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The increasing political and economic instability in the Middle East region has caused an emergency condition that directly affects the architectural heritage of cities, so much to speak, in some cases such as Aleppo, of urbicide, or deliberate destruction of the city of man. This raises again some reflections on the role of the discipline of architecture in the process of reconstruction, that is, on what are the limits, the criteria, and the instruments able to operate critically in these contexts. The current state of the city of Aleppo thus offers the opportunity for an investigation aimed at establishing an admissible framework of operational strategies to preserve the identity of places, conveying the elements that have characterized the urban phenomenon over time.

In vista di una nuova edizione del Cantar de Mio Cid, l’autore propone uno specimen dei vv. 100-284 dell’opera, pubblicati in una doppia edizione sinottica: un testo interpretativo e una ricostruzione critica. Il primo è fedele al manoscritto unico, limitandosi a correggere le sviste del copista; la seconda si basa sulla teoria metrica già illustrata dall’autore in altri saggi, ma fa appello anche alla tradizione indiretta, all’usus scribendi, alla conformatio textus e alla logica interna del racconto. Il testo è corredato da note filologiche. As part of his work on a new edition of Cantar de mio Cid, the author presents a sample of the verses 100-284 of the poem in a twofold synoptic version, with an interpretative text and a critical reconstruction. The first is true to the single manuscript and only corrects the copyist’s mistakes. The latter is based on the metric theory that was explained by the author in other essays, enriched by the resort to indirect tradition, usus scribendi, conformatio textus and the plot’s inner logic. The text is accompanied by philological notes.

In vista di una nuova edizione del Cantar de Mio Cid, l’autore propone uno specimen dei primi 99 versi dell’opera, pubblicati in una doppia edizione sinottica: un testo interpretativo e una ricostruzione critica. Il primo è fedele al manoscritto unico, limitandosi a correggere le sviste del copista; la seconda si basa sulla teoria metrica già illustrata dall’autore in altri saggi, ma fa appello anche alla tradizione indiretta, all’usus scribendi, alla conformatio textus e alla logica interna del racconto. Il testo è corredato da note filologiche. As part of his work on a new edition of Cantar de mio Cid, the author presents a sample of the first 99 verses of the poem in a twofold synoptic version, with an interpretative text and a critical reconstruction. The first is true to the single manuscript and only corrects the copyist’s mistakes. The latter is based on the metric theory that was explained by the author in other essays, enriched by the resort to indirect tradition, usus scribendi, conformatio textus and the plot’s inner logic. The text is accompanied by philological notes.