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111 results on '"Ronald Kolb"'

1. Present Tense – Working in Critical Times

Author: Kunstbüro der Kunststiftung Baden-Württemberg, Regina Fasshauer, Antonia Marten, Gin Bahc, Sascia Bailer, Sina Hensel, Alistair Hudson, Anne Duk Hee Jordan, Pauline Doutreluingne, Valentina Karga, Ronald Kolb, Matriarchale Volksküche, Jacob Ott, Dorothee Richter, Maximilan Haslauer, Kunstbüro der Kunststiftung Baden-Württemberg, Regina Fasshauer, Antonia Marten, Gin Bahc, Sascia Bailer, Sina Hensel, Alistair Hudson, Anne Duk Hee Jordan, Pauline Doutreluingne, Valentina Karga, Ronald Kolb, Matriarchale Volksküche, Jacob Ott, Dorothee Richter, and Maximilan Haslauer
Abstract: How is the work of artists and cultural producers changing in today’s crisis-ridden times? What does it mean to develop an ecologically and socially sustainable artistic and curatorial practice? How can artistic spaces and cultural institutions become places of active social transformation? This volume, published to accompany the Kunstbüro’s symposium of the same name, begins with the immediate present as its starting point and asks what (social) role art and its producers can play in a radically changing world., https://www.librarystack.org/present-tense-working-in-critical-times/?ref=unknown
Published: 2024

2. Speculations: Funding and Financing Non-Profit Art

Author: Ronald Kolb, Shwetal A. Patel, Dorothee Richter, Tanya Abraham, Laura Alexander, Bassam El Baroni, Poppy Bowers, Kathrin Böhm, Delphine Buysse, Elif Carrier, Antonio Cataldo, Aric Chen, Mame Farma Fall, Isabelle Graw, Alistair Hudson, Jan Jongert, Superuse, Carlijn Kingma, Renzo Martens, Kuba Szreder, Myriam Vandenbroucke, Marina Vishmidt, Mi You, Stephanie Carwin, Biotop 3000, Ronald Kolb, Shwetal A. Patel, Dorothee Richter, Tanya Abraham, Laura Alexander, Bassam El Baroni, Poppy Bowers, Kathrin Böhm, Delphine Buysse, Elif Carrier, Antonio Cataldo, Aric Chen, Mame Farma Fall, Isabelle Graw, Alistair Hudson, Jan Jongert, Superuse, Carlijn Kingma, Renzo Martens, Kuba Szreder, Myriam Vandenbroucke, Marina Vishmidt, Mi You, Stephanie Carwin, and Biotop 3000
Abstract: This issue of OnCurating aims to shed light on the complex and often-times concealed economic basis of art production and exhibition-making. The contributions cover a range of issues from a highly speculative financial model of the art market, public funding mechanisms, and attempts of building alternative economic systems. The compilation of texts are to be read in the context of two key problems related to arts funding: The art market’s speculative value production and the state-based public funding paradigms and the reproduction of unequal relations., https://www.librarystack.org/speculations-funding-and-financing-non-profit-art/?ref=unknown
Published: 2024

3. Curating as Governmental Practices: Post-Exhibitionary Practices under Translocal Conditions in Governmental Constellations

Author: Ronald Kolb, Stephanie Carwin, Biotop 3000, Ronald Kolb, Stephanie Carwin, and Biotop 3000
Abstract: This study focuses on the understanding of art as governmental practices. It researches global and postcolonial – translocal & transcultural – contexts of contemporary artistic and curatorial practices, theoretically and through an in-depth analysis of two case studies: Philadelphia Assembled demonstrates the complicated power dynamics within collaborative artistic practices, while documenta fifteen highlights the many complex challenges that the commons approach, and thus more horizontal forms of knowledge production, bring to the art field. Reassessing the curatorial discourse of the “New Museology” since the 1990s (Bennett et al.) and incorporating feminist-influenced critiques of representation (Spivak, Haraway) and the concept of governmentality (Foucault), this dissertation introduces the concept of the “post- exhibitionary complex.” Here, exhibitions become active social spaces and contact zones that promote participatory and direct learning over traditional hierarchical methods. This approach promotes nuanced, networked forms of knowledge production and dissemination grounded in feminist materialism (“Situated Knowledges”). An analytical toolkit is introduced to evaluate exhibitionary projects and their institutional frameworks, focusing on the relationships between art, institutions, and audiences in their governmental and economic contexts. Overall, the study aims to offer an in-depth analysis of the changing landscape of art and curatorial practices in response to global political and economic shifts, highlighting the importance of transversal and post-exhibitionary approaches., https://www.librarystack.org/curating-as-governmental-practices-post-exhibitionary-practices-under-translocal-conditions-in-governmental-constellations/?ref=unknown
Published: 2024

4. Present Tense – Working in Critical Times

Author: Kunstbüro der Kunststiftung Baden-Württemberg, Regina Fasshauer, Antonia Marten, Gin Bahc, Sascia Bailer, Sina Hensel, Alistair Hudson, Anne Duk Hee Jordan, Pauline Doutreluingne, Valentina Karga, Ronald Kolb, Matriarchale Volksküche, Jacob Ott, Dorothee Richter, Maximilan Haslauer, Kunstbüro der Kunststiftung Baden-Württemberg, Regina Fasshauer, Antonia Marten, Gin Bahc, Sascia Bailer, Sina Hensel, Alistair Hudson, Anne Duk Hee Jordan, Pauline Doutreluingne, Valentina Karga, Ronald Kolb, Matriarchale Volksküche, Jacob Ott, Dorothee Richter, and Maximilan Haslauer
Abstract: How is the work of artists and cultural producers changing in today’s crisis-ridden times? What does it mean to develop an ecologically and socially sustainable artistic and curatorial practice? How can artistic spaces and cultural institutions become places of active social transformation? This volume, published to accompany the Kunstbüro’s symposium of the same name, begins with the immediate present as its starting point and asks what (social) role art and its producers can play in a radically changing world., https://www.librarystack.org/present-tense-working-in-critical-times/?ref=unknown
Published: 2024

5. Speculations: Funding and Financing Non-Profit Art

Author: Ronald Kolb, Shwetal A. Patel, Dorothee Richter, Tanya Abraham, Laura Alexander, Bassam El Baroni, Poppy Bowers, Kathrin Böhm, Delphine Buysse, Elif Carrier, Antonio Cataldo, Aric Chen, Mame Farma Fall, Isabelle Graw, Alistair Hudson, Jan Jongert, Superuse, Carlijn Kingma, Renzo Martens, Kuba Szreder, Myriam Vandenbroucke, Marina Vishmidt, Mi You, Stephanie Carwin, Biotop 3000, Ronald Kolb, Shwetal A. Patel, Dorothee Richter, Tanya Abraham, Laura Alexander, Bassam El Baroni, Poppy Bowers, Kathrin Böhm, Delphine Buysse, Elif Carrier, Antonio Cataldo, Aric Chen, Mame Farma Fall, Isabelle Graw, Alistair Hudson, Jan Jongert, Superuse, Carlijn Kingma, Renzo Martens, Kuba Szreder, Myriam Vandenbroucke, Marina Vishmidt, Mi You, Stephanie Carwin, and Biotop 3000
Abstract: This issue of OnCurating aims to shed light on the complex and often-times concealed economic basis of art production and exhibition-making. The contributions cover a range of issues from a highly speculative financial model of the art market, public funding mechanisms, and attempts of building alternative economic systems. The compilation of texts are to be read in the context of two key problems related to arts funding: The art market’s speculative value production and the state-based public funding paradigms and the reproduction of unequal relations., https://www.librarystack.org/speculations-funding-and-financing-non-profit-art/?ref=unknown
Published: 2024

6. Curating as Governmental Practices: Post-Exhibitionary Practices under Translocal Conditions in Governmental Constellations

Author: Ronald Kolb, Stephanie Carwin, Biotop 3000, Ronald Kolb, Stephanie Carwin, and Biotop 3000
Abstract: This study focuses on the understanding of art as governmental practices. It researches global and postcolonial – translocal & transcultural – contexts of contemporary artistic and curatorial practices, theoretically and through an in-depth analysis of two case studies: Philadelphia Assembled demonstrates the complicated power dynamics within collaborative artistic practices, while documenta fifteen highlights the many complex challenges that the commons approach, and thus more horizontal forms of knowledge production, bring to the art field. Reassessing the curatorial discourse of the “New Museology” since the 1990s (Bennett et al.) and incorporating feminist-influenced critiques of representation (Spivak, Haraway) and the concept of governmentality (Foucault), this dissertation introduces the concept of the “post- exhibitionary complex.” Here, exhibitions become active social spaces and contact zones that promote participatory and direct learning over traditional hierarchical methods. This approach promotes nuanced, networked forms of knowledge production and dissemination grounded in feminist materialism (“Situated Knowledges”). An analytical toolkit is introduced to evaluate exhibitionary projects and their institutional frameworks, focusing on the relationships between art, institutions, and audiences in their governmental and economic contexts. Overall, the study aims to offer an in-depth analysis of the changing landscape of art and curatorial practices in response to global political and economic shifts, highlighting the importance of transversal and post-exhibitionary approaches., https://www.librarystack.org/curating-as-governmental-practices-post-exhibitionary-practices-under-translocal-conditions-in-governmental-constellations/?ref=unknown
Published: 2024

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Author: Siyi Chen, Christine M. Kaiser, Ronald Kolb, Ruixuan Li, Dorothee Richter, Paul Stewart, Yimeng Sun, Yuanjun Yang, Xin Bi, KA Bird, Xiaowen Chen, Helen Hester, Sabine Himmelsbach, Zhenhua Li, Ruth Patir, New Scenario, Joshua Simon, Artist Y, Allison Yang Jing, Jiangshan Zhou, Weiyi Zhang, Yueqi Chen, Jiang Ziqi, Jiajie Deng, Stephanie Carwin, Curaxuan LLC, Sean Tierney, Biotop 3000, Siyi Chen, Christine M. Kaiser, Ronald Kolb, Ruixuan Li, Dorothee Richter, Paul Stewart, Yimeng Sun, Yuanjun Yang, Xin Bi, KA Bird, Xiaowen Chen, Helen Hester, Sabine Himmelsbach, Zhenhua Li, Ruth Patir, New Scenario, Joshua Simon, Artist Y, Allison Yang Jing, Jiangshan Zhou, Weiyi Zhang, Yueqi Chen, Jiang Ziqi, Jiajie Deng, Stephanie Carwin, Curaxuan LLC, Sean Tierney, and Biotop 3000
Abstract: The original issue in April 2020 compiled a series of perspectives on artmaking and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies across Europe. We considered the issue as a much-needed start to discuss curating under digital conditions on our platform. This bilingual issue and translation include articles and interviews across new perspectives alongside selected contributions from the original issue to revisit, translate and make new the perspectives and contexts to a wider audience. Each interview, artwork, and article think through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in physical and digital curating and arts production. Interviews focus on art practice and digital artmaking and how the digital is an asset in the making and communication of art and society. We are excited to present and bring together the thoughts and words of such a variety of strong and needed voices that exist in the art, political, and academic worlds., https://www.librarystack.org/curating-the-digital-expanded-%e6%95%b0%e5%ad%97%e7%ad%96%e5%b1%95/?ref=unknown
Published: 2023

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Author: Siyi Chen, Christine M. Kaiser, Ronald Kolb, Ruixuan Li, Dorothee Richter, Paul Stewart, Yimeng Sun, Yuanjun Yang, Xin Bi, KA Bird, Xiaowen Chen, Helen Hester, Sabine Himmelsbach, Zhenhua Li, Ruth Patir, New Scenario, Joshua Simon, Artist Y, Allison Yang Jing, Jiangshan Zhou, Weiyi Zhang, Yueqi Chen, Jiang Ziqi, Jiajie Deng, Stephanie Carwin, Curaxuan LLC, Sean Tierney, Biotop 3000, Siyi Chen, Christine M. Kaiser, Ronald Kolb, Ruixuan Li, Dorothee Richter, Paul Stewart, Yimeng Sun, Yuanjun Yang, Xin Bi, KA Bird, Xiaowen Chen, Helen Hester, Sabine Himmelsbach, Zhenhua Li, Ruth Patir, New Scenario, Joshua Simon, Artist Y, Allison Yang Jing, Jiangshan Zhou, Weiyi Zhang, Yueqi Chen, Jiang Ziqi, Jiajie Deng, Stephanie Carwin, Curaxuan LLC, Sean Tierney, and Biotop 3000
Abstract: The original issue in April 2020 compiled a series of perspectives on artmaking and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies across Europe. We considered the issue as a much-needed start to discuss curating under digital conditions on our platform. This bilingual issue and translation include articles and interviews across new perspectives alongside selected contributions from the original issue to revisit, translate and make new the perspectives and contexts to a wider audience. Each interview, artwork, and article think through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in physical and digital curating and arts production. Interviews focus on art practice and digital artmaking and how the digital is an asset in the making and communication of art and society. We are excited to present and bring together the thoughts and words of such a variety of strong and needed voices that exist in the art, political, and academic worlds., https://www.librarystack.org/curating-the-digital-expanded-%e6%95%b0%e5%ad%97%e7%ad%96%e5%b1%95/?ref=unknown
Published: 2023

9. No Cure: Curating Musical Practices

Author: Anja Wernicke, Michael Kunkel, Dorothee Richter, Ronald Kolb, Thomas Burkhalter, Will Dutta, Bernhard Günther, Víctor Mazón Gardoqui, Guely Morató, Irena Müller-Brozović, Jennifer Kessler, Michał Libera, Ioannis Paul, Elina Waage Mikalsen, Stephanie Carwin, Biotop 3000, Anja Wernicke, Michael Kunkel, Dorothee Richter, Ronald Kolb, Thomas Burkhalter, Will Dutta, Bernhard Günther, Víctor Mazón Gardoqui, Guely Morató, Irena Müller-Brozović, Jennifer Kessler, Michał Libera, Ioannis Paul, Elina Waage Mikalsen, Stephanie Carwin, and Biotop 3000
Abstract: This collection of texts reflects experiences of curating musical practices and wishes to help contributing meaningful traces to the relatively new discourse of curating in contemporary music. Curating makes us think about the interconnection of the aesthetic/conceptual aspects and the socio-political dimension of what we are doing. It offers us the opportunity to analyze what is actually happening when people share sonic experiences and to reflect on the meaning of the relationships that are created between the different agents (sound, audience, technology, etc.). We hope that the readers enjoy the different perspectives on the topic and will be inspired to come up with new ideas and ways of acting curatorially., https://www.librarystack.org/no-cure-curating-musical-practices/?ref=unknown
Published: 2023

10. No Cure: Curating Musical Practices

Author: Anja Wernicke, Michael Kunkel, Dorothee Richter, Ronald Kolb, Thomas Burkhalter, Will Dutta, Bernhard Günther, Víctor Mazón Gardoqui, Guely Morató, Irena Müller-Brozović, Jennifer Kessler, Michał Libera, Ioannis Paul, Elina Waage Mikalsen, Stephanie Carwin, Biotop 3000, Anja Wernicke, Michael Kunkel, Dorothee Richter, Ronald Kolb, Thomas Burkhalter, Will Dutta, Bernhard Günther, Víctor Mazón Gardoqui, Guely Morató, Irena Müller-Brozović, Jennifer Kessler, Michał Libera, Ioannis Paul, Elina Waage Mikalsen, Stephanie Carwin, and Biotop 3000
Abstract: This collection of texts reflects experiences of curating musical practices and wishes to help contributing meaningful traces to the relatively new discourse of curating in contemporary music. Curating makes us think about the interconnection of the aesthetic/conceptual aspects and the socio-political dimension of what we are doing. It offers us the opportunity to analyze what is actually happening when people share sonic experiences and to reflect on the meaning of the relationships that are created between the different agents (sound, audience, technology, etc.). We hope that the readers enjoy the different perspectives on the topic and will be inspired to come up with new ideas and ways of acting curatorially., https://www.librarystack.org/no-cure-curating-musical-practices/?ref=unknown
Published: 2023

11. Curating Dance : Decolonizing Dance

Author: Sigrid Gareis, Nicole Haitzinger, Jay Pather, Dorothee Richter, Ronald Kolb, Miriam Althammer, Rainy Demerson, Kai van Eikels, Gurur Ertem, Jörn Etzold, jackï job, Rolando Vázquez Melken, Gwendolin Lehnerer, Kirsten Maar, Ong Keng Sen, Choy Ka Fai, Lia Rodrigues, Jessica Lauren Elizabeth Taylor, Amanda Piña, Michiel Vandevelde, Stephanie Carwin, Biotop 3000, Sigrid Gareis, Nicole Haitzinger, Jay Pather, Dorothee Richter, Ronald Kolb, Miriam Althammer, Rainy Demerson, Kai van Eikels, Gurur Ertem, Jörn Etzold, jackï job, Rolando Vázquez Melken, Gwendolin Lehnerer, Kirsten Maar, Ong Keng Sen, Choy Ka Fai, Lia Rodrigues, Jessica Lauren Elizabeth Taylor, Amanda Piña, Michiel Vandevelde, Stephanie Carwin, and Biotop 3000
Abstract: Curating Dance : Decolonizing Dance is one of the first publications within an international context to deal with the curation of dance as a performative art as well as a sociocultural practice. With this issue, we aim to develop the relevant theoretical and methodological foundations of curating dance with a particular focus on decolonization in the field of performing arts., https://www.librarystack.org/curating-dance-decolonizing-dance/?ref=unknown
Published: 2023

12. Curating Dance : Decolonizing Dance

Author: Sigrid Gareis, Nicole Haitzinger, Jay Pather, Dorothee Richter, Ronald Kolb, Miriam Althammer, Rainy Demerson, Kai van Eikels, Gurur Ertem, Jörn Etzold, jackï job, Rolando Vázquez Melken, Gwendolin Lehnerer, Kirsten Maar, Ong Keng Sen, Choy Ka Fai, Lia Rodrigues, Jessica Lauren Elizabeth Taylor, Amanda Piña, Michiel Vandevelde, Stephanie Carwin, Biotop 3000, Sigrid Gareis, Nicole Haitzinger, Jay Pather, Dorothee Richter, Ronald Kolb, Miriam Althammer, Rainy Demerson, Kai van Eikels, Gurur Ertem, Jörn Etzold, jackï job, Rolando Vázquez Melken, Gwendolin Lehnerer, Kirsten Maar, Ong Keng Sen, Choy Ka Fai, Lia Rodrigues, Jessica Lauren Elizabeth Taylor, Amanda Piña, Michiel Vandevelde, Stephanie Carwin, and Biotop 3000
Abstract: Curating Dance : Decolonizing Dance is one of the first publications within an international context to deal with the curation of dance as a performative art as well as a sociocultural practice. With this issue, we aim to develop the relevant theoretical and methodological foundations of curating dance with a particular focus on decolonization in the field of performing arts., https://www.librarystack.org/curating-dance-decolonizing-dance/?ref=unknown
Published: 2023

13. Situated Knowledges – Curating and Art on the Move

Author: Ronald Kolb, Dorothee Richter, Nadim Abbas, Judah Attille, Noit Banai, Giovanna Bragaglia, Antonio Cataldo, Maria Costantino, Bo Choy, Angela Dimitrakaki, Anouchka van Driel, Janet Fong Man Yee, Fabiola Fiocco, Alison Green, Dani Gal, Jeanne van Heeswijk, Georgia Kennedy, Fiona Lee Wing-shan, Tu Lang, Anahita Razmi, Rose Li, Edward Sanderson, Debe Sham, Basia Sliwinska, Whitney Stark, Caroline Stevenson, Stephanie Carwin, Biotop 3000, Ronald Kolb, Dorothee Richter, Nadim Abbas, Judah Attille, Noit Banai, Giovanna Bragaglia, Antonio Cataldo, Maria Costantino, Bo Choy, Angela Dimitrakaki, Anouchka van Driel, Janet Fong Man Yee, Fabiola Fiocco, Alison Green, Dani Gal, Jeanne van Heeswijk, Georgia Kennedy, Fiona Lee Wing-shan, Tu Lang, Anahita Razmi, Rose Li, Edward Sanderson, Debe Sham, Basia Sliwinska, Whitney Stark, Caroline Stevenson, Stephanie Carwin, and Biotop 3000
Abstract: This issue gathers contributions that emerged from the conference and workshop “Situated Knowledges – Art and Curating on the Move” in June 2021 and exemplify the partiality and situatedness of one’s own position in our respective fields of expertise, within our educational frameworks and contact zones. The term “situated knowledges” coined by Donna Haraway declares that all scientific knowledge is fundamentally conditional. Against an assumption of the apparently neutral and unmediated knowledge of the (male, white) Western idea of science and its representation through totalizing visualization techniques, Haraway develops her concept of situated and embodied knowledges., https://www.librarystack.org/situated-knowledges-curating-and-art-on-the-move/?ref=unknown
Published: 2022

14. Situated Knowledges – Curating and Art on the Move

Author: Ronald Kolb, Dorothee Richter, Nadim Abbas, Judah Attille, Noit Banai, Giovanna Bragaglia, Antonio Cataldo, Maria Costantino, Bo Choy, Angela Dimitrakaki, Anouchka van Driel, Janet Fong Man Yee, Fabiola Fiocco, Alison Green, Dani Gal, Jeanne van Heeswijk, Georgia Kennedy, Fiona Lee Wing-shan, Tu Lang, Anahita Razmi, Rose Li, Edward Sanderson, Debe Sham, Basia Sliwinska, Whitney Stark, Caroline Stevenson, Chloe Ting, Lee Weinberg, Ashley L. Wong, Stephanie Carwin, Biotop 3000, Ronald Kolb, Dorothee Richter, Nadim Abbas, Judah Attille, Noit Banai, Giovanna Bragaglia, Antonio Cataldo, Maria Costantino, Bo Choy, Angela Dimitrakaki, Anouchka van Driel, Janet Fong Man Yee, Fabiola Fiocco, Alison Green, Dani Gal, Jeanne van Heeswijk, Georgia Kennedy, Fiona Lee Wing-shan, Tu Lang, Anahita Razmi, Rose Li, Edward Sanderson, Debe Sham, Basia Sliwinska, Whitney Stark, Caroline Stevenson, Chloe Ting, Lee Weinberg, Ashley L. Wong, Stephanie Carwin, and Biotop 3000
Abstract: This issue gathers contributions that emerged from the conference and workshop “Situated Knowledges – Art and Curating on the Move” in June 2021 and exemplify the partiality and situatedness of one’s own position in our respective fields of expertise, within our educational frameworks and contact zones. The term “situated knowledges” coined by Donna Haraway declares that all scientific knowledge is fundamentally conditional. Against an assumption of the apparently neutral and unmediated knowledge of the (male, white) Western idea of science and its representation through totalizing visualization techniques, Haraway develops her concept of situated and embodied knowledges., https://www.librarystack.org/situated-knowledges-curating-and-art-on-the-move/?ref=unknown
Published: 2022

15. documenta fifteen — Aspects of Commoning in Curatorial and Artistic Practices

Author: Ronald Kolb, Dorothee Richter, Tanya Abraham, Unchalee Anantawat, Britto Arts Trust, Tayeba Begum Lipi, Mahbubur Rahman, Nanne Buurman, Christoph Brunner, Jennifer Deger, Wulan Dirgantoro, Dan Farberoff, Gudskul, Marcellina Putri, Gesyada Siregar, MG Pringgotono, Jatiwangi art Factory (JaF), Ismal Muntaha, Al Ghorie, Gilly Karjevsky, Elly Kent, Oliver Marchart, Séverine Marguin, Más Arte Más Acción, Jonathan Colin, Alejandra Rojas, Rossana Alarcón, Carmenza Rojas, Lara van Meeteren, OFF-Biennale Budapest, Hajnalka Somogyi, Eszter Lázár, Nikolett Eross, Katalin Székely, Bori Szalai, Eszter Szakács, Dagmar Pelger, David Behar Perahia, Project Art Works, Kate Adams, Patricia Finnegan, Question of Funding, Grégoire Rousseau, Alder Keleman Saxena, Maayan Sheleff, Nora Sternfeld, Ariane Sutthavong, Trampoline House, Morten Goll, Anna L. Tsing, Wajukuu Art Project, Shabu Mwangi, Ngugi Waweru, Bart Wissink, Zentrum für Kunst und Urbanistik Berlin, Philip Horst, Feifei Zhou, Nadine Bajek, Anastasia Baka, Chiara Borgonovo, Rosela del Bosque, Sophie Brunner, Giulia Busetti, Marina Donina, Lotte Van Ermengem, Marinella Sofia Gkinko, Olena Iegorova, Anna Konstantinova, Leilani Lynch, Veronica Mari, Thamy Matarozzi, Alejandra Monteverde, Maria Mumtaz, Smadar Samson, Regina Tetens, Anna Wälli, Stephanie Carwin, Biotop 3000, Ronald Kolb, Dorothee Richter, Tanya Abraham, Unchalee Anantawat, Britto Arts Trust, Tayeba Begum Lipi, Mahbubur Rahman, Nanne Buurman, Christoph Brunner, Jennifer Deger, Wulan Dirgantoro, Dan Farberoff, Gudskul, Marcellina Putri, Gesyada Siregar, MG Pringgotono, Jatiwangi art Factory (JaF), Ismal Muntaha, Al Ghorie, Gilly Karjevsky, Elly Kent, Oliver Marchart, Séverine Marguin, Más Arte Más Acción, Jonathan Colin, Alejandra Rojas, Rossana Alarcón, Carmenza Rojas, Lara van Meeteren, OFF-Biennale Budapest, Hajnalka Somogyi, Eszter Lázár, Nikolett Eross, Katalin Székely, Bori Szalai, Eszter Szakács, Dagmar Pelger, David Behar Perahia, Project Art Works, Kate Adams, Patricia Finnegan, Question of Funding, Grégoire Rousseau, Alder Keleman Saxena, Maayan Sheleff, Nora Sternfeld, Ariane Sutthavong, Trampoline House, Morten Goll, Anna L. Tsing, Wajukuu Art Project, Shabu Mwangi, Ngugi Waweru, Bart Wissink, Zentrum für Kunst und Urbanistik Berlin, Philip Horst, Feifei Zhou, Nadine Bajek, Anastasia Baka, Chiara Borgonovo, Rosela del Bosque, Sophie Brunner, Giulia Busetti, Marina Donina, Lotte Van Ermengem, Marinella Sofia Gkinko, Olena Iegorova, Anna Konstantinova, Leilani Lynch, Veronica Mari, Thamy Matarozzi, Alejandra Monteverde, Maria Mumtaz, Smadar Samson, Regina Tetens, Anna Wälli, Stephanie Carwin, and Biotop 3000
Abstract: This issue is the result of more than two years of intensive engagement with aspects of commoning in curatorial and artistic practice, stemming from our encounters with ruangrupa on the way to documenta fifteen. At its core, this issue follows our research into the discourse on commons and its implications for the exhibitionary complex. We have conducted interviews with lumbung members, curators, theoreticians, art historians and artists. With practices of commoning entering a large-scale exhibition like documenta, a novel approach meets the curatorial-artistic complex. And with that, various conflicts loomed on the horizon, not to mention the internal difficulties of “scaling” a resource infrastructure and its principles of sharing, originally intended for a rather small village community or small group of people, to a global scale. The question is in what form, with what instruments, with what knowledges, and with what new alliances this apparent paradigm shift will come about. We offer a critical review from different perspectives., https://www.librarystack.org/documenta-fifteen-aspects-of-commoning-in-curatorial-and-artistic-practices/?ref=unknown
Published: 2022

16. Situated Knowledges – Curating and Art on the Move

Author: Ronald Kolb, Dorothee Richter, Nadim Abbas, Judah Attille, Noit Banai, Giovanna Bragaglia, Antonio Cataldo, Maria Costantino, Bo Choy, Angela Dimitrakaki, Anouchka van Driel, Janet Fong Man Yee, Fabiola Fiocco, Alison Green, Dani Gal, Jeanne van Heeswijk, Georgia Kennedy, Fiona Lee Wing-shan, Tu Lang, Anahita Razmi, Rose Li, Edward Sanderson, Debe Sham, Basia Sliwinska, Whitney Stark, Caroline Stevenson, Chloe Ting, Lee Weinberg, Ashley L. Wong, Stephanie Carwin, Biotop 3000, Ronald Kolb, Dorothee Richter, Nadim Abbas, Judah Attille, Noit Banai, Giovanna Bragaglia, Antonio Cataldo, Maria Costantino, Bo Choy, Angela Dimitrakaki, Anouchka van Driel, Janet Fong Man Yee, Fabiola Fiocco, Alison Green, Dani Gal, Jeanne van Heeswijk, Georgia Kennedy, Fiona Lee Wing-shan, Tu Lang, Anahita Razmi, Rose Li, Edward Sanderson, Debe Sham, Basia Sliwinska, Whitney Stark, Caroline Stevenson, Chloe Ting, Lee Weinberg, Ashley L. Wong, Stephanie Carwin, and Biotop 3000
Abstract: This issue gathers contributions that emerged from the conference and workshop “Situated Knowledges – Art and Curating on the Move” in June 2021 and exemplify the partiality and situatedness of one’s own position in our respective fields of expertise, within our educational frameworks and contact zones. The term “situated knowledges” coined by Donna Haraway declares that all scientific knowledge is fundamentally conditional. Against an assumption of the apparently neutral and unmediated knowledge of the (male, white) Western idea of science and its representation through totalizing visualization techniques, Haraway develops her concept of situated and embodied knowledges., https://www.librarystack.org/situated-knowledges-curating-and-art-on-the-move/?ref=unknown
Published: 2022

17. documenta fifteen — Aspects of Commoning in Curatorial and Artistic Practices

Author: Ronald Kolb, Dorothee Richter, Tanya Abraham, Unchalee Anantawat, Britto Arts Trust, Tayeba Begum Lipi, Mahbubur Rahman, Nanne Buurman, Christoph Brunner, Jennifer Deger, Wulan Dirgantoro, Dan Farberoff, Gudskul, Marcellina Putri, Gesyada Siregar, MG Pringgotono, Jatiwangi art Factory (JaF), Ismal Muntaha, Al Ghorie, Gilly Karjevsky, Elly Kent, Oliver Marchart, Séverine Marguin, Más Arte Más Acción, Jonathan Colin, Alejandra Rojas, Rossana Alarcón, Carmenza Rojas, Lara van Meeteren, OFF-Biennale Budapest, Hajnalka Somogyi, Eszter Lázár, Nikolett Eross, Katalin Székely, Bori Szalai, Eszter Szakács, Dagmar Pelger, David Behar Perahia, Project Art Works, Kate Adams, Patricia Finnegan, Question of Funding, Grégoire Rousseau, Alder Keleman Saxena, Maayan Sheleff, Nora Sternfeld, Ariane Sutthavong, Trampoline House, Morten Goll, Anna L. Tsing, Wajukuu Art Project, Shabu Mwangi, Ngugi Waweru, Bart Wissink, Zentrum für Kunst und Urbanistik Berlin, Philip Horst, Feifei Zhou, Nadine Bajek, Anastasia Baka, Chiara Borgonovo, Rosela del Bosque, Sophie Brunner, Giulia Busetti, Marina Donina, Lotte Van Ermengem, Marinella Sofia Gkinko, Olena Iegorova, Anna Konstantinova, Leilani Lynch, Veronica Mari, Thamy Matarozzi, Alejandra Monteverde, Maria Mumtaz, Smadar Samson, Regina Tetens, Anna Wälli, Stephanie Carwin, Biotop 3000, Ronald Kolb, Dorothee Richter, Tanya Abraham, Unchalee Anantawat, Britto Arts Trust, Tayeba Begum Lipi, Mahbubur Rahman, Nanne Buurman, Christoph Brunner, Jennifer Deger, Wulan Dirgantoro, Dan Farberoff, Gudskul, Marcellina Putri, Gesyada Siregar, MG Pringgotono, Jatiwangi art Factory (JaF), Ismal Muntaha, Al Ghorie, Gilly Karjevsky, Elly Kent, Oliver Marchart, Séverine Marguin, Más Arte Más Acción, Jonathan Colin, Alejandra Rojas, Rossana Alarcón, Carmenza Rojas, Lara van Meeteren, OFF-Biennale Budapest, Hajnalka Somogyi, Eszter Lázár, Nikolett Eross, Katalin Székely, Bori Szalai, Eszter Szakács, Dagmar Pelger, David Behar Perahia, Project Art Works, Kate Adams, Patricia Finnegan, Question of Funding, Grégoire Rousseau, Alder Keleman Saxena, Maayan Sheleff, Nora Sternfeld, Ariane Sutthavong, Trampoline House, Morten Goll, Anna L. Tsing, Wajukuu Art Project, Shabu Mwangi, Ngugi Waweru, Bart Wissink, Zentrum für Kunst und Urbanistik Berlin, Philip Horst, Feifei Zhou, Nadine Bajek, Anastasia Baka, Chiara Borgonovo, Rosela del Bosque, Sophie Brunner, Giulia Busetti, Marina Donina, Lotte Van Ermengem, Marinella Sofia Gkinko, Olena Iegorova, Anna Konstantinova, Leilani Lynch, Veronica Mari, Thamy Matarozzi, Alejandra Monteverde, Maria Mumtaz, Smadar Samson, Regina Tetens, Anna Wälli, Stephanie Carwin, and Biotop 3000
Abstract: This issue is the result of more than two years of intensive engagement with aspects of commoning in curatorial and artistic practice, stemming from our encounters with ruangrupa on the way to documenta fifteen. At its core, this issue follows our research into the discourse on commons and its implications for the exhibitionary complex. We have conducted interviews with lumbung members, curators, theoreticians, art historians and artists. With practices of commoning entering a large-scale exhibition like documenta, a novel approach meets the curatorial-artistic complex. And with that, various conflicts loomed on the horizon, not to mention the internal difficulties of “scaling” a resource infrastructure and its principles of sharing, originally intended for a rather small village community or small group of people, to a global scale. The question is in what form, with what instruments, with what knowledges, and with what new alliances this apparent paradigm shift will come about. We offer a critical review from different perspectives., https://www.librarystack.org/documenta-fifteen-aspects-of-commoning-in-curatorial-and-artistic-practices/?ref=unknown
Published: 2022

18. Extreme

Author: Hadas Kedar, Dorothee Richter, Ronald Kolb, João Pedro Amorim, Nuno Crespo, Jacqueline Kok, Renan Laru-an, Sebastian Cichocki, Dennis Dizon, Helene Romakin, Carla Gimeno Jaria, Nadim Samman, Ronny Hardliz, Galit Eilat, Johanne Løgstrup, Anastasia Chaguidouline, Laura Netz, Park C. Myers, Stephanie Carwin, Biotop 3000, Hadas Kedar, Dorothee Richter, Ronald Kolb, João Pedro Amorim, Nuno Crespo, Jacqueline Kok, Renan Laru-an, Sebastian Cichocki, Dennis Dizon, Helene Romakin, Carla Gimeno Jaria, Nadim Samman, Ronny Hardliz, Galit Eilat, Johanne Løgstrup, Anastasia Chaguidouline, Laura Netz, Park C. Myers, Stephanie Carwin, and Biotop 3000
Abstract: Extreme exposes art and curating cultivated through unique modes of production and creation in the margins of the globe, reflecting a dynamic developed through ongoing colonial realities. The issue is a compendium of partial, situated knowledges, originating from the four corners of the globe that, when combined, create a pluriverse of visions and a hopefully a momentary community that sustains contradictions inherent in the joining of a variety of vantage points. The issue deals with such pertinent issues such as: the colonization of knowledge as a driving force that abandons experimental and open-ended forms of knowledge; cross-cultural collaboration between non-binary identities ..., https://www.librarystack.org/extreme/?ref=unknown
Published: 2021

19. Fluxus Perspectives

Author: Dorothee Richter, Martin Kedar, Ronald Kolb, Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held, Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, Emmett Williams, Stephanie Carwin, Biotop 3000, Dorothee Richter, Martin Kedar, Ronald Kolb, Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held, Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, Emmett Williams, Stephanie Carwin, and Biotop 3000
Abstract: Although the Fluxus art (non-)movement is often read as a historical phenomenon, the breadth of its innovations and complexities actively thwarts linear and circumscribed viewpoints. The notion of Fluxus incorporates contradiction in challenging and enduringly generative ways. More than five decades after its emergence, this special issue of OnCurating entitled Fluxus Perspectives seeks to re-examine the influence, roles, and effects of Fluxus via a wide range of scholarly perspectives. The editors Martin Patrick and Dorothee Richter asked notable writers from different locations, generations, and viewpoints, all of whom having written about Fluxus before, to offer their thoughts on its significance, ..., https://www.librarystack.org/fluxus-perspectives/?ref=unknown
Published: 2021

20. Instituting Feminism

Author: Helena Reckitt, Dorothee Richter, Ronald Kolb, Romane Bernard, Nanne Buurman, Sofia Cecere, Ève Chabanon, Emelie Chhangur, Anna Colin, Angela Dimitrakaki, Berit Fischer, Jennifer Fisher, Thelma Gaster, Nandita Ghandi, Janna Graham, Althea Greenan, Jeanne Guillou, Husseina Hamza, Merete Ipsen, Joyce Jacca, Tracey Jarrett, Daria Khan, Sharlene Khan, la Sala, Alba Colomo, Lucy Lopez, Barbara Lefebvre, Séraphine Le Maire, Stephanie Carwin, Biotop 3000, Helena Reckitt, Dorothee Richter, Ronald Kolb, Romane Bernard, Nanne Buurman, Sofia Cecere, Ève Chabanon, Emelie Chhangur, Anna Colin, Angela Dimitrakaki, Berit Fischer, Jennifer Fisher, Thelma Gaster, Nandita Ghandi, Janna Graham, Althea Greenan, Jeanne Guillou, Husseina Hamza, Merete Ipsen, Joyce Jacca, Tracey Jarrett, Daria Khan, Sharlene Khan, la Sala, Alba Colomo, Lucy Lopez, Barbara Lefebvre, Séraphine Le Maire, Stephanie Carwin, and Biotop 3000
Abstract: “Instituting Feminism,” this issue of OnCurating, reflects on the efforts of curators, artists, and community organisers to move beyond identifying inequities in the cultural industries to devising tools that can foster structural change. Exploring how curators have developed projects informed by feminist politics and aesthetics, contributors also look beyond representational formats to highlight the infrastructures and co-dependencies upon which cultural production relies. They understand that feminism’s integration into the mainstream art world has been accompanied by a tokenistic “pink-washing,” and thus raise questions about the terms under which gestures of “inclusion” and “participation” occur. Envisaging feminist instituting as an active, ..., https://www.librarystack.org/instituting-feminism/?ref=unknown
Published: 2021

21. Extreme

Author: Hadas Kedar, Dorothee Richter, Ronald Kolb, João Pedro Amorim, Nuno Crespo, Jacqueline Kok, Renan Laru-an, Sebastian Cichocki, Dennis Dizon, Helene Romakin, Carla Gimeno Jaria, Nadim Samman, Ronny Hardliz, Galit Eilat, Johanne Løgstrup, Anastasia Chaguidouline, Laura Netz, Park C. Myers, Stephanie Carwin, Biotop 3000, Hadas Kedar, Dorothee Richter, Ronald Kolb, João Pedro Amorim, Nuno Crespo, Jacqueline Kok, Renan Laru-an, Sebastian Cichocki, Dennis Dizon, Helene Romakin, Carla Gimeno Jaria, Nadim Samman, Ronny Hardliz, Galit Eilat, Johanne Løgstrup, Anastasia Chaguidouline, Laura Netz, Park C. Myers, Stephanie Carwin, and Biotop 3000
Abstract: Extreme exposes art and curating cultivated through unique modes of production and creation in the margins of the globe, reflecting a dynamic developed through ongoing colonial realities. The issue is a compendium of partial, situated knowledges, originating from the four corners of the globe that, when combined, create a pluriverse of visions and a hopefully a momentary community that sustains contradictions inherent in the joining of a variety of vantage points. The issue deals with such pertinent issues such as: the colonization of knowledge as a driving force that abandons experimental and open-ended forms of knowledge; cross-cultural collaboration between non-binary identities and indigenous people in Taiwan; techno-ecological inquiries that re-imagine the potential of communicating through queer sensibilities; the first Islamic arts institution in the Philippines revitalizing curatorial ideas based in Western thought; a Slovenian art group that created interventions in nature in the 1960s and collectively left the art world to operate through an esoteric and ecological approach; the border zone of USA/Mexico as a constitutive body of possibilities of contact; a Spanish artist that over the last fifteen years has invested in acquiring underground iron ore deposits in order to prevent large companies from mining the land; curating in an errant mode from domestic settings to geographical extremes as demonstrated in the biennale of Antarctica; soft-power art initiatives that widen the social imagination developed in Israel/Palestine; three missed encounters that demonstrate the current global state of exhaustion including a curious friendship between Georges Bataille and Walter Benjamin, an exploration into the cave keeper’s daily control of Lascaux and the exploration of artistic representation in the case of the Freedom Theatre of Jenin; the temporary opening of the Sami Art Museum based in the closed Kunstmuseum in Tromsø imagining a future o, https://www.librarystack.org/extreme/?ref=unknown
Published: 2021

22. Fluxus Perspectives

Author: Dorothee Richter, Martin Kedar, Ronald Kolb, Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held, Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, Emmett Williams, Stephanie Carwin, Biotop 3000, Dorothee Richter, Martin Kedar, Ronald Kolb, Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held, Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, Emmett Williams, Stephanie Carwin, and Biotop 3000
Abstract: Although the Fluxus art (non-)movement is often read as a historical phenomenon, the breadth of its innovations and complexities actively thwarts linear and circumscribed viewpoints. The notion of Fluxus incorporates contradiction in challenging and enduringly generative ways. More than five decades after its emergence, this special issue of OnCurating entitled Fluxus Perspectives seeks to re-examine the influence, roles, and effects of Fluxus via a wide range of scholarly perspectives. The editors Martin Patrick and Dorothee Richter asked notable writers from different locations, generations, and viewpoints, all of whom having written about Fluxus before, to offer their thoughts on its significance, particularly in relation to contemporary art. With its emphasis upon events, festivals, and exhibitions, Fluxus may also be interpreted as an important, prescient forerunner of contemporary strategies of curating., https://www.librarystack.org/fluxus-perspectives/?ref=unknown
Published: 2021

23. Instituting Feminism

Author: Helena Reckitt, Dorothee Richter, Ronald Kolb, Romane Bernard, Nanne Buurman, Sofia Cecere, Ève Chabanon, Emelie Chhangur, Anna Colin, Angela Dimitrakaki, Berit Fischer, Jennifer Fisher, Thelma Gaster, Nandita Ghandi, Janna Graham, Althea Greenan, Jeanne Guillou, Husseina Hamza, Merete Ipsen, Joyce Jacca, Tracey Jarrett, Daria Khan, Sharlene Khan, la Sala, Alba Colomo, Lucy Lopez, Barbara Lefebvre, Séraphine Le Maire, Oksana Luyssen, Rosa Martínez, Alex Martinis Roe, Erin McCutcheon, Rose Moreau, Camille Morineau, Adele Patrick, Madeleine Planeix-Crocker, Jeanne Porte, Laurence Rassel, Maura Reilly, Secretariat for Ghosts, Archival Politics and Gaps (SKGAL), Nizan Shaked, Cornelia Sollfrank, Ann Sutherland Harris, The Two Talking Yonis, Miska Tokarek, Elena Zaytseva, Catherine de Zegher, Stephanie Carwin, Biotop 3000, Helena Reckitt, Dorothee Richter, Ronald Kolb, Romane Bernard, Nanne Buurman, Sofia Cecere, Ève Chabanon, Emelie Chhangur, Anna Colin, Angela Dimitrakaki, Berit Fischer, Jennifer Fisher, Thelma Gaster, Nandita Ghandi, Janna Graham, Althea Greenan, Jeanne Guillou, Husseina Hamza, Merete Ipsen, Joyce Jacca, Tracey Jarrett, Daria Khan, Sharlene Khan, la Sala, Alba Colomo, Lucy Lopez, Barbara Lefebvre, Séraphine Le Maire, Oksana Luyssen, Rosa Martínez, Alex Martinis Roe, Erin McCutcheon, Rose Moreau, Camille Morineau, Adele Patrick, Madeleine Planeix-Crocker, Jeanne Porte, Laurence Rassel, Maura Reilly, Secretariat for Ghosts, Archival Politics and Gaps (SKGAL), Nizan Shaked, Cornelia Sollfrank, Ann Sutherland Harris, The Two Talking Yonis, Miska Tokarek, Elena Zaytseva, Catherine de Zegher, Stephanie Carwin, and Biotop 3000
Abstract: “Instituting Feminism,” this issue of OnCurating, reflects on the efforts of curators, artists, and community organisers to move beyond identifying inequities in the cultural industries to devising tools that can foster structural change. Exploring how curators have developed projects informed by feminist politics and aesthetics, contributors also look beyond representational formats to highlight the infrastructures and co-dependencies upon which cultural production relies. They understand that feminism’s integration into the mainstream art world has been accompanied by a tokenistic “pink-washing,” and thus raise questions about the terms under which gestures of “inclusion” and “participation” occur. Envisaging feminist instituting as an active, relational practice, articles discuss curatorial, artistic, and organisational initiatives that seek to forge alliances with struggles for ecological and social transformation. The projects and perspectives represented here foreground the need for new subjectivities, caring alliances, and support structures that offer alternatives to toxic contemporary labour conditions, including those endemic to art and curating. They hold out promise for more equitable and reciprocal ways of working, producing, and coexisting., https://www.librarystack.org/instituting-feminism/?ref=unknown
Published: 2021

24. Extreme

Author: Hadas Kedar, Dorothee Richter, Ronald Kolb, João Pedro Amorim, Nuno Crespo, Jacqueline Kok, Renan Laru-an, Sebastian Cichocki, Dennis Dizon, Helene Romakin, Carla Gimeno Jaria, Nadim Samman, Ronny Hardliz, Galit Eilat, Johanne Løgstrup, Anastasia Chaguidouline, Laura Netz, Park C. Myers, Stephanie Carwin, Biotop 3000, Hadas Kedar, Dorothee Richter, Ronald Kolb, João Pedro Amorim, Nuno Crespo, Jacqueline Kok, Renan Laru-an, Sebastian Cichocki, Dennis Dizon, Helene Romakin, Carla Gimeno Jaria, Nadim Samman, Ronny Hardliz, Galit Eilat, Johanne Løgstrup, Anastasia Chaguidouline, Laura Netz, Park C. Myers, Stephanie Carwin, and Biotop 3000
Abstract: Extreme exposes art and curating cultivated through unique modes of production and creation in the margins of the globe, reflecting a dynamic developed through ongoing colonial realities. The issue is a compendium of partial, situated knowledges, originating from the four corners of the globe that, when combined, create a pluriverse of visions and a hopefully a momentary community that sustains contradictions inherent in the joining of a variety of vantage points. The issue deals with such pertinent issues such as: the colonization of knowledge as a driving force that abandons experimental and open-ended forms of knowledge; cross-cultural collaboration between non-binary identities and indigenous people in Taiwan; techno-ecological inquiries that re-imagine the potential of communicating through queer sensibilities; the first Islamic arts institution in the Philippines revitalizing curatorial ideas based in Western thought; a Slovenian art group that created interventions in nature in the 1960s and collectively left the art world to operate through an esoteric and ecological approach; the border zone of USA/Mexico as a constitutive body of possibilities of contact; a Spanish artist that over the last fifteen years has invested in acquiring underground iron ore deposits in order to prevent large companies from mining the land; curating in an errant mode from domestic settings to geographical extremes as demonstrated in the biennale of Antarctica; soft-power art initiatives that widen the social imagination developed in Israel/Palestine; three missed encounters that demonstrate the current global state of exhaustion including a curious friendship between Georges Bataille and Walter Benjamin, an exploration into the cave keeper’s daily control of Lascaux and the exploration of artistic representation in the case of the Freedom Theatre of Jenin; the temporary opening of the Sami Art Museum based in the closed Kunstmuseum in Tromsø imagining a future of the display of lo, https://www.librarystack.org/extreme/?ref=unknown
Published: 2021

25. Instituting Feminism

Author: Helena Reckitt, Dorothee Richter, Ronald Kolb, Romane Bernard, Nanne Buurman, Sofia Cecere, Ève Chabanon, Emelie Chhangur, Anna Colin, Angela Dimitrakaki, Berit Fischer, Jennifer Fisher, Thelma Gaster, Nandita Ghandi, Janna Graham, Althea Greenan, Jeanne Guillou, Husseina Hamza, Merete Ipsen, Joyce Jacca, Tracey Jarrett, Daria Khan, Sharlene Khan, la Sala, Alba Colomo, Lucy Lopez, Barbara Lefebvre, Séraphine Le Maire, Oksana Luyssen, Rosa Martínez, Alex Martinis Roe, Erin McCutcheon, Rose Moreau, Camille Morineau, Adele Patrick, Madeleine Planeix-Crocker, Jeanne Porte, Laurence Rassel, Maura Reilly, Secretariat for Ghosts, Archival Politics and Gaps (SKGAL), Nizan Shaked, Cornelia Sollfrank, Ann Sutherland Harris, The Two Talking Yonis, Miska Tokarek, Elena Zaytseva, Catherine de Zegher, Stephanie Carwin, Biotop 3000, Helena Reckitt, Dorothee Richter, Ronald Kolb, Romane Bernard, Nanne Buurman, Sofia Cecere, Ève Chabanon, Emelie Chhangur, Anna Colin, Angela Dimitrakaki, Berit Fischer, Jennifer Fisher, Thelma Gaster, Nandita Ghandi, Janna Graham, Althea Greenan, Jeanne Guillou, Husseina Hamza, Merete Ipsen, Joyce Jacca, Tracey Jarrett, Daria Khan, Sharlene Khan, la Sala, Alba Colomo, Lucy Lopez, Barbara Lefebvre, Séraphine Le Maire, Oksana Luyssen, Rosa Martínez, Alex Martinis Roe, Erin McCutcheon, Rose Moreau, Camille Morineau, Adele Patrick, Madeleine Planeix-Crocker, Jeanne Porte, Laurence Rassel, Maura Reilly, Secretariat for Ghosts, Archival Politics and Gaps (SKGAL), Nizan Shaked, Cornelia Sollfrank, Ann Sutherland Harris, The Two Talking Yonis, Miska Tokarek, Elena Zaytseva, Catherine de Zegher, Stephanie Carwin, and Biotop 3000
Abstract: “Instituting Feminism,” this issue of OnCurating, reflects on the efforts of curators, artists, and community organisers to move beyond identifying inequities in the cultural industries to devising tools that can foster structural change. Exploring how curators have developed projects informed by feminist politics and aesthetics, contributors also look beyond representational formats to highlight the infrastructures and co-dependencies upon which cultural production relies. They understand that feminism’s integration into the mainstream art world has been accompanied by a tokenistic “pink-washing,” and thus raise questions about the terms under which gestures of “inclusion” and “participation” occur. Envisaging feminist instituting as an active, relational practice, articles discuss curatorial, artistic, and organisational initiatives that seek to forge alliances with struggles for ecological and social transformation. The projects and perspectives represented here foreground the need for new subjectivities, caring alliances, and support structures that offer alternatives to toxic contemporary labour conditions, including those endemic to art and curating. They hold out promise for more equitable and reciprocal ways of working, producing, and coexisting., https://www.librarystack.org/instituting-feminism/?ref=unknown
Published: 2021

26. Fluxus Perspectives

Author: Dorothee Richter, Martin Kedar, Ronald Kolb, Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held, Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, Emmett Williams, Stephanie Carwin, Biotop 3000, Dorothee Richter, Martin Kedar, Ronald Kolb, Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held, Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, Emmett Williams, Stephanie Carwin, and Biotop 3000
Abstract: Although the Fluxus art (non-)movement is often read as a historical phenomenon, the breadth of its innovations and complexities actively thwarts linear and circumscribed viewpoints. The notion of Fluxus incorporates contradiction in challenging and enduringly generative ways. More than five decades after its emergence, this special issue of OnCurating entitled Fluxus Perspectives seeks to re-examine the influence, roles, and effects of Fluxus via a wide range of scholarly perspectives. The editors Martin Patrick and Dorothee Richter asked notable writers from different locations, generations, and viewpoints, all of whom having written about Fluxus before, to offer their thoughts on its significance, particularly in relation to contemporary art. With its emphasis upon events, festivals, and exhibitions, Fluxus may also be interpreted as an important, prescient forerunner of contemporary strategies of curating., https://www.librarystack.org/fluxus-perspectives/?ref=unknown
Published: 2021

27. Gender Relations in New Music

Author: Dorothee Richter, Ronald Kolb, Brandon Farnsworth, Rosanna Lovell, Kajsa Antonsson, Sandeep Bhagwati, Valentina Bertolani, Dahlia Borsche, Sharon Chan, Anke Charton, Lucien Danzeisen, Julia Eckhardt, Gina Emerson, Sine Tofte Hannibal, Anna Jakobsson, Camille Overgaard, Luisa Santacesaria, Christina Scharff, Susanne van Els, Stellan Veloce, Serge Vuille, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Brandon Farnsworth, Rosanna Lovell, Kajsa Antonsson, Sandeep Bhagwati, Valentina Bertolani, Dahlia Borsche, Sharon Chan, Anke Charton, Lucien Danzeisen, Julia Eckhardt, Gina Emerson, Sine Tofte Hannibal, Anna Jakobsson, Camille Overgaard, Luisa Santacesaria, Christina Scharff, Susanne van Els, Stellan Veloce, Serge Vuille, Stephanie Carwin, and Biotop 3000
Abstract: Even before the current pandemic, contemporary music existed in a state of crisis. Its structures and institutions struggle to support any minority, let alone artistic practices outside of a narrow Western European style, meaning fundamental change is inexorable if this field is to remain societally relevant. With this issue of OnCurating journal, the curatorial collective GRiNM (Gender Relations in New Music) gathers texts based on its 2019 conference at the Zurich University of the Arts that explore practical and theoretical approaches to opening and diversifying the field. Our intention with this issue is to articulate these voices as central to ..., https://www.librarystack.org/gender-relations-in-new-music/?ref=unknown
Published: 2020

28. Contemporary Art Biennials – Our Hegemonic Machines in Times of Emergency

Author: Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Agustina Andreoletti, Rasheed Araeen, Defne Ayas, Marco Baravalle, Alessia Basilicata, Julia Bethwaite, Amy Bruce, Sabeth Buchmann, Vasyl Cherepanyn, Sven Christian, Ana Paula Cohen, Giulia Colletti, Catherine David, Ekaterina Degot, Diana Dulgheru, Per Gunnar Eeg-Tverbakk, Okwui Enwezor, Brandon Farnsworth, Rime Fetnan, Patrick D. Flores, Natasha Ginwala, Eva González-Sancho Bodero, Resmi Görüş, Martin Guinard, Bregtje van der Haak, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Agustina Andreoletti, Rasheed Araeen, Defne Ayas, Marco Baravalle, Alessia Basilicata, Julia Bethwaite, Amy Bruce, Sabeth Buchmann, Vasyl Cherepanyn, Sven Christian, Ana Paula Cohen, Giulia Colletti, Catherine David, Ekaterina Degot, Diana Dulgheru, Per Gunnar Eeg-Tverbakk, Okwui Enwezor, Brandon Farnsworth, Rime Fetnan, Patrick D. Flores, Natasha Ginwala, Eva González-Sancho Bodero, Resmi Görüş, Martin Guinard, Bregtje van der Haak, Stephanie Carwin, and Biotop 3000
Abstract: Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is ..., https://www.librarystack.org/contemporary-art-biennials-our-hegemonic-machines-in-times-of-emergency/?ref=unknown
Published: 2020

29. Zurich Issue: Dark Matter, Grey Zones, Red Light and Bling Bling

Author: Dorothee Richter, Ronald Kolb, Giovanna Bragaglia, Brandy Butler, Jose Cáceres Mardones, Yara Dulac Gisler, Deborah Joyce Holman, Pablo Müller, Miwa Negoro, Sarah Owens, Camille Regli, Tanja Trampe, Marina Vishmidt, Mitchell Anderson, Nadja Baldini, Livio Baumgartner, Annette Bhagwati, Mirjam Bayerdörfer, Philipp Bergmann, Maria Bill, Clifford E. Bruckmann, Roger M. Buergel, Karolina Dankow, Adriana Domínguez, Christoph Doswald, Elisabeth Eberle, Ann-Kathrin Eickhoff, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Giovanna Bragaglia, Brandy Butler, Jose Cáceres Mardones, Yara Dulac Gisler, Deborah Joyce Holman, Pablo Müller, Miwa Negoro, Sarah Owens, Camille Regli, Tanja Trampe, Marina Vishmidt, Mitchell Anderson, Nadja Baldini, Livio Baumgartner, Annette Bhagwati, Mirjam Bayerdörfer, Philipp Bergmann, Maria Bill, Clifford E. Bruckmann, Roger M. Buergel, Karolina Dankow, Adriana Domínguez, Christoph Doswald, Elisabeth Eberle, Ann-Kathrin Eickhoff, Stephanie Carwin, and Biotop 3000
Abstract: This issue seeks to bring to the forefront the various positions and strategies of the most diverse art initiatives, from project and off-spaces to personalities within the art field, as well as those of established galleries and institutions and city officials based in Zurich in 2020. Originally, this issue was intended to draw a picture of the Zurich art scene and was meant to be published parallel to Art Basel 2020. Though with the current pandemic’s additional layering, the main focus of the precariousness of the independent art scene in Zurich has increased dramatically. In this respect, we would like ..., https://www.librarystack.org/zurich-issue-dark-matter-grey-zones-red-light-and-bling-bling/?ref=unknown
Published: 2020

30. Curating Contemporary Music

Author: Dorothee Richter, Ronald Kolb, Lars Petter Hagen, Rob Young, Heloisa Amaral, Patrick Frank, Kenneth Goldsmith, George E. Lewis, Kamila Metwaly, Katja Heldt, Du Yun, Stephanie Carwin, Volker Schartner, Biotop 3000, Dorothee Richter, Ronald Kolb, Lars Petter Hagen, Rob Young, Heloisa Amaral, Patrick Frank, Kenneth Goldsmith, George E. Lewis, Kamila Metwaly, Katja Heldt, Du Yun, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: What are the roles of the curator in the music field, and how does the work materialize? What kind of practices are involved? Defragmentation – Curating Contemporary Music was a project that attempted to highlight some of the problems and urgent questions that we find in today’s contemporary music scene. Within the frame of ideas around gender, diversity, decolonization and technology, Defragmentation looked at – and tried to understand – structures in various institutions of contemporary music. The ambition was to investigate how the urgent sense of fragmentation and disconnection that exists in the public sphere at the moment is materialized ..., https://www.librarystack.org/curating-contemporary-music/?ref=unknown
Published: 2020

31. Curating Contemporary Music

Author: Dorothee Richter, Ronald Kolb, Lars Petter Hagen, Rob Young, Heloisa Amaral, Patrick Frank, Kenneth Goldsmith, George E. Lewis, Kamila Metwaly, Katja Heldt, Du Yun, Stephanie Carwin, Volker Schartner, Biotop 3000, Dorothee Richter, Ronald Kolb, Lars Petter Hagen, Rob Young, Heloisa Amaral, Patrick Frank, Kenneth Goldsmith, George E. Lewis, Kamila Metwaly, Katja Heldt, Du Yun, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: What are the roles of the curator in the music field, and how does the work materialize? What kind of practices are involved? Defragmentation – Curating Contemporary Music was a project that attempted to highlight some of the problems and urgent questions that we find in today’s contemporary music scene. Within the frame of ideas around gender, diversity, decolonization and technology, Defragmentation looked at – and tried to understand – structures in various institutions of contemporary music. The ambition was to investigate how the urgent sense of fragmentation and disconnection that exists in the public sphere at the moment is materialized in the musical field., https://www.librarystack.org/curating-contemporary-music/?ref=unknown
Published: 2020

32. Zurich Issue: Dark Matter, Grey Zones, Red Light and Bling Bling

Author: Dorothee Richter, Ronald Kolb, Giovanna Bragaglia, Brandy Butler, Jose Cáceres Mardones, Yara Dulac Gisler, Deborah Joyce Holman, Pablo Müller, Miwa Negoro, Sarah Owens, Camille Regli, Tanja Trampe, Marina Vishmidt, Mitchell Anderson, Nadja Baldini, Livio Baumgartner, Annette Bhagwati, Mirjam Bayerdörfer, Philipp Bergmann, Maria Bill, Clifford E. Bruckmann, Roger M. Buergel, Karolina Dankow, Adriana Domínguez, Christoph Doswald, Elisabeth Eberle, Ann-Kathrin Eickhoff, Esther Eppstein, Christian Etter, Allam Fakhour, Corrado Ferrari, Fredi Fischli, Anne-Laure Franchette, Arianna Gellini, Kristina Grigorjeva, Anne Gruber, Antonia Hersche, Christian Jankowski, Cathrin Jarema, Linda Jensen, Tobias Kaspar, Nicola Kazimir, Esther Kempf, Emil Michael Klein, Lucie Kolb, Sabina Kohler, Andreas Marti, Maya Minder, Adrian Notz, Niels Olsen, Ludovica Parenti, Barbara Preisig, Eva Presenhuber, Thea Reifler, Elena Rosauro, Nina Roehrs, Giampaolo Russo, Sabine Schaschl, David Schildknecht, Evelyn Steiner, Marc Streit, U5, Regula Weber, Judith Welter, Eva-Maria Würth, Romano Zerbini, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Giovanna Bragaglia, Brandy Butler, Jose Cáceres Mardones, Yara Dulac Gisler, Deborah Joyce Holman, Pablo Müller, Miwa Negoro, Sarah Owens, Camille Regli, Tanja Trampe, Marina Vishmidt, Mitchell Anderson, Nadja Baldini, Livio Baumgartner, Annette Bhagwati, Mirjam Bayerdörfer, Philipp Bergmann, Maria Bill, Clifford E. Bruckmann, Roger M. Buergel, Karolina Dankow, Adriana Domínguez, Christoph Doswald, Elisabeth Eberle, Ann-Kathrin Eickhoff, Esther Eppstein, Christian Etter, Allam Fakhour, Corrado Ferrari, Fredi Fischli, Anne-Laure Franchette, Arianna Gellini, Kristina Grigorjeva, Anne Gruber, Antonia Hersche, Christian Jankowski, Cathrin Jarema, Linda Jensen, Tobias Kaspar, Nicola Kazimir, Esther Kempf, Emil Michael Klein, Lucie Kolb, Sabina Kohler, Andreas Marti, Maya Minder, Adrian Notz, Niels Olsen, Ludovica Parenti, Barbara Preisig, Eva Presenhuber, Thea Reifler, Elena Rosauro, Nina Roehrs, Giampaolo Russo, Sabine Schaschl, David Schildknecht, Evelyn Steiner, Marc Streit, U5, Regula Weber, Judith Welter, Eva-Maria Würth, Romano Zerbini, Stephanie Carwin, and Biotop 3000
Abstract: This issue seeks to bring to the forefront the various positions and strategies of the most diverse art initiatives, from project and off-spaces to personalities within the art field, as well as those of established galleries and institutions and city officials based in Zurich in 2020. Originally, this issue was intended to draw a picture of the Zurich art scene and was meant to be published parallel to Art Basel 2020. Though with the current pandemic’s additional layering, the main focus of the precariousness of the independent art scene in Zurich has increased dramatically. In this respect, we would like you to read the conducted interviews and the contributions not only as a lively, diverse, surprising, dazzling scene, but also as an ensemble of shared demands towards cultural policies., https://www.librarystack.org/zurich-issue-dark-matter-grey-zones-red-light-and-bling-bling/?ref=unknown
Published: 2020

33. Contemporary Art Biennials – Our Hegemonic Machines in Times of Emergency

Author: Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Agustina Andreoletti, Rasheed Araeen, Defne Ayas, Marco Baravalle, Alessia Basilicata, Julia Bethwaite, Amy Bruce, Sabeth Buchmann, Vasyl Cherepanyn, Sven Christian, Ana Paula Cohen, Giulia Colletti, Catherine David, Ekaterina Degot, Diana Dulgheru, Per Gunnar Eeg-Tverbakk, Okwui Enwezor, Brandon Farnsworth, Rime Fetnan, Patrick D. Flores, Natasha Ginwala, Eva González-Sancho Bodero, Resmi Görüş, Martin Guinard, Bregtje van der Haak, Catalina Imizcoz, Răzvan Ion, Andrés Jaque, Melody Du Jingyi, Anni Kangas, Daniel Knorr, Omar Kholeif, Panos Kompatsiaris, Yacouba Konaté, Daniela Labra, Ilse Lafer, Ippolito Pestellini Laparelli, Bruno Latour, Teobaldo Lagos Preller, Eva Lin, Yung Ma, Anna Manubens, Sarat Maharaj, Oliver Marchart, Federica Martini, Vittoria Martini, Lara van Meeteren, Louli Michaelidou, Christian Morgner, Gerardo Mosquera, Bonaventure Soh Bejeng Ndikung, Rafal Niemojewski, Ksenija Orelj, Anita Orzes, Delia Popa, Farid Rakun, Raqs Media Collective, Roma Jam Session art Kollektiv, Miriam La Rosa, Mona Schubert, Henk Slager, Robert E. D’Souza, Nora Sternfeld, Fatoş Üstek, Katerina Valdivia Bruch, Mirjam Varadinis, Raluca Voinea, Wilson Yeung Chun Wai, Bart Wissink, Beat Wyss, Xinming Xia, Nathalie Zonnenberg, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Agustina Andreoletti, Rasheed Araeen, Defne Ayas, Marco Baravalle, Alessia Basilicata, Julia Bethwaite, Amy Bruce, Sabeth Buchmann, Vasyl Cherepanyn, Sven Christian, Ana Paula Cohen, Giulia Colletti, Catherine David, Ekaterina Degot, Diana Dulgheru, Per Gunnar Eeg-Tverbakk, Okwui Enwezor, Brandon Farnsworth, Rime Fetnan, Patrick D. Flores, Natasha Ginwala, Eva González-Sancho Bodero, Resmi Görüş, Martin Guinard, Bregtje van der Haak, Catalina Imizcoz, Răzvan Ion, Andrés Jaque, Melody Du Jingyi, Anni Kangas, Daniel Knorr, Omar Kholeif, Panos Kompatsiaris, Yacouba Konaté, Daniela Labra, Ilse Lafer, Ippolito Pestellini Laparelli, Bruno Latour, Teobaldo Lagos Preller, Eva Lin, Yung Ma, Anna Manubens, Sarat Maharaj, Oliver Marchart, Federica Martini, Vittoria Martini, Lara van Meeteren, Louli Michaelidou, Christian Morgner, Gerardo Mosquera, Bonaventure Soh Bejeng Ndikung, Rafal Niemojewski, Ksenija Orelj, Anita Orzes, Delia Popa, Farid Rakun, Raqs Media Collective, Roma Jam Session art Kollektiv, Miriam La Rosa, Mona Schubert, Henk Slager, Robert E. D’Souza, Nora Sternfeld, Fatoş Üstek, Katerina Valdivia Bruch, Mirjam Varadinis, Raluca Voinea, Wilson Yeung Chun Wai, Bart Wissink, Beat Wyss, Xinming Xia, Nathalie Zonnenberg, Stephanie Carwin, and Biotop 3000
Abstract: Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is like a biennale: too much to experience at once., https://www.librarystack.org/contemporary-art-biennials-our-hegemonic-machines-in-times-of-emergency/?ref=unknown
Published: 2020

34. Gender Relations in New Music

Author: Dorothee Richter, Ronald Kolb, Brandon Farnsworth, Rosanna Lovell, Kajsa Antonsson, Sandeep Bhagwati, Valentina Bertolani, Dahlia Borsche, Sharon Chan, Anke Charton, Lucien Danzeisen, Julia Eckhardt, Gina Emerson, Sine Tofte Hannibal, Anna Jakobsson, Camille Overgaard, Luisa Santacesaria, Christina Scharff, Susanne van Els, Stellan Veloce, Serge Vuille, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Brandon Farnsworth, Rosanna Lovell, Kajsa Antonsson, Sandeep Bhagwati, Valentina Bertolani, Dahlia Borsche, Sharon Chan, Anke Charton, Lucien Danzeisen, Julia Eckhardt, Gina Emerson, Sine Tofte Hannibal, Anna Jakobsson, Camille Overgaard, Luisa Santacesaria, Christina Scharff, Susanne van Els, Stellan Veloce, Serge Vuille, Stephanie Carwin, and Biotop 3000
Abstract: Even before the current pandemic, contemporary music existed in a state of crisis. Its structures and institutions struggle to support any minority, let alone artistic practices outside of a narrow Western European style, meaning fundamental change is inexorable if this field is to remain societally relevant. With this issue of OnCurating journal, the curatorial collective GRiNM (Gender Relations in New Music) gathers texts based on its 2019 conference at the Zurich University of the Arts that explore practical and theoretical approaches to opening and diversifying the field. Our intention with this issue is to articulate these voices as central to curating music, and to call its outdated investment in a European monoculture into question. We hope that it serves in the eye of this current storm as the most urgent of demands for fundamental, immediate change., https://www.librarystack.org/gender-relations-in-new-music/?ref=unknown
Published: 2020

35. Zurich Issue: Dark Matter, Grey Zones, Red Light and Bling Bling

Author: Dorothee Richter, Ronald Kolb, Giovanna Bragaglia, Brandy Butler, Jose Cáceres Mardones, Yara Dulac Gisler, Deborah Joyce Holman, Pablo Müller, Miwa Negoro, Sarah Owens, Camille Regli, Tanja Trampe, Marina Vishmidt, Mitchell Anderson, Nadja Baldini, Livio Baumgartner, Annette Bhagwati, Mirjam Bayerdörfer, Philipp Bergmann, Maria Bill, Clifford E. Bruckmann, Roger M. Buergel, Karolina Dankow, Adriana Domínguez, Christoph Doswald, Elisabeth Eberle, Ann-Kathrin Eickhoff, Esther Eppstein, Christian Etter, Allam Fakhour, Corrado Ferrari, Fredi Fischli, Anne-Laure Franchette, Arianna Gellini, Kristina Grigorjeva, Anne Gruber, Antonia Hersche, Christian Jankowski, Cathrin Jarema, Linda Jensen, Tobias Kaspar, Nicola Kazimir, Esther Kempf, Emil Michael Klein, Lucie Kolb, Sabina Kohler, Andreas Marti, Maya Minder, Adrian Notz, Niels Olsen, Ludovica Parenti, Barbara Preisig, Eva Presenhuber, Thea Reifler, Elena Rosauro, Nina Roehrs, Giampaolo Russo, Sabine Schaschl, David Schildknecht, Evelyn Steiner, Marc Streit, U5, Regula Weber, Judith Welter, Eva-Maria Würth, Romano Zerbini, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Giovanna Bragaglia, Brandy Butler, Jose Cáceres Mardones, Yara Dulac Gisler, Deborah Joyce Holman, Pablo Müller, Miwa Negoro, Sarah Owens, Camille Regli, Tanja Trampe, Marina Vishmidt, Mitchell Anderson, Nadja Baldini, Livio Baumgartner, Annette Bhagwati, Mirjam Bayerdörfer, Philipp Bergmann, Maria Bill, Clifford E. Bruckmann, Roger M. Buergel, Karolina Dankow, Adriana Domínguez, Christoph Doswald, Elisabeth Eberle, Ann-Kathrin Eickhoff, Esther Eppstein, Christian Etter, Allam Fakhour, Corrado Ferrari, Fredi Fischli, Anne-Laure Franchette, Arianna Gellini, Kristina Grigorjeva, Anne Gruber, Antonia Hersche, Christian Jankowski, Cathrin Jarema, Linda Jensen, Tobias Kaspar, Nicola Kazimir, Esther Kempf, Emil Michael Klein, Lucie Kolb, Sabina Kohler, Andreas Marti, Maya Minder, Adrian Notz, Niels Olsen, Ludovica Parenti, Barbara Preisig, Eva Presenhuber, Thea Reifler, Elena Rosauro, Nina Roehrs, Giampaolo Russo, Sabine Schaschl, David Schildknecht, Evelyn Steiner, Marc Streit, U5, Regula Weber, Judith Welter, Eva-Maria Würth, Romano Zerbini, Stephanie Carwin, and Biotop 3000
Abstract: This issue seeks to bring to the forefront the various positions and strategies of the most diverse art initiatives, from project and off-spaces to personalities within the art field, as well as those of established galleries and institutions and city officials based in Zurich in 2020. Originally, this issue was intended to draw a picture of the Zurich art scene and was meant to be published parallel to Art Basel 2020. Though with the current pandemic’s additional layering, the main focus of the precariousness of the independent art scene in Zurich has increased dramatically. In this respect, we would like you to read the conducted interviews and the contributions not only as a lively, diverse, surprising, dazzling scene, but also as an ensemble of shared demands towards cultural policies., https://www.librarystack.org/zurich-issue-dark-matter-grey-zones-red-light-and-bling-bling/?ref=unknown
Published: 2020

36. Contemporary Art Biennials – Our Hegemonic Machines in Times of Emergency

Author: Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Agustina Andreoletti, Rasheed Araeen, Defne Ayas, Marco Baravalle, Alessia Basilicata, Julia Bethwaite, Amy Bruce, Sabeth Buchmann, Vasyl Cherepanyn, Sven Christian, Ana Paula Cohen, Giulia Colletti, Catherine David, Ekaterina Degot, Diana Dulgheru, Per Gunnar Eeg-Tverbakk, Okwui Enwezor, Brandon Farnsworth, Rime Fetnan, Patrick D. Flores, Natasha Ginwala, Eva González-Sancho Bodero, Resmi Görüş, Martin Guinard, Bregtje van der Haak, Catalina Imizcoz, Răzvan Ion, Andrés Jaque, Melody Du Jingyi, Anni Kangas, Daniel Knorr, Omar Kholeif, Panos Kompatsiaris, Yacouba Konaté, Daniela Labra, Ilse Lafer, Ippolito Pestellini Laparelli, Bruno Latour, Teobaldo Lagos Preller, Eva Lin, Yung Ma, Anna Manubens, Sarat Maharaj, Oliver Marchart, Federica Martini, Vittoria Martini, Lara van Meeteren, Louli Michaelidou, Christian Morgner, Gerardo Mosquera, Bonaventure Soh Bejeng Ndikung, Rafal Niemojewski, Ksenija Orelj, Anita Orzes, Delia Popa, Farid Rakun, Raqs Media Collective, Roma Jam Session art Kollektiv, Miriam La Rosa, Mona Schubert, Henk Slager, Robert E. D’Souza, Nora Sternfeld, Fatoş Üstek, Katerina Valdivia Bruch, Mirjam Varadinis, Raluca Voinea, Wilson Yeung Chun Wai, Bart Wissink, Beat Wyss, Xinming Xia, Nathalie Zonnenberg, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Agustina Andreoletti, Rasheed Araeen, Defne Ayas, Marco Baravalle, Alessia Basilicata, Julia Bethwaite, Amy Bruce, Sabeth Buchmann, Vasyl Cherepanyn, Sven Christian, Ana Paula Cohen, Giulia Colletti, Catherine David, Ekaterina Degot, Diana Dulgheru, Per Gunnar Eeg-Tverbakk, Okwui Enwezor, Brandon Farnsworth, Rime Fetnan, Patrick D. Flores, Natasha Ginwala, Eva González-Sancho Bodero, Resmi Görüş, Martin Guinard, Bregtje van der Haak, Catalina Imizcoz, Răzvan Ion, Andrés Jaque, Melody Du Jingyi, Anni Kangas, Daniel Knorr, Omar Kholeif, Panos Kompatsiaris, Yacouba Konaté, Daniela Labra, Ilse Lafer, Ippolito Pestellini Laparelli, Bruno Latour, Teobaldo Lagos Preller, Eva Lin, Yung Ma, Anna Manubens, Sarat Maharaj, Oliver Marchart, Federica Martini, Vittoria Martini, Lara van Meeteren, Louli Michaelidou, Christian Morgner, Gerardo Mosquera, Bonaventure Soh Bejeng Ndikung, Rafal Niemojewski, Ksenija Orelj, Anita Orzes, Delia Popa, Farid Rakun, Raqs Media Collective, Roma Jam Session art Kollektiv, Miriam La Rosa, Mona Schubert, Henk Slager, Robert E. D’Souza, Nora Sternfeld, Fatoş Üstek, Katerina Valdivia Bruch, Mirjam Varadinis, Raluca Voinea, Wilson Yeung Chun Wai, Bart Wissink, Beat Wyss, Xinming Xia, Nathalie Zonnenberg, Stephanie Carwin, and Biotop 3000
Abstract: Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is like a biennale: too much to experience at once., https://www.librarystack.org/contemporary-art-biennials-our-hegemonic-machines-in-times-of-emergency/?ref=unknown
Published: 2020

37. Gender Relations in New Music

Author: Dorothee Richter, Ronald Kolb, Brandon Farnsworth, Rosanna Lovell, Kajsa Antonsson, Sandeep Bhagwati, Valentina Bertolani, Dahlia Borsche, Sharon Chan, Anke Charton, Lucien Danzeisen, Julia Eckhardt, Gina Emerson, Sine Tofte Hannibal, Anna Jakobsson, Camille Overgaard, Luisa Santacesaria, Christina Scharff, Susanne van Els, Stellan Veloce, Serge Vuille, Stephanie Carwin, Biotop 3000, Dorothee Richter, Ronald Kolb, Brandon Farnsworth, Rosanna Lovell, Kajsa Antonsson, Sandeep Bhagwati, Valentina Bertolani, Dahlia Borsche, Sharon Chan, Anke Charton, Lucien Danzeisen, Julia Eckhardt, Gina Emerson, Sine Tofte Hannibal, Anna Jakobsson, Camille Overgaard, Luisa Santacesaria, Christina Scharff, Susanne van Els, Stellan Veloce, Serge Vuille, Stephanie Carwin, and Biotop 3000
Abstract: Even before the current pandemic, contemporary music existed in a state of crisis. Its structures and institutions struggle to support any minority, let alone artistic practices outside of a narrow Western European style, meaning fundamental change is inexorable if this field is to remain societally relevant. With this issue of OnCurating journal, the curatorial collective GRiNM (Gender Relations in New Music) gathers texts based on its 2019 conference at the Zurich University of the Arts that explore practical and theoretical approaches to opening and diversifying the field. Our intention with this issue is to articulate these voices as central to curating music, and to call its outdated investment in a European monoculture into question. We hope that it serves in the eye of this current storm as the most urgent of demands for fundamental, immediate change., https://www.librarystack.org/gender-relations-in-new-music/?ref=unknown
Published: 2020

38. Curating Contemporary Music

Author: Dorothee Richter, Ronald Kolb, Lars Petter Hagen, Rob Young, Heloisa Amaral, Patrick Frank, Kenneth Goldsmith, George E. Lewis, Kamila Metwaly, Katja Heldt, Du Yun, Stephanie Carwin, Volker Schartner, Biotop 3000, Dorothee Richter, Ronald Kolb, Lars Petter Hagen, Rob Young, Heloisa Amaral, Patrick Frank, Kenneth Goldsmith, George E. Lewis, Kamila Metwaly, Katja Heldt, Du Yun, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: What are the roles of the curator in the music field, and how does the work materialize? What kind of practices are involved? Defragmentation – Curating Contemporary Music was a project that attempted to highlight some of the problems and urgent questions that we find in today’s contemporary music scene. Within the frame of ideas around gender, diversity, decolonization and technology, Defragmentation looked at – and tried to understand – structures in various institutions of contemporary music. The ambition was to investigate how the urgent sense of fragmentation and disconnection that exists in the public sphere at the moment is materialized in the musical field., https://www.librarystack.org/curating-contemporary-music/?ref=unknown
Published: 2020

39. Revisiting Black Mountain

Author: Dorothee Richter, Ronald Kolb, Caroline Adler, Sascia Bailer, Lucy Bayley, Paolo Bianchi, Johanna Bruckner, Annemarie Bucher, Boris Buden, Brandon Farnsworth, Simon Fleury, Jeanne van Heeswijk, Martin Jaeggi, Andres Janser, Gilly Karjevsky, Susanne Kennedy, Ronny Koren, Jochen Kiefer, Steven Henry Madoff, Mieke (Annemarie) Matzke, Daniel Späti, Raqs Media Collective, Olga von Schubert, Cornelia Sollfrank, Asli Uludag, Bitten Stetter, Stephanie Carwin, Volker Schartner, Biotop 3000, Dorothee Richter, Ronald Kolb, Caroline Adler, Sascia Bailer, Lucy Bayley, Paolo Bianchi, Johanna Bruckner, Annemarie Bucher, Boris Buden, Brandon Farnsworth, Simon Fleury, Jeanne van Heeswijk, Martin Jaeggi, Andres Janser, Gilly Karjevsky, Susanne Kennedy, Ronny Koren, Jochen Kiefer, Steven Henry Madoff, Mieke (Annemarie) Matzke, Daniel Späti, Raqs Media Collective, Olga von Schubert, Cornelia Sollfrank, Asli Uludag, Bitten Stetter, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: The symposium “Revisiting Black Mountain College: Cross-Disciplinary Experiments and Their Potential for Democratization (in Times of Post-Democracy)” asked questions in relation to anti-democratic tendencies in many countries worldwide. How can education still hold up democratic values, while at the same time presumably measuring its success by careers in the market? This issue brings together contributions from participants of the conference and adds further contributions by Andres Janser, Olga von Schubert, Caroline Adler, Boris Buden, Lucy Bayley, Sascia Bailer, Simon Fleury, Gilly Karjevsky, Asli Uludag, and Mieke Matzke.The interview by Ronald Kolb with Bitten Stetter, Brandon Farnsworth, Dorothee Richter, Jochen Kiefer, Martin ..., https://www.librarystack.org/on-curating-issue-43-december-2019/?ref=unknown
Published: 2019

40. Centres / Peripheries — Complex Constellations

Author: Ella Krivanek, Camille Regli, Dorothee Richter, Ronald Kolb, Heike Biechteler, Marco Meuli, Christine Maria Kaiser, Maya Bamberger, Giovanna Bragaglia, Francesca Ceccherini, Anastasia Chaguidouline, Damian Christinger, Gozde Filinta, Beatrice Fontana, Paola Granati, Kristina Grigorjeva, Franziska Herren, Ronny Koren, Eveline Mathis, Miwa Negoro, Oliver Rico, Domenico Roberti, Carolina Sanchez, Jan Sandberg, Yan SU, Pongpan Suriyapat, Noriko Yamakoshi, Dena Beard, Lisa Biedlingmaier, Maria-Cristina Donati, Theaster Gates, Stacy Hardy, Ritva Kovalainen, Olaf Kühnemann, Marta Rodriguez Maleck, Renzo Martens, Peter Märkli, Montecristo Project, Gabi Ngcobo, Jittima Pholsawek, Jennifer Teo, Woon Tien Wei, POST-MUSEUM, Raqs Media Collective, Lukas Sander, Hans Schmid, Gregory Sholette, Anuradha Vikram, Dmitry Vilensky, Knut Wold, Kacey Wong, Stephanie Carwin, Volker Schartner, Biotop 3000, Ella Krivanek, Camille Regli, Dorothee Richter, Ronald Kolb, Heike Biechteler, Marco Meuli, Christine Maria Kaiser, Maya Bamberger, Giovanna Bragaglia, Francesca Ceccherini, Anastasia Chaguidouline, Damian Christinger, Gozde Filinta, Beatrice Fontana, Paola Granati, Kristina Grigorjeva, Franziska Herren, Ronny Koren, Eveline Mathis, Miwa Negoro, Oliver Rico, Domenico Roberti, Carolina Sanchez, Jan Sandberg, Yan SU, Pongpan Suriyapat, Noriko Yamakoshi, Dena Beard, Lisa Biedlingmaier, Maria-Cristina Donati, Theaster Gates, Stacy Hardy, Ritva Kovalainen, Olaf Kühnemann, Marta Rodriguez Maleck, Renzo Martens, Peter Märkli, Montecristo Project, Gabi Ngcobo, Jittima Pholsawek, Jennifer Teo, Woon Tien Wei, POST-MUSEUM, Raqs Media Collective, Lukas Sander, Hans Schmid, Gregory Sholette, Anuradha Vikram, Dmitry Vilensky, Knut Wold, Kacey Wong, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relations of living and establishing these practices (building centres along the way) but at the same time always changing their positions, never staying at the centre, but instead unfolding on the periphery of social life. In this OnCurating Issue, we searched for and researched projects and institutions that hold at their core something between the lines of centres–peripheries with their transversal practices and modus operandi. For many of our interview partners, the question of oppositionality is less important than the equal networking of their own artistic and curatorial practices in an international exchange, which is informed by the historical and local references of the particular place. These projects do not establish a distinction—aesthetically and personally; they open up to a broader public (and not only the “art insider”), and they relate to an embracing mode of encounters with “other” cultures, identities, and ideas, and present an inclusive gesture. Instead of voicing one view on the complex constellations of centres–peripheries in the arts, we have decided to propose different introductory statements to show the multifaceted approaches to this topic., https://www.librarystack.org/on-curating-issue-41-june-2019/?ref=unknown
Published: 2019

41. What You Don't Know About AIDS Could Fill a Museum

Author: Theodore Kerr, Dorothee Richter, Ronald Kolb, Volker Schartner, Biotop 3000, Szymon Adamczak, Rahne Alexander, Jordan Arseneault, Kelvin Atmadibrata, Nicholas D’Avella, Adam Barbu, Emily Bass, Edward Belleville, Vladimir Čajkovac, Jean Carlomusto, Renaud Chantraine, Marika Cifor, Jaime Shearn Coan, Emily Colucci, Siân Cook, Rev. Michael J. Crumpler, Avram Finkelstein, Lyndon K. Gill, Stamatina Gregory, Kate Hallstead, Heather Holmes, Catalina Imizcoz, Alexandra Juhasz, Luiza Kempińska, Michael McFadden, Miiro Michael, Florent Molle, Carlos Motta, Abdul-Aliy A. Muhammad, Sandrine Musso, Louie Ortiz-Fonseca, Manon S. Parry, Benji de la Piedra, John Arthur Peetz, Ricky Price, Dudu Quintanilha, Yvette Raphael, John Paul Ricco, Hugh Ryan, Nelson Santos, Charan Singh, Greg Thorpe, Alper Turan, Mavi Veloso, Hubert Zięba, Stephanie Carwin, Theodore Kerr, Dorothee Richter, Ronald Kolb, Volker Schartner, Biotop 3000, Szymon Adamczak, Rahne Alexander, Jordan Arseneault, Kelvin Atmadibrata, Nicholas D’Avella, Adam Barbu, Emily Bass, Edward Belleville, Vladimir Čajkovac, Jean Carlomusto, Renaud Chantraine, Marika Cifor, Jaime Shearn Coan, Emily Colucci, Siân Cook, Rev. Michael J. Crumpler, Avram Finkelstein, Lyndon K. Gill, Stamatina Gregory, Kate Hallstead, Heather Holmes, Catalina Imizcoz, Alexandra Juhasz, Luiza Kempińska, Michael McFadden, Miiro Michael, Florent Molle, Carlos Motta, Abdul-Aliy A. Muhammad, Sandrine Musso, Louie Ortiz-Fonseca, Manon S. Parry, Benji de la Piedra, John Arthur Peetz, Ricky Price, Dudu Quintanilha, Yvette Raphael, John Paul Ricco, Hugh Ryan, Nelson Santos, Charan Singh, Greg Thorpe, Alper Turan, Mavi Veloso, Hubert Zięba, and Stephanie Carwin
Abstract: This issue focuses on HIV, culture and curation, edited by scholar and organizer Theodore (ted) Kerr. The print and online issue features over 40 contributions—including essays, conversations, visual projects, reprints, and personal reflections—from artists, activists, academics, and writers from around the world, exploring AIDS-related culture in the 21st century, through four themes: forgetting, seeing, collecting, and making, all of which reflect on both the historical turn in contemporary AIDS cultural production, and the ongoing need to keep an eye on the present., https://www.librarystack.org/what-you-dont-know-about-aids-could-fill-a-museum/?ref=unknown
Published: 2019

42. Revisiting Black Mountain

Author: Dorothee Richter, Ronald Kolb, Caroline Adler, Sascia Bailer, Lucy Bayley, Paolo Bianchi, Johanna Bruckner, Annemarie Bucher, Boris Buden, Brandon Farnsworth, Simon Fleury, Jeanne van Heeswijk, Martin Jaeggi, Andres Janser, Gilly Karjevsky, Susanne Kennedy, Ronny Koren, Jochen Kiefer, Steven Henry Madoff, Mieke (Annemarie) Matzke, Daniel Späti, Raqs Media Collective, Olga von Schubert, Cornelia Sollfrank, Asli Uludag, Bitten Stetter, Stephanie Carwin, Volker Schartner, Biotop 3000, Dorothee Richter, Ronald Kolb, Caroline Adler, Sascia Bailer, Lucy Bayley, Paolo Bianchi, Johanna Bruckner, Annemarie Bucher, Boris Buden, Brandon Farnsworth, Simon Fleury, Jeanne van Heeswijk, Martin Jaeggi, Andres Janser, Gilly Karjevsky, Susanne Kennedy, Ronny Koren, Jochen Kiefer, Steven Henry Madoff, Mieke (Annemarie) Matzke, Daniel Späti, Raqs Media Collective, Olga von Schubert, Cornelia Sollfrank, Asli Uludag, Bitten Stetter, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: The symposium “Revisiting Black Mountain College: Cross-Disciplinary Experiments and Their Potential for Democratization (in Times of Post-Democracy)” asked questions in relation to anti-democratic tendencies in many countries worldwide. How can education still hold up democratic values, while at the same time presumably measuring its success by careers in the market? This issue brings together contributions from participants of the conference and adds further contributions by Andres Janser, Olga von Schubert, Caroline Adler, Boris Buden, Lucy Bayley, Sascia Bailer, Simon Fleury, Gilly Karjevsky, Asli Uludag, and Mieke Matzke.The interview by Ronald Kolb with Bitten Stetter, Brandon Farnsworth, Dorothee Richter, Jochen Kiefer, Martin Jaeggi, and Paolo Bianchi—all professors or lecturers at the Zurich University of the Arts—provides an internal perspective of today’s curriculum-based universities in relation to an education model like Black Mountain College—which can be seen as the opposite., https://www.librarystack.org/on-curating-issue-43-december-2019/?ref=unknown
Published: 2019

43. Centres / Peripheries — Complex Constellations

Author: Ella Krivanek, Camille Regli, Dorothee Richter, Ronald Kolb, Heike Biechteler, Marco Meuli, Christine Maria Kaiser, Maya Bamberger, Giovanna Bragaglia, Francesca Ceccherini, Anastasia Chaguidouline, Damian Christinger, Gozde Filinta, Beatrice Fontana, Paola Granati, Kristina Grigorjeva, Franziska Herren, Ronny Koren, Eveline Mathis, Miwa Negoro, Oliver Rico, Domenico Roberti, Carolina Sanchez, Jan Sandberg, Yan SU, Pongpan Suriyapat, Noriko Yamakoshi, Dena Beard, Lisa Biedlingmaier, Maria-Cristina Donati, Theaster Gates, Stacy Hardy, Ritva Kovalainen, Olaf Kühnemann, Marta Rodriguez Maleck, Renzo Martens, Peter Märkli, Montecristo Project, Gabi Ngcobo, Jittima Pholsawek, Jennifer Teo, Woon Tien Wei, POST-MUSEUM, Raqs Media Collective, Lukas Sander, Hans Schmid, Gregory Sholette, Anuradha Vikram, Dmitry Vilensky, Knut Wold, Kacey Wong, Stephanie Carwin, Volker Schartner, Biotop 3000, Ella Krivanek, Camille Regli, Dorothee Richter, Ronald Kolb, Heike Biechteler, Marco Meuli, Christine Maria Kaiser, Maya Bamberger, Giovanna Bragaglia, Francesca Ceccherini, Anastasia Chaguidouline, Damian Christinger, Gozde Filinta, Beatrice Fontana, Paola Granati, Kristina Grigorjeva, Franziska Herren, Ronny Koren, Eveline Mathis, Miwa Negoro, Oliver Rico, Domenico Roberti, Carolina Sanchez, Jan Sandberg, Yan SU, Pongpan Suriyapat, Noriko Yamakoshi, Dena Beard, Lisa Biedlingmaier, Maria-Cristina Donati, Theaster Gates, Stacy Hardy, Ritva Kovalainen, Olaf Kühnemann, Marta Rodriguez Maleck, Renzo Martens, Peter Märkli, Montecristo Project, Gabi Ngcobo, Jittima Pholsawek, Jennifer Teo, Woon Tien Wei, POST-MUSEUM, Raqs Media Collective, Lukas Sander, Hans Schmid, Gregory Sholette, Anuradha Vikram, Dmitry Vilensky, Knut Wold, Kacey Wong, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relations of living and establishing these practices (building centres along the way) but at the same time always changing their positions, never staying at the centre, but instead unfolding on the periphery of social life. In this OnCurating Issue, we searched for and researched projects and institutions that hold at their core something between the lines of centres–peripheries with their transversal practices and modus operandi. For many of our interview partners, the question of oppositionality is less important than the equal networking of their own artistic and curatorial practices in an international exchange, which is informed by the historical and local references of the particular place. These projects do not establish a distinction—aesthetically and personally; they open up to a broader public (and not only the “art insider”), and they relate to an embracing mode of encounters with “other” cultures, identities, and ideas, and present an inclusive gesture. Instead of voicing one view on the complex constellations of centres–peripheries in the arts, we have decided to propose different introductory statements to show the multifaceted approaches to this topic., https://www.librarystack.org/on-curating-issue-41-june-2019/?ref=unknown
Published: 2019

44. Revisiting Black Mountain

Author: Dorothee Richter, Ronald Kolb, Caroline Adler, Sascia Bailer, Lucy Bayley, Paolo Bianchi, Johanna Bruckner, Annemarie Bucher, Boris Buden, Brandon Farnsworth, Simon Fleury, Jeanne van Heeswijk, Martin Jaeggi, Andres Janser, Gilly Karjevsky, Susanne Kennedy, Ronny Koren, Jochen Kiefer, Steven Henry Madoff, Mieke (Annemarie) Matzke, Daniel Späti, Raqs Media Collective, Olga von Schubert, Cornelia Sollfrank, Asli Uludag, Bitten Stetter, Stephanie Carwin, Volker Schartner, Biotop 3000, Dorothee Richter, Ronald Kolb, Caroline Adler, Sascia Bailer, Lucy Bayley, Paolo Bianchi, Johanna Bruckner, Annemarie Bucher, Boris Buden, Brandon Farnsworth, Simon Fleury, Jeanne van Heeswijk, Martin Jaeggi, Andres Janser, Gilly Karjevsky, Susanne Kennedy, Ronny Koren, Jochen Kiefer, Steven Henry Madoff, Mieke (Annemarie) Matzke, Daniel Späti, Raqs Media Collective, Olga von Schubert, Cornelia Sollfrank, Asli Uludag, Bitten Stetter, Stephanie Carwin, Volker Schartner, and Biotop 3000
Abstract: The symposium “Revisiting Black Mountain College: Cross-Disciplinary Experiments and Their Potential for Democratization (in Times of Post-Democracy)” asked questions in relation to anti-democratic tendencies in many countries worldwide. How can education still hold up democratic values, while at the same time presumably measuring its success by careers in the market? This issue brings together contributions from participants of the conference and adds further contributions by Andres Janser, Olga von Schubert, Caroline Adler, Boris Buden, Lucy Bayley, Sascia Bailer, Simon Fleury, Gilly Karjevsky, Asli Uludag, and Mieke Matzke.The interview by Ronald Kolb with Bitten Stetter, Brandon Farnsworth, Dorothee Richter, Jochen Kiefer, Martin Jaeggi, and Paolo Bianchi—all professors or lecturers at the Zurich University of the Arts—provides an internal perspective of today’s curriculum-based universities in relation to an education model like Black Mountain College—which can be seen as the opposite., https://www.librarystack.org/on-curating-issue-43-december-2019/?ref=unknown
Published: 2019

45. What You Don't Know About AIDS Could Fill a Museum

Author: Theodore Kerr, Dorothee Richter, Ronald Kolb, Volker Schartner, Biotop 3000, Szymon Adamczak, Rahne Alexander, Jordan Arseneault, Kelvin Atmadibrata, Nicholas D’Avella, Adam Barbu, Emily Bass, Edward Belleville, Vladimir Čajkovac, Jean Carlomusto, Renaud Chantraine, Marika Cifor, Jaime Shearn Coan, Emily Colucci, Siân Cook, Rev. Michael J. Crumpler, Avram Finkelstein, Lyndon K. Gill, Stamatina Gregory, Kate Hallstead, Heather Holmes, Catalina Imizcoz, Alexandra Juhasz, Luiza Kempińska, Michael McFadden, Miiro Michael, Florent Molle, Carlos Motta, Abdul-Aliy A. Muhammad, Sandrine Musso, Louie Ortiz-Fonseca, Manon S. Parry, Benji de la Piedra, John Arthur Peetz, Ricky Price, Dudu Quintanilha, Yvette Raphael, John Paul Ricco, Hugh Ryan, Nelson Santos, Charan Singh, Greg Thorpe, Alper Turan, Mavi Veloso, Hubert Zięba, Stephanie Carwin, Theodore Kerr, Dorothee Richter, Ronald Kolb, Volker Schartner, Biotop 3000, Szymon Adamczak, Rahne Alexander, Jordan Arseneault, Kelvin Atmadibrata, Nicholas D’Avella, Adam Barbu, Emily Bass, Edward Belleville, Vladimir Čajkovac, Jean Carlomusto, Renaud Chantraine, Marika Cifor, Jaime Shearn Coan, Emily Colucci, Siân Cook, Rev. Michael J. Crumpler, Avram Finkelstein, Lyndon K. Gill, Stamatina Gregory, Kate Hallstead, Heather Holmes, Catalina Imizcoz, Alexandra Juhasz, Luiza Kempińska, Michael McFadden, Miiro Michael, Florent Molle, Carlos Motta, Abdul-Aliy A. Muhammad, Sandrine Musso, Louie Ortiz-Fonseca, Manon S. Parry, Benji de la Piedra, John Arthur Peetz, Ricky Price, Dudu Quintanilha, Yvette Raphael, John Paul Ricco, Hugh Ryan, Nelson Santos, Charan Singh, Greg Thorpe, Alper Turan, Mavi Veloso, Hubert Zięba, and Stephanie Carwin
Abstract: This issue focuses on HIV, culture and curation, edited by scholar and organizer Theodore (ted) Kerr. The print and online issue features over 40 contributions—including essays, conversations, visual projects, reprints, and personal reflections—from artists, activists, academics, and writers from around the world, exploring AIDS-related culture in the 21st century, through four themes: forgetting, seeing, collecting, and making, all of which reflect on both the historical turn in contemporary AIDS cultural production, and the ongoing need to keep an eye on the present., https://www.librarystack.org/what-you-dont-know-about-aids-could-fill-a-museum/?ref=unknown
Published: 2019

46. Spaces of Anticipation

Author: Dorothee Richter, Ronald Kolb, Emanuele Guidi, Lorenzo Sandoval, Antonia Alampi, Juan Canela, Andrea Novoa, Verónica Valentini, Luis Berríos-Negrón, Sol Calero, Binna Choi, Valentina Desideri, Jonatan Engqvist, Doris Krüger, Walter Pardeller, Teobaldo Lagos Preller, Alex Martinis Roe, Christian Nyampeta, Justo Pastor Mellado, Alec Steadman, Stephanie Carwin, Biotop 3000, Volker Schartner, Dorothee Richter, Ronald Kolb, Emanuele Guidi, Lorenzo Sandoval, Antonia Alampi, Juan Canela, Andrea Novoa, Verónica Valentini, Luis Berríos-Negrón, Sol Calero, Binna Choi, Valentina Desideri, Jonatan Engqvist, Doris Krüger, Walter Pardeller, Teobaldo Lagos Preller, Alex Martinis Roe, Christian Nyampeta, Justo Pastor Mellado, Alec Steadman, Stephanie Carwin, Biotop 3000, and Volker Schartner
Abstract: This issue developed from a research project by Lorenzo Sandoval and Emanuele Guidi that looks at artistic and curatorial practices so as to explore the role and potential of artistic and cultural institutional models. So far, Spaces of Anticipation has taken the form of a symposium with the same title at EACC (Castellón, Spain, 2014); the research exhibition Making Room. Spaces of Anticipation, and a second symposium and workshop (2015) both at ar/ge kunst (Bolzano, Italy). The term ‘anticipation’ aims at proposing an affirmative approach to the research as intends to elude the use of ‘post-isms’ and ‘future-ism’ terminology, which ..., https://www.librarystack.org/spaces-of-anticipation/?ref=unknown
Published: 2018

47. Draft: Global Biennial Survey 2018

Author: Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Alkisti Efthymiou, Jörg Scheller, Andrea Bellini, Alexandra Blättler, Adam Caruso, Jean Kamba, Mi Lan, Yongwoo Lee, Julia Moritz, Rafal Niemojewski, Alisa Prudnikova, Qudsia Rahim, Hajnalka Somogyi, Wato Tsereteliis, Misal Adnan Yıldız, Stephanie Carwin, Swati Prasad, Biotop 3000, Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Alkisti Efthymiou, Jörg Scheller, Andrea Bellini, Alexandra Blättler, Adam Caruso, Jean Kamba, Mi Lan, Yongwoo Lee, Julia Moritz, Rafal Niemojewski, Alisa Prudnikova, Qudsia Rahim, Hajnalka Somogyi, Wato Tsereteliis, Misal Adnan Yıldız, Stephanie Carwin, Swati Prasad, and Biotop 3000
Abstract: This draft edition of OnCurating began life by a group of scholars and researchers asking a series of questions about the nature of art production and curating today and what role, if any, biennials play within this paradigm. We wanted to examine and question the underlying assumptions and factors that are generally attributed to the rise in the number of large-scale recurring exhibitions and create a draft-working document that may spur further research and analyses by practitioners and scholars in the field. Is the biennial format really a worldwide phenomena? And if so, to what extent? Do biennials look the ..., https://www.librarystack.org/on-curating-issue-39-june-2019/?ref=unknown
Published: 2018

48. Queer Curating

Author: Dorothee Richter, Ronald Kolb, Jonathan Katz, Isabel Hufschmidt, Änne Söll, Birgit Bosold, Brian Curtin, Julia Friedrich, Vera Hofmann, Simon Martin, Fiona McGovern, Maura Reilly, Patrik Steorn, Ladislav Zikmund-Lender, Jared Auton, Biotop 3000, Volker Schartner, Dorothee Richter, Ronald Kolb, Jonathan Katz, Isabel Hufschmidt, Änne Söll, Birgit Bosold, Brian Curtin, Julia Friedrich, Vera Hofmann, Simon Martin, Fiona McGovern, Maura Reilly, Patrik Steorn, Ladislav Zikmund-Lender, Jared Auton, Biotop 3000, and Volker Schartner
Abstract: Queer Theory understands gender and sexuality as relational constructs, subject to significant historical and cultural variation. Refusing to stabilize these variations into any singular norm, queer curating thus presents a challenge to the museum as a normalizing, meaning-making entity and asks how these concerns can be addressed in museum-practices, that have, for the most part, silently and unknowingly reproduced and solidified contemporary heteronormative structures and desires. How have queer issues, queer curators, and queer exhibitions at one and the same time both shaken the foundations of traditional curatorial practice, and found their potential for intervention papered over or silenced? How can queer desires continue to force the museum to evolve? What does queer change in the museum look like? This issue is an attempt to foster a dialogue about queer curating in a transnational frame., https://www.librarystack.org/queer-curating/?ref=unknown
Published: 2018

49. Draft: Global Biennial Survey 2018

Author: Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Alkisti Efthymiou, Jörg Scheller, Andrea Bellini, Alexandra Blättler, Adam Caruso, Jean Kamba, Mi Lan, Yongwoo Lee, Julia Moritz, Rafal Niemojewski, Alisa Prudnikova, Qudsia Rahim, Hajnalka Somogyi, Wato Tsereteliis, Misal Adnan Yıldız, Stephanie Carwin, Swati Prasad, Biotop 3000, Dorothee Richter, Ronald Kolb, Shwetal A. Patel, Alkisti Efthymiou, Jörg Scheller, Andrea Bellini, Alexandra Blättler, Adam Caruso, Jean Kamba, Mi Lan, Yongwoo Lee, Julia Moritz, Rafal Niemojewski, Alisa Prudnikova, Qudsia Rahim, Hajnalka Somogyi, Wato Tsereteliis, Misal Adnan Yıldız, Stephanie Carwin, Swati Prasad, and Biotop 3000
Abstract: This draft edition of OnCurating began life by a group of scholars and researchers asking a series of questions about the nature of art production and curating today and what role, if any, biennials play within this paradigm. We wanted to examine and question the underlying assumptions and factors that are generally attributed to the rise in the number of large-scale recurring exhibitions and create a draft-working document that may spur further research and analyses by practitioners and scholars in the field. Is the biennial format really a worldwide phenomena? And if so, to what extent? Do biennials look the same everywhere because mostly world-renowned artists are exhibited? To what extent is the local context important? Who can see these kind of globally conntected exhibitions? Who profits in the end? Is the rise in biennials foremost a power move of the financial side of an unregulated art market? Are there still narratives of colonial past at work? We felt that an empirical understanding of global biennales may help inform trends and decipher tropes that have emerged as the format has been popularized around the world. Therefore, unlike previous art-historical studies into biennials, our goal with this project was to conduct an empirical study on biennales. We began by creating data sets for nearly 320 biennales we found in existence, examining a number of varying parameters for our current research. On the one hand—we hope—you can easily see the increase and new development of biennales over time, and on the other, you can compare certain regions geographically and draw new inferences from the data., https://www.librarystack.org/on-curating-issue-39-june-2019/?ref=unknown
Published: 2018

50. We Would Prefer Not To

Author: Steven Henry Madoff, Brian Kuan Wood, Ronald Kolb, Dorothee Richter, Nana Adusei-Poku, Nadim Abbas, Valerie Amend, Lux Yuting Bai, Zach Blas, Jesse Darling, Gilles Deleuze, Hendrik Folkerts, Patrick Jaojoco, Herman Melville, Ikechukwu Casmir Onyewuenyi, Vera Petukhova, Jovanna Venegas, Volker Schartner, Biotop 3000, Steven Henry Madoff, Brian Kuan Wood, Ronald Kolb, Dorothee Richter, Nana Adusei-Poku, Nadim Abbas, Valerie Amend, Lux Yuting Bai, Zach Blas, Jesse Darling, Gilles Deleuze, Hendrik Folkerts, Patrick Jaojoco, Herman Melville, Ikechukwu Casmir Onyewuenyi, Vera Petukhova, Jovanna Venegas, Volker Schartner, and Biotop 3000
Abstract: This issue of OnCurating takes political resistance and sanctuary as its subject, with Herman Melville’s nineteenth-century literary avatar Bartleby—famous for his refrain “I would prefer not to”—as its tutelary spirit. Forms of civil disobedience and tricksterism are coterminous agents in artistic and curatorial practices, both historical and contemporary. How to subvert and subvene, how to recast structural mechanisms of suppression and oppression, how to avoid, deny, magnify, spatially disjoint, and refute (earnestly, comically)? By what means can we, as cultural producers, refuse, while fostering a discourse of reparation? The activism now crucial in the face of ascendant political forces bent on the disavowal of democratic principles and underwritten by neoliberalism’s evisceration of once-prominent ideals of liberty can look to previous projects, certainly from the milestone of Bartleby as an existential figure of mild but implacable will, and onward from there. These are the concerns and exemplary instances, from Ancient Greece to Fukushima to imaginings of dystopian futures, highlighted here in essays, accounts of exhibitions, portfolios of images, and interviews., https://www.librarystack.org/on-curating-issue-40-september-2018/?ref=unknown
Published: 2018

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