220 results on '"Van der Snickt, Geert"'
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2. Towards a novel strategy for soot removal from water-soluble materials: the synergetic effect of hydrogels and cyclomethicone on gelatine emulsion-based photographs
3. Combined macro X-ray fluorescence (MA-XRF) and pulse phase thermography (PPT) imaging for the technical study of panel paintings
4. Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods
5. The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’ effect?
6. Combined MA-XRF, MA-XRPD and SEM-EDX analysis of a medieval stained-glass panel formerly from Notre Dame, Paris reveals its material history
7. Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods
8. Combined macro X-ray fluorescence (MA-XRF) and pulse phase thermography (PPT) imaging for the technical study of panel paintings
9. Multi-modal approach for the characterization of resin carriers in Daylight Fluorescent Pigments
10. Paint Delamination as a Result of Zinc Soap Formation in an Early Mondrian Painting
11. Characterization and Removal of a Disfiguring Oxalate Crust on a Large Altarpiece by Hans Memling
12. 4. Methods and Materials of the Amsterdam Sunflowers
13. 5. Chemical Alteration and Colour Changes in the Amsterdam Sunflowers
14. 7. Conservation of the Amsterdam Sunflowers: From Past to Future
15. The patron of Hieronymus Bosch's 'Last Judgment' triptych in Vienna
16. Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods
17. In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens
18. Qualitative Comparison of Lock-in Thermography (LIT) and Pulse Phase Thermography (PPT) in Mid-Wave and Long-Wave Infrared for the Inspection of Paintings
19. Simplex Volume Maximization (SiVM): A matrix factorization algorithm with non-negative constrains and low computing demands for the interpretation of full spectral X-ray fluorescence imaging data
20. Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius
21. Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning
22. Methods and Materials of the Amsterdam Sunflowers
23. Chemical Alteration and Colour Changes in the Amsterdam Sunflowers
24. Conservation of the Amsterdam Sunflowers
25. The Fishing Party by Jan van Eyck (?).
26. Paint Delamination as a Result of Zinc Soap Formation in an Early Mondrian Painting
27. Characterization and Removal of a Disfiguring Oxalate Crust on a Large Altarpiece by Hans Memling
28. Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments
29. MA-XRF imaging on René Magritte’s La condition humaine: insights into the artist’s palette and technique and the discovery of a third quarter of La pose enchantée
30. Artificial orpiment, a new pigment in Rembrandt’s palette
31. Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources
32. The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting
33. Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning
34. Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis
35. Reviving degraded colors of yellow flowers in 17th century still life paintings with macro- and microscale chemical imaging
36. Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods
37. Rembrandt’s An Old Man in Military Costume: the underlying image re-examined
38. Additional file 1 of The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ���simultaneous contrast��� effect?
39. Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography
40. Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods
41. Blue Enamel on Sixteenth- and Seventeenth-Century Window Glass: Deterioration, Microstructure, Composition and Preparation
42. Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum
43. CHAPTER 18. Examination of Vincent van Gogh's Paintings and Pigments by Means of State-of-the-art Analytical Methods
44. Characterization of a degraded cadmium yellow (CdS) pigment in an oil painting by means of synchrotron radiation based X-ray techniques
45. Combined MA-XRF and SEM-EDX Analysis of a Medieval Stained-Glass Panel Formerly from Notre Dame, Paris Reveals its Material History
46. Visualization of a lost painting by Vincent van Gogh using synchrotron radiation based x-ray fluorescence elemental mapping
47. Comparison of four mobile, non‐invasive diagnostic techniques for differentiating glass types in historical leaded windows: MA‐XRF, UV–Vis–NIR, Raman spectroscopy and IRT
48. Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck
49. Cluster Analysis of IR Thermography Data for Differentiating Glass Types in Historical Leaded-Glass Windows
50. MA-XRF imaging as a tool to characterize the 16th century heraldic stained-glass panels in Ghent Saint Bavo Cathedral
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