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25 results on '"Soviet revolution"'

1. El Lissitzky’s Red Wedge as the Hebrew letter Yud.

Author

KAMCZYCKI, ARTUR

Subjects
HEBREW letters, CABALA, MYSTICISM, HASIDISM
Abstract

The analysis undertaken in this paper sets out with El Lissitzky’s 1919 revolutionary poster entitled Beat the Whites with the Red Wedge. This artwork, composed of simple geometric figures, in which an acute-angled red triangle splits the form of a white circle, was used by Soviet propaganda to affirm the so-called ‘October events’. However, a thorough analysis of the poster, i.e. its sources, inspirations, borrowings and contexts, supports the hypothesis that the principal motif (the wedge) also constitutes a graphic equivalent of a letter of the Hebrew alphabet, the letter yud, represented as a small comma or, significantly, an acute-angled triangle. Such a premise yields further consequences with regard to meanings, encompassing aspects related to the Jewish iconic tradition that involve mysticism, magic, and the kabbalah. [ABSTRACT FROM AUTHOR]

Published
2023
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2. Los consejos del joven Gramsci.

Author

Pittaluga, Roberto

Subjects
RUSSIAN Revolution, 1917-1921, LIBERTY
Abstract

Copyright of Sociohistórica: Cuadernos del CISH is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023
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3. GLI SCRITTI ITALIANI DI EDVIGE TOEPLITZ MROZOWSKA SULLA REALTÀ SOVIETICA IN ASIA CENTRALE E SULLA RIVOLUZIONE BOLSCEVICA.

Author

Gurgul, Monika

Subjects
SOCIALISM, ATTITUDE (Psychology), REVOLUTIONARIES, COLLECTIONS
Abstract

The aim of the paper is to answer the question about the attitude of Edvige Toeplitz Mrozowska to the Soviet revolution with which she entered in a direct contact during her travel to Tajikistan in 1929. In the period between 1930-1933 she devoted two texts, important in her literary output, to the revolution and the reality of Soviet Central Asia. The first is an account of the expedition to the Pamir Mountains led by Mrozowska, and, apart from the geographical subject matter typical of such texts, it contains observations regarding socialist changes in the newly established Tajikistan, while the second one is not only a collection of sketches related to the analysis of revolutionary reality, but also a kind of project with historical and even historiosophical aspirations. [ABSTRACT FROM AUTHOR]

Published
2022
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4. Comparative Study of Propaganda Posters’ Presentation & Context, in Revolutionary Society: USSR, China, Cuba &Iran

Author

Fahimeh Daneshgar and Mona Taheri

Subjects
soviet revolution, cuba, china, iran, propaganda poster, Fine Arts, Visual arts, N1-9211
Abstract

According to Mark Almond, “the most important revolutions of the twentieth century happened are those of the Soviet Union, China, and Iran”. The Cuban Revolution was also inspired by its communist counterpart in China and the Soviet Union. Throughout the two aforesaid revolts, propaganda posters were the key media that could convey their message to the world. The most important reason for employing such media was the attention being paid to it by the revolutions' leaders and their awareness of the impact of this type of art on the public opinion; hence, they made the most use of this media for the progression of their revolutionary objectives. The paper at hand seeks to answer these very questions that: What were the purposes of using propaganda posters in revolutionary societies? What were these posters about? How have they changed during their respective revolutions? And what similarities and differences the posters held in these four countries? The study employs documentary research method in the literature review; nevertheless, comparative method of research has been used for appraising the posters of the four countries uses. The purpose of this research is to examine the thought currents of the revolutions' leaders as well as the way these posters impressed the people's minds and contributed to the development of these revolutions. First and foremost, the research examines the common viewpoints the poster designers of the four countries held, followed by the comparative study of the form and content of the posters of the Soviet Union, China, Cuba and Iran. The results indicated that the leaders of the revolutions utilized the posters to achieve their goals. In all the four countries, the posters were designed for identifying revolutionary figures, fight against imperialism, the advancement of industry as well as the presence of women along men.But after a short period of time, this media turns into an image-object, and it is no longer able to change the path being determined by the complications of time or the contemporary and the future generation.

Published
2019
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5. Proyecciones de memoria del largo 1917: ecos simbólicos en el Partido Comunista de España y el Partido Comunista Italiano

Author

Andrea Donofrio and José Carlos Rueda Laffond

Subjects
Communism, Italy, memory, Soviet revolution, Spain, Comunismo, España, Italia, Memoria, Revolución soviética, memoria, Rivoluzione sovietica, Spagna, History (General), D1-2009, Modern history, 1453-, D204-475
Abstract

The article analyzes several types of memory on 1917 and the Soviet revolution, focusing on some memory’s strategies of the Communist Party of Spain and the Italian Communist Party. It briefly attends four different historical junctures (1937, 1949, 1956 and 1988) which allow to observe the phenomena of modulation, inflection and upgrade of the memory about the “long 1917”. And in turn, several aspects – like symbolic capital, cosmopolitan memory or nationalization – serve as axes where to inscribe the policies of communist memory in this long temporal development.

Published
2017

6. Rationality in a fatalistic world: explaining revolutionary apathy in pre-Soviet peasants.

Author

Howell, Jessica, College, Flagler, and Wenzel, Nikolai G.

Subjects
RUSSIAN revolutionaries, PEASANTS, ECONOMIC sociology, POLITICAL organizations, FATE & fatalism
Abstract

This paper studies the attempts (and failure) of Russian revolutionaries to mobilize the peasantry in the decade leading to the Soviet revolution of 1917. Peasants, who had been emancipated from serfdom only four decades earlier, in 1861, were still largely propertyless and poor. This would, at first glance, make them a ripe target for revolutionary activity. But peasants were largely refractory. We explain this lack of revolutionary spirit through two models. First, despite their lack of education and political awareness, the peasants were rational in their refusal to participate in revolutionary activity; they engaged in a cost–benefit calculus which pushed them away from revolt and political organization. Second, based on the Wildavsky–Thompson cultural types, Russian peasants were largely fatalist: they believed they had no influence on the world, so it was not worth attempting to change it. This paper sheds light on some aspects of the Russian revolution, but also encourages further research in history and economic sociology on the interaction between culture and incentives. [ABSTRACT FROM AUTHOR]

Published
2019
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7. SOVYET İHTİLALİNİN TÜRK DÜŞÜN YAPISINA ETKİSİ: KADRO DERGİSİ ÖRNEĞİ.

Author

DEMİRKANOĞLU, Yahya

Abstract

Copyright of Journal of Social Sciences Institute / Sosyal Bilimler Enstitüsü Dergisi is the property of Bingol University / Rectorate and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2018
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8. The Philosophy of History: A Value-pluralist Response.

Author

Crowder, George

Subjects
HISTORY, ETHICS, PLURALISM, PHILOSOPHY
Abstract

Vittorio Hösle's evaluation of the Soviet Revolution on the ground of the philosophy of history can be usefully examined from the value-pluralist perspective of Isaiah Berlin. Although Berlinwould agree with most of Hösle's judgements on the Revolution, he would do so for very different reasons. Most importantly, Berlin would not accept the teleology that lies at the heart of the philosophy of history. For Berlin, the notion of a human telos to be realized at the end of history is a species of moral monism, and so falsified, indeed rendered incoherent, by the deeply pluralist reality of human values. However, Berlin's pluralism also seems to present a problem for the justification of liberalism, and I consider a range of responses to this difficulty. [ABSTRACT FROM AUTHOR]

Published
2017
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9. How Should One Evaluate the Soviet Revolution?

Author

Hösle, Vittorio

Subjects
ETHICS, MODERNIZATION (Social science), SOCIAL processes, PHILOSOPHY
Abstract

The essay begins by discussing different ways of evaluating and making sense of the Soviet Revolution from Crane Brinton to Hannah Arendt. In a second part, it analyses the social, political and intellectual background of tsarist Russia that made the revolution possible. After a survey of the main changes that occurred in the Soviet Union, it appraises its ends, the means used for achieving them, and the unintended side-effects. The Marxist philosophy of history is interpreted as an ideological tool of modernization attractive to societies to which the liberal form of modernization was precluded. [ABSTRACT FROM AUTHOR]

Published
2017
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10. El Partido Comunista de China y el Partido Comunista de España (1921-1956): entre revolución y readaptación

Author

del Río Morillas, Miguel A. and del Río Morillas, Miguel A.

Abstract

This article presents an approach to the history of two distant parties in political time and success, as well as geographically and culturally, such as the CPE and the CCP in their 100 years of existence (1921-2021), although giving more incidence to the case of the CCP. Likewise, the XX Congress of the CPSU of 1956 will be taken as the final point of the article, which implied a paradigm shift for the international communist movement, in the case of the CPE its materialization in the policy of “National Reconciliation” in 1956, while in the case of the CCP, it would represent its departure from a Soviet Union (exemplified in the Sino-Soviet rupture of 1959) with its definitive commitment to a Chinese path to socialism and economic development, debated at the VIII Party Congress in September 1956., El presente artículo presente realizar una aproximación a la historia de dos partidos alejados en el tempo político y el éxito, así como geográfica y culturalmente, como son el PCE y el PCC en sus efemérides de 100 año de existencia (1921-2021), aunque dándose más incidencia al caso del PCC. Asimismo, se cogerá como punto final del relato el XX Congreso del PCUS de 1956, el cual implicó un cambio de paradigma para el movimiento comunista internacional, siendo para el caso del PCE su materialización en la política de “Reconciliación Nacional” de 1956, mientras que para el caso del PCC representaría su alejamiento de una Unión Soviética (ejemplificado en la ruptura sino-soviética de 1959) con su definitiva apuesta por una vía china al socialismo, y al desarrollo económico, debatido en el VIII Congreso de septiembre de 1956.

Published
2022

11. THE ARTISTIC REVOLUTION IN RUSSIA IN VIEW OF THE SOVIET REVOLUTION.

Author

Ziegler Delgado, María Magdalena

Subjects
*RUSSIAN Revolution, 1917-1921, *RUSSIAN art, *AVANT-garde (Arts)
Abstract

The Russian Revolution of 1917 has been considered the essential cause of the awakening of the artistic avant-garde of that country for a long time. One hundred years after the revolutionary events on the political and social scenes, we examined the development of the Russian artistic avant-garde prior to 1917, during the events of the October Revolution of that year and thereafter until 1932. We demonstrate that avant-garde ideas were already present and active in Tsarist Russia and that the Revolution of 1917 would only provide a more glaring framework for the proposals of avant-garde artists. In the same way, it will be demonstrated how the new Soviet status quo ended up drowning the vanguard vortex and establishing a methodology of action and production in art that would be far from the originality of the avantgarde works prior to 1917. [ABSTRACT FROM AUTHOR]

Published
2017

12. The Italian writings of Edvige Toeplitz Mrozowska on Soviet Central Asia and the Bolshevik revolution

Author

Monika Gurgul

Subjects
Tajikistan, Linguistics and Language, soviet revolution, Literature and Literary Theory, Edvige Toeplitz Mrozowska, soviet Central Asia, Language and Linguistics
Abstract

The Italian writings of Edvige Toeplitz Mrozowska on Soviet Central Asia and the Bolshevik revolution The aim of the paper is to answer the question about the attitude of Edvige Toeplitz Mrozowska to the Soviet revolution with which she entered in a direct contact during her travel to Tajikistan in 1929. In the period between 1930‒1933 she devoted two texts, important in her literary output, to the revolution and the reality of Soviet Central Asia. The first is an account of the expedition to the Pamir Mountains led by Mrozowska, and, apart from the geographical subject matter typical of such texts, it contains observations regarding socialist changes in the newly established Tajikistan, while the second one is not only a collection of sketches related to the analysis of revolutionary reality, but also a kind of project with historical and even historiosophical aspirations.

Published
2022

13. El Partido Comunista de China y el Partido Comunista de España (1921-1956) : entre revolución y readaptación

Author

Miguel Ángel Del Río Morillas

Subjects
Comunismo, Revolución soviética, Antifascismo, CCP, Antifascism, PCCh, Soviet revolution, CPE, PCE, Communism
Abstract

El presente artículo presente realizar una aproximación a la historia de dos partidos alejados en el tempo político y el éxito, así como geográfica y culturalmente, como son el PCE y el PCC en sus efemérides de 100 año de existencia (1921-2021), aunque dándose más incidencia al caso del PCC. Asimismo, se cogerá como punto final del relato el XX Congreso del PCUS de 1956, el cual implicó un cambio de paradigma para el movimiento comunista internacional, siendo para el caso del PCE su materialización en la política de "Reconciliación Nacional" de 1956, mientras que para el caso del PCC representaría su alejamiento de una Unión Soviética (ejemplificado en la ruptura sino-soviética de 1959) con su definitiva apuesta por una vía china al socialismo, y al desarrollo económico, debatido en el VIII Congreso de septiembre de 1956. This paper presents an approach to the history of two distant parties in political time and success, as well as geographically and culturally, such as the CPE and the CCP in their 100 years of existence (1921-2021), although paying more attention to the case of the CCP. Likewise, the XX Congress of the CPSU of 1956 will be taken as the final point of the article, which implied a paradigm shift for the international communist movement, in the case of the CPE, its materialization in the policy of «National Reconciliation» in 1956, while in the case of the CCP, it would represent its departure from the Soviet Union (exemplified in the Sino-Soviet rupture of 1959) with its definitive commitment to a Chinese path to socialism and economic development, debated at the VIII Party Congress in September 1956.

Published
2022

14. Pensar a Revolução Soviética no século XXI: Revolução e estratégias identitárias

Author

Mário Machaqueiro

Subjects
Soviet Studies, Post-Soviet Studies, Soviet revolution, social identity, Social Sciences, Social sciences (General), H1-99
Abstract

The problematics of social identities has been one of the main strands explored in Soviet and post-Soviet studies, above all after the 1990s. These studies have contributed to deepen an understanding of the Soviet Revolution, at the same time allowing for articulation within the centrality of identity issues in the current historical setting. Taking up the spirit of such studies, but also that of research in Portugal which has endeavoured to develop an overall anthropology of identity processes, this article sets out to re-analyse the evolution of Lenin’s thought and of that of the Bolshevist regime, in the light of Russia’s ambivalent identity stance between Asia and Europe, between East and West. To this end, the concept of “border identity” is applied to clarify the oscillations which characterise the strategic choices made by Russian communists in the geopolitical realm.

Published
2007
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15. ¿Hay varios El Lissitzky?

Subjects
Revolución soviética, El Lissitzky, Implicación corporal, Interdisciplinary, Implicació corporal, Revolució soviètica, Dynamism, Dinamismo, Interdisciplinariedad, Corporal implication, Interdisciplinarietat, Soviet revolution, Dinamisme
Published
2021

16. ¿Hay varios El Lissitzky?

Author

Puig Pages, Silvia

Subjects
Revolución soviética, El Lissitzky, Implicación corporal, Interdisciplinary, Implicació corporal, Revolució soviètica, Dynamism, Dinamismo, Interdisciplinariedad, Corporal implication, Interdisciplinarietat, Soviet revolution, Dinamisme
Abstract

¿Cuántos El Lissitzky hay? La capacidad de reinventarse de este diseñador multidisciplinar es interminable. Se pretende buscar, identificar e investigar los aspectos comunes en su amplia producción.Hay un aspecto que se repite en una gran mayoría de sus obras: el dinamismo. Este rasgo forma parte del compromiso de los jóvenes artistas y diseñadores con la Revolución Soviética.Este rasgo común de sus obras va más allá de un mero dinamismo formal. Lissitzky busca activar todos los sentidos del espectador para conseguir una recepción más interactiva. El nuevo espectador activo será fundamental para la creación de un nuevo mundo. ¿How many Lisstzky are there? It is endless the ability of this designer to reinvent himself. The target of this small essay /work is the quest and research of identifiable common aspects in Lissitzky's wide production.There is a repetitive aspect in the majority of his works: the dynamism. This characteristic goes very well with a renewal political ideology of change and revolution, being an essential part of young artists and designer commitment with Soviet Revolution.Nevertheless, El Lissitzky goes further and search for turning on / activating all spectator senses to achieve a more interactive reception. This new active spectator will be fundamental to create a new world. Quants El Lissitzky hi ha? La capacitat de reinventar-se d'aquest dissenyador multidisciplinari és interminable. L'objectiu d'aquest treball és la recerca, identificació i investigació d'aspectes comuns en la seva àmplia producció. Hi ha un aspecte que es repeteix en una gran majoria de les seves obres: el dinamisme. Aquest tret s'adapta molt bé a una ideologia política de renovació i de canvi, formant part de manera intrínseca del compromís dels joves artistes i dissenyadors amb la Revolució Soviètica. Aquest tret comú de les seves obres va més enllà d'un mer dinamisme formal. Lissitzky busca activar tots els sentits de l'espectador per a aconseguir una recepció més interactiva. El nou espectador actiu serà fonamental per a la creació d'un nou món.

Published
2021

17. Proyecciones de memoria del largo 1917

Author

Donofrio, Andrea and Rueda Laffond, José Carlos

Subjects
memory, Comunismo, memoria, Revolución soviética, Italy, Spain, Rivoluzione sovietica, España, Soviet revolution, Italia, Spagna, Communism
Abstract

L’articolo propone un’analisi sulle differenti modalità di ricordo del 1917 e della rivoluzione sovietica, addentrandosi nelle strategie memorialistiche adottate rispettivamente dal Partido Comunista de España (PCE) e dal Partito Comunista Italiano (PCI). Il saggio si sofferma su quattro differenti congiunture storiche (1937, 1949, 1956 e 1988), che permettono di inquadrare i fenomeni di modulazione, inflessione e aggiornamento sulla memoria del “lungo 1917”. Aspetti come il capitale simbolico, la memoria cosmopolita o il fenomeno della nazionalizzazione servono inoltre come linee guida per collocare le politiche della memoria comunista all’interno di questo lungo arco cronologico. The article analyzes several types of memory on 1917 and the Soviet revolution, focusing on some memory’s strategies of the Communist Party of Spain and the Italian Communist Party. It briefly attends four different historical junctures (1937, 1949, 1956 and 1988) which allow to observe the phenomena of modulation, inflection and upgrade of the memory about the “long 1917”. And in turn, several aspects – like symbolic capital, cosmopolitan memory or nationalization – serve as axes where to inscribe the policies of communist memory in this long temporal development. El artículo analiza varias modalidades de recuerdo sobre 1917 y la revolución soviética, centrándose en algunas estrategias de memoria del Partido Comunista de España (PCE) y el Partido Comunista italiano (PCI). Se atiende brevemente a cuatro coyunturas históricas diferenciadas (1937, 1949, 1956 y 1988), pero que permiten advertir los fenómenos de modulación, inflexión y actualización del recuerdo sobre el “largo 1917”. Varios aspectos – capital simbólico, memoria cosmopolita o nacionalización – sirven, a su vez, de ejes donde inscribir las políticas de memoria comunista en ese dilatado devenir temporal.

Published
2019

18. La revolución artística en Rusia ante la Revolución Soviética

Author

Ziegler Delgado, María Magdalena and Ziegler Delgado, María Magdalena

Abstract

The Russian Revolution of 1917 has been considered the essential cause of the awakening of the artistic avant-garde of that country for a long time. One hundred years after the revolutionary events on the political and social scenes, we examined the development of the Russian artistic avant-garde prior to 1917, during the events of the October Revolution of that year and thereafter until 1932. We demonstrate that avant-garde ideas were already present and active in Tsarist Russia and that the Revolution of 1917 would only provide a more glaring framework for the proposals of avant-garde artists. In the same way, it will be demonstrated how the new Soviet status quo ended up drowning the vanguard vortex and establishing a methodology of action and production in art that would be far from the originality of the avantgarde works prior to 1917., La Revolución Rusa de 1917 ha sido considerada la causa esencial del despertar de la vanguardia artística de ese país por mucho tiempo. A cien años de los eventos revolucionarios en la escena política y social, se examina el desarrollo de la vanguardia artística rusa previa a 1917, durante los eventos de la Revolución de Octubre de ese año y con posterioridad a ellos hasta 1932. Se demuestra cómo las ideas de vanguardia ya estaban presentes y activas en la Rusia zarista y que la Revolución de 1917 tan sólo otorgaría un marco más reluciente para las propuestas de los artistas de vanguardia. De la misma manera, se demostrará cómo el nuevo status quo soviético terminó ahogando el torbellino vanguardista y estableciendo una metodología de acción y producción en el arte que distaría mucho de la originalidad de la vanguardia anterior a 1917.

Published
2017

19. From War to Revolution: Sofia Casanova from Varsovia to Petrograd 1915-1917

Author

Peloille, Manuelle, Langues, Littératures, Linguistique des universités d'Angers et du Mans (3L.AM), Université d'Angers (UA)-Le Mans Université (UM), Maria-Linda Ortega, Sylvie Turc-Zinopoulos, and Peloille, Manuelle

Subjects
[SHS.LITT] Humanities and Social Sciences/Literature, Women History, [SHS.LITT]Humanities and Social Sciences/Literature, Histoire des femmes, [SHS.HIST] Humanities and Social Sciences/History, Révolution de 1917, Sofia Casanova, Soviet Revolution, [SHS.HIST]Humanities and Social Sciences/History, ComputingMilieux_MISCELLANEOUS, Révolution russe
Abstract

International audience

Published
2017

20. On Some Specific Traits of Russian Culture. Changes and Continuities Between the Pre-Soviet, the Soviet, and the Post-Soviet Phase

Author

Vittorio Hösle

Subjects
Russian culture, Political science, literature, Economic history, sowjetische Revolution, Soviet revolution, Literatur, film, Phase (combat), russische Kultur
Abstract

Der Aufsatz diskutiert die Frage, in welchem Sinne es Kontinuitäten zwischen der vor-sowjetischen, der sowjetischen und der post-sowjetischen Phase der russischen Kultur gibt, und entdeckt in der Ablehnung des bürgerlichen Wertesystems einen wichtigen konstanten Faktor. Auch wenn sie ursprünglich in der spezifischen orthodoxen christlichen Sensibilität verwurzelt war, half sie, die sowjetische Revolution vorzubereiten, und überlebte auch noch nach 1991. Von dem Igorlied bis hin zu Tolstois Dramen, Eisensteins Filmen und Filmtheorie sowie Maxim Kantors ikonischen Interpretationen der späten Sowjetunion und ihren Nachwirkungen enthüllt der Aufsatz entscheidende Merkmale der russischen Kultur., The essay discusses the question in which sense there are continuities between the pre-Soviet, the Soviet, and the post-Soviet phase of Russian culture. It discovers in the rejection of the bourgeois value system an important constant factor. Even if originally rooted in the specific orthodox Christian sensibility, it helped prepare the Soviet revolution and survived even after 1991. From the Song of Igor’s Campaign to Tolstoy’s dramas, Eisenstein’s films and his film theory, and Maxim Kantor’s iconic interpretations of the late Soviet Union and its aftermath the essay tries to unveil crucial features of Russian culture.

Published
2017

21. Are there several El Lissitzky?

Author

Puig Pages, Silvia

Subjects
El Lissitzky, dinamisme, interdisciplinarietat, implicació corporal, revolució soviètica, dynamism, interdisciplinary, corporal implication, soviet revolution, dinamismo, interdisciplinariedad, implicación corporal, revolución soviética
Abstract

Quants El Lissitzky hi ha? La capacitat de reinventar-se d'aquest dissenyador multidisciplinari és interminable. L'objectiu d'aquest treball és la recerca, identificació i investigació d'aspectes comuns en la seva àmplia producció. Hi ha un aspecte que es repeteix en una gran majoria de les seves obres: el dinamisme. Aquest tret s'adapta molt bé a una ideologia política de renovació i de canvi, formant part de manera intrínseca del compromís dels joves artistes i dissenyadors amb la Revolució Soviètica. Aquest tret comú de les seves obres va més enllà d'un mer dinamisme formal. Lissitzky busca activar tots els sentits de l'espectador per a aconseguir una recepció més interactiva. El nou espectador actiu serà fonamental per a la creació d'un nou món., ¿Cuántos El Lissitzky hay? La capacidad de reinventarse de este diseñador multidisciplinar es interminable. Se pretende buscar, identificar e investigar los aspectos comunes en su amplia producción.Hay un aspecto que se repite en una gran mayoría de sus obras: el dinamismo. Este rasgo forma parte del compromiso de los jóvenes artistas y diseñadores con la Revolución Soviética.Este rasgo común de sus obras va más allá de un mero dinamismo formal. Lissitzky busca activar todos los sentidos del espectador para conseguir una recepción más interactiva. El nuevo espectador activo será fundamental para la creación de un nuevo mundo., ¿How many Lisstzky are there? It is endless the ability of this designer to reinvent himself. The target of this small essay /work is the quest and research of identifiable common aspects in Lissitzky’s wide production.There is a repetitive aspect in the majority of his works: the dynamism. This characteristic goes very well with a renewal political ideology of change and revolution, being an essential part of young artists and designer commitment with Soviet Revolution.Nevertheless, El Lissitzky goes further and search for turning on / activating all spectator senses to achieve a more interactive reception. This new active spectator will be fundamental to create a new world.

Published
2016

22. ¿Hay varios El Lissitzky?

Author

Silvia Puig Pages

Subjects
Revolución soviética, El Lissitzky, NC1-1940, Implicació corporal, revolución soviética, Interdisciplinariedad, Interdisciplinarietat, Soviet revolution, Dinamisme, Drawing. Design. Illustration, Implicación corporal, Interdisciplinary, Revolució soviètica, Dynamism, dinamismo, interdisciplinariedad, Dinamismo, Corporal implication, implicación corporal
Abstract

¿Cuántos El Lissitzky hay? La capacidad de reinventarse de este diseñador multidisciplinar es interminable. Se pretende buscar, identificar e investigar los aspectos comunes en su amplia producción.Hay un aspecto que se repite en una gran mayoría de sus obras: el dinamismo. Este rasgo forma parte del compromiso de los jóvenes artistas y diseñadores con la Revolución Soviética.Este rasgo común de sus obras va más allá de un mero dinamismo formal. Lissitzky busca activar todos los sentidos del espectador para conseguir una recepción más interactiva. El nuevo espectador activo será fundamental para la creación de un nuevo mundo. ¿How many Lisstzky are there? It is endless the ability of this designer to reinvent himself. The target of this small essay /work is the quest and research of identifiable common aspects in Lissitzky's wide production.There is a repetitive aspect in the majority of his works: the dynamism. This characteristic goes very well with a renewal political ideology of change and revolution, being an essential part of young artists and designer commitment with Soviet Revolution.Nevertheless, El Lissitzky goes further and search for turning on / activating all spectator senses to achieve a more interactive reception. This new active spectator will be fundamental to create a new world. Quants El Lissitzky hi ha? La capacitat de reinventar-se d'aquest dissenyador multidisciplinari és interminable. L'objectiu d'aquest treball és la recerca, identificació i investigació d'aspectes comuns en la seva àmplia producció. Hi ha un aspecte que es repeteix en una gran majoria de les seves obres: el dinamisme. Aquest tret s'adapta molt bé a una ideologia política de renovació i de canvi, formant part de manera intrínseca del compromís dels joves artistes i dissenyadors amb la Revolució Soviètica. Aquest tret comú de les seves obres va més enllà d'un mer dinamisme formal. Lissitzky busca activar tots els sentits de l'espectador per a aconseguir una recepció més interactiva. El nou espectador actiu serà fonamental per a la creació d'un nou món.

Published
2016

24. „Czerwonym klinem bij Białych”. Żydowskie inspiracje El Lissitzky’ego

Author

Kamczycki, Artur and Kamczycki, Artur

Abstract

The article focuses on the analysis of the 1919 poster entitled “Beat the Whites with the Red Wedge”. The intention of the text is to demonstrate the artist’s inspirations with Jewish mysticism, messianism and Kabbalah, exploited for the needs of the Soviet, revolutionary interpretation of building a new world

Published
2011

25. Proyecciones de memoria del largo 1917: ecos simbólicos en el Partido Comunista de España y el Partido Comunista Italiano

Author

Andrea Donofrio and José Carlos Rueda Laffond

Subjects
Revolución soviética, memoria, España, Soviet revolution, lcsh:History (General), lcsh:D1-2009, Italia, Spagna, memory, Comunismo, Italy, Spain, Rivoluzione sovietica, lcsh:D204-475, Communism, lcsh:Modern history, 1453
Abstract

The article analyzes several types of memory on 1917 and the Soviet revolution, focusing on some memory’s strategies of the Communist Party of Spain and the Italian Communist Party. It briefly attends four different historical junctures (1937, 1949, 1956 and 1988) which allow to observe the phenomena of modulation, inflection and upgrade of the memory about the “long 1917”. And in turn, several aspects – like symbolic capital, cosmopolitan memory or nationalization – serve as axes where to inscribe the policies of communist memory in this long temporal development.

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