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Several letters to the editor are presented in response to articles published in previous issues including the Collateral Damage essay on digital music by David Keenan, file sharing by Chris Cutler and Nick Richardson's review of the album "100% Publishing" by artist Wiley.

Several letters to the editor are presented in response to articles in previous issues including Mark Fisher's review of the book "No Wave," Keith Moliné's review of the Legendary Pink Dots' cassette archives vinyl box set, and David Keenan's review of Ben Ratliff's book "Coltrane: The Story of a Sound."

Several letters to the editor are presented in response to articles in previous issues of "The Wired" magazine including the Chris Watson cover in issue 319, an article on cosmic disco in issue 318 and the article "Keeping the Faith" in issue 318.

The article presents several letters to the editor in response to articles in previous issues including "The Year in Reissues," by Joe Muggs, the interpretation of music by William Byrd and the renewed importance of The Boomerang.

Several letters to the editor are presented in response to the articles in the previous issue including "Invisible Jukebox," by Makoto Kawabata, "Supersonic Festival," by Andy Sharp and on a review concerning the first all-sound acoustic event in Saint Cecilia's Hall in Edinburgh, Scotland by Neil Cooper.

Several letters to the editor are presented in response to articles in previous issues including Rob Young's comments on the linear notes for the re-release of Harold McNair's album "The Fence," Nick Southgate's interview with rock musicians Cath Tyler and Phil Tyler, and the review of Alan Licht's book "Sound Art: Beyond Music, Between Categories."