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1. Artificial intelligence and intellectual property : hearing before the Subcommittee on Courts, Intellectual Property, and the Internet of the Committee on the Judiciary, House of Representatives, One Hundred Eighteenth Congress.

2. The Nostalgic Comforts of a Goth-Girl Autumn.

3. Comcast Corporation SWOT Analysis.

4. Human Subjectivity in Information Practice and AI Governance.

6. The Poet Laureate of Pop Culture.

7. “Cute saves the world!”: animal Internet Celebrities’ cute activism in the #adoptdon’tshop animal rescue campaign on social media.

8. 'On the cusp of something huge': Anticipatory subjectivities in freelance fashion work.

9. Developments in Dance Research: The UK Dance Research Matters Programme.

10. “Always be relevant”: a phenomenological study of the actor’s workday.

11. Verified play, precarious work: GamerGate and platformed authenticity in the cultural industries.

12. How does ego-network structure affect innovation within industrial clusters? The moderating effect of ego-network density.

13. Learning ambidexterity and innovation in creative industries. the role of enabling formalisation.

14. Rip It Up and Start Again: Creative Labor and the Industrialization of Remix.

15. Viral challenges as a digital entertainment phenomenon among children. Perceptions, motivations and critical skills of minors.

16. "Micro-regeneration": Toward small-scale, heritage-oriented, and participatory redevelopment in China.

17. Contextualizing the voice of a female pop artist: Western music and Indian modernity.

18. The work of documentary relationships.

19. Is television reformable? The 'reformist tendency' in inequality research in the cultural and creative industries.

20. Cultural globalization at sea: the rise of the modern Caribbean cruise industry.

21. Mediations of cultural policymaking during COVID-19: British newspaper reporting of the Culture Recovery Fund.

22. Brand on the run: place brands as judgement devices and sources of local advantage in the music industry.

23. Revenue-sharing agreements in the live entertainment industry: a practical risk analysis framework.

24. CRITICAL STUDY FROM THE ENLIGHTENMENT THOUGHT TO THE CULTURAL INDUSTRY: FROM ADORNO'S PERSPECTIVE.

25. Co‐creative gift systems within digital platforms.

26. The Copyright Amendment Bill: A New Vista for Fair Remuneration for South African Creators and Performers?

27. Mind the gap: A scoping review of skills gaps for graduates in the creative industries.

28. From rag market to creative economy: interview with Angela McRobbie.

29. “My Tears Have Dried from Crying, I Want to Laugh Now!”: Role Diversification Patterns and Gendered Accumulation of Status in the TV-Acting Field in Turkey.

30. “The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in <italic>Morvern Callar</italic> 1995 and <italic>Morvern Callar</italic> 2002.

31. TV shows popularity prediction of genre-independent TV series through machine learning-based approaches.

32. Spirituality in creative work: how craft entrepreneurs in Ghana cope with precarity.

33. Girl industries as a sexuality-assemblage in South Korea.

34. Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income.

35. ‘Like a rabbit in the headlights’: A psychoanalytically oriented exploration of performance anxiety in professional musicians.

36. 恐龙时代之U-Pb定年.

37. Combining motherhood and work in the creative industries: Mothers have the problem.

38. What good is it anyway? Professional dance artists legitimising their work for the Cultural Schoolbag in Norwegian schools.

39. Language, Authenticity, and Hiplife Music in Accra.

40. El papel de los factores blandos en la concentración de industrias creativas en las regiones europeas.

41. İDEOLOJİSİ: KÜLTÜR ENDÜSTRİSİ BAĞLAMINDA BİR İNCELEME.

42. INDIVIDUAL TRAITS AND BUSINESS MODELS ON CREATIVE INDUSTRY BUSINESS PERFORMANCE IN INDONESIA: QUANTITATIVE STUDY.

43. IMPLEMENTATION OF CHSE CERTIFICATE FOR TOURISM OBJECT MANAGEMENT IN BANYUMAS (HALAL TOURISM PERSPECTIVE).

44. Respecting, retaining, recreating: The successful renovation of the Beijing 751 D-Park.

45. Designing Compact Products for Communal Spaces to Support Communal Activities.

46. Governmental Revenue Compensation during COVID-19: Did Firm Resources and Institutional Factors Explain Who Received It?

47. Income adequacy among creative professionals—An interplay of identities and skills.

48. BUILDING SUSTAINABILITY STRATEGIES IN THE CREATIVE CULINARY INDUSTRY SECTOR TO ENHANCE TOURIST DESTINATION ATTRACTION IN SEMARANG REGENCY.

49. El papel de los factores blandos en la concentración de industrias creativas en las regiones europeas.

50. Pop ubiquity: cameo performance as star management.

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