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Photographs are rarely given much academic attention, especially, in Africa. This is against the popular use of photography in political communication. Against this background, this study examines the use of photographs in communicating political power in Zimbabwe and South Africa. The study will analyse photographs that circulated on Twitter on the week when Zimbabwean President Emmerson Mnangagwa and President Cyril Ramaphosa of South African assumed the power as Presidents of their respective countries in 2017 and 2018, respectively. Through the use of visual discourse analysis, as an analysis method, findings demonstrate that Mnangagwa and Ramaphosa were visually framed as the rightful heirs to the throne. The study further found that visual memories are used to 'argue' and make sense of the present. However, photography further evoked sad memories of the past that often characterise Mnangagwa and Ramaphosa's political image and these are the ghosts of Gukurahundi and Marikana massacres, respectively. [ABSTRACT FROM AUTHOR]

This paper critically explores the use of satire and humour by fast-foods outlets in South Africa and Zimbabwe to advertise and market their menu through digital media platforms, Facebook and Twitter. Using Nando's South Africa and Mambo's Chicken, in Zimbabwe, as case studies, we examine how satire and humour are used as advertising strategies, and as a reflection of these countries' economic and political environments. Consumers are overwhelmed with information coming from different sources such as Television, radio, newspapers and Internet. The paper's theoretical approach is gleaned from advertising and satire. We argue that through their encounter with food, consumers tend to understand the reason behind their 'empty stomach', and mediate on prevailing socio-political and economic issues. [ABSTRACT FROM AUTHOR]

This paper seeks to examine the discourse on BRICS that are framed by digital journalists in South Africa. South Africa has been going through an uneasy economic path characterised by high unemployment rates, constant power cuts, and their economy relegated into a ‘junk status’. Against this background, BRICS presents a good opportunity for the country to negotiate and address some of its challenges/problems with other economic super-powers within the economic block. This paper comes against a background of silent research on BRICS yet the block has developed into an economic hub which other developing countries benefiting from it for the development of their economies. I therefore argue that South African digital journalists from the country’s leading news websites, News24 and Daily Maverick, are framing BRICS in a manner in which it reflects the socio-economic and political problems affecting the country. Hence, the study had sought to find out the images of BRICS among the journalist and also information, events, and activities that are being prioritized in reference to South Africa’s challenges. Findings have shown that BRICS is benefiting South Africa. The benefit is seen through trade relations that are framed as having been improved while there are also other potential areas of cooperation that should be utilised.

This paper analyses the photographic representation of former Zimbabwean President, Robert Mugabe, with the aim of understanding memories that were produced following his death in September 2019. Mugabe was in power for 37 years before being dethroned through a military coup in November 2017. His rule divided opinion with some viewing him as a liberator and African icon, while some view him a dictator and tyrant for his role in disregarding human rights. This paper seeks to explore the role of photography in memory with particular interest being on commemorating contesting figure like Mugabe. We analysed photographs used by The Herald and NewsDay to commemorate Mugabe's death. Photographs remain one of the under researched genres in communication, especially in the Global South, yet scholars have argued that contemporary societies have, through the use of photographs, turned their citizens into 'image junkies' and created 'the most irresistible form of mental pollution'. The findings demonstrate that photographs are being used to give a 'testimony' about the contested legacy of Mugabe. Mugabe is framed as a liberator, Pan-African. On the contrary, he is seen as a tyrant and ruled by an iron fist. [ABSTRACT FROM AUTHOR]

Visuals hold a special place in the field of communication. Politicians, in a move to position themselves or market their activities, use visuals that stand as a testimony to their principles. However, their importance and value in political communication are not highly reflected in academic literature. This article is built from this understudied field by looking at the role photojournalists play in framing opposition political parties in Zimbabwe. Photographs are important tools in politics as evidenced by experimental research on political communication that found that 'a single photograph can have a clear impact on voters' judgements regarding a candidate's demeanour, competence, leadership ability, attractiveness, likeableness, and integrity'. This study seeks to analyse photographs that were used by photojournalists to frame the newly formed political party, amidst the power struggles within the party, and political repression from the authoritarian regime. Informed by visual framing, the study found that photojournalists framed Nelson Chamisa as youthful and vibrant while his party was seen as resembling the new dawn. However, photographs also showed that Chamisa and his party had nothing to offer as they did not have a constitution, guiding policy nor a clear ideology. [ABSTRACT FROM AUTHOR]

This article examines how photographs displayed online preserve, mediate, and circulate memories of the Gukurahundi "genocide." The Gukurahundi denotes mass killings of more than 20,000 predominantly Ndebele-speaking people in Matabeleland and Midlands provinces orchestrated by the Zimbabwean government between 1983 and 1987. Many of the victims consider this to be a genocide, but their memories are subject to repression under the current regime. In this context, online news sites serve as alternative spaces in which knowledge of this traumatic past is transmitted through photographs. Anchored in an understanding that photographs constitute a "mirror with a memory," this article uses critical discourse analysis to analyse selected images from Bulawayo24.com news website. It finds that Bulawayo24.com serves as an arena for preserving and circulating Gukurahundi memories by enabling audiences to bear witness to their experience-as-genocide. The images reinforce human rights discourses, contributing to the growing calls for justice, commemoration, and memorialization of Gukurahundi victims. [ABSTRACT FROM AUTHOR]

This article inquires why humour flourishes in face of tragedy. Memes, as we argue, give people a sense of power as they offer commentary that critiques and mocks the government policies and ineptness, simultaneously offering a sense of hope and relief in face of the pandemic. With a focus on the COVID-19 pandemic, this study probed the nature, character and the why of humour in two southern African countries: South Africa and Zimbabwe. Findings show that memes were used to comment on lockdown regulations and speak against public authorities, to raise awareness of COVID-19 and expose poor health delivery systems. Our findings show that memes in South and Zimbabwe were used to bring dialogue about the COVID-19 pandemic and communicate health-related issues. [ABSTRACT FROM AUTHOR]

The Zimbabwe's 2018 harmonised elections will go down in history as the first to be held without the name of the country's long serving dictator and founding president, Robert Mugabe on the ballot paper. Mugabe resigned following a military coup in November 2017. This study examines how his party, ZANU-PF, used billboards to sell and rebrand itself in the much touted watershed elections on July 30. The major objectives of the paper are to find out how the party framed itself ahead of its rivals and what their key messages were. A multi-theoretical approach gleaned from political advertising, de-colonial theory, and sign theory was used as a conceptual framework. In answering given objectives, the study used social semiotics and critical discourse analysis to unearth different narratives and messages the party was selling to the electorate. The study finds that ZANU-PF framed their presidential candidate as visionary while the party was promising the electorate an improved economic environment which was hinged on re-engaging the country's former colonisers and erstwhile enemies, the West. The party also promised a socio-political environment where Zimbabweans regardless of race, ethnicity, and tribe can co-exist peacefully, a phenomenon which was foreign during Mugabe's reign. [ABSTRACT FROM AUTHOR]

Memories of the nationalist struggle are fervently contested in Zimbabwean public spaces such as the media. This paper examines the emergence of the counter‐hegemonic historical narratives in the state‐controlled media that seek to subvert the dominant nationalist discourses propagated by the ruling party, Zimbabwe African National Union Patriotic Front (ZANU PF). Focusing on the Sunday News's Lest We Forget newspaper column, the paper analyses the representations of the role played by the Zimbabwe African People's Union (ZAPU) in the liberation struggle, a nationalist movement whose contributions are marginalised and obscured in the official nationalist historiography. Given that in Zimbabwe the state‐owned media are generally viewed as mouthpieces of the ruling party, this paper identifies the tensions in the Sunday News as alternative historical memories are being reproduced and sustained. Drawing upon the critical discourse analysis (CDA) method, this article argues that alternative historical imaginations are rekindled in the state media. [ABSTRACT FROM AUTHOR]