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Copyright of Bulletin of Ablai Khan KazUIRandWL: Series 'Philological sciences' is the property of Kazakh Ablai Khan University of International Relations & World Languages and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article is devoted to the originality of L. N. Tolstoy’s early story “A Billiard-Marker’s Notes” and the history of its writing with the use of preparatory materials. The author aims to analyze and show the interrelation of a wide range of psychological, socio-ethical, and ideological issues raised in the story, which deeply worried the writer in the 1850s. The article proves that the artist’s choice of the genre of “notes” and first-person narratives allowed him to diversify the plot, methods of psychological analysis, and images of the characters’ inner world. The article pays considerable attention to such a feature of “A Billiard-Marker’s Notes” in terms of narratology as the presence of two characters-narrators, opposite to each other in age, social status, level of development, and bearers of different speech styles. This technique allows the writer to depict dramatically Nekhlyudov’s loneliness, “lostness,” and the existing blatant gap between the worldview of the nobility and the people and their ethics. The narrator’s expressive word, completing the work, brings it to the existential level. The image of the character-marker and his perception of reality testifies to the connections of “A Billiard-Marker’s Notes” with the traditions of the “natural school,” its humanistic principles, and democracy. This story, along with other works of the 1850s, contains the origins of the religious and philosophical views of the writer-thinker.

The basis of the trilogy about Vitalin by A. A. Grigoriev is the diary entries of the autobiographical character. The writer consciously refers to this form of narration, since it allows the most complete disclosure of the inner world of the protagonist, conveying his thoughts, feelings, emotions, showing the complexity and inconsistency of his nature. Thanks to fragments of the diaries, the themes of the stories expand: from love experiences to philosophical reflections, reflections on the truth, the meaning of life, and the search for happiness. The protagonist’s diary also influences the chronotope of stories, expanding the space and time of the narrative, introducing a life background, background of events into the work, and at the same time enriching our understanding of the character. The author of the article briefly dwells on the autobiographical elements in the life of Arseny Vitalin, notes his resemblance to the character of the novel by M. Yu. Lermontov — Pechorin. Special attention is paid to the genre originality of Grigoriev’s works, their simultaneous isolation and inclusion in the cycle, trilogy. Besides the article discusses the diary fragment “The Dreamer’s Diary” and its meaning in the text. Psychologically convincingly, the author shows that Vitalin, immersed in love experiences, but unable to share his thoughts with someone close to him, finds an outlet for his pent-up feelings in keeping a diary, on the pages of which he gives free rein to his feelings and actions.

Language that is a versatile and developed system served as a tool for conveying the feelings and thoughts of humanity and as a bridge between the past and the future. It is possible to describe and understand all kinds of creations of humanity by language. Language was the mirror and dress of thought and was evaluated as the most effective way and an indispensable factor in fulfilling every human need. Language plays an important role in the formation of inner world, in ordering and conveying the subjects which come to minds. Our mother language that has a place in human consciousness, is acquired from mother and close environment, and enables to establish strong ties with the society reveals effectively inner world and petition of humanbeing. In this study, it was mentioned that the petition which is about a request, complaint and situation, signed petition that submitted to the official authorities, being a petition-writer which is seen as a profession, and the situation of submission and request. It was stated that the concept of "petition", which has an important place in life, culture and tradition, is a factor of relaxation in reflecting the inner world of the person. Petition was emphasized with selected examples from some periods of Turkish literature and it was aimed to raise awareness on this subject.

Copyright of Alman Dili ve Edebiyati Dergisi / Studien zur Deutschen Sprache & Literatur is the property of Alman Dili ve Edebiyall Dergisi / Studien Zur Deutschen Sprahe und Literatilr and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Mircea Săucan, one of the best kept secrets of Romanian narrative cinema, is yet to be unveiled. Starting off as a dedicated Stalinist, he studied in Moscow at VGIK (Moscow Film School) and he was very familiar with mainstream propaganda works by Eisenstein, Pudovkin, Vertov, Dovzhenko. When he returned to Romania, he worked as a Communist Party secretary of “Alexandru Sahia” Documentary Film Studio in the 1950’s. As Romania gradually evolved towards national-communism and liberated itself from the patronage of the USSR, Săucan became a persona non grata. His exceptional talent and powerful cinematic feeling helped him create unconventional and formally radical works. His revolutionary style, in perfect synchronization with the French Nouvelle Vague, acted as a tremendously macroseism able to shatter the very geological configuration of Romanian cinema. Nobody wanted that. Mircea Săucan directed only four full length features. Each of them had to face major opposition when it was about to be released: When Spring Is Hot (1960), The Endless Shore (1963), Meanders (1967), 100 Lei (1973). In 1971, a journalist asked Mircea Săucan what he thought of the coming decade. The director admitted uneasily that he was rather concerned about what the coming decade had planned to surprise him with. His concerns proved to be true, as he stopped directing full length features in the early 1970’s. He was allowed to direct only a few shorts and, in the late 1980’s, he emigrated to Nazareth, Israel. [ABSTRACT FROM AUTHOR]

Copyright of Journal of German Language & Literature / Istanbul Üniversitesi Alman Dili ve Edebiyai Dergisi / Studien zur Deutschen Sprache und Literatur is the property of Istanbul University, Faculty of Letters and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article contains the structural and functional analysis of the educational microenvironment at the university. By the example of the medical faculty there is shown its role in the transformation of students’ educational activities into their living space and real practice.

The article offers an overview on the most notable features of the implementation of psychonarratives in fiction and documentary and fiction prose about the Antiterrorist Operation (ATO) and the hybrid warfare in Donbas from the standpoint of the achievements of modern humanities, which gives intelligence a multidisciplinary nature. The degree of academic research on the outlined topics at both the world and the national scientific levels has been clarified. The contribution of the Western scientists to the development of theoretical and methodological principles of parameterization of psychonarratives is outlined. There is a tendency to increase the interest of domestic specialists in narratology, in particular psychonaratology, mainly in empirical terms. At the same time, an objective lack of thorough theoretical developments of the monographic or dissertation level on the outlined issues has been stated in Ukrainian studies. Terminological vagueness and imbalance in the interpretation of the key concepts of psychonarrative studies have been recorded. Methods and means of realization and manifestation of the psychonarratives in the text structures are established. There is a growing interest of domestic researchers in the direct or indirect consideration of narrative, psychonarrative and selfnarrative in fiction prose and documentary and fiction prose about the ATO and the hybrid warfare in the Donbas in the context of discursivity and intermediality. The peculiarities of psychonarrative expression on the formal structure and sence-content levels are indicated. The common and distinctive features of the realization of psychonarratives in fiction and non-fiction literature are briefly noted. [ABSTRACT FROM AUTHOR]

isclosure of the mechanisms of psychological stability in employees of security department of correctional institutions. Since the professional activity of security department employees has a sociogenic and stressful nature due to a number of parameters, the predominance of the impact of stress factors over the mechanisms of mental stability in many cases leads to negative implications such as the development of psychological burnout, social maladjustment and personality deformation. Aim: to determine internal mechanisms that reduce adaptive capabilities and factors that promote them, to study the features of psychological resistance to the action of social and stress factors in the security department employees, depending on the length of their service. Methods: we study the mechanisms of psychological stability of employees and the parameters of models of stress states with the use of the following methods: “Neuropsychic stability” (“Forecast”) technique developed by V.Yu. Rybnikov (1990), a method for assessing professional burnout developed by C. Maslach and S. Jackson (1986), innovative multifactor methods for assessing basic professional typologies of stress and spirituality of an individual according to K.B. Malyshev (2021). Conclusions: the results of the study show that social stress among security personnel is one of the most traumatic forms of stress and it corresponds to the concept of professional stress. Moreover, the essence of the concept of psychological stability is associated with the study of subjective features 660 SCIENCЕ AND PRACTICЕ JOURNAL of the phenomenon of disequilibrium of life activity – stress. Stress reflects the entire range of basic conditions – health and development, maladjustment and pathology. The data obtained in the study indicate the disharmonic nature of psychological adaptability (pseudo-adaptation) to the action of social stressors in employees with ten years of service experience. At the same time, the majority of respondents, in contrast to employees with a period in service of up to five years, have basic professional types of stress and spirituality, which indicates a low level of their socio-moral value orientations. This makes it necessary to develop innovative approaches to the prevention of professional stress and burnout among employees at all stages of their professional activity on the basis of the subjectsubject paradigm in the development of the intention to form spiritual and moral values in an individual.

The purpose of this paper is to investigate the relationship between subjectivity and the other during the course of integration among 50 young Muslims of dual national heritage in Germany. The largest group of migrants within Germany are people of Turkish and Kurdish origin. During the summer and autumn of 2018, we interviewed 50 individuals of both genders aged between 18 and 25. The interviews were carried out and evaluated in North Germany. We saw that the 'feeling of being held', 'being‐able‐to‐process‐(negative)‐experiences' and 'to take responsibility for oneself and other' are characteristics of well‐educated young Muslims. Those who feel at home in their Turkish family or in the Islamic religion are able to process positive and negative experiences and present more (mature) super‐ego structures. This allows them to be able to deal with the challenges of migration and integration. Based on the data, we developed the 'Triadic Model of Integration' within the Lacanian L‐Scheme of Subjectivity. [ABSTRACT FROM AUTHOR]

Eugene Ionesco mentioned in 1980 that the person,whom he appreciated and admired, had been one of the best Romanian prose writers of those times and, if Ştefan Bănulescu was not yet known worldwide, the fact was due to the thing that he had been writing in Romanian, a language that had no international circulation. Autarchic imaginary universe, "The Millionaire's Book", written by Ştefan Bănulescu, is one of the most original spaces of postbelic Romanian prose. From the tetralogy announced by Ştefan Bănulescu under the title "The Millionaire's Book", only the first volume appeared, "The Book from Metopolis" - a novel of an imaginary territory, which had been designed as a fresco of the Romania of local myths - real and imaginary. "The Book from Metopolis" includes the world of the Danube plain between Călăraşi and Brăila as it was reinvented by the prose writer who knew like no other the great and small history of this piece of country. Ștefan Bănulescu can be subsumed to a Romanian vein of “magical realism”, together with Fănuș Neagu, Dumitru Radu Popescu or Constantin Țoiu. Without necessarily appealing to the fantastic, Șt. Bănulescu builds a universe with fabulous iridescences, fixed in a timeless past. A special light bathes the landscapes and the characters, enveloping them with an aura of story. The objects have a weak but hypnotic inner flicker, and the gestures and actions of the protagonists acquire a kind of hieraticism, of exemplary significance. In Sartre's terms it could be said that Șt. Bănulescu does not work with perceptions, but with images; the model he has in mind is not the outside world, but an inner world, recreated from fragments of memories, sensations and impressions.

The authors consider as the main hypothesis about the possibility of constructing the mathematics of the brain, the statement that the supposed basis of any context of thinking is primarily formed by a system of axioms, which is the foundation of abstract thinking, realized or materialized through some language. The authors investigate the problem of the applicability of language as the main instrument of cultural continuity and form a research program that includes: the development of a unified ontology that describes objects, actions, qualities and relationships; studying the nature of the context and presenting it with unambiguous concepts of a unified ontology; determining the applicability of actions to objects as partially-defined functions to mathematical categories; model of subjective choice of semantic categories according to relevance in a certain context. [ABSTRACT FROM AUTHOR]

The paper is focused on one of the key aspects of Fyodor Vasilyuk’s contribution to the elabora¬tion of methodological foundations of psychology, namely, on the construct of lifeworld and ‘lifeworld ontology’ as a metatheoretical framework for the understanding of human life and activity in the world. The paper is subdivided into four sections. The first one gives the justification of Vasilyuk’s approach in terms of ‘lifeworld ontology’, reveals its conceptual connection with the ideas of A.N. Leontiev and S.L. Rubinstein. The second one is dedicated to the concept of lifeworld, its association with specifically human ways of existing in the world, its distinction from the environment and the idea of multiple hu¬man worlds. In the third section, the author reveals, basing on the conceptions of L. Binswanger, E. van Deurtzen and C. Popper, the multidimensional structure of human lifeworld and discusses the mutuality of human-world relationships. In the fourth section. a typology of lifeworlds is offered, based on three core criteria: past/present/future ratio, individual/society relationship, and factual/due/possible ratio as value orientations.

In this paper, the model-theoretical properties of the algebra of central types of mutually model-consistent fragments are considered. Also, the connections between the center and the Jonsson theory in the permissible signature enrichment are shown, and within the framework of such enrichment, instead of some complete theory under consideration, we can obtain some complete 1-type, and we will call this type the central type, while the theories under consideration will be hereditary. Our work is divided into 3 sections: 1) the outer and inner worlds of the existentially closed model of the Jonsson theory (and the feature between these worlds is considered for two existentially closed models of this theory); 2) the λ- omparison of two existentially closed models (the Schroeder-Bernstein problem is adapted to the study of Jonsson theories in the form of a JSB-problem); 3) an algebra of central types (we carry over the results of Section 2 for the algebra (Fr(C), ×), where C is the semantic model of the theory T). Also in this article, the following new concepts have been introduced: the outer and inner worlds of one existentially closed model of the same theory (as well as the world of this model), a totally model-consistent Jonsson theory. The main result of our work shows that the properties of the algebra of Jonsson theories for the product of theories are used as an application to the central types of fixed enrichment. And it is easy to see from the definitions of the product of theories and hybrids that these concepts coincide if the product of two Jonsson theories gives a Jonsson theory.

The authors consider as the main hypothesis about the possibility of constructing the mathematics of the brain, the statement that the supposed basis of any context of thinking is primarily formed by a system of axioms, which is the foundation of abstract thinking, realized or materialized through some language. The authors investigate the problem of the applicability of language as the main instrument of cultural continuity and form a research program that includes: the development of a unified ontology that describes objects, actions, qualities and relationships; studying the nature of the context and presenting it with unambiguous concepts of a unified ontology; determining the applicability of actions to objects as partially-defined functions to mathematical categories; model of subjective choice of semantic categories according to relevance in a certain context. [ABSTRACT FROM AUTHOR]

Through the literary explorations and poetry of Alice Oswald, and through analysis of detailed clinical material from a Kleinian perspective, the authors expand the bounds of reverie as it is usually construed in psychoanalytic consulting rooms. The authors draw attention to the presence of a relationship to the more-than-human world as an integral aspect of our internal experience, and to the value of consideration of the quality and dynamic meaning of connections to the natural world in ordinary analytic work. The relationship to the primary object heavily influences the form taken by the relationship to the natural world, but once established, this connection has the possibility for a life of its own, that can provide a different kind of containment than the human variety, allow experimentation with new ways of being, and can strengthen the ego. The authors address the clinical implications of listening enhanced by an ear for affiliation to the natural world.

Copyright of Journal of College of Education / Wasit is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The most important factor that determines the poetics of Âsaf Hâlet Çelebi is the journey of the poet in time, depending on his subconscious orientation. The indifference of the person who is indifferent to the benefits of modernism can be interpreted as an escape from the existing conditions. Because it is possible to see the departure of the modern world from contemporary thought practices as a connection that appeals to the collective consciousness of humanity, which can be explained by the orientation to the subconscious form, as we have stated in order to deal with the inner world and shift the abstract poetry in response to the attempt of prioritizing the outer world in a planar time. Depending on the subconscious form, it is possible to see collective consciousness in Çelebi, to try to create a composition by imagining the echoes of sound coming from many different and different directions and times in poetry language. In this article, the issues that set the poem of Âsaf Hâlet Çelebi and give it the opportunity for this call will be examined. [ABSTRACT FROM AUTHOR]

The essay analyses Lei che sono io/Ella que soy yo by Clementina Sandra Ammendola. The aim is to understand how the public space (Habermas, 1981) can be binding during the process of building a socio-cultural identity of a post-colonial and nomadic woman (Braidotti,1995), and how the literature is useful in order to analyse this process. Indeed, I believe the choices made by protagonist (writer and main character) are based on pre-constructed and predetermined labels because of habits and beliefs. Inherent not only in the external experience of the subject but, above all, in the more intimate one (De Lauretis, 2013). The methodological-conceptual approach of the essay proposes the analysis of the three parts of the autobiography through the emotions (Ahmed, 2014) that are believed to best describe Sandra's process of identity formation: disorientation, intolerance, nostalgia, happiness. [ABSTRACT FROM AUTHOR]

Artistic space, presented in the story Kabala by A. Potyomkin, can be seen in various hypostases. The real, ethereal and ill-fated areas of the imagination of the main character connect with his opium dependence. Parfirchikov’s imagination is tightly connected with nostalgia, which manifests itself in the escape from the real world into the dreamed space of his inner world. Every character’s transformation from one space into another takes place after the dose of drug is taken by him.

This article will explore the new forms of psychopathology that have emerged from the view of complex thoughts. We will especially focus on the forms of life that have developed in the postmodern world, highlighting their character of fragmentation, as well as their incessantly recurrent movement. When people look at the shapes of the external world, they can draw those of their inner world, and vice versa: from the perspective of their inner world, they can describe the shapes of the external world. Finally, we propose the possibility of regaining authenticity and creativity, starting with the recreation of links with life and living environments. [ABSTRACT FROM AUTHOR]

Copyright of Problems of Contemporary Literary Studies / Problemy Suchasnoho Literaturoznavstva is the property of I. I. Mechnikov Odessa National University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Eco-criticism has grown as a multi-disciplinary concept which can be applied to science, technology, arts and literature. From the 'Romantic Revival' or 'the call to return to Nature' slogan by William Wordsworth in the 19 th Century to the present times, the man-nature interconnectedness has been explored by many writers. Desolate by the incongruities and madness of a selfish, individualistic and egoistic society, human beings are moving to the inner world to explore the human mind and its relation to nature and surroundings. The writers of the contemporary times like Arundhati Roy, Kiran Desai, Anita Nair and Chitra Banerjee Divakaruni have given elaborate descriptions of Nature and its role in man's life in their literary outputs. This paper tries to examine Arundhati Roy's description of nature of Kerala, God's own country and the role of the characters like Ammu, Velutha, Ammu's children; and how nature has influenced their lives using Eco-criticism as the theoretical framework. [ABSTRACT FROM AUTHOR]

The depiction of boyhood in the Western world of comics underwent a subtle transformation in the shadow of the Second World War. Major artists of these sequential artistic texts (such as Schultz and Spiegelman) fine-tuned key elements in the set of resources they drew on, effectively changing how readers/viewers engage with the young male protagonists in comics. The shift in affect was realized in storylines; instead of these being driven by external, performance-oriented representations of 'boyhood' punctuated by mischievous deeds or heroic exploits, drama was created by a much more complex and nuanced depiction of boyhood that explored the internal emotional and psychological worlds of main boy characters. Drawing on representative examples from two different sets of comics, this article applies a bi-modal, semiotic approach that specifically addresses how facial expressions, gaze and speech/thought bubbles, elements of the interpersonal meta-function, construct a more complex representation of boyhood. [ABSTRACT FROM AUTHOR]

In the article two key works of Russian thought are compared: «The Voyage from Petersburg to Moscow» by A. N. Radicshev and «The Pillar and Ground of the Truth» by priest P. Florenskij . The author fi nds out unexpected but evidential likeness of some moments of those books, which become apparent on diff erent levels of analysis of their texts: genre, formal, stylistics, thematic. The examination makes it possible to put on a question of the reasons of this likeness and of the links between two periods of Russian culture: the Silver age and the age of Enlightenment

Conflict which involves both the external and individual inner world is the central theme of Cronin’s narrative world. Heroes in the fiction and Archibald himself struggle to achieve their aims and will never give up in front of difficulties. “Hatter’s Castle”, “The Stars look Down”, “The Keys of the Kingdom” contain dramatic tones that reach the top in “The Judas Tree”: the hero after a long wearing interior debate, puts an end to his own life. Conflict presented in Cronin’s lifelong romance has, however, a positive epilogue in which the hero is free from all his anxieties. “Desmonde” is the final chapter of Cronin’s story.

Psychoanalytic theory attributes the development of morality largely to the role of the superego, as the internalization of authority that helps the ego live within the constraints of reality. Conscience is born when the infant is able to imagine the feelings of another, to see that his actions have an impact on others, and to experience concern. This is the attainment of the depressive position in which good and bad are no longer split and kept separate from one another but coexist within the same object, just as the child can experience both love and hate towards his object. While having a conscience and doing the 'right' thing reflect larger group norms that develop from childhood, is there nevertheless an idea of 'right' and 'wrong' that precedes the tenets of the group? This paper proposes that our sense of morality is based on our initial perception of ourselves, as mirrored by the observing ego, and the degree to which our experience of reality is validated internally. The idea of 'being true to oneself' is the fundamental cornerstone of moral sensibility. [ABSTRACT FROM AUTHOR]

The author discusses a connection between the modern analysand’s experience of depth therapy and the Christian pilgrim’s experience of confession, penitence and transformation as described by Dante in his Divine Comedy. She looks at structure and order in the context of psychotherapy. Taking Adriana Mazzarella’s ‘In Search of Beatrice’ as a guide, she examines a Jungian interpretation of the poem as an analogy of therapeutic initiation. She explores the idea of cultural complexes via the study of the medieval world view as one distinct from our own. She demonstrates the way in which study of the Comedy unexpectedly helped her survive an experience of long-term psychotherapeutic work. [ABSTRACT FROM AUTHOR]

Résumé Objectif L’événement sismique du 12 janvier en Haïti a ouvert la voie à l’émergence de toute une série de traumatismes antérieurs, enfouis dans la psyché nationale collective haïtienne, celle des institutions, des familles et celle des individus singuliers. L’objectif de l’article est de montrer que ces différents niveaux de traumatismes sont liés et s’emboîtent dans les formes que peut prendre l’expression de la souffrance pour un individu singulier. Méthode L’étude est réalisée à partir du cas d’un préadolescent rencontré en urgence à travers une méthodologie adaptée au contexte post-catastrophe de la rencontre. Cette rencontre a été divisée en quatre temps : un temps avec toute la famille, un temps avec le préadolescent, un temps avec les parents et un temps avec toute la famille afin de leur restituer des éléments de compréhension. Un Rorschach a également été administré au jeune. Résultats L’étude montre comment une demande de consultation manifestement liée au séisme a été un moyen d’exprimer ce que nous proposons d’appeler des séismes du monde interne dans l’appareil psychique individuel et l’appareil psychique familial. Elle met également en évidence la transmission de l’héritage traumatique dans une famille, dans un pays, les stratégies utilisées par le préadolescent pour trouver sa place dans la psyché familiale et la défaillance des enveloppes individuelles et groupales. Discussion La discussion porte sur le fait que le séisme naturel réactive d’autres formes de séismes enfouis dans le monde interne de l’individu singulier et de la famille, mettant en évidence des menaces d’effondrement antérieures. Les séismes du monde interne ne sont pas localisables dans le temps et dans l’espace. Ils se transforment en événement psychique sous l’impulsion d’événements extérieurs sur les scènes familiale et nationale. Ils articulent temps chronologique et temps psychique dans les psychés collectives et individuelles. Conclusion Il convient alors de réfléchir non seulement aux suites thérapeutiques possibles de cette rencontre d’urgence mais aussi de mettre en perspective un modèle parasismique de la psyché collective haïtienne capable d’anticiper les menaces d’effondrement sur le long terme. Objective The earthquake of January 12, 2010 in Haiti has paved the way for the emergence of a series of previous traumas buried in the Haitian collective national psyche, that of institutions, families and of particular individuals. The aim of this paper is to show that these various levels of trauma are related and fit together in forms that express the suffering that an individual may show. Method Based on the case report of a preteen seen in an emergency, the study was conducted using a methodology adapted to the post-disaster context of the meeting. The meeting was divided into four phases: one with all the family, one with the preteen, one with the parents, and the last one with all the family so as to reestablish the elements of their understanding. A Rorschach was also administered to the young. Results The study shows how a request clearly linked to the earthquake was a way to express what we propose to call “internal world earthquakes” within the individual and family psychic apparatus. The study also highlights the transmission of the traumatic legacy in a family, in a country, and the strategies used by the preteen to find his/her place in the family psyche and the failure of individual and group envelopes. Discussion The discussion focused on the fact that natural earthquake responsive to other forms of earthquakes buried within the “internal world” of the individual him/herself and of the family, highlighting the collapse of previous threats. Earthquakes in the internal world cannot be located in time and space. They turn into psychic events driven by external events in family and national scenes. They articulate chronological time and psychological time in collective and individual psyches. Conclusion Hence, it is necessary to consider not only the possible therapeutic consequences of this emergency meeting but also to put into perspective a para-seismic model of the Haitian collective psyche able to anticipate threats of collapse in the long term. [ABSTRACT FROM AUTHOR]