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Este trabajo presenta la realización de un diseño de producción, para la realización de un videoclip musical desde la perspectiva de la moda como profesión, teniendo en cuenta que desde el punto de vista disciplinar la relación de la moda con el campo audiovisual está directamente relacionada con el departamento de arte, específicamente desde los roles de vestuario, maquillaje, fotografía y estilismo. INDICE 1 INTRODUCCIÓN 6 2 CUERPO DEL TRABAJO 7 2.1 TÍTULO DE LA INVESTIGACIÓN 7 3 PROBLEMA DE INVESTIGACIÓN 7 3.1 DESCRIPCIÓN DEL PROBLEMA 7 3.2 FORMULACIÓN DEL PROBLEMA 8 4 OBJETIVOS DE LAINVESTIGACIÓN 8 4.1 OBJETIVO GENERAL 8 4.2 OBJETIVOS ESPECÍFICOS 8 5 JUSTIFICACIÓN Y DELIMITACIÓN DE LA INVESTIGACIÓN 8 5.1 JUSTIFICACIÓN 8 5.2 DELIMITACIÓN 9 6 DISEÑO METODOLÓGICO 10 6.1 TIPO DE INVESTIGACIÓN 10 6.2 OBJETO DE ESTUDIO 10 6.3 TÉCNICAS DE RECOLECCIÓN DE DATOS 10 7 MARCO DE REFERENCIA DE LA INVESTIGACIÓN 11 7.1 MARCO TEÓRICO 11 7.1.1 EL VIDEOCLIP MUSICAL 11 7.1.2 ANTECEDENTES DEL VIDEOCLIP 12 7.1.3 TIPOS DE VIDEOCLIPS 12 7.1.4 FASES DE LA PRODUCCIÓN AUDIOVISUAL 14 7.1.5 ESTRUCTURA Y ROLES EN LA PRODUCCIÓN AUDIOVISUAL 15 5 7.1.6 EL DISEÑO DE PRODUCCIÓN 18 7.1.7 EL PAPEL D ELA MODA EN LA PRODUCCIÓN AUDIOVISUAL 19 7.2 MARCO CONCEPTUAL 19 8 DESARROLLO 22 8.1 FASE DE PREPRODUCCIÓN 22 8.1.1 ESTRUCTURA D ELA CANCIÓN 22 8.1.2 DISEÑO DEL GUIÓN 23 8.2 FASE DE PRODUCCIÓN/RODAJE 31 8.3 FASE DE POSTPRODUCCIÓN 34 8.4 ESTRUCTURA DE COSTOS 37 9 CONCLUSIONES 38 10 BIBLIOGRAFIA Pregrado Diseñador de Modas Diseño de Modas

Die Kurzbiografie gibt das Leben von Reinhold Robert Lohse (1878-1964) wieder, der unter dem Namen "Zither-Reinhold" als Straßenmusiker in Halle (Saale) lebte. Lohse gilt heute als ein unvergessenes, stadtbekanntes Hallisches Original. Die Biografie wird im Rahmen des Projekts Ehrengräber der Stadt Halle (Saale) veröffentlicht. Im Jahr 2020 wurde sein Grab auf dem Gertraudenfriedhof zum Ehrengrab erklärt. The short biography gives the life of Reinhold Robert Lohse (1878-1964), who lived under the name "Zither-Reinhold" as a street musician in Halle (Saale). Today, Lohse is considered an unforgotten, city-famous Halle original. The biography is published as part of the project honorary graves of the city of Halle (Saale). In 2020, his grave in the Gertrauden Cemetery was declared an honorary grave.

This article aims to describe street children Punk in the life patterns of the people of Medan City. Medan city is one of the things that cannot be separated from the life pattern of street singers. This means that the life of street singers has become part of the overall life of the people of Medan City. Don't know who started it, now there are so many Punk communities scattered at the crossroads, living in groups while busking. Their identity is very different from other street singers, both in terms of clothes, hairstyles and body piercing as well as tattoos on several parts of the body. All things that are very different from the identity of the other buskers whose taste is also piling up. What makes the other street singers the same is that their songs and music are no different, which are trending and melancholy. They also use the media of music to create space for themselves to speak out. Music is used as a tool to empower himself. Apart from looking for food, playing music is also a tool to build solidarity. On certain occasions they played music together. So, you could say, young people in Medan who are singing on the streets and wearing all-Punk make-up in Indonesia are very likely inspired by something very different from their predecessor Punk generation in their home country.

Street musicians and performers attract people to public spaces. These performers, or 'buskers' as they are commonly referred, typically congregate along specific streets, parks, plazas, and transit stops in a city. The term pitch describes the place buskers perform. Pedestrian flow, visibility, and acoustics are just some of the factors that street performers consider when selecting a pitch. While performers resourcefully adapt to the challenges of different pitches, public spaces often do little to accommodate performers and their audiences. William Whyte observed how street performances facilitate social interactions between strangers and give character to cities and neighborhoods. Relative Pitch explores where performances occur and how they benefit public places. Case studies of popular busking locations establish a typology of squares, streets, and transit stops. Video clip analysis of street performances demonstrates the spatial relations between performer and audience. Dimensions and observations from these case studies provided insight and information for the application of the typology to proposed sites in Wichita, Kansas. Buskers adapt pitches relative to their physical environment. Point, linear, planar, and volumetric elements define and articulate temporary stages, audience space, and circulation paths during performances. Design proposals for the typology sites in Wichita illustrate how flexible performance spaces can be incorporated in squares, streets, and transit stops. This project looks at ways to activate public spaces by encouraging street performance.