1. Consideration of the Statues of NITENNO at NIO-MON Gate of YUTEN-JI Temple in Meguro-ku, Tokyo
- Author
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Tsutomu, YAMAMOTO and Ayumi, HANAZAWA
- Subjects
平安後期の中国影響 ,江戸時代の尚古趣味 ,二天王像 ,Statues of Nitenno ,Influence of China in late Heian period ,Respect for old days in Edo period - Abstract
目黒区教育委員会は祐天寺(東京都目黒区中目黒)仁王門安置の木造二天王立像について、その文化財的価値を確定するために、山本勉を代表者とする調査団に委託して、二〇一八年十二月に美術史的調査を実施した。調査結果は山本と花澤明優美が共同執筆してまとめ、目黒区に提出した。本稿は報告書の内容を再構成し、若干のその後の知見をくわえたものである。 二天王像は二〇一三年まで祐天寺仁王門の裏側に安置されていた。仁王門は享保二十年(一七三五)に完成した門で、その表側に安置の金剛力士像(二王像)は元文三年(一七三八)に供養が行われている。二天王像はやや遅れる安永四年(一七七五)に門に安置されたことが記録から知られる。そこでは作者を鎌倉時代初頭の仏師運慶としており、古像であることが認識されていたとみられるが、安置以前の伝来については知られない。 二像はその作風から平安時代後期、十二世紀前半頃に近畿周辺で造られたものとみられる。いずれも片手を挙げ、もう一方の手を腰にあて、また腰を捻って、片脚に重心をかけ、もう一方の足を踏み上げて立つ、左右対称の姿である。四天王像中の二軀であった可能性もあるが、左右対称の形姿にくわえ、一方が開口し、他方が閉口するという阿吽の組み合わせになることからしても、一対の二天王像として造られたものである可能性が高い。小像であるので、門に安置するための像であったとは考えにくく、堂内の壇上で本尊格の像を守護する像であったものと考えられる。表甲の内区に金鎖甲の文様を刻み出すのは十二世紀以後の着甲像にあらわれる表現である。一方が脛当てを魚体とする形、また一方が脛当てを付けず長靴を履く形はたいへんめずらしい。これらは十二世紀に中国宋から流入した図像を典拠としたものと考えられ、そのごく早い時期の彫刻作例である。やや別の問題として、二像は江戸において江戸時代に新造された門に平安古像を安置した例であるが、同様の例は東京都内の他の寺にもある。この点は江戸時代の江戸における尚古趣味のあらわれとして評価することもできる。 総じて二像は、日本彫刻史研究において今後検討すべきさまざまな問題を内包し、少なからぬ意義をもつ作例であると考えられる。, The Meguro-ku Board of Education entrusted the research group represented by YAMAMOTO Tsutomu with research in the art history of wooden standing statues, NITENNO (Two Devas) housed in NIO-MON Gate of YUTEN-JI Temple (Nakameguro, Meguro-ku, Tokyo) in order to confirm their values as cultural assets, and the research was conducted in December of 2018. The research results were organized and written jointly by YAMAMOTO and HANAZAWA Ayumi and submitted to Meguro-ku. This paper reorganizes the contents of the report with, some subsequent findings added. The NITENNO statues had been installed on the back side of NIO-MON Gate, YUTEN-JI Temple until 2013. The construction of NIO-MON Gate was completed in 1735, and a religious service for the KONGORIKISHI-ZO statues (NIO-ZO statues) enshrined on the front side was held in 1738. The NITENNO statues are known to have been enshrined at the gate in 1775 according to a record. Since the record mentions “created by Unkei” as a pretext that the creator was the Buddhist image sculptor Unkei, the statues are recognized to be old, but its history before the enshrinement is not known. The two statues are considered to have been created in or around the Kinki district in the late Heian Period, that is, about the first half of the 12th century. They stand symmetrically at the current positions, with the outside hands raised and the inside hands at their hips, respectively, twisting the bodies at the waists with weights on the outside legs and raising the inside legs that they are stepping on. They could have been two Shitenno-zo statues, but in view of the symmetric posing and the combination of one with the mouth opened and the other with it closed, which is “A-UN”, there is a good possibility that they were created as a pair of Nitenno-zo statues. Since they are small statues, they can hardly be such statues as to be enshrined at the gate, but are presumed to be statues for guarding a principal-rank image on the dais in the main hall. The carving-out of a pattern of KINSAGO (armor made by braiding chains) on the surface of the armor is an expression appearing on statues wearing armor in the 12th century and after. One of the statues has fish-shaped greaves, while the other wears boots without greaves, which is very rare. This style is considered to be based on paper images from Song, China in the 12th century and is a very early sculpture example. Another point is that the two statues are examples showing that old statues of the Heian Period were enshrined in Edo at the gates newly constructed in the Edo Period, but similar examples are also found in other temples in Tokyo Metropolitan. This can be recognized as a respect for old days in Edo in the Edo Period. The two statues exhibit various issues to be examined in the future in the study of the Japanese sculpture history and are examples that have great significance.
- Published
- 2020