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Joan Vinyoli, aquest treball aprofundeix en l’interès que el poeta txec li va traslladar per la pintura de Cézanne i per la seua doctrina de la composició artística. L’aprofundiment d’aquesta relació interdiscursiva entre pintura i poesia s’exemplifica en la hipertextualitat que hi ha en dos poemes primerencs de Vinyoli, provinents dels seus dos primers poemaris, basats cadascun en dos quadres del pintor francès i elaborats des de la transformació seriosa o transposició en paraules. Paraules clau: Cézanne, Vinyoli, quadres, poemes.

Between 1970 and 1990, Catalan poetry experienced a significant increase in new authors and works, that followed in succession the already established authors like Espriu, Foix, Estellés, Vinyoli and Martí ï Pol, amongst others. Here the fundamental characteristics of these new authors and their poetry are analized. A characterization of the most remarkable poets is also studied.

Starting with a review of Rilke's literary influence on the early poetic writings of JoanVinyoli, this paper goes on to delve more deeply into how the Czech poet shared with Vinyoli his interest in Cézanne's paintings and in the French artist's doctrine of artístic composition. The interdisciplinary relationship between painting and poetry can be deeply appreciated in the hypertextuality between two early poems by Vinyoli, one from each of his first two books, both poems based on paintings by the French artist and both featuring greatly transformed or transposed words. [ABSTRACT FROM AUTHOR]

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El artículo revisa cuatro poemas a lo largo de la extensa evolución del poeta catalán Joan Vinyoli, los cuales tienen un motivo poético coincidente: el del gallo, un motivo especialmente relevante porque integra a la vez un doble ámbito complementario: por un lado, es el animal que rompe el silencio con su grito; y, de la otra, desde la oscuridad es el ser que anuncia la llegada de la aurora y la luz. Por los dos aspectos se convertirá en una imagen permanente con una clara carga simbólica que el autor explotará para hablar de la investigación del poeta y de la indagación en la creación poética.