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4. DE ESPACIOS MARGINALES Y OBRAS EN TRÁNSITO: UNA LECTURA DE INTERIOR DEL LOUVRE DE ALFREDO VALENZUELA PUELMA.

Author

de la Maza, Josefina and Accatino, Sandra

Subjects
ART objects, NARRATIVE art, ART history, HISTORICAL museums, ART museums
Abstract

Copyright of Intus-Legere Historia is the property of Intus-Legere Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

7. "NUNCA TE ENTREGUES NI TE APARTES DEL CAMINO": TEXTILES DE RESISTENCIA EN LA DÉCADA DE LOS SETENTA.

Author

de la Maza, Josefina

Subjects
TEXTILES, DICTATORSHIP, SOLIDARITY, 21ST century art
Abstract

Copyright of Historia 396 is the property of Pontificia Universidad Catolica de Valparaiso, Instituto de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2021

8. Art Collectors in Network and Identity Narratives: Contributions to a Cartography of the Genre of Types and Costumes in South America

Author

De la Maza, Josefina, Rey Márquez, Juan Ricardo, Valdés, Catalina, and Vanegas Carrasco, Carolina

Subjects
Latin American Languages and Societies, Art-collectors’ network, Latin American types and costumes (costumbrismo), nineteenth century historiography, Arts and Humanities, History of Art, Architecture, and Archaeology
Abstract

One of the best-known visual manifestations of nineteenth-century Latin America is costumbrismo, a genre that describes social types and popular subjects. Scholarship has usually understood this genre as an illustration of early Republican times produced by the gaze of European artists, proposing a hierarchical structure in relation to the production and consumption patterns of these images. Following the path opened in the last decade by new studies, this paper contributes to the ongoing debates on costumbrismo, by examining the role played by a South American network of historians and collectors modeling identity narratives throughout the twentieth-century.

Published
2016

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