666 results on '"Reader, Keith"'
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2. 'Le Quai des brumes' de Marcel Carné by Thomas Pillard (review)
3. (Très) Cher Cinéma français by Éric Neuhoff (review)
4. Le Cinéma français de 1958 à 1967: de la Nouvelle Vague aux prémices de mai 68 par Francis Goubel (review)
5. The Legacy of the New Wave in French Cinema by Douglas Morrey (review)
6. Jean Gabin: The Actor Who Was France by Joseph Harriss (review)
7. Paris in the Cinema: Beyond the 'flâneur' ed. by Alastair Phillips and Ginette Vincendeau (review)
8. Jewish Identity in French Cinema (1950–2010) by Serge Bokobza (review)
9. Encounters with Godard: Ethics, Aesthetics, Politics by James S. Williams (review)
10. (Con)versions of Commitment: The Case of Régis Debray's Loués soient nos seigneurs
11. Boats on the Marne: Jean Renoir’s Critique of Modernity by Prakash Younger (review)
12. The Invention of Robert Bresson: The Auteur and his Market by Colin Burnett (review)
13. Julien Duvivier by Ben McCann (review)
14. Psychoanalytic Film Theory and 'The Rules of the Game' by Todd McGowan (review)
15. The State They're in: Bourdieu, Debray, and the Revival of Engagement
16. Le Film noir français face aux bouleversements de la France d’après-guerre, 1946–1960 by Thomas Pillard (review)
17. In Search of ‘La Grande Illusion’: A Critical Appreciation of Jean Renoir’s Elusive Masterpiece by Nicholas Macdonald (review)
18. Le Jour se lève by Ben McCann (review)
19. Jean-Luc Godard: Cinema Historian by Michael Witt (review)
20. The Cambridge Companion to the Literature of Paris ed. by Anna-Louise Milne (review)
21. Jean Renoir par Pascal Mérigeau (review)
22. Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945–1995 by Hugo Frey (review)
23. Directory of World Cinema: France ed. by Tim Palmer and Charlie Michael (review)
24. Opening Bazin: Postwar Film Theory and its Afterlife edited by Dudley Andrew, with Hervé Joubert-Laurencin (review)
25. Neither God nor Master: Robert Bresson and Radical Politics by Brian Price (review)
26. Marcel Carné by Jonathan Driskell (review)
27. Film Criticism as Cultural Fantasy: The Perpetual French Discovery of Australian Cinema (review)
28. Je t’aime . . . moi non plus: Franco-British Cinematic Relations (review)
29. May 68: Rethinking France’s Last Revolution (review)
30. Robert Bresson: A Passion for Film (review)
31. A Short History of Cahiers du cinéma (review)
32. The Soul of Film Theory by Sarah Cooper (review)
33. La Grande Illusion , and: La Grande Illusion (review)
34. Scenes of Love and Murder: Renoir, Film and Philosophy (review)
35. Cléo de 5 à 7 (review)
36. La Nouvelle Vague: un cinéma au masculin singulier (review)
37. The French New Wave: A New Look (review)
38. Maurice Pialat (review)
39. Reframing Difference: 'Beur' and 'banlieue' Film-Making in France (review)
40. Consuming Culture: The Arts of the French Table (review)
41. The Marais: The Story of a Quartier
42. The 'Unheimliche' hameau: Nationality and culture in the Moberly/Jourdain affair
43. Introduction
44. ‘A different kind of ghetto’
45. ‘This is why the Jews had their ghetto there’
46. ‘Grass grows, a passer-by is an event and everybody knows everybody else’
47. The Marais
48. ‘The Occupation robbed them of their childhood, their adolescence’
49. ‘The poor and the well-to-do lived side by side in the same street’
50. ‘The inhabitants are taken into account’ (?)
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