In the second half of the 17th century in the Ottoman Empire, along with political and economic weaknesses, it is observed that painters were directed towards Western culture, leading to changes in Turkish decorative arts, where baroque and rococo styles dominated classical patterns. During this period, which is one of the embellishment elements of mosque architecture, changes also occurred in the art of painting decoration, which is applied on plaster, stone, wood, leather, and fabric using natural dyes and fine-haired brushes. Classical motifs were replaced by acanthus leaves, oyster shells, scallops, thistle leaves, and curtain motifs; “C” and “S” curves gave way to vases filled with flowers, fruit dishes, and baskets. In the ornamentation of Karaoglu Mosque located in the Sarı Bey neighborhood of Birgi district in Izmir, we can see beautiful examples of late-period illumination art both externally and internally. Notable illumination decorations are observed in the door pediment, window pediments, and wall surfaces in the last congregation area; in the pulpit, minbar, and window pediments; and in the corners of the mihrab, balcony floor, and arch transition elements. Generally, red, blue, green, brown, and yellow colors were used in the ornamentation. Upon examining the decorations, geometric elements such as rosettes, oak and pine tree species, cloves, roses, tulips, pomegranates, and poppies placed inside vases were identified alongside equilateral rectangles and triangles. [ABSTRACT FROM AUTHOR]