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Commodification is an important research issue regarding cultural sustainability. This paper draws on the theory of cultural layers to understand tourism commodification and the development of local cultures. Through 76 days of field investigation and about 60 face-to-face interviews, this paper explores the characteristics of tourism commodification in festivals and rites related to sacrifices to Genghis Khan and the relationship between its five layers of commodification. Research findings reveal that commodification mainly occurs in the layers of artifacts and patterns of behavior. In addition, the process of tourism commodification does not necessarily follow the sequence of cultural division from the outside to the inside; instead, the deeper layer of commodification will inevitably drive the commodification of its outer circle, and different layers of commodification display different social problems as well. It is also found that this theory is suitable for other tourism commodification cases examined in existing studies. Taken together, analyzing tourism commodification through layered thinking can unveil the degree of commodification, offer an avenue to address the extant debate over the pros and cons of tourism commodification, and provide a basis for guiding the regulation of tourism commodification more effectively.