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Older individuals are easily prone to chronic pain. Due to the complexity of chronic pain, most elderly often have difficulty expressing pain to others to seek assistance, especially those with Alzheimer’s disease (AD). The caregivers cannot instantly discover the patients’ pain condition and provide timely pain management. This project applies physiological signal sensing technology to help AD patients express the presence of pain non-verbally. We embed sensors on patients’ handkerchiefs to identify the patient’s abnormal physical activity when pain occurs. Next, we translate the physiological signal into qualitative light alert to send to caregivers and indicate the pain occurrence condition. Then, utilizing multi-sensory stimulation intervention, we create an electronic textile (e-textile) tool to help caregivers effectively support patients in pain. And thus to create a two-way pain communication between caregivers and the patients. Pain perception can be independent of subjective expressions and tangibly perceived by others through our textile prototype. The e-textile handkerchiefs also bring up a new guide to facilitate communication for caregivers when their patients. We contribute the design insights of building a bio-sensing and e-textile system with considering the pain communication needs, patients’ pain behaviors and preference of objects. Our e-textile system may contribute to pain communication bio-sensing tool design for special elderly groups, especially those with weakened cognition and communication abilities. We provide a new approach to dealing with the pain of AD patients for healthcare professionals.

Climate change is difficult to connect with personally, because people only regard the phenomenon as important if it becomes a perceived threat to themselves. Arguments like statistics and policy debates are extrinsic motivators, which do not necessarily align people’s own intrinsic motives with those of climate action. Instead, narratives and visual communication can influence viewers implicitly by the way they show and reinforce actions and thoughts that align with climate action. In this design study, we used comics created for human-level climate change influence to promote ideas like future-based thinking, sharing of responsibility, and caring for each other. We also created data visuals that illustrate future consequences of climate change for the purpose of averting negative alternative realities. To see whether our design can affect audience perception of climate change on the human level of goals and desires, we showed the comics to readers unfamiliar with the themes of the stories, presenting them as manga about characters and situations. The survey showed that data stories can affect the way naive readers interpret narratives to align with pro-climate attitudes such as sharing and future-vision, and that readers are focused on the human-level of the data and story as opposed to the physical resource level. Speculative fiction and data visuals provide a potentially effective way to influence individuals’ climate change attitudes by showing alternative realities and attributes of collective responsibility and planning-for-the-future as data stories.

Children begin to develop self-awareness when they associate images and abilities with themselves. Such “construction of self” continues throughout adult life as we constantly cycle through different forms of self-awareness, seeking, to redefine ourselves. Modern technologies like screens and artificial intelligence threaten to alter our development of self-awareness, because children and adults are exposed to machines, tele-presences, and displays that increasingly become part of human identity. We use avatars, invent digital lives, and augment ourselves with digital imprints that depart from reality, making the development of self-identification adjust to digital technologies that blur the boundary between us and our devices. To empower children and adults to see themselves and artificially intelligent machines as separately aware entities, we created the persona of a salvaged supermarket security camera refurbished and enhanced with the power of computer vision to detect human faces, and project them on a large-scale 3D face sculpture. The surveillance camera system moves its head to point to human faces at times, but at other times, humans have to get its attention by moving to its vicinity, creating a dynamic where audiences attempt to see their own faces on the sculpture by gazing into the machine's eye. We found that audiences began attaining an understanding of machines that interpret our faces as separate from our identities, with their own agendas and agencies that show by the way they serendipitously interact with us. The machine-projected images of us are their own interpretation rather than our own, distancing us from our digital analogs. In the accompanying workshop, participants learn about how computer vision works by putting on disguises in order to escape from an algorithm detecting them as the same person by analyzing their faces. Participants learn that their own agency affects how machines interpret them, gaining an appreciation for the way their own identities and machines' awareness of them can be separate entities that can be manipulated for play. Together the installation and workshop empower children and adults to think beyond identification with digital technology to recognize the machine's own interpretive abilities that lie separate from human being's own self-awareness.