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Copyright of Revista Crítica de Ciências Sociais is the property of Centro de Estudos Sociais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Traditional psychoanalytic approaches view excessive parental, social or relational involvement in human development as an opportunity for linking complex gender and identity experiences. The analyst's unconscious bias might present them with an opportunity for interpretation that might resemble something akin to conversion therapy. All of which leaves the patient feeling alienated thereby confirming their exiled Self. Early relational trauma affects every gender and sexual identity. In turn each traumatic situation, from inappropriate interference to traumatic abuse, affects how an individual forms and experiences relationships. Gender and sexual identity are fluid agencies of the Self within all human development. For people who are non‐normative when it comes to their gender, identity or sexuality, evidence of early relational trauma should not unthinkingly be treated alongside mental health struggles. This clinical paper explores the once‐weekly analytic work with a young trans man who was exiled and lived in a dysregulated state of mind from his early relational trauma. This paper uses images from the artist Louise Bourgeois to explore the early development of projective identification and to propose that this becomes a way of exiling unwanted feelings into the Other with the hope of finding a place of belonging as if through a psychic umbilical. [ABSTRACT FROM AUTHOR]

Copyright of Philologus -- Zeitschrift für Antike Literatur und Ihre Rezeption is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Analytical Psychology is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article analyzes the work of Cristina Peri Rossi from a perspective of poetic drift, highlighting the influence of exile on her work and the presence of literary figures related to the sea and travel. The relationship between exile, nostalgia, and writing is explored, suggesting the idea that exile can be seen as a form of reconquest and the search for a new dwelling. The importance of memory in exile is mentioned, and how nostalgia transforms the time of loss into an evocative time. The article also analyzes the novel "La nave de los locos" as a metaphor for exile, and highlights the character of Equis as a representative of exiled subjectivity and identity instability. [Extracted from the article]

Un soir de novembre 2019, à Beyrouth, un universitaire de passage s’est retrouvé face à un immeuble en construction occupé par des réfugiés syriens. Ont alors surgi en lui des impressions fortes. D’abord un trouble devant cette verticalité en béton brut, qui contraste avec la réminiscence d’une enfance vécue dans un village aux construction basses. Puis sont arrivées les questions sur ces hommes, ces femmes, ces enfants qui ont fui la guerre civile et trouvé refuge dans un immeuble dépourvu de façade et du moindre confort. Qui sont-ils vraiment ? Comment vivent-ils au quotidien ? Partiront-ils pour retourner chez eux ou continuer leur migration ? Un individu croise – à la distance d’une largeur de rue – le destin d’une population en exil et s’interroge.

Copyright of Recherches en Langue et Littérature Françaises is the property of University of Tabriz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studia Romanistica is the property of University of Ostrava, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Philological Review (00151807) is the property of University of Belgrade, Faculty of Philology and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

L’agression russe contre l’Ukraine en février 2022 a rétabli la censure en Russie elle-même, tout en provoquant la restructuration du domaine de l’édition. En un temps record, en dehors de la Russie, une chaîne du livre hors censure s’est organisée, comparable au tamizdat de l’époque soviétique, et comprenant des éditeurs, des libraires, des prix littéraires, des distributeurs, des foires et des média critiques. L’article examine ce phénomène très récent en s’appuyant sur l’analyse des publications et des entretiens avec les acteurs de cette nouvelle industrie du livre. Il analyse les enjeux symboliques et commerciaux, les stratégies éditoriales et la distribution du nouveau tamizdat.

À travers le thème des francophonies oubliées, je présente un projet de traduction d’un poète tchèque écrivant en français. Le texte met en lumière les circonstances entourant ce poète. En même temps, il interroge la manière comment on peut écrire la biographie d’un écrivain. À travers la figure de 'Afterness', le texte thématise des questions liées à la recherche contemporaine sur l’exil.

Parmi les problèmes de la vie du diplomate, la solitude se démarque : cet article revient sur la carrière d'ambassadeur du comte de Rebolledo et examine à la fois sa situation marginale dans le Nord et la présence du thème du désabusement au sein d’un petit corpus poétique.

Copyright of Studia Universitatis Babes-Bolyai, Philologia is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Résumé D’après Abdelmalek Sayad, la réalisation du projet migratoire se définit par l’impact des institutions de la société du pays d’accueil et de son système de post-industrialisation sur le mode de vie et le parcours des immigrés, depuis le pays de départ jusqu’au pays d’installation. Ce processus ne s’inscrit pas seulement dans un contexte institutionnel, spatial ou temporel, mais il se définit également par la situation familiale, la condition sociale, l’aspect économique et les transformations politiques, tant de la société du pays d’origine que de celle du pays d’accueil. C’est ainsi que le déracinement et le syndrome d’illusions se croisent, pour produire dans l’imaginaire des personnes déplacées, un état d’incertitude entretenu par un rapport de dominant/dominé entre deux États politiquement opposés. C’est à partir de cette opposition entre “national” et “non-national”, en tenant compte des mécanismes et des moyens juridiques et politiques mis en place par les agents d’État, qu’on doit chercher à comprendre les attentes d’un projet dans une société différente de celle du pays de départ. Ce constat ne peut être étudié indépendamment des mutations et des transformations de la société de départ et de celle du pays d’installation. Dès lors, l’incertitude et l’illusion de l’idée d’un éventuel retour modifient le fonctionnement même des rapports entre les membres du groupe familial et/ou entre les générations cherchant à éviter l’échec ou l’interruption de l’aventure migratoire. À ce sujet, A. Sayad, rappelle que chaque projet est, consciemment ou inconsciemment, appréhendé dans un imaginaire singulier ou collectif chez des immigrés absents dans deux sociétés.

Copyright of Caravelle: Cahiers du Monde Hispanique et Luso-Bresilien is the property of Presses Universitaires du Mirail and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Románicos is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Présence Francophone is the property of College of Holy Cross, Department of Modern Languages & Literatures and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cet article examine la renaissance du théâtre afghan contemporain, particulièrement depuis 2021, à travers des créations d’artistes afghan·es exilé·es en France. Ces oeuvres explorent les thèmes de l’exil, de l’identité et de la résistance culturelle face aux crises récentes, comme la reprise du pouvoir par les talibans. En mettant en scène leurs parcours personnels, ces artistes transforment le théâtre en un espace de guérison et de revendication. Les pièces abordent des sujets sensibles, comme la condition féminine et le patriarcat, tout en célébrant la mémoire culturelle afghane. Ce théâtre en exil incarne une quête identitaire et un besoin de témoignage.

Edward Said’s Memoir, Out of Place, challenges travel writings conventions by proposing a new definition of exile. This study aims at investigating the narrative aspects of diaspora and the new concept of exile as depicted in Said's narrative by analyzing his personal experiences of exile and dislocation. Understanding the importance of breaking these patterns enables readers to critically evaluate traditional travel narratives and engage with a variety of perspectives. From a postcolonial standpoint, we analyze how Said's work provides a new perspective on the postcolonial world's problems of displacement, belonging, and self-construction. [ABSTRACT FROM AUTHOR]

Otello Gaggi (1896-1945) was an Italian anarchist, an antifascist political refugee in Russia, who ended his days, after untold suffering, in the Soviet Gulag. His adventurous life story, examined through network analysis, in the very different contexts with which he was confronted (from the country of departure to the host country, from his family of origin to the new one that is being formed, from fellow refugees to the different political communities with which he is in contact), gives us an interesting insight into the mechanisms of engagement and disengagement that run through his human life. The article is also based on letters and documents from Italian and Soviet archives.Exile, antifascism, URSS, gulag, victims of stalinism, anarchism, Italy

Dans cet entretien, Eugénie Péron-Douté évoque le parcours remarquable de l’artiste iranien Omid Dashti, installé à Bruxelles, qui se dit « réfugié » plutôt qu’exilé, évitant ainsi toute stigmatisation liée à la migration.

Copyright of Etudes Romanes de Brno is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Spring 1530, Clément Marot inaugurated a new poetic form with the coqà-l'âne epistle. Initially imagined as a mere amusing pastime to share with his best friend Lyon Jamet, this imagined exchange of non-linear and satirical missives on the latest news of the day would grow in importance - particularly after the Affair of the Placards in October 1534 would send both friends into exile. A year later, now banished from Ferrara and once again separated outside of the kingdom, Marot would take up the pen anew in Venice to compose more coq-à-l'âne epistles. However, these epistles, written over the summer and autumn of 1535, bear record to sadness, to homesickness, to anger and to a lack of friendship that are mitigated by the very act of writing. In this way, the coq-à-l'âne becomes a form of therapy for Marot, in which he adopts the pathos of gelodacria (or joco-seriosus), the paradoxical posture of the poet who laughs as he cries or who suffers joyously (which would make Marot a type of Triboulet in exile - another figure who appears in the coq-à-l'âne). This essay analyses the five coq-à-l'âne epistles attributed to Marot in order to demonstrate what degree this poetic form allows the poet to minimize his suffering mimetically and offer himself solace through a friendly exchange. [ABSTRACT FROM AUTHOR]

Copyright of Akofena is the property of Universite Felix Houphouet Boigny and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Enfances, Familles, Generations is the property of Enfances, Familles, Generations and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)