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Copyright of Canadian Journal of Latin American & Caribbean Studies (Routledge) is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El presente artículo consiste en un encuentro analítico con la novela “Corazón que ríe, corazón que llora” de Maryse Condé, a partir de la lectura de hermenéutica profunda y etnopsicoanáli­sis, propuesta por Hidalgo (2012), método que construye sentido reconociendo las implicaciones subjetivas en el encuentro con el texto, en triangulación con el análisis de la historia de recepción del texto, la reflexión teórica conceptual y el análisis histórico del texto. Siguiendo lo anterior, realizo una reflexión de la obra, partiendo de una serie de implicaciones, irritaciones, atravesamientos, que entrelazan las escenas de la novela con mi propia historia, de forma que se construye un insospechado viaje entre las migraciones de la autora y las propias. Así se construyen cuatro apartados de resultados que abordan 1. la presentación de autora en donde se sitúa su vínculo con la escritura, 2. la presentación de la obra en razón de su vínculo histórico, 3. la reflexión teórico-analítica desde los ejes de: a. La construcción del Otro, b. Los lugares de lo femenino y c. El cuerpo como lugar de libertad. El texto, que inicia y cierra dando lugar a la contratransferencia, concluye que en los pasajes de la novela se revelan las formas de dominación violentas, en las que opera la matriz de colonialidad del poder desde la interseccionalidad de raza/clase/sexualidad/género, allí la autora realiza una reivindicación de su negritud como fuerza política, en la cual subyace una feminidad negra autodefinida con consciencia de sus condiciones históricas y sistemáticas de opresión.

En Chile, la década del Centenario de la República presentó una preocupación por la corporalidad y su perfeccionamiento. El bienestar nacional se vio representado en los cuerpos, que podían mejorar por medio del ejercicio físico. En este ámbito, el rol de la mujer fue fundamental. Para ellas se estableció el ejercicio físico desde tres perspectivas: la “mujer madre”, en su relación al trabajo doméstico y la maternidad; la “mujer moderna”, que se hace parte de actividades masculinizadas en el espacio público, como el deporte; y la “mujer bella” preocupada del “mejoramiento” de su aspecto, desde una noción moderna de la belleza. Uno de los vehículos de difusión de estas ideas fue por medio del género magazine, en revistas orientadas a un público femenino, como Familia, que presentó múltiples discursos en torno al ideal corporal de la mujer. El trabajo analiza los discursos sobre el ejercicio físico que debe, o no, hacer el cuerpo femenino, expresado en artículos e imágenes de la revista Familia entre 1910 y 1915. Para ello, se discute tanto el contenido visual, fotografías e ilustraciones, como el material escrito, artículos y titulares.

This article analyzes how the poetry collection Susy, secretos del corazón (1989) by the Argentinian poet, playwright and cultural manager Susana Villalba (Buenos Aires, 1956) establishes a critical dialogue with the comic strip of the same name, published in the sixties and seventies in Latin America. The collection of poems also engages in dialogue with other cultural references through an enunciative process that reveals the social constructs aiming to define and establish femininity. The critical stance of the text becomes evident as it illuminates how the experience of romantic love in women is codified. At the discursive level, from the use of textual mechanisms related to collage and pastiche, an open, mobile, multiple, playful poetic voice is generated-it unfolds to reveal the role of social factors in the construction of subjectivity. [ABSTRACT FROM AUTHOR]

Copyright of Materiales para la Historia del Deporte is the property of Polytechnic University of Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Géneros: Multidisciplinary Journal of Gender Studies is the property of Generos: Multidisciplinary Journal of Gender Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Este artículo tiene como objetivo exponer los regímenes laborales de género en el capitalismo, a efecto de explicar la masculinización del privilegio en el ámbito laboral. El artículo emplea una metodología ajustada al análisis de textos tanto teóricos como empíricos. Análisis, interpretación y transformación de los regímenes de producción de la diferencia sexual que esencializan, mediante la ecuación naturaleza=heterosexualidad, la identidad sexo-genérica y las prácticas heteronormativas que rigen las organizaciones laborales. This article aims to expose gender labor regimes in capitalism, in order to explain the masculinization of privilege in the workplace. The article uses a methodology adjusted to the analysis of both theoretical and empirical texts. Analysis, interpretation, and transformation of the regimes of production of sexual difference that essentialize, through the equation nature=heterosexuality, sex-gender identity and the heteronormative practices that govern labor organizations.

Resumen Este artículo examina la historia de la natación sincronizada en Ontario, con un enfoque específico en Peterborough, entre las décadas de 1920 y 1950. Dos factores explican el auge y la consolidación de la "sincro" como deporte femenino en ese período. El primer factor está relacionado con los cambios anteriores en el deporte femenino en el período de entreguerras, junto con el auge de la cultura de la belleza hegemónica moderna. A medida que la sincro luchaba por el reconocimiento oficial, los entrenadores y nadadores asimilaron los estándares de belleza femenina para generar popularidad para su deporte. El segundo factor está relacionado con el enfoque nacionalista en el desarrollo del deporte en las décadas de 1940 y 1950. La inversión financiera e ideológica en el deporte, dando importancia a la salud y la condición física nacional, permitió que la sincro creciera y prosperara. Como lo ejemplifica el club de Peterborough, estos dos factores permitieron que las mujeres canadienses tuvieran un papel formativo en el desarrollo nacional e internacional de la sincronizada como un deporte para producir cuerpos sanos y bellos. Abstract This article examines the history of synchronized swimming in Ontario, with a specific focus on Peterborough, between the 1920s and the 1950s. Two factors explain the rise and consolidation of “synchro” as a women’s sport in the period. The first factor relates to earlier changes in women’s sport in the interwar period, alongside the rise of modern hegemonic beauty culture. As synchro struggled for official recognition, coaches and swimmers embraced feminine beauty constructs to generate popularity for their sport. The second factor relates to the nationalistic approach to sport development in the 1940s and 1950s. Financial and ideological investment in sport as important for national health and physical fitness allowed synchro to grow and flourish. As exemplified by the Peterborough club, these two factors allowed Canadian women to play a formative role in the national and international development of synchro as a sport to produce fit and beautiful bodies.

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Vínculos de Historia is the property of Vinculos de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Voz y Escritura: Revista de Estudios Literarios is the property of Instituto de Investigaciones Literarias, Facultad de Humanidades y Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Esta investigación se centra en el análisis de los marcos interpretativos con los que las mujeres jóvenes emprendedoras otorgan sentido a sus relaciones sociales en el emprendimiento. Para ello, se han analizado, desde una perspectiva de análisis crítico del discurso, las narraciones de emprendedoras participantes en diferentes programas de formación en emprendimiento para mujeres, vinculados de diferente manera a las Administraciones públicas, así como en grupos autogestionados de emprendedoras en España. El material se ha extraído por medio de entrevistas semiestructuradas a un total de 30 emprendedoras en diferentes momentos del denominado ‘viaje emprendedor’. A través del análisis, se han detectado dos marcos interpretativos con los que se tienden a interpretar las relaciones sociales en el contexto del emprendimiento: estratégico y de la interdependencia. El interés de este tema se justifica en cuanto que permite explorar los sentidos otorgados a una dimensión, como es la relacional, a menudo oscurecida en el discurso hegemónico del emprendimiento.

En este texto, Schlüpmann revisa el concepto de la feminidad como fuerza productiva en la obra de Kluge y los límites de su concepción a la hora de plantear la posobilidad de una esfera pública de la mujer. La autora parte de que la apropiación que hace Kluge de la obra de Horkheimer es unilateral y, como consecuencia de ello, solo es capaz de captar la fuerza emancipadora de la esfera pública de la mujer idealizando trabajo reproductivo y del cuidado, sin aclarar realmente los problemas que esto acarrea. Este texto es la traducción al español del texto en inglés de Heide Schlüpmann.

Copyright of Revista de Ensino em Artes, Moda e Design is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This work is part of our master's research, which has proposed to investigate, from narratives of black women, the perceptions and meanings of their experiences as women, as well as to identify the markers of the difference in their experiences around femininity and what makes a black woman experience femininity in her own way. We rely on the methodological perspective of psychoanalytic research on social and political phenomena, understanding that our issue stems from a political-social impasse, which has been examined from the transferential relationship and the inseparability between theory, clinic and research. We have used the interview resource as an instrument for the production of analysis material. Thus, we have interviewed three black women, which were invited to share their stories and experiences as women. From the theoretical debate and from the material that have raised in the interviews, it was possible to identify the complexities of the process of becoming woman and black, from the markers scattered through the social bond, as it has subjective specificities. Furthermore, thinking about the meaning of the symbols used by black women and relying on another black woman to present these elements are directions that can impact these women's experience of femininity. [ABSTRACT FROM AUTHOR]

Copyright of Procesos Historicos is the property of Universidad de Los Andes (Venezuela) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Materiales para la Historia del Deporte is the property of Polytechnic University of Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of HOW: A Colombian Journal for Teachers of English is the property of Asociacion Colombiana de Profesores de Ingles and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of EU-topías: A Journal on Interculturality, Communication & European Studies is the property of Universite de Geneve, Global Studies Intitute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article titled "Truly Victoria: A journey towards her origins," the author Virginia Lárez Cotúa examines the sources of identity construction in a psychoanalytic process through the analysis of an adult patient named Victoria. The analysis of the patient is reviewed through the transference and countertransference movements that occur in the analytic process and reveal the construction of identity through the analysis of her origins with the analyst. The importance of emotional and physical support provided by the mother for the baby to acquire their own singularity and become an independent subject is highlighted. Additionally, the importance of internal space and the mother's capacity for containment in the construction of female identity is mentioned. The text also addresses the relationship between the analyst and the patient and the importance of establishing boundaries in the analytic process. In conclusion, it is emphasized that the analysis of origins can provide the patient with a sense of continuity and structure in their psyche. [Extracted from the article]

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Entre los años 2016 y 2018 realicé trabajo de campo con agrupaciones de la ciudad de San Carlos de Bariloche que reivindican el derecho al parto respetado y que denuncian la denominada violencia obstétrica. En el transcurso de la investigación, comencé a recuperar en mi análisis, además de los discursos y prácticas, las imágenes y referencias visuales que circulan en y desde los espacios activistas: flyers, cartelería, imágenes de fanzines y de libros, etc. El objetivo de este artículo es retomar dichas imágenes y su contenido para ponerlas en diálogo con los discursos activistas y, posteriormente, reflexionar acerca de las construcciones de feminidad y de naturaleza en el caso particular de dichas organizaciones locales.

The main objective of this qualitative and quantitative research paper is to explore the occurrences and relations of the anima, animus and androgynous in dreams, with particular emphasis on the consideration of the androgynous in the human psyche. The sample consists of 9 series of dreams (141 dreams in total), from 9 dreamers, 7 women (female sex/gender) and 2 men (male sex/gender), aged 25–57, heterosexual, undergoing Jungian psychotherapy, and presenting couple‐related themes. Statistical results and qualitative analysis offer new input for the re‐vision of the classical anima‐animus model, and the addition of in‐depth explorations into the androgynous, paving the way for a new model of psychopathology and psychotherapeutic clinical work, in transition. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Analytical Psychology is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El objetivo de este artículo es presentar un análisis del proyecto de danza relacional La poética del agrado, considerando que este proceso creativo y la obra artística constituyen un artefacto de resignificación femenina y un rito de transformación propia, dado que esta propuesta escénica elabora críticamente sobre el agrado como un mandato de la feminidad hegemónica. Proponemos que esta iniciativa se inserta en los planteamientos feministas recientes acerca del cuidado, la necesidad de la deconstrucción personal y la conformación de una comunidad afectiva entre mujeres. A partir de una metodología cualitativa analizamos el videoarte de la obra, así como las entrevistas a las participantes del proyecto. En las conclusiones planteamos que la eficacia simbólica de la propuesta escénica reside en su congruencia con apuestas feministas y en la representación de un ethos femenino construido colectivamente durante el proceso de creación.

El objetivo de esta investigación es estudiar la diversidad, inclusión y los estereotipos en las revistas de modas internacionales, destinadas al público femenino o masculino, analizando las representaciones y el discurso derivado de sus publicaciones. Se trata de un análisis que pretende descubrir los estereotipos y las ambigüedades de los cambios sociales actuales. En una primera fase (F1), aplicamos una metodología de análisis de contenido mixto sobre las imágenes de portada (n1=120) difundidas en 2020 a través de las cuentas de Instagram de Vogue y GQ, en el marco de Estados Unidos y de Europa. Posteriormente, (F2) diseñamos un panel de expertos (n2=14) en el que participaron diseñadores con marca propia, miembros de equipos creativos de firmas internacionales y directores de agencias de modelos para debatir los resultados obtenidos en la primera fase. Un avance de los resultados constata, por un lado, que los estereotipos de belleza continúan copando las portadas de las revistas de moda, aunque se detecta cierta apertura hacia la inclusividad y la diversidad, especialmente en las publicaciones femeninas; las revistas masculinas siguen mostrando una imagen de hombre sujeta al canon clásico, pero con tendencia al cambio.

This article analyzes the importance of textile work carried out by women in ancient Greece. Some Homeric passages in the article will be used to guide the recognition of the concept of thinking hands, where a theoretical/hands-on activity can transmit powerful unspoken messages from the vulnerability of the feminine that, contrary to what might traditionally be thought, have a political dimension. To do so, the article will proceed in three sections. In the first, the way in which the Greek world saw manual work as an intellectual exercise will be shown; in the second, we will review how fabric is understood from the human point of view and the way in which Athena is a symbol of the textile that covers the human. In the third, we breakdown the practice of weaving as an ideal way of vindicating the female figure. The article closes by showing this practice prevails today. [ABSTRACT FROM AUTHOR]

This paper aims to develop one of the findings of the doctoral research "Representations of the body during pregnancy: the experience of the gestating body in primigravidae". The expression "gestating body" is proposed as a concept to name feminine corporal materiality where it takes place, through pregnancy, the dispute between the patriarchal ideals of femininity, women's ego ideal, and the gazes of otherness embodied by other women. [ABSTRACT FROM AUTHOR]

The objective of this article is to present an analysis of the relational dance project The poetics of pleasantness, considering that this creative process and the product constitute an artifact of feminine resignification and a personal transformative rite, given that this scenic proposal elaborates with criticism on pleasantness as a mandate of hegemonic femininity. We propose that this initiative is inserted in the recent feminist approaches about care, the need for personal deconstruction and the formation of an affective community among women. Based on a qualitative methodology, the video art of the work as the interviews with the participants in the project are analyzed. The conclusions suggest that the symbolic efficacy of the scenic proposal resides in its congruence with feminist stakes and in the representation of a feminine ethos built collectively during the creation process. [ABSTRACT FROM AUTHOR]

The present study problematizes gender relations in Higher Education from the dichotomies between femininities and masculinities. Of qualitative approach, the production of narratives occurred through semi-structured individual interviews in three undergraduate courses at the University of Pernambuco, Petrolina Campus: Full Degree in Pedagogy, Full Degree in Mathematics and Bachelor's Degree in Nursing. In general, the production of data from the research points to the dissonances and processes of exclusion that cross the institutional daily life, the teaching and the curricula of the courses studied, regarding the maintenance of practices marked by sexism, binarisms and heteronormative patterns in the university. Higher education, according to the narratives analyzed, reproduces gender inequities that have hegemonic models of femininity and masculinity as the foundation for the maintenance of discourses and power mechanisms that have repercussions, especially in the experiences and formative processes of women and LGBTQIAP+ people. [ABSTRACT FROM AUTHOR]

Introduction. Sexism is a cognitive and behavioral pattern in which the male figure attributes to the female characters that reflect vulnerability and helplessness around all dimensions of development. Although this is a topic on international agendas, few are the academic studies aimed at investigating its presence in school pedagogical materials. Objective. The objective of this work is to analyze the academic books of language and social sciences linked to the academic proposal that offer a sample of public and private educational institutions belonging to the Colombian Caribbean sector (Cartagena de Indias) under the purpose of identifying possible sexist elements such as, for example, the predominance of male roles over female ones. Materials and method. Eight elementary and lower secondary school textbooks from the 2020-2021 period were selected from official and private educational institutions. An analysis of illustrations was carried out using an image reception matrix and a quantitative analysis using gender indicators. Results. The results indicate a survival of sexist standards in seven of the eight books analyzed, highlighting the imbalance in the number of female illustrations, and indicators of presence and relevance in relation to the male gender. Conclusions. The findings obtained invite the educational community to review in greater detail the illustrations that they attach to the curricular content offered in their schoolbooks, given that the disproportion observed promotes the sexist imaginary and the notion of helplessness in the female student community. [ABSTRACT FROM AUTHOR]

Research about the feminine essence is a fundamental task in our time. However, it is an effort that has fallen into disrepute because it does not take into account women's individual differences and contribute to the female submission. Especially, through the formation of stereotyped images. In this article we will study Edith Stein's conferences on women, and some of her anthropological studies, with the intention of approaching an understanding that unites the feminine essence with action and manifests her intrinsic unity with individuality. Stein is convinced that every woman has a triple vocation: on a human, feminine and individual level that must be developed in an integral and complementary way. However, this will only be possible if she recognizes the metaphysical -Christian- order on which her being depends. [ABSTRACT FROM AUTHOR]

The usual characteristics of anorexia nervosa -- starvation, emaciation, amenorrhea -- justify that it be considered, from a psychopathological point of view, much more as a "clinic of the object" than as an "eating dysfunction" or a "disorder of body representation." In fact, this highlights not only the fact that food presents the "object of desire" in the form of "nothing," but also the fact that if the body of the anorectic subject is consumed, it is because it is the seat of a specific jouissance of the feminine position, an "Other jouissance," which it paradoxically contributes to containing and pacifying. [ABSTRACT FROM AUTHOR]

The objective of this Metasynthesis study is to provide scientific evidence by combining knowledge, based on the selection of previous studies that collect results about the processes of gender subjectivation and their link with the genesis of psychosomatic processes. From the methodological point of view, this study is carried out using the PRISMA method. Articles that address the subject are analysed, offering a detailed summary, of which the complete article will be used as the Unit of Analysis. Due to the current state of knowledge on the subject, it is considered pertinent to include in the sample articles related to the research object that, although they do not specifically address the research problem, offer theoretical arguments and data on the subject. Articles in Spanish will be selected. On the other hand, articles to which it is not possible to access the full content free are not included. Results: have been searched. 8 AU were selected, coming from the Google Scholar and Redalyc databases. The results found indicate that the processes of construction of ideals in the constitution of the feminine and masculine subjectivities are inscribed in the subjects (through culture, language and a complex web of meanings), these are so subtle that they reach make it difficult to oppose or even challenge it. This means that it is only possible to express this discomfort through somatic vulnerability. Traits of over adaptation towards generic ideals are observed, a mechanism highly associated with the genesis of psychosomatic disorders. It is concluded that the subject is constituted in the link, and in the exchange traces are inscribed, both in his body and in his process of subjectivation. The body is not exclusively determined by biology or culture. This interaction occurs within a cultural and symbolic context, where the ways of raising and existing social representations in the culture are building particular styles of gender subjectivity. Mechanisms that promote modes of connection with one's own body and particular ways of becoming ill are inscribed in this process of subjectivation. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Lengua para Fines Específicos is the property of Revista de Lengua para Fines Especificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Runa: Archivo para las Ciencias del Hombre is the property of Runa: Archivo para las Ciencias del Hombre and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El trabajo consiste en dar cuenta de cuatro posicionamientos de verdad ficticia derivados del drama de Sabina Berman, Feliz Nuevo Siglo doktor Freud, en torno al caso Dora de Sigmund Freud. De esta puesta de escena inherente a la estructura histérica se revelan los fantasmas de prostitución, de la seducción del padre, de la instauración de la feminidad y de la diversidad textual de la (contra) transferencia. El drama lleva la clínica a una dimensión de debate crítico donde el mismo Freud se encuentra dividido entre las formulaciones de su teoría sexual y las cuestiones inéditas que provoca el testimonio de la experiencia singular No sólo se abre el telón de fondo de las condiciones sociales e históricas que enmarcan un ejercicio de clínica de la palabra y la subjetividad sino aquellas que determinan las complejas relaciones entre los sexos y los esquemas imaginarios-ideológicos que inciden en el pensamiento de Freud.

Este artículo tiene como objetivo estudiar la representación de la feminidad y la de sus extremos en las películas del género Z. Se apoya en las bases metodológico-conceptuales de los estudios culturales y del deconstruccionismo, en las líneas de Derrida (1967, 2005), Boothroyd (2006) y Sánchez et al. (2017). También, se tienen en cuenta las ideas que Kristeva (1980), Deleuze y Guattari (2013) y Abalia Marijuán (2020) elaboran en torno a la representación de las mujeres en la ficción. A lo largo de este estudio se analizan cuatro casos principales, cuyas formas de representar a las mujeres remiten a varias realidades sociales: Teenage Zombies (Warren, 1959), Flesh Eating Mothers (Martin, 1988), Deadgirl (Sarmiento y Harel, 2008) y Stripperland (Skelding, 2011).

This work aimed to analyze the possible meanings of the feminine from the character Cersei from the Game of Thrones series. The psychoanalytic method was used, through the techniques of psychoanalytic observation, clinical diary, and reading directed by listening and transferring the researcher to the text. Cersei presents herself as masked, as she covers herself with representations of the mother and the whore. The female mask can be understood as a phallic sign that confers value and acceptance in a phallocentric and patriarchal society. This mask would be anchored in performance and not in singularity and self-recognition. Thus, to the extent that women make use of this artifice to establish themselves, they reinvest the same system that signifies the feminine as depreciated. The feminine is approached from the castrated/non-castrated dichotomy, revealing a phallic-narcissistic functioning of horror at castration and repudiation of femininity. The psychic register of femininity is confronted with the phallic register opening up primitive drive inscriptions, which are often hidden by omnipotent defenses. The use of violence emerges as a primitive defensive reaction to the reality of castration, whose target embodies the being castrated: subjects, men and women, attack women to destroy their femininity. The female experience permeates diversity since the becoming a woman process reveals countless possibilities for exercising womanhood. In this way, the search for female identity reveals a decentering of the subject who seeks a new way of being in the world through the admission of femininity. [ABSTRACT FROM AUTHOR]

This article aims to present the theoretical construction on female sexuality and femininity in Freud, and then question it from a racial and gender perspective. To this end, the main references employed were works from black female authors who discuss the ethno-racial subject, as well as some which address gender and theories of intersectional feminism. This paper observed the conception of a universal woman that includes the attribution of traits of femininity which are linked to a white, bourgeois and motherly woman figure and, therefore, aren't comprehensive of gender, race and class in their totality, in order to erase the black woman's experience, marked by racism and a slavocratic history. Thus, an omission from Psychoanalysis can be observed regarding to the racial issue and, therefore, the need of think about a contextualized psychoanalysis, which takes into account the historical and social aspects of the reality in which it is inserted, is evident. [ABSTRACT FROM AUTHOR]

El presente artículo tiene por objetivo analizar la representación de los roles femeninos en la película Amantes (Vicente Aranda, 1991), centrados en la clásica dicotomía mujer virginal / mujer carnal. Nuestra lectura de la película muestra cómo esta dicotomía presenta fisuras y contradicciones que llegan a cuestionar la aparente estabilidad y coherencia de los estereotipos, los cuales se ven sometidos a la ambivalencia discursiva que supone la inclusión de estos dos modelos hollywoodienses, relacionados estrechamente con los géneros cinematográficos del melodrama y el film noir, en una película cuya recreación histórica se enmarca en la España de la posguerra.

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