PDF
9. Vi-si-bi-li-zar
- Author
-
Rubia Guijarro, José Antonio de la and Rubia Guijarro, José Antonio de la
- Abstract
En este texto establecemos una vinculación entre la iconoclasia y el rechazo de la presencia. La mente posmoderna destruye imágenes para mostrarse en la esfera pública, consolidar los sentidos de identidad y pertenecer a un grupo de guerreros de la justicia social., In this text we stablish a link between iconoclasm and presence. Posmodern mind destroys images in order to show itself at the public sphere, to consolidate senses of identity and to belong to a group of Social Justice Warriors.
- Published
- 2022
10. RESET MODERNITY! UNA FÁBULA PARA REINICIAR LA MODERNIDAD.
- Author
-
RAMOS COLÁS, ÁLVARO
- Abstract
Reset Modernity! Is an exposition presented by ZKM (Centre of Art and Media Technology of Karlsruhe) and curated by Bruno Latour. It is also a part of the Bruno Latour's project An Inquiry on the Modes of Existence (AIME). Assuming that the Modernity is not good anymore, this exhibition offers the visitor seven procedures to try to understand our world from a different point of view. Reset Modernity! is not just one exposition more, is an experiment/fable of thought, where audience is invited to take part actively. This essay tries to analyse how it should be possible. [ABSTRACT FROM AUTHOR]
- Published
- 2017
11. 'Yo iba a Auschwitz pero ya no'. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
- Author
-
Luis María Romeu Guallart
- Subjects
Posmodernity ,realism ,fiction ,History ,metafiction ,Shoah ,French literature - Italian literature - Spanish literature - Portuguese literature ,PQ1-3999 ,Social sciences (General) ,H1-99 - Abstract
Several theories on the Postmodernity have denied the absolute speeches that were establishing the Occidental Civilization. This way, the same History and his its traditional relation with novel is being questioned and there arise voices that claim the possibilities of the fiction to speak about the reality. Already, they will not do this from the veracity of the historical information but from the "ethics"; it is the Postmodern Realism. El comprador de aniversarios de Adolfo García Ortega takes part of these poetics recovering the real and literary figure of Hurbinek, a child murdered in Auschvitz, to whom he plays at creating futures -anniversaries- as a way of social and historical denunciation. The novel presents this way a particular and postmodern use of the classic metaficción, antagonist of the mímesis, cornerstone of the traditional realism.
- Published
- 2010
- Full Text
- View/download PDF
12. Viejos mitos para 'nuevos' tiempos: el mito del Minotauro como reivindicación de la alteridad y espejo escéptico frente a los grandes relatos
- Author
-
Alexandra Dinu
- Subjects
experimentació ,General Medicine ,experimentación ,tradició càssica ,rewriting ,posmodernitat ,posmodernidad ,Minotaur ,experimentation ,Minotauro ,reescriptura ,Minotaure ,identitat ,Classical Tradition ,identidad ,reescritura ,tradición clásica ,posmodernity ,identitym - Abstract
El objetivo de este trabajo es mostrar y analizar las variaciones que sufre el mito del Minotauro en las obras de dos escritores familiarizados con el mundo clásico como Julio Cortázar en Los Reyes y Jorge Luis Borges en el cuento «La casa de Asterión». Se indaga en las posibles razones que los animaría a volver sobre la tradición clásica, especialmente griega, y a actualizar el mito del Minotauro a finales de la década de los años cuarenta en una reescritura intertextual propia de la posmodernidad que arranca de distintos hipotextos; entre ellos, la Biblioteca de Apolodoro, la Descripción de Grecia de Pausanias, Hipólito de Eurípides, o Plutarco en los capítulos dedicados al Minotauro en la Vida de Teseo de Vidas paralelas. Para ello, se parte de la hipótesis de que ambos escritores miraron y leyeron con escepticismo el mitema en sus distintas configuraciones, reforzando la historia con aspectos imprevisibles y fantásticos y combatiendo la fe en la razón griega., The objective of this work is to show and analyze the variations that the myth of the Minotaur undergoes in the works of two writers familiar with the classical world, such as Julio Cortázar in Los Reyes and Jorge Luis Borges in his tale “La casa de Asterión”. In this study, we investigate the possible reasons that would encourage them to return to the classical tradition, especially the Greek one, and to update the myth of the Minotaur at the end of the 1940s in an intertextual rewriting. This is a typical trait of postmodernity that starts from different hypotexts; among them, Apollodorus’ Library, Pausanias’ Description of Greece, Euripides’ Hippolytus and Plutarch in his chapter about Theseus in Parallel Lives. For this, this work is based on the hypothesis that both writers looked and read with skepticism the mytheme in its different configurations, reinforcing the story with unpredictable and fantastic aspects, and fighting the faith in the Greek reason.
- Published
- 2021
13. Sujetos en la Política Educacional Chilena de Transversalidad Psychological Subjects in the Cross-Curricula Chilean Educational Policy
- Author
-
Pablo Castro
- Subjects
objetivos fundamentales transversales ,educación en valores ,política educacional ,posmodernidad ,cross-curricula fundamental objectives ,values education ,educational policy ,posmodernity ,Psychology ,BF1-990 - Abstract
Se plantea que existen diferentes concepciones implícitas de sujeto psicológico, en la visión de alumno presente en la política educacional chilena de educación transversal. El análisis es realizado desde el supuesto de que en el lenguaje contemporáneo relativo a la identidad personal se reflejan visiones opuestas acerca de la persona. Específicamente se analizan los Objetivos Fundamentales Transversales (oft), de la Reforma Educacional chilena. Finalmente, se argumenta que esta coexistencia de visiones podría explicar, en parte, las dificultades de la implementación de la transversalidad en la educación chilena, además de postular que el desafío por lograr articular los aprendizajes valóricos en la escuela debe ser contextualizado en una sociedad en que están presentes diferentes concepciones de sujeto psicológico y moral.It is stated that there are different implicit conceptions of the psychological subject in the way students are considered by the cross-curricula educational Chilean policy. The fundamental assumption which leads the analysis is that opposite cosmo visions about the person are reflected in the current language related with the personal identity. Particularly the Cross-curricula Fundamental Objectives of the Chilean Educational Reform are analyzed. Furthermore, it is argued that this co-existence of visions could somehow explain the difficulties on the implementation of the cross-curricula fundamental objectives in Chilean education. Finally, it is proposed that the challenge for succeeding in the articulation of values education learning at school, should be contextualized in a society where different conceptions of psychological and moral subjects are present.
- Published
- 2006
14. ¿Por qué las galerías de arte se concentran en clústeres? Un análisis sociológico de la estructura y dinámica urbana del mercado del arte.
- Author
-
Rius-Ulldemolins, Joaquim
- Abstract
Copyright of Revista Española de Sociología is the property of Federacion Espanola de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2016
15. Viejos mitos para 'nuevos' tiempos: el mito del Minotauro como reivindicación de la alteridad y espejo escéptico frente a los grandes relatos
- Author
-
Dinu, Alexandra and Dinu, Alexandra
- Abstract
The objective of this work is to show and analyze the variations that the myth of the Minotaur undergoes in the works of two writers familiar with the classical world, such as Julio Cortázar in Los Reyes and Jorge Luis Borges in his tale “La casa de Asterión”. In this study, we investigate the possible reasons that would encourage them to return to the classical tradition, especially the Greek one, and to update the myth of the Minotaur at the end of the 1940s in an intertextual rewriting. This is a typical trait of postmodernity that starts from different hypotexts; among them, Apollodorus’ Library, Pausanias’ Description of Greece, Euripides’ Hippolytus and Plutarch in his chapter about Theseus in Parallel Lives. For this, this work is based on the hypothesis that both writers looked and read with skepticism the mytheme in its different configurations, reinforcing the story with unpredictable and fantastic aspects, and fighting the faith in the Greek reason., El objetivo de este trabajo es mostrar y analizar las variaciones que sufre el mito del Minotauro en las obras de dos escritores familiarizados con el mundo clásico como Julio Cortázar en Los Reyes y Jorge Luis Borges en el cuento «La casa de Asterión». Se indaga en las posibles razones que los animaría a volver sobre la tradición clásica, especialmente griega, y a actualizar el mito del Minotauro a finales de la década de los años cuarenta en una reescritura intertextual propia de la posmodernidad que arranca de distintos hipotextos; entre ellos, la Biblioteca de Apolodoro, la Descripción de Grecia de Pausanias, Hipólito de Eurípides, o Plutarco en los capítulos dedicados al Minotauro en la Vida de Teseo de Vidas paralelas. Para ello, se parte de la hipótesis de que ambos escritores miraron y leyeron con escepticismo el mitema en sus distintas configuraciones, reforzando la historia con aspectos imprevisibles y fantásticos y combatiendo la fe en la razón griega.
- Published
- 2021
16. El cine digital de Jess Franco (1999-2012):: reciclaje y posmodernidad
- Author
-
Mendíbil Blanco, Alejandro and Mendíbil Blanco, Alejandro
- Abstract
This paper deals with the last period of digital films by director Jess Franco, a figure of international relevance in the world of B-movies, in which he experiments with the fringes of film but nevertheless anticipating current issues of postmodern cinema. From Tender Flesh (1997) to his last film, shot a year before his death, Revenge of the Alligator Ladies (2012), Franco explores the possibilities of digital video recording and post-production to trace a discourse that reflects on his own body of work and literary sources while viscerally renouncing classic cinematographic conventions. The paper is dedicated to comparing the common trends in the story and discourse of this group of twenty films, with the features that characterize the modern and postmodern cinema, such as the fragmentation of stories, the recycling of tropes and icons of popular culture, intertextuality and the close relationship between creators and their audience., El artículo se ocupa de la última etapa de cine digital del director Jess Franco, figura de relevancia internacional en el terreno de la serie B, en la que experimenta con un cine muy marginal que no obstante se anticipa a cuestiones vigentes del cine de la posmodernidad. Desde Carne fresca (Tender Flesh, 1997) hasta su última película, rodada un año antes de su muerte, Revenge of the Alligator Ladies (2012), Franco explora las posibilidades de la grabación y posproducción en video digital para trazar un discurso que reflexiona sobre su propia obra y sus fuentes literarias, a la vez que renuncia de manera visceral a las convenciones cinematográficas clásicas. El texto se dedica a comparar las tendencias comunes en la historia y el discurso de este grupo de veinte películas con los rasgos que caracterizan el cine de la modernidad y la posmodernidad, como la fragmentación de las historias, el reciclaje de relatos e iconos de la cultura popular, la intertextualidad y la relación estrecha entre los creadores y su público.
- Published
- 2021
17. URBAN PLANNING GAP IN THE CONTEXT OF TRANSITION PERIOD IN SERBIA.
- Author
-
Bobic, Aleksandar, Cvejic, Jasminka, Radulovic, Stojanka, and Tutundzic, Andreja
- Subjects
- *
URBAN planning , *ECONOMIC development research , *ECONOMIC development projects , *QUALITY of life , *CONSUMPTION (Economics) - Abstract
The starting point of this paper is to establish a correlation between phenomenon of large production of projects and the phenomenon of postmodernity, which explains the evident quantitative and qualitative discrepancy between the number of developed and implemented projects. This phenomenon is characteristic for the transition period of Serbian society as well, and it is evident in all spheres of activity, particularly in cities. In this context, series of important studies and projects harmonised with contemporary theoretical doctrine and the best European practices, were initiated in Serbia. The goal of this paper is to explain the phenomenon of mass production of projects in urban practices, usually not implemented regardless their importance and role in life quality improvement and principled support from officials at all decision making levels. The discursive analysis of the disparity between production and realization of the projects led to the conclusion that its roots are in the change of character of capitalism in terms of periodical increase of consumption in the short period of time. [ABSTRACT FROM AUTHOR]
- Published
- 2014
18. Complejidad, posmodernidad y globalización: disyuntivas de la formación
- Author
-
Elsa Guzmán de Moya
- Subjects
formación ,complejidad ,sobremodernidad ,cultura posmoderna ,globalización ,upbringing ,complexity ,culture ,overmodernity ,posmodernity ,globalization ,Education ,Special aspects of education ,LC8-6691 - Abstract
El tenor irreverente que distingue a la atmósfera cultural reciente indica la necesidad de rastrear alternativas y problemas para afrontar y enfrentar a l complejo mundo educativo. Lo expuesto sugiere la necesidad de reubicar los modos de percibir y construir significados desde otros lugares, a la vez encarnar la urgencia de replantear definiciones que alteren centralidades enunciativas, que someten los marcos valorativos de la formación, bien hacia el indulgente silencio de la complicidad, las adaptaciones automáticas, o a las destrucciones relacionadas con los odios radicales de cualquier origen. Ante estos juegos dilemáticos, la problemática de la educación toma giros inesperados, poco advertidos por los discursos que centralizan el tono formativo en lógicas utilitarias. Resulta, pues, inaplazable indagar tensiones que confluyen o se disipan en torno a la idea, significado y naturaleza de la formación, derivadas de la complejidad y diversificación de las condiciones que configuran los escenarios más recientes. Desde estas orientaciones preliminares, se exponen las siguientes consideraciones, cuyos propósitos gravitan en interpelar las disyuntivas de la naturaleza y significado de la idea de formación, de cara a dimensiones educativas que reubican a las subjetividades, frente a tendencias paradójicas de ver y sentir multiplicadas por las emergencias globalizadas.The irreverent tone that distinguishes the recent cultural atmosphere points out the necessity for new alternatives and new problems to face the complexities of the educational world. There is a need to place the ways of perception and construction of meaning and, at the same time, face urgency to look out for new definitions that will alter the enunciation centralities that submit the boundaries of upbringing: toward the indulgent silence of complicity, automatic adaptations or destruction related to radical hatred of any kind. After these, the problems of upbringing takes unexpected turns, less noticed by the speeches that takes the upbringing theme into utilitarian logics. It is mandatory to look up at the tensions, those that go together or dissipate towards the ideas, meaning and nature of upbringing, derivative after the complexity and diversification of the different conditions that the recent sceneries have outlined. From these preliminary orientations we expose the following considerations and its purposes that questions the disjunctives on the nature and meaning about the idea of upbringing, confronting the educational dimensions that places the subjectivities in front of the paradoxical tendencies of seeing and feeling, multiplied by the globilized emergencies.
- Published
- 2004
19. La apropiación audiovisual y la autoproducción. Entre una práctica artística y una táctica cultural
- Author
-
Sagrario Martín Rodríguez
- Subjects
Apropiacionismo ,posmodernidad ,táctica cultural ,autoproducción ,arte//Appropiacionism ,posmodernity ,Communication. Mass media ,P87-96 - Abstract
La apropiación audiovisual es analizada en esta investigación como fenómeno ante la omnipresencia de los medios, la ubicuidad de la imagen, el progreso tecnológico, etc., que han transformado nuestros hábitos visuales y también como han afectado al mundo del arte. Se van a analizar cómo los paradigmas tradicionales han sido modificados en cuanto a la forma de concebir la creación artística y la manera de enfrentarse a las imágenes audiovisuales del creciente paisaje mediático. Por último se realizará un breve apunte de la apropiación audiovisual como respuesta posmoderna a los nuevos espacios y políticas de de los medios dominantes de producción, subvertir los roles tradicionales en la creación y desmantelar los significados impuestos. Abstract The audiovisual appropriation is analyzed, in this investigation, like a phenomenon facing the media omnipresence, image ubiquity, technological progress, etc., that has transformed our visual habits and also affected art’s world. We are going to analyze how the traditional paradigm has been modified regarding the artistic creation perception, aswell as, the way of facing audiovisual images in the growing media landscape. Finally, we will make a brief note about the audiovisual appropriation as a postmodern response to the new dominating production media spaces and politics, that undermines the traditional creation roles and dismantles the impose meanings.
- Published
- 2014
- Full Text
- View/download PDF
20. Control social e imaginarios en las teleseries actuales
- Author
-
Bonete Vizcaíno, Fernando and Bonete Vizcaíno, Fernando
- Abstract
Control social e imaginarios en las teleseries actuales estudia la relación entre las series de televisión y la construcción de la identidad en la era del show business. La obra reúne, en dieciocho capítulos organizados en tres bloques, el análisis de cerca de una veintena de grandes series actuales. La vigilancia del estado moderno, los mecanismos ideológicos y tecnológicos utilizados para orientar la conducta, la perpetuación de nuevos modelos familiares y éticos, la hipersexualidad o el estado de la política son algunos de los elementos estudiados en esta obra que arroja luz sobre un fenómeno de éxito indiscutible de nuestros días: las series de televisión., Social Control and Imaginary in Current TV Series studies the relationship between series and the construction of identity in the show business era. The work brings together, in eighteen chapters organized in three blocks, the analysis of about twenty major current series. The surveillance of the modern state, the ideological and technological mechanisms used to bias behavior, the perpetuation of new family and ethical models, the hypersexuality or the state of politics are some of the elements studied in this work that sheds light on a phenomenon of indisputable success of our days: TV series.
- Published
- 2020
21. De series televisivas, intensidades y miedos posmodernos
- Author
-
Gómez Ponce, Ariel and Gómez Ponce, Ariel
- Abstract
Atenta al modo en que los afectos colonizan las formas culturales, la teoría narrativa desarrollada por Fredric Jameson contiene claves de interés para interrogarnos cómo el miedo, en tiempos recientes, emerge como una intensidad: una conmoción subjetiva que trasciende la posibilidad de ser comunicada, pero que deja huellas en las materialidades artísticas. Me ocuparé de relevar el alcance de esta categoría, a la luz de un conjunto de series televisivas que hacen del miedo y sus estados críticos un lugar de enunciación. La perspectiva de Jameson permitirá alcanzar cierto grado de generalización mediante el reconocimiento de procedimientos de representación, tales como las experiencias episódicas de los personajes, la preponderancia por los espacios de lo íntimo y los efectos de extrañamiento que atraviesan algunas matrices genéricas dominantes. El objetivo de este trabajo radica en iniciar una regularización coherente de series actuales que escenifican los desbordes del miedo en el cuerpo social, al tiempo que señalan cambios sistémicos introducidos por la experiencia cultural de la posmodernidad., Attentive to the way that the affects colonize the cultural forms, the narrative theory developed by Fredric Jameson contains keys of interest to question how fear, in recent times, emerges as an intensity: a subjective commotion that transcends the possibility of being communicated, but which leaves traces in the artistic materialities. The aim of this work is to reveal to the scope of this category, in light of a set of TV series that make fear and its critical states a place of enunciation. The perspective of Jameson allows certain degree of generalization through the acknowledgement of procedures of representation, such as the episodic experiences of the characters, the preponderance of the intimate spaces, and the effects of strangeness that pierce through some dominant generic matrixes. The objective is to start a coherent regularization of current series that dramatize the overflow of fear in the social body, and, at the same time, signal systemic changes introduced by the cultural experience of postmodernity.
- Published
- 2020
22. Dos vertientes de J. M. Briceño Guerrero: Locura histórica y filosofía clásica.
- Author
-
Bello, Ricardo
- Abstract
Copyright of Humania del Sur: Revista de Estudios Latinoamericanos, Africanos y Asiáticos is the property of Humania del Sur. Estudios Latinoamericanos Africanos y Asiaticos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2015
23. Psychiatric semiology in postmodernity
- Author
-
Barbagallo I
- Subjects
- Humans, Mental Disorders, Psychiatry
- Abstract
This article intends to reflect on the validation of psychiatric semiology and nosography that is taught in clinical psychologists and psychiatrists training programs. The vision of academic psychiatry of our times, strongly influenced by scientific narrative, seeks to consolidate an universal nosography that aims to erase the culture marks. However, the prevalence of certain diagnoses over others is determined by the social context and cultural changes that determine, in turn, the classifying standards of professionals. For this reason, it is important to include the contributions of public intellectuals and cultural theorists for an updated and culturalized semiology of clinical phenomena. We will use the developments of Mark Fisher on Capitalist Realism to rethink the main symptoms of depression., Competing Interests: The authors have no conflicts of interest to declare., (Creative Commons BY-NC-ND 4.0)
- Published
- 2022
- Full Text
- View/download PDF
24. A CIDADE E O OLHAR.
- Author
-
DUTRA, Isadora
- Abstract
The essay approach the relationship between the city and the sight at the different historical moments of the XVI, XIX and XXI centuries. From the characteristics of the look in and about the city, the text sets out principles defining the sight and a brief typology of the city, based on the analysis of relevant literary texts in each epoch concerning the proposed theme. [ABSTRACT FROM AUTHOR]
- Published
- 2014
25. La apropiación audiovisual y la autoproducción. Entre una práctica artística y una táctica cultural.
- Author
-
Martín Rodríguez, Sagrario
- Abstract
The audiovisual appropriation is analyzed, in this investigation, like a phenomenon facing the media omnipresence, image ubiquity, technological progress, etc., that has transformed our visual habits and also affected art's world. We are going to analyze how the traditional paradigm has been modified regarding the artistic creation perception, aswell as, the way of facing audiovisual images in the growing media landscape. Finally, we will make a brief note about the audiovisual appropriation as a postmodern response to the new dominating production media spaces and politics, that undermines the traditional creation roles and dismantles the impose meanings. [ABSTRACT FROM AUTHOR]
- Published
- 2014
- Full Text
- View/download PDF
26. El Cuerpo del Adolescente Frente a la Violencia.
- Author
-
Patiño Correa, Margarita and Jeannet, Quiroz Bautista
- Abstract
Copyright of Revista Daena: International Journal of Good Conscience is the property of Spenta University Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2014
27. El debilitamiento teórico de la pedagogía en la posmodernidad
- Author
-
Alejandro Álvarez Gallego
- Subjects
posmodernidad ,pedagogia ,Pedagogy ,school ,pós-modernidade ,capitalismo ,Pedagogía ,capitalism ,escola ,posmodernity ,escuela - Abstract
Resumen Este artículo de reflexión es derivado del proyecto de investigación "Paradigmas de la pedagogía en Colombia: 1970-2000", financiado por Colciencias. El subproyecto de investigación que dirigí se ocupó de buscar los aportes de la educación popular al campo de la pedagogía. En el transcurso de la investigación nos encontramos con unos enunciados provenientes de la educación popular que coincidían casi literalmente con los discursos que agencian hoy las grandes corporaciones. Este hallazgo nos llevó a plantear que la pedagogía hoy también es producida en y para el capital. La pedagogía está enraizada en unos principios que en el pasado hacían parte de los discursos emancipadores que buscaban la formación de ciudadanos críticos capaces de cuestionar el sistema capitalista. Queda planteado el interrogante: ¿qué sería entonces hoy pensar la pedagogía? Abstract This article derives from the "Pedagogical Paradigms in Colombia, 1970-2000" research project, which was sponsored by Colciencias. The research subproject I led aimed at researching the contributions of popular education in Colombia to pedagogy. Through the development of the research we found statements derived from popular education that closely matched current statements of big corporations today. These finding led us to suggest that even today pedagogy is produced by and to support capitalism. Pedagogy is rooted in some principles that used to be frequent in emancipation discourses, which looked to educate critical citizens, capable of questioning capitalism system. Now we ask, what is the meaning of thinking about pedagogy today? Resumo Este artigo deriva do Projeto de Pesquisa "Paradigmas da Pedagogia na Colômbia: 1970-2000", financiado por Colciencias. O subprojeto de pesquisa que dirigi preocupava-se pela procura das contribuições da Educação Popular na Colômbia para o campo da pedagogia. No decorrer da investigação, encontramos alguns enunciados provenientes da Educação Popular que quase literalmente coincidiam com os discursos que as grandes corporações promovem hoje. Essa constatação nos levou a afirmar que a pedagogia também é produzida hoje no e para o capital. A pedagogia está enraizada em alguns princípios que costumavan ser frequentes nos discursos de emancipação, que procuravam educar cidadãos críticos, capazes de questionar o sistema capitalista. A questão que permanece é: como seria hoje pensar a pedagogia?
- Published
- 2020
28. 'Pablo Berger's Torremolinos 73: A Post-Modern Look at Late-Franco Spain'
- Author
-
Bracco, Diane, Espaces Humains et Interactions Culturelles (EHIC), Institut Sciences de l'Homme et de la Société (IR SHS UNILIM), Université de Limoges (UNILIM)-Université de Limoges (UNILIM)-Université Clermont Auvergne (UCA)-Université Blaise Pascal - Clermont-Ferrand 2 (UBP)-Université Clermont Auvergne [2017-2020] (UCA [2017-2020]), and BRACCO, Diane
- Subjects
memory ,posmodernidad ,memoria ,Pablo Berger ,Torremolinos 73 ,deformation ,[SHS.ART] Humanities and Social Sciences/Art and art history ,[SHS] Humanities and Social Sciences ,[SHS.ART]Humanities and Social Sciences/Art and art history ,deformación ,posmodernity ,[SHS]Humanities and Social Sciences - Abstract
In 2003 Pablo Berger released his first feature film, Torremolinos 73, a comedy set in late-Franco Spain. This film is the cinematographic transposition of the authentic itinerary of an aspiring Spanish filmmaker of the 1970s, author of a pornographic film that ended up being marketed in Denmark. The temporal context in which the protagonist's story takes place is a pretext for recreating a pre-democratic era from which Berger preserves above all consumer culture, making the film the place of a popular memory. The aim of this work is to examine how the film director appropriates the fragments of an essentially mediatic memory, voluntarily excluding any historical or open political discourse, in order to offer a stylized, atomized and distorted representation of the period re-imagined in a postmodern way. The recycling of musical and cinematographic references is governed by strategies of deformation and parodic rewriting that fully inscribe Berger's film in Spanish postmodern cinema, while, Resumen: En 2003 Pablo Berger estrena su primer largometraje, Torremolinos 73, comedia ambientada en la España del franquismo tardío. Este filme es la transposición cinematográfica del auténtico itinerario de un aspirante cineasta español de los años 70, autor de una película pornográfica que acabó siendo comercializada en Dinamarca. El contexto temporal en el que se desarrolla la historia del protagonista es pretexto a la recreación de una época pre-democrática de la que Berger conserva ante todo la cultura consumista, haciendo de la cinta un lugar de memoria popular. Este trabajo pretende examinar cómo el director de cine se apropia de los fragmentos de una memoria esencialmente mediática, excluyendo voluntariamente todo discurso histórico o político abierto, para ofrecer una representación estilizada, atomizada y distorsionada del periodo re-imaginado en clave posmoderna. El reciclaje de los referentes musicales y cinematográficos está regido por estrategias de deformación y reescritura paródica que inscriben de lleno la película de Berger en el cine posmoderno español, a la par que la construcción abismal del filme produce un discurso autorreflexivo sobre el séptimo arte y sus mecanismos creativos en la obra del propio director.
- Published
- 2020
29. Desplazamientos conceptuales en la literatura boliviana actual
- Author
-
Pablo Virguetti Villarroel, AMERIBER : Amérique latine, Pays ibériques (AMERIBER), and Université Bordeaux Montaigne
- Subjects
Posmodernity ,Literatura Hispanoamericana ,History ,Literature and Literary Theory ,Bolivian literature ,lcsh:Literature (General) ,Subject (philosophy) ,010501 environmental sciences ,01 natural sciences ,Littérature bolivienne ,[SHS]Humanities and Social Sciences ,National subject ,Sujeto nacional ,Short story ,Sujeto individual ,Rodrigo Hasbún ,0105 earth and related environmental sciences ,Posmodernidad ,lcsh:French literature - Italian literature - Spanish literature - Portuguese literature ,010405 organic chemistry ,Sebastián Antezana ,Liliana Colanzi ,Literatura boliviana ,lcsh:PN1-6790 ,Postmodernism ,0104 chemical sciences ,Cuento ,Aesthetics ,lcsh:PQ1-3999 ,Social subject ,Individual subject - Abstract
El estudio de la literatura boliviana durante el siglo XX permite observar que está constantemente vinculada a un intento de definición de lo nacional y lo social. Sin embargo, en el siglo XXI, los autores contemporáneos han intentado alejarse de esta tendencia, demostrando un mayor interés por algunas características que ponen de relieve la experiencia individual angustiada de un mundo percibido como caótico. Así, pueden observarse algunas características comunes entre la comparación de tres autores, Liliana Colanzi, Sebastián Antezana y Rodrigo Hasbún. Estas características son, además de la predominancia de lo individual frente a lo colectivo, la experiencia posmoderna de los personajes, que viven en un mundo globalizado y confuso; y los nuevos lugares de la enunciación que escapan a los topos típicos de la tradición nacional. The study of Bolivian literature throughout the 20th century shows that it is constantly linked to a general aim, that is a definition of the national self and its society. However, roughly from the begin of the 21th century, contemporary writers have tried to avoid this trend. They display more interest about topics that emphasize the angst of the individual experience of a world perceived as chaotic. Thus, this article tries to highlight a few characteristic themes in a comparative study of three auteurs: Liliana Colanzi, Sebastián Antezana y Rodrigo Hasbún. These common topics are the predominance of the individual subject and the diminishing importance of the social subject; the postmodern experience of characters, who live in a highly globalized and ill-defined world; and the shift of the places of enunciation, that don’t converge with the typical places shown in the national tradition.
- Published
- 2019
30. Una aproximación contextual y conceptual al pensamiento de sistemas.
- Author
-
Martínez Soto, Lorena
- Abstract
This paper has the purpose to make a contextual and conceptual approach called systems thinking. This approach starts with the ideas proposed by Modernity-ethos which has its genesis and development, Systems Thinking, and concludes with the challenges of Postmodernism, ethos characteristic of the contemporary age. This is an introductory exercise, exploratory, which aims to show how the forms of thought are dyed paradigms inherent to the historical period in which they arise, but also how the human subject can overcome them by proposing new ways of thinking that broaden and enrich their understanding of reality. [ABSTRACT FROM AUTHOR]
- Published
- 2013
- Full Text
- View/download PDF
31. Las perplejidades de la posmodernidad en el pensamiento de José Jiménez Lozano.
- Author
-
CALVO REVILLA, ANA
- Subjects
- *
SHORT story (Literary form) , *FICTION , *STORY plots , *AUTHORS' notebooks - Abstract
Based on the analysis of scattered ideas in notebooks and reflected in his books of short stories, we have approached the study of the notions that govern the design of the craft of writing of Jose Jiménez Lozano, in which lies the ethical and aesthetic response of the writer to the questions of the postmodernity: the primacy of the memory as a source of knowledge, the confidence in the word to speak about the essentially human and, therefore, the protagonism of telling little stories memorable. We find not only Walter Benjamin's delegitimization of the Grand Narrative of Western modernity, but his claim of the memory and the role of the defeated to achieve a true representation of the past. [ABSTRACT FROM AUTHOR]
- Published
- 2013
32. Los ochenta y una 'vuelta al orden' en España: nueva figuración, transvanguardia y arte metafísico en las exposiciones y colecciones nacionales
- Author
-
Feo Rodríguez, Noemi María and Feo Rodríguez, Noemi María
- Abstract
A lo largo de los años ochenta, tanto en España como en el ámbito internacional, las tendencias que abogaron por la figuración coparon el mercado artístico. Una expansión, que en el territorio nacional se desarrolló durante la Transición y el inicio de la democracia en 1982. Las exposiciones y las colecciones nacionales definieron una “vuelta al orden”, representada desde los setenta por la Nueva Figuración Madrileña, a finales de la década por la influencia italiana de la Transavanguardia , en los ochenta por el Anacronismo o la Pittura Colta , los Neue Wilden en Alemania y, en los noventa, por los neometafísicos españoles. Una etapa que debe ser estudiada y analizada con una mayor profundidad y con una evidente vinculación internacional., Throughout the eighties, both in Spain and internationally, the presence of artistic trends that advocated the figuration took over the art market. An expansion, that in the national territory was developed during the transition and the beginning of the democracy in Spain. The exhibitions and national collections defined a “return to the order”, represented since the seventies by the Nueva Figuración Madrileña, at the end of the decade by the Italian influence of the Transavanguardia , in the eighties by the Anacronismo or the Pittura Colta , the Neue Wilden in Germany and, in the nineties, by the Spanish neometaphysicians. A stage that must be studied and analyzed, with greater depth and with an obvious international connection.
- Published
- 2019
33. Desplazamientos conceptuales en la literatura boliviana actual
- Author
-
Virguetti Villarroel, Pablo and Virguetti Villarroel, Pablo
- Abstract
El estudio de la literatura boliviana durante el siglo XX permite observar que está constantemente vinculada a un intento de definición de lo nacional y lo social. Sin embargo, en el siglo XXI, los autores contemporáneos han intentado alejarse de esta tendencia, demostrando un mayor interés por algunas características que ponen de relieve la experiencia individual angustiada de un mundo percibido como caótico. Así, pueden observarse algunas características comunes entre la comparación de tres autores, Liliana Colanzi, Sebastián Antezana y Rodrigo Hasbún. Estas características son, además de la predominancia de lo individual frente a lo colectivo, la experiencia posmoderna de los personajes, que viven en un mundo globalizado y confuso; y los nuevos lugares de la enunciación que escapan a los topos típicos de la tradición nacional., The study of Bolivian literature throughout the 20th century shows that it is constantly linked to a general aim, that is a definition of the national self and its society. However, roughly from the begin of the 21th century, contemporary writers have tried to avoid this trend. They display more interest about topics that emphasize the angst of the individual experience of a world perceived as chaotic. Thus, this article tries to highlight a few characteristic themes in a comparative study of three auteurs: Liliana Colanzi, Sebastián Antezana y Rodrigo Hasbún. These common topics are the predominance of the individual subject and the diminishing importance of the social subject; the postmodern experience of characters, who live in a highly globalized and ill-defined world; and the shift of the places of enunciation, that don’t converge with the typical places shown in the national tradition.
- Published
- 2019
34. Vattimo y el anuncio heideggeriano de la eventualidad del ser
- Author
-
Bueno González, Antonio and Bueno González, Antonio
- Abstract
The second Heidegger’s inquiry about being finds its maturation in the doctrine of Ereignis, a new «post-metaphysical» concept, according to Vattimo, with which the german philosopher tries to answer the question of what being is, once he has shown, in its first intellectual stage, the essential ontological differentiation. The being is not an entity, nor that fixed and immutable that grounds the entity. Neither of it can be said to be; the being «is given». And it is given to man in an act of reciprocal donation in the totality of historical events. Vattimo starts from this idea to conclude that the being is an event that orbits in the constellation of Ge-Stell, the destiny of the present time as a way of uncovering the being, of revealing the truth, and converts Heidegger into a precursor of postmodernity and his pensiero debole., La indagación del segundo Heidegger acerca del ser encuentra su maduración en la doctrina del Ereignis, un nuevo concepto «post-metafísico», según Vattimo, con el que el filósofo alemán trata de responder a la pregunta de qué es el ser una vez ha mostrado, en su primera etapa intelectual, la esencial diferenciación ontológica. El ser no es un ente, ni aquello fijo e inmutable que fundamenta lo ente. Ni de él puede decirse que es; el ser «se da». Y se da al hombre en un acto de donación recíproca en la totalidad del acontecer histórico. Vattimo parte de esta idea para concluir que el ser es evento que orbita en la constelación del Ge-Stell, el destino de la época actual en cuanto forma de desocultar el ser, de desvelar la verdad, y convierte a Heidegger en precursor de la postmodernidad y de su pensiero debole.
- Published
- 2019
35. VIA PULCHRITUDINIS: RESPUESTA DE LA IGLESIA A LA CRISIS CONTEMPORÁNEA.
- Author
-
Coma, Santiago Canals
- Subjects
RELIGIOUSNESS ,REINCARNATION ,PASTORAL theology ,DICTATORSHIP ,PERSONAL beauty ,GOD ,HOPE ,RELATIVITY - Abstract
Copyright of Cuestiones Teológicas is the property of Cuestiones Teologicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2012
36. ¿QUÉ QUEDA DE LA CRIMINOLOGÍA?
- Author
-
Elbert, Carlos Alberto
- Subjects
CRIMINOLOGY ,CRIMINAL law ,CRIME prevention ,THEORY of knowledge - Abstract
Copyright of Revista de Derecho Penal y Criminologia is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2010
37. La pedagogía, la didáctica y la creatividad: un quehacer pedagógico reflexivo.
- Author
-
Klimenko, Olena
- Subjects
EDUCATION ,TEACHING ,INTELLECTUAL development ,TEACHER effectiveness ,TEACHING methods ,CREATIVE ability ,SCIENCE ,PARADIGMS (Social sciences) ,SOCIAL sciences - Abstract
Copyright of Revista Katharsis is the property of Institucion Universitaria de Envigado and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2009
38. SIGUE EN PIE LA HERMENÉUTICA ANALÓGICA BARROCA? CONTRARRÉPLICA A GUILLERMO HURTADO.
- Author
-
Arriarán, Samuel
- Subjects
- *
POSTMODERNISM (Philosophy) , *LATIN American philosophy , *MODERN philosophy -- 17th century , *THEORY of knowledge , *MEXICAN philosophy - Abstract
This paper is a reply to the text of Guillermo Hurtado "Mestizaje, analogía y posmodernidad". Samuel Arriarán refuses the thesis of Hurtado about no validity of analogic barroque hermeneutics. The author argument is that the thesis of Hurtado has its basis in an old philosophical nacionalism that postulates the necessity of construction of own categories for mexican philosophy. [ABSTRACT FROM AUTHOR]
- Published
- 2007
39. Sujetos en la Política Educacional Chilena de Transversalidad.
- Author
-
Castro, Pablo
- Subjects
- *
EDUCATIONAL psychology , *CURRICULUM , *EDUCATION policy , *PERSONALITY , *EDUCATIONAL change , *VALUES education - Abstract
It is stated that there are different implicit conceptions of the psychological subject in the way students are considered by the cross-curricula educational Chilean policy. The fundamental assumption which leads the analysis is that opposite cosmo visions about the person are reflected in the current language related with the personal identity. Particularly the Cross-curricula Fundamental Objectives of the Chilean Educational Reform are analyzed. Furthermore, it is argued that this co-existence of visions could somehow explain the difficulties on the implementation of the cross-curricula fundamental objectives in Chilean education. Finally, it is proposed that the challenge for succeeding in the articulation of values education learning at school, should be contextualized in a society where different conceptions of psychological and moral subjects are present. [ABSTRACT FROM AUTHOR]
- Published
- 2006
- Full Text
- View/download PDF
40. El vínculo imaginal.
- Author
-
Maffesoli, Michel
- Subjects
DIFFERENTIATION (Sociology) ,SOCIOLOGY ,SOCIAL contract ,MODERNITY ,SOCIAL processes ,REASON ,POSTMODERNISM (Philosophy) - Abstract
Copyright of Politica y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2006
41. Ciencias Sociales ¿y teatro? Una mirada interdisciplinaria.
- Author
-
Manuel Pardo, Jorge
- Subjects
- *
SOCIAL sciences , *THEATER , *THEATER anthropology , *METHOD acting - Abstract
This paper shows relations and theoretical influence between several social sciences and the most important theatrical theories of the twentieth century. From this point of view, and from a diacronic perspective, can be seen the influence of psychology and psychoanalysis in Stanislavsky's system; the influence of sociology and Marxism in Brecht's; and anthropology in Eugenio Barba's. Finally, the paper underlines the need for holistic and interdisciplinary thinking where science and art are complementary ways of knowledge. [ABSTRACT FROM AUTHOR]
- Published
- 2005
42. ESTÉTICA COMUNITARIA.
- Author
-
Maffesoli, Michel
- Subjects
POSTMODERNISM (Philosophy) -- Social aspects ,COMMUNITY life ,CULTURAL movements ,COMMUNITIES ,SOCIAL participation ,AESTHETICS -- Social aspects ,GLOBALIZATION & society ,CULTURE & globalization - Abstract
Copyright of Acta Sociologica (0186-6028) is the property of Instituto de Investigaciones Filosoficas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2004
43. Revisão Publisher company and the representations of holocaust negationism in Brazil
- Author
-
Avila, Felipe Alves Pereira, Lopes, Aristeu Elisandro Machado, and Gill, Lorena Almeida
- Subjects
Posmodernity ,Representação ,Holocaust ,Holocausto ,Pós-modernidade ,Editora Revisão ,Negacionism ,CIENCIAS HUMANAS::HISTORIA [CNPQ] ,Revisão Publisher ,Negacionismo ,Representation - Abstract
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No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_Felipe_Alves_Pereira_Avila.pdf: 3788806 bytes, checksum: 4d8ea052862a4d4f6d573c8fbccd89bb (MD5) Previous issue date: 2019-09-05 Quando tratamos de temas ligados à Alemanha Nazista, temos que necessariamente dar voz à reverberação dos efeitos de sentido que produziu e ainda produz o Holocausto até a contemporaneidade. Disso resulta o embate entre gestos de análise que, muitas vezes se propõem a ressignificar, negar e falsificar, através de metodologias duvidosas, a existência de determinados fatos históricos, como é o caso da Shoá. O presente estudo parte de uma análise historiográfica tendo como foco a bibliografia, que defende a inexistência do Holocausto, da já extinta editora “Revisão”, que encontra na web um espaço dinâmico para a propagação de seus livros digitalizados e hospedados em sítios e blogs, os quais divulgam o material negacionista. Foram pautados elementos retirados dos livros que apontam para a dúvida com relação às câmaras de gás e, consequentemente, ao Holocausto. O trabalho tem como aporte metodológico a análise documental fundamentada em CELLARD (2012). Para as questões de representação, buscar-se-á em CHARTIER (1990) a reflexão necessária para compreender a representação do negacionismo em sua tentativa de se legitimar enquanto uma escola historiográfica. Para a realização do trabalho foi necessário também mapear e caracterizar o sujeito negacionista, aquele que se utiliza dessa corrente para julgar o que a História comumente tem contato. Nessa perspectiva foi utilizado HALL (2006), como um aporte importante para pensar sobre esse tipo de sujeito caracterizando-o como um sintoma de um paradigma pós-moderno. A corrente negacionista ganha força e adeptos, por estar centrada em um ambiente favorável à fragmentação e à volubilidade. Ela se define em saberes efêmeros, pois tudo nesse contexto é moldável, inclusive normas, regras e concepções. A pós-modernidade é um espaço que permite a formação de “tribos” e “clãs”. Nesse âmbito, emergem pequenas narrativas, que são fragmentos de reconfigurações das grandes narrativas. Tudo isso reverbera na sociedade atual que busca soluções para os problemas em espectros de ideologias fracassadas. Tal fato pode ser notado, contemporaneamente, no ressurgimento de um discurso conservador que ganha força no âmbito político e social em várias regiões do mundo. Considering the topics related to Nazi Germany, we necessarily have to provide voice to the reverberation of sense effects it produced and still produces, until contemporaneity. From this, we have the conflict between gestures of analysis which, many times, urge to reframe or re-significate, deny, falsify – through doubtful methods – the existence of specific historical facts, like Shoah. This thesis of dissertation comes up from a historiographical analysis, which defend the inexistence of the Holocaust, from the already extinguished Revisão publisher. This publisher, however, still hosts a dynamic website on the internet, edited by anonymous people, on purpose of spreading negationist material and e-books, hosted on sites and blogs. In this piece of work some elements, taken from the material previously commented, were considered, like the doubt about the gas chambers and, consequently, about the Holocaust itself. This thesis encounters methodological support in Document Analysis based in Cellard (2012). In order to cover Representation concept, we based on Chartier (1990) the necessary thought to understand and comprehend the representation of the negationism in its attempt to validate itself as a genuine historical field. In order to conduct this thesis, we considered necessary to map and characterize the negationist subject, the one who bases their beliefs in this pseudo-theoretical flow to judge what History as a science normally considers. On this perspective, we based our studies on Hall (2006), as an important theoretical background to think of this kind of subject, depicting them as a symptom of a post-modern paradigm. This negationist flow encounters strength and supporters mainly because it is centered in an environment which is favourable for fragmentation and volubility. This flow defines itself in ephemeral knowledge, because everything in this context is moldable – including norms, rules and conceptions. Post-modernity is a room which allows the constitution of “tribes” and “clans”. Is this scenery, minor narratives, which are fragments of wider narratives, emerge. These kind of organization and discourses reverberates in our current society, which is seeking for solutions in already failed ideology spectra. This can be noticed, currently, in the re-emerge of a conservative discourse which strengthens itself in the political and social field in many parts of the world.
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- 2019
44. Social Control and Imaginary in Current TV Series
- Author
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Bonete Vizcaíno, Fernando
- Subjects
Teleseries ,Posmodernity ,Control societies ,Sociedades de control ,Social control ,Metafiction ,TV series ,Control social ,Imaginarios sociales ,Metaficción ,Comunicación Audiovisual y Publicidad ,Social imaginaries ,Posmodernidad - Abstract
Control social e imaginarios en las teleseries actuales estudia la relación entre las series de televisión y la construcción de la identidad en la era del show business. La obra reúne, en dieciocho capítulos organizados en tres bloques, el análisis de cerca de una veintena de grandes series actuales. La vigilancia del estado moderno, los mecanismos ideológicos y tecnológicos utilizados para orientar la conducta, la perpetuación de nuevos modelos familiares y éticos, la hipersexualidad o el estado de la política son algunos de los elementos estudiados en esta obra que arroja luz sobre un fenómeno de éxito indiscutible de nuestros días: las series de televisión. Social Control and Imaginary in Current TV Series studies the relationship between series and the construction of identity in the show business era. The work brings together, in eighteen chapters organized in three blocks, the analysis of about twenty major current series. The surveillance of the modern state, the ideological and technological mechanisms used to bias behavior, the perpetuation of new family and ethical models, the hypersexuality or the state of politics are some of the elements studied in this work that sheds light on a phenomenon of indisputable success of our days: TV series.
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- 2019
45. The eighties and a 'return to the order' in Spain: new figuration, transavantgarde and metaphysical art in the exhibitions and nationals collections
- Author
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Feo Rodríguez, Noemi María
- Subjects
años ochenta ,Posmodernity ,exhibitions ,Spain ,Neofiguration ,España ,eighties ,Posmodernidad ,Neofiguración ,exposiciones - Abstract
A lo largo de los años ochenta, tanto en España como en el ámbito internacional, las tendencias que abogaron por la figuración coparon el mercado artístico. Una expansión, que en el territorio nacional se desarrolló durante la Transición y el inicio de la democracia en 1982. Las exposiciones y las colecciones nacionales definieron una “vuelta al orden”, representada desde los setenta por la Nueva Figuración Madrileña, a finales de la década por la influencia italiana de la Transavanguardia , en los ochenta por el Anacronismo o la Pittura Colta , los Neue Wilden en Alemania y, en los noventa, por los neometafísicos españoles. Una etapa que debe ser estudiada y analizada con una mayor profundidad y con una evidente vinculación internacional. Throughout the eighties, both in Spain and internationally, the presence of artistic trends that advocated the figuration took over the art market. An expansion, that in the national territory was developed during the transition and the beginning of the democracy in Spain. The exhibitions and national collections defined a “return to the order”, represented since the seventies by the Nueva Figuración Madrileña, at the end of the decade by the Italian influence of the Transavanguardia , in the eighties by the Anacronismo or the Pittura Colta , the Neue Wilden in Germany and, in the nineties, by the Spanish neometaphysicians. A stage that must be studied and analyzed, with greater depth and with an obvious international connection.
- Published
- 2019
46. Oniromancia, El Doble Y La Sombra: La Representación De La Vidente Hinoto En El Manga X De Clamp
- Author
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Castelli Olvera, Sarahi Isuki and Castelli Olvera, Sarahi Isuki
- Abstract
In this article we start from the assumption that the figure of the seer Hinoto, a character that belongs to the Japanese X manga, published in Mexico by Editorial Vid between 2003 and 2005, presents the dematerialization of the subject and the postmodern pastiche through the hybridity of elements religious with psychiatric aspects. In our analysis, we return to the paradigm of indicial inferences proposed by the historian Carlo Gizburg, in conjunction with the proposal of Jenaro Talens, who takes from Charles Morris the three levels of signification of the sign: semantic, syntactic and pragmatic. Our primary sources are the eighteen volumes of X published in Mexico; the secondary ones are the existing bibliography related to the subject, as well as audiovisual material., En este artículo partimos del supuesto de que la figura de la vidente Hinoto, personaje que pertenece al manga japonés X, publicado en México por Editorial Vid entre 2003 y 2005, presenta la desmaterialización del sujeto y el pastiche posmoderno a través de la hibridez de elementos religiosos con aspectos psiquiátricos. En nuestro análisis, retomamos el paradigma de inferencias indiciales propuesto por el historiador Carlo Gizburg, en conjunto con la propuesta de Jenaro Talens, quien retoma de Charles Morris los tres niveles de significación del signo: semántico, sintáctico y pragmático. Nuestras fuentes primarias son los dieciocho tomos de X publicados en México; las secundarias son la bibliografía existente relacionada con el tema, así como material audiovisual.
- Published
- 2018
47. Derecho a la identidad personal como resultado del libre desarrollo de la personalidad
- Author
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López, Marcela, Kala, Julio César, López, Marcela, and Kala, Julio César
- Abstract
The evolution of the human rights has allow to guarantee the joy of an effective exercise of each time, bigger number of rights, some of which are necessary as operative media to exercise another rights. The right to identity and free development of personality are part of these rights, without them, it would be imposible to think about exercising the rights in the civil, personal a family order. The development of these rights has been slow, but consistent because it has engorged a new posibilities order for reaching the life Project of each one, just studying the deeper philosophical reasons, it can be understood the brave defending that come people make of it., La evolución de los derechos humanos ha permitido garantizar el goce de un ejercicio eficaz de cada vez mayor número de derechos, algunos de los cuales son derechos necesarios como medio operativo para el ejercicio de otros tantos derechos. El derecho a la identidad y al libre desarrollo de la personalidad es de estos derechos, sin los cuales sería imposible pensar en ejercer los derechos del orden civil, personal y familiar de los individuos. El desarrollo de estos derechos ha sido lento, pero consistente pues han engendrado un nuevo orden en las posibilidades de realización del proyecto de vida de las personas, solo estudiándolo en sus razones filosóficas más profundas, puede entenderse la defensa aguerrida que se hace de ellos.
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- 2018
48. Totalitarismo y democracia individualizada: un análisis de La Ola de D. Gansel
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David Isaac Blaz Sialer, Rogelio Scott-Insúa, José Carlos Salinas-Valdivia, and Aleixandre Brian Duche-Pérez
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Totalitarismo ,democracy ,Materials Science (miscellaneous) ,psychologization ,cine ,La Ola ,Industrial and Manufacturing Engineering ,posmodernidad ,Totalitarianism ,The Wave ,perversion ,democracia ,perversión ,psicologización ,cinema ,Business and International Management ,posmodernity - Abstract
Resumen El presente texto muestra que La Ola lleva a la sospecha de que el filme, más que tratar sobre el posible retorno del totalitarismo nazi en pleno siglo XXI, da una alegoría de la consolidación del imaginario democrático-liberal luego de la caída del muro de Berlín, del fin de la historia y la muerte de las ideologías. Abstract This study shows that The Wave, rathet an addressing the return of Nazi totalitarism in the mid-21st century, it gives us an allegory of the consolidation of the liberal-democratic imaginary after the fall of the Berlin Wall, the end of history, and the death of ideologies.
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- 2018
49. Modernity, history and language. Actuality of the enlightenment thought
- Author
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Miguel A. Perdomo-Batista
- Subjects
Enlightenment ,Filosofía de la Historia ,Modernidad ,Philosophy of History ,Modernity ,Posmodernidad ,Posmodernity ,Ilustración - Abstract
En este trabajo indago sobre la actualidad de la Ilustración en relación con la modernidad, la idea de historia y el lenguaje. Examino la construcción historiográfica de la Ilustración para distinguir los tópicos que caracterizan las rupturas y las continuidades en las sucesivas interpretaciones. Posteriormente, analizo la cuestión en el contexto del debate entre modernidad y posmodernidad. Finalmente, formulo la pregunta sobre la Ilustración en relación con las posibilidades de la filosofía de la historia y con el lenguaje. Se concluye la necesidad de recuperar la filosofía de la historia como legado de la Ilustración, y se plantea cómo podría efectuarse tal recuperación. This work is an exploration of the concept of Enlightenment. First, the historiographical construction of the Enlightenment is examined to distinguish topics that characterized the ruptures and continuities in the sucessive interpretations. Subsequently, the issue is discussed in the context of the debate between Modernity and Postmodernity. Finally, question about the Enlightenment is discussed in relation to the possibilities of the philosophy of history and language. It concludes the need to recover the philosophy of history as legacy of the Enlightenment, and considers how such a recovery could be made.
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- 2018
50. Una ciencia moderna en un mundo postmoderno
- Author
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Espinoza, Norelkys
- Subjects
Posmodernity ,Razón ,Revistas ,[Anuario GRHIAL] ,Centro de Investigaciones en Ciencias Humanas (HUMANIC) ,Grupo de Investigaciones sobre Historia de las Ideas en América Latina (GRHIAL) ,Modernity ,Reason ,Crisis ,Artes y Humanidades ,Modernidad ,Nueva ciencia ,New science ,Facultad de Humanidades y Educación ,Posmodernidad - Abstract
En el siglo XVIII, se originó una ruptura histórica que confluyó en un nuevo orden social, político, económico y científico, llamado Modernidad, que rompió con la tradición del pensamiento homogéneo dando paso a una razón moderna y a una idea de realidad única, inmodificable y objetiva. Así, se pensó una ciencia positiva que a partir de la observación de los hechos, podría llegar a conocer las leyes de la naturaleza para obtener el conocimiento universal. No obstante, con la llegada de la Posmodernidad la razón científica positivista demostró su carácter reduccionista y su incapacidad para resolver los problemas del siglo XX, dentro de las ciencias humanas y las naturales. De esta manera se da inicio a la crisis de la razón. En esta revisión documental, se abordará el pensamiento de autores, que aunque modernos, como Humberto Maturana, Claude Levi-Strauss, Michel Foucault, Ilya Prigogine, Edgar Morin y Roberto Follari, plantearon algunas críticas a la razón moderna, para vislumbrar una nueva ciencia que está surgiendo como respuesta a los problemas que no han podido ser resueltos por la ciencia positiva debido a las limitaciones inherentes a su visión unitaria, debido a que su propia idea de razón es en sí un mito. In the eighteenth century, a historical rupture originated that merged in a new social, political, economic and scientific order, called Modernity, which broke with the tradition of homogeneous thought modern reason to accept his idea of a unique, unchanging and objective reality. Then, was created a positive science that observes the facts, that could get to know the laws of nature, to reach universal knowledge. However, with the arrival of Posmodernism, positivist scientific reason showed its reductionist character and its inability to solve the problems of the twentieth century within the human and natural sciences. In this way begins the crisis of reason. This documentary research will discuss the thought of authors, although modern, as Humberto Maturana, Claude Levi - Strauss, Michel Foucault, Ilya Prigogine, Edgar Morin and Roberto Follari, raised some criticism of modern reason, for glimpse a new science that is emerging as a response to the problems, that they cannot be solved by positive science due the inherent limitations to their unified vision, because their own idea of reason is itself a myth. 149-167 norelkys@pq.ing.ula.ve,norelkyse@yahoo.com, norelkys@ula.ve Anual
- Published
- 2017
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