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Technology can be a significant aide in understanding and appreciating geome- try, beyond theoretical considerations. Both fiber art and technology have been employed as a significant aide and an inspiring vessel in education to explore geometry. The Japanese craft known as temari, or \hand-balls", combines im- portant artistic, spiritual, and familial values, and provides one such approach to exploring geometry. Mathematically, the artwork of temari may be classified based on whether they are inspired by polyhedra and discrete patterns or by periodic functional curves. The resulting designs of these categories provide an ancient vantage for displaying spherical patterns. We illustrate a technique that combines the fiber art of temari with interactive computer visualizations. In ad- dition, we provide guided activities to help promote a deeper understanding of how functions and patterns arise on a spherical surface. [ABSTRACT FROM AUTHOR]

The article presents information on the properties of Graeco-Latin squares enumerated by mathematician Leonhard Euler. Euler suggested that a Graeco-Latin square of size n could never exist for any n of the form 4k +2, although he was not able to prove it. A Latin square is an n-by-n array of n distinct symbols in which each symbol appears exactly once in each row and column. On the other hand a Graeco-Latin square is an n-by-n array of ordered pairs from a set of n symbols such that in each row and each column of the array, each symbol appears exactly once in each coordinate. In one of his papers on Graeco-Latin squares, Euler used magic squares, which are closely related to Graeco-Latin squares. Magic squares were constructed by using Graeco-Latin squares of orders 3, 4 and 5. He showed that a Graeco-Latin square of order n can be converted into a magic square by the use of an algorithm. One can construct Graeco-Latin squares of every order n except those values for which the prime factorization of n contains only a single factor of 2.