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Este artículo pretende presentar algunas reflexiones sobre la necesidad urgente de considerar el derecho a la memoria como un derecho a la ciudad en un país como Brasil, donde las medianas y grandes aglomeraciones, además de poner de relieve preocupantes problemas de vulnerabilidad social y ambiental, están más sujetas a las lógicas de un capital inmobiliario cada vez más agresivo. Las exigencias de un mundo marcadamente neoliberal abandonan la idea de la ciudad como bien cultural, guiada por la calidad de vida en el ambiente urbano. Considerando que la construcción de la memoria se apoya en el espacio y en las imágenes espaciales, la calidad de vida es fundamental para fortalecer los sentidos de pertenencia e identidad. En una realidad cada vez más urbana, es necesario defender el derecho a la memoria como derecho a la ciudad, por medio de su patrimonio ambiental urbano, o sea, no solo como derecho a condiciones de vida dignas, sino también como derecho a un entorno urbano de calidad, que se traduzca en paisajes culturales con valores sociales reconocibles.

Memory activism can be understood as a type of activism that aims to promote a greater diversity of stories in the public sphere, assuming that strategic reflections on the past and memory are crucial ways of transforming society. These reflections can take place in the most diverse contexts, such as protests in the streets or through the media, based on the long-silenced stories of people and social groups who have been discriminated against. In this article, we reflect on how cinema can constitute a space for memory activism by representing narratives of otherness and shedding light on social issues of great importance, such as migratory experiences, which have currently taken centre stage in audiovisual productions. To do this, we carried out an exploratory analysis of publicly funded film production in Portugal from 2018 to 2022 in order to analyse its main themes. All the synopses of films and other audiovisual productions (359) published during this period in the catalogues of the Instituto do Cinema e Audiovisual (ICA) and available online were collected. This textual material was analysed using Iramuteq software. The analysis indicated the absence of terms such as "racism" or "social discrimination" in the synopses, even in productions that addressed these issues when portraying migratory experiences. Among the main themes were (i) artistic production and the arts in general, (ii) daily life and interpersonal relationships (e.g., family, friendship, love) and (iii) historical memory and conflicts. We also explored in more detail the short films produced during this period (120), which allowed us to identify counter-hegemonic narratives, reinforcing the role that cinema can play in combating societal amnesias. [ABSTRACT FROM AUTHOR]

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Reseña del libro "El fulgor de la presencia. Ritual, experiencia, performance". El libro se compone de siete capítulos en donde se abordan, de manera entrelazada y en espiral, las cuatro categorías indicadas en el título, a las cuales se añaden liminalidad, ontología y, finalmente, conmemoración y juego. El tipo de abordaje en espiral consiste en que luego de examinar el ritual y examinando la experiencia, el ritual resurge bajo otras perspectivas. Lo mismo con las otras categorías. Performance se trata en el quinto capítulo, pero se asoma desde el inicio y hasta llegar al juego, final del libro.

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Copyright of Brazilian Journal of Law & International Relations / Relações Internacionais no Mundo is the property of Relacoes Internacionais no Mundo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Neste trabalho, refletimos sobre os 25 anos do Núcleo de Pesquisa, Documentação e Referência sobre Movimentos Sociais e Políticas Públicas no Campo (NMSPP), analisando suas contribuições para a justiça de transição no Brasil. Quando da criação das comissões da verdade, entre 2012 e 2013, o NMSPP já possuía conjunto significativo de documentos sobre as lutas camponesas, indígenas e as violações de seus direitos, deflagradas durante a ditadura empresarial-militar de 1964-1985. Tal acúmulo permitiu que pesquisadores/as do NMSPP atuassem junto à Comissão Camponesa da Verdade e Comissão Estadual da Verdade do Rio de Janeiro, seguidas de projetos de extensão e pedidos de reparação, experiências aqui relatadas e analisadas. Devido às especificidades da repressão no campo, tais investigações ajudaram a dar centralidade a um conjunto de violações que vão além das categorias incorporadas pelo direito internacional, que muitas vezes limitam as iniciativas da justiça transicional a um conjunto restrito de violações.

In this study, we aimed to reflect on how oral reports can be understood within the context of home-based memory production practices, particularly focusing on their modes of production and circulation in the context of media convergence culture. To delimit our object of analysis, we selected the video platform TikTok. We have observed that the platform has become a refuge for many users, serving as a repository for memories. To guide this discussion, we adopted an essayistic tone, using a series of empirical facts to facilitate certain provocations aimed at contemplating the democratization of processes and practices related to memory production and circulation in convergent spaces. In this work, we draw attention to a specific type of memory production: oral narratives from elderly individuals about their life experiences. The theoretical framework for this study is rooted in a transdisciplinary theoretical approach that converges with studies on memory and media convergence. Building upon the discussion articulated with the presented objects, the authors believe that it is necessary to delve deeper into the question of home-based practices related to memory production and circulation, as well as examining how individuals produce, consume, and share their memories within the realm of social networks. [ABSTRACT FROM AUTHOR]

Copyright of Trabajos y Comunicaciones is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

La bibliografía especializada afirma que el interés del campo de los estudios migratorios por los procesos de recordación social comenzó a manifestarse, en Europa y los Estados Unidos, durante la primera década del siglo XXI. En la Argentina carecemos de estudios que analicen dicho proceso y presenten un estado de la cuestión sobre el mismo. El objetivo principal de este artículo es construir un estado de la cuestión que dé cuenta de las relaciones establecidas, durante las dos primeras décadas del siglo XXI, entre el campo de los estudios migratorios y el campo de estudios sobre la memoria social de la Argentina. Los resultados del artículo permiten describir la evolución de las relaciones establecidas entre ambos campos académicos, identificar los temas analizados por la bibliografía de referencia y, finalmente, mostrar cuáles han sido los logros alcanzados y las limitaciones que aún persisten al interior de esta área de estudios.

Apesar de os movimentos feministas terem se iniciado há mais de cem anos no Brasil, ainda são poucos os grupos brasileiros que desenvolvem dramaturgia escrita por e para mulheres, ainda que se considere o teatro amador. Apresentamos neste artigo a análise de dois textos teatrais (ou roteiros), ainda inéditos: Boneca de pano, do coletivo de teatro catarinense (Em) Companhia de Mulheres, e Entre Nós: buzinas, chicotes e ácidos, do coletivo cearense Arremate de Teatro. Temos como objetivo compreender, ao compararmos essas duas narrativas teatrais, semelhanças e diferenças dos temas em pauta, considerando seus locais de produção, bem como suas origens. Partimos da hipótese de que narrativas teatrais redigidas por coletivos que se assumem feministas funcionam como um espaço autorizado de fala das brasileiras, de identificação e de ruptura de comportamentos herdados da cultura patriarcal. Confirmamos, a partir dos suportes teóricos sobre teatro, análise do discurso, estudos culturais, de gênero e memória social, que os dois textos em tela se apresentam como formas igualmente potentes de catarse, sensibilização e resistência à domesticação e à opressão a que as mulheres ainda são submetidas.

Este artículo observa los sentidos y las representaciones desplegadas en el marco del Programa Nacional Educación y Memoria, política pública implementada en Argentina para la transmisión del pasado reciente en el ámbito educativo, en sus orígenes (2005-2007). A partir de una metodología cualitativa, fue posible dar cuenta de las complejidades de los procesos de construcción de las memorias sociales al observar la persistencia de las bases de una narrativa humanitaria condenatoria de los crímenes cometidos durante el terrorismo de Estado, que convivió con esfuerzos de apertura para incorporar nuevos debates relevantes para pensar el pasado de dictadura en el país.

Se presenta al lector una panorámica del quehacer sociológico en El Salvador desde dos vertientes, la primera sobre los estudios relevantes de la historia de la sociología en este país centroamericano, la cual pueda servir de insumos a futuros estudios regionales sobre el tema. La segunda vertiente hace un recorrido de la acción gremializadora que ha nucleado a los profesionales de sociología durante décadas, por medio de la Asociación Salvadoreña de Sociología, en la que se han empeñado esfuerzos desde el ámbito académico por analizar, explicar y difundir el conocimiento y visiones sociológicas. Así mismo, se realiza un ejercicio de memoria social en el sentido de reconocer y recuperar a los actores que aportaron en el desarrollo de la realización de los objetivos de esta organización de la sociedad civil. Además, en esta línea se retoman las acciones socializadoras de las cuales se han documentado y recuperado las temáticas expuestas en las que las sociólogas y sociólogos salvadoreños han realizado su trabajo intelectual, los cuales han expuestos a nivel local, nacional y centroamericano

In recent years, various forms of activism have contributed to unveiling long-silenced histories and remembering some almost forgotten stories of struggle, giving visibility to other memories of the "nation". In this text, after briefly revisiting various studies on social representations of history, we reflect on some challenges based on findings from an ongoing interdisciplinary research program on decolonial activisms in the Portuguese public sphere. Mnemonic activisms challenge us to think about the histories that structure public memory, its uses and abuses, as well as its interconnections with power relations, both inside and outside the nation, in a context where the challenges facing our lives clearly go beyond national borders. [ABSTRACT FROM AUTHOR]

Após o incêndio do Museu Nacional da Universidade Federal do Rio de Janeiro, a reconstrução dos acervos tornou-se um desafio imperativo para todas as Seções, sobretudo a que concerne à Seção de Memória e Arquivo do Museu Nacional (SEMEAR). O propósito deste artigo é examinar o processo de construção da proposta do sistema Colheita à luz da Memória Social, mais especificamente identificar como as emoções narradas por uma participante estão imbricadas na concepção da proposta. O corpus deste artigo é composto por narrativas da responsável técnica do sistema, que integram uma entrevista de pesquisa, analisadas sob a perspectiva da Sociolinguística Interacional, cujas categorias pistas de contextualização e footing ancoram o referido aporte teórico-metodológico. O trabalho analítico evidencia, por um lado, como as emoções estão circunscritas na memória e, por outro, como orientam o fluxo narrativo das lembranças evocadas.

Este trabajo analiza procesos memoriales ligados al fenómeno de la identificación forense y la restitución de los cuerpos de personas desaparecidas durante la última dictadura militar argentina, a partir de las narrativas de hijos e hijas que recuperaron los restos de sus padres. El análisis propuesto se estructura en función de los siguientes interrogantes: ¿cómo se configura en sus trayectorias vitales el tránsito entre las formas de representar la ausencia de sus padres, desaparecidos sin cuerpo, a las formas de rearmar su presencia a partir de la identificación de sus restos? ¿cómo viven y significan los procesos de restitución de los restos de sus padres y ¿qué cambios y continuidades traen aparejados estos procesos en las vidas personales y los lazos sociales de estos hijos e hijas? A partir de la comparación de tres casos, seleccionados de un corpus más vasto, el artículo muestra los modos en que emerge en la vida de estos hijos la presencia de los padres, atravesando fugazmente su ausencia fantasmática; problematiza las narrativas que otorgan agencia a los desaparecidos como clave configuradora del proceso de aparición de sus restos y busca comprender los modos en que se resignifica mediante estos procesos el estatuto de desaparecido que da el lugar al ancestro.

Este artigo analisa Tempos de paz (2009), drama histórico brasileiro dirigido por Daniel Filho e baseado na peça teatral de Bosco Brasil. Partindo da temática da migração e da cidadania cultural, a construção narrativa inter-relaciona diferentes esferas de abordagem que, articuladas entre si, permitem a apreensão de sentidos da obra em torno da memória social, dos processos de sujeição e subjetivação, e do entrelaçamento entre os campos estético e político que a constituem; fazendo-nos, ainda, pensar sobre a substância humana. O desfecho é a escolha por um formato narrativo híbrido (em diálogo com o teatro) que culmina na validação da cena enunciativa maior que o filme busca exaltar: a homenagem a diferentes e grandes imigrantes que contribuíram para diferentes aspectos da cultura, pesquisa e conhecimento do país.

After the fire at the National Museum of the Federal University of Rio de Janeiro, the reconstruction of the collections became an imperative challenge for all Sections, especially the one that concerns the Section of Memory and Archive of the National Museum (SEMEAR). The purpose of this article is to examine the process of construction of the proposal of the Colheita system in the light of Social Memory, more specifically, to identify how the emotions narrated by a participant are imbricated in the conception of the proposal. The corpus of this article is composed of narratives told by the technician responsible for the system, which are part of a research interview, analyzed according to Interactional Sociolinguistics perspective whose categories contextualization clues and footing anchor the aforementioned theoretical-methodological contribution. The analytical work shows, on the one hand, how emotions are circumscribed in memory; on the other hand, how they guide the narrative flow of evoked memories. [ABSTRACT FROM AUTHOR]

Copyright of Migraciones is the property of Universidad Pontificia Comillas, Instituto Universitario de Estudios sobre Migraciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study analyzed the structure of social representations of an authoritarian regime in Brazil (Military Regime, 1964-1985), the variables associated with reporting different emotions about that past, and support for authoritarian solutions in the present. A sample of 200 participants aged 18 to 85 years (M = 31.54; SD = 13.84) responded to a free word association task in which they indicated three words that came to mind about the Military Regime. A prototypical analysis showed a critical representation as the majority. However, positive representations and a mute zone effect (silence of controversial opinions) were found. Participants also answered several questions about the regime, the emotions they feel, and the support for its restoration. Regression analyses showed different variables predicting positive and negative emotions, and positive representations strongly predicting support for a current authoritarian solution. [ABSTRACT FROM AUTHOR]

The memories of boys and girls who migrate contain past and present experiences of countries of origin and destination, as well as experiences of movement. This paper presents the results of research that aims to identify how migrant children's memories are constructed around experiences of violence and practices of agency. From the perspective of the new social studies of childhood and based on a field study in the city of Barcelona, it shows that in various spaces violence is conditioned by a web of power relations and vectors of differentiation (ethnicity, gender, nationality, age). It concludes that these memories strain the conception of violence against children as an individual, domestic/private problem, and generate meanings that facilitate agency for such childhoods in the present, going beyond vulnerability and subordination. [ABSTRACT FROM AUTHOR]

O processo de envelhecimento feminino e a vivência da avosidade é um elemento central na discussão sobre a sociedade patriarcal e as suas manifestações. Desta forma, este artigo tem por objetivo realizar uma reflexão sobre velhices femininas e sua relação com a avosidade, sintetizando discussões a partir da construção da tese “a visibilidade de mulheres idosas na contemporaneidade: construindo perspectivas sobre novos conceitos de avosidades”. Pretende-se, portanto, ressaltar a importância do envelhecimento feminino numa perspectiva crítica, possibilitando, assim, a reflexão sobre as opressões históricas vividas nas sociedades patriarcais e, assim, fomentar respostas através da abordagem interseccional, entrelaçada à discussão de avosidades, memória e identidade social. Com este artigo, almeja-se contribuir teoricamente para os estudos relacionados, numa abordagem multidimensional das velhices na contemporaneidade.

RESUMO O artigo apresenta e analisa a história e as conexões de diferentes experiências de comércio livreiro em São Paulo, Minas Gerais e Rio de Janeiro, entre 1972 e 2018, a saber: Livraria Contexto, Livraria Eboh, Livraria Griot, Sobá Livraria e Café, Kitabu Livraria Negra, Iná Livros, Livraria Africanidades. Especificamente livrarias negras, de proprietárias negras e donos negros, que se dedicaram a fazer circular a literatura produzida e editada pela autoria negra e/ou africana. Por vezes, com conexões com associações e movimentos negros coetâneos. Considerando a escassez de pesquisas sobre este objeto específico, foi utilizado como método principal a entrevista estruturada com os sujeitos envolvidos na atividade, análise de fontes secundárias bem como o recurso a pesquisa em jornais, que se revelou bastante importante para compreender alguns dos sentidos sociais atribuídos pelos comerciantes negros em sua atividade, seus alcances, conexões de sentidos e limites.

The process of female aging and the experience of grandmotherhood is a central element in the discussion of patriarchal society and its manifestations. Therefore, this article aims to reflect on female old age and its relationship with grandparenthood, synthesizing discussions based on the construction of the thesis “the visibility of elderly women in contemporary times: building perspectives on new concepts of grandparenthood”. It also intends to emphasize the importance of female aging in a critical perspective, thus enabling reflection on the historical oppressions experienced in patriarchal societies. And so encouraging responses through the intersectional approach intertwined with the discussion of grandparents, memory and social identity. This article aims to contribute theoretically to related studies in a multidimensional perspective of old age in contemporary times. [ABSTRACT FROM AUTHOR]

It reflects the story of the film Narradores de Javé through Benjamin's concepts of experience, memory and narration. It highlights the existing dialogism between the concepts, showing Benjamin's anti-conformist position in relation to the modern and capitalist world. It reveals that Narradores de Javé illustrates aspects of Benjamin's thinking centered on the communitarian, memorialistic and relational experience, interpreting this experience as a way of confronting domination, both the one enacted in the plot and the one experienced in everyday life. Finally, it considers that the film Narradores de Javé and Benjamin's thought offer formative subsidies in favor of critical awareness and the protagonism of the subjects, also proposing a brief approximation with the ideas of social protagonism and social information considered by Gomes in Information Science. [ABSTRACT FROM AUTHOR]

Until today "Canudos" is remembered as the stage of one of the biggest slaughters that took place in Brazil. The war that happened in the hinterland of Bahia in the end of the 19th century has become one of the most recurrents memories spread in relation to the town. In the literature, Euclides da Cunha narrates the campaign orchestrated by the republican government with the goal of end the community led by Antonio Maciel, "o Conselheiro". Cunha presents a witness perspective, but from an outside angle, because of the war funcion, while correspondent of the federal government. Therefore, this essay focuses on revisiting some memories constructed around Canudos, as a geographic space, based on the concept of trauma. As a consequence, this work intends to comprehend the current contestation by part of the local population in relation to previous narratives, like the ones find in "Os Sertões". This work still aims to make a connection between the reintegration processes of the region from the perspective of Henri Lefebvre's discussion about the right to the city. [ABSTRACT FROM AUTHOR]

Communities that experience extreme violence suffer damage to their social structure. This affects interpersonal relationships, feelings of social integration, and personal identities. In this article, we propose the concept of installation of trauma as both a sociopolitical construction and a strategy of meaning that allows a community to elaborate on traumatic events. The installation consists of the scaffolding of resources both material and symbolic, that offer situational interpretations of an experience. Focusing on symbolic elements, specifically on discursive frames as structures of meaning with communicative purposes, we analyzed the discursive frames of two communities that faced events of extreme violence (massacres), with the aim of studying the terms of installation and elaboration of collective trauma. The results revealed generic and specific discursive frames that allowed the community the construction of the trauma narrative. The concept of trauma installation serves to study psychosocial holding strategies in communities facing tragedy. [ABSTRACT FROM AUTHOR]

This article aims to understand the importance of memory in the elaboration of relevant archival policies for society, enabling the continuity of preservation programs and practices that contribute to access to information in the digital age. For this, a qualitative analysis was carried out through descriptive research and, regarding methodological procedures, a literature review of the scientific production available in the Information Science Database. The results allow the perception of the relationship between memory and politics in the area of Archival Science, leading to the understanding that the decisions and deliberations about the policy, aimed at the preservation and access to archival documents, end up composing and contributing to the mediation process involving the treatment and dissemination of information. Social memory influences information environments such as: archives, documentation centers and other information units, public or private, whose goal is to guard and preserve documental sets of interest to society, relating to the institutional memory of the organization and contributing to the articulation between theory and practice related to archival policy that focuses on document access and preservation. [ABSTRACT FROM AUTHOR]

This paper aims to contribute to the historiographical debate on the intertwining of oral history and public history based on research with founding leaders of the Brazilian prostitute movement. Drawing on an oral history project, I highlight the paths and engaged public history practices of the movement and their allies in cultural spaces. I discuss the potentialities of encounters sustained by "shared authorities," which catalyze the dissemination of the movement's public debates to wider audiences, while also mobilizing senses of belonging and maintaining the group's memory active and updated. [ABSTRACT FROM AUTHOR]

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A partir da análise de uma postagem de Miguel Ângelo Roberto D’Elia, médico, ex-diretor da Divisão de Doenças Mentais do Estado do Rio de Janeiro na década de 1960, e idealizador da construção do Manicômio Judiciário Henrique Roxo em Niterói, este artigo investiga a memória do processo de construção dessa instituição. O corpus deste artigo é constituído pelo post publicado no Google+, de autoria D’Elia. No texto, de cunho autobiográfico, o autor descreve uma rede de alianças sociais e políticas efetivadas durante o seu período na gestão pública, bem como as ações por ele protagonizadas até a inauguração do referido estabelecimento fluminense.

Resumo Este artigo trata da memória e do esquecimento das heranças culturais afro-brasileiras nas políticas de preservação do patrimônio cultural no Brasil. Para isso, problematiza as ações do IPHAN sob a perspectiva das políticas públicas para reparação dos afrodescendentes no Brasil, em relação ao reconhecimento e à valorização das referências culturais afro-brasileiras.

Las violaciones a los derechos humanos durante la guerra de Malvinas de 1982 suelen ser pensadas como una continuidad de la lógica político-represiva de la última dictadura cívicomilitar argentina (1976-1983). Pero las memorias de algunos protagonistas de la guerra sugieren historias de más larga duración. Desde una escucha feminista sensible al cuerpo, el artículo analiza diez testimonios de ex combatientes argentinos alojados en el Archivo Oral de Memoria Abierta, prestándole atención a ciertas prácticas disciplinarias y modos de gestión de la tropa. En esas continuidades entre la conscripción - que comenzó a principios del siglo XX - y la guerra de 1982, se advierten usinas de formación de la masculinidad hegemónica en Argentina; laboratorios donde se modelaban los cuerpos de los varones y las formas más tóxicas del heteropatriarcado

Infancia, memoria colectiva y migración, suelen ser temáticas que la literatura científica aborda por separado. En el presente artículo, exponemos los resultados de una revisión sistemática que tuvo como propósito identificar la producción científica en torno a la memoria social, la infancia y la migración entre los años 2010-2020 en formato de artículos científicos. Siguiendo las directrices PRISMA, incluimos 38 artículos científicos mediante un análisis temático. Los resultados dan cuenta de la construcción de memoria de los/as niños/as desde aspectos identitarios; a través de la transmisión intergeneracional y la posmemoria, y por medio de experiencias de migraciones transnacionales y forzadas. Por último, algunas investigaciones se preocupan de estudiar las memorias como prácticas de resistencia, y a los/as niños/as como agentes de la memoria colectiva. Finalmente, por medio de las discusiones y las conclusiones, reflexionamos sobre las maneras en que se conciben a los/as niños/as en estos campos de estudio y la importancia de valorar su participación en investigaciones que tratan sobre las prácticas de memoria y los procesos migratorios, junto a algunas limitaciones y contribuciones de la revisión.

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Copyright of Revista Estudos Feministas is the property of Revista Estudos Feministas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

O artigo propõe análise criminológica e filosófica do filme “Coringa”, de Todd Phillips. A partir da categoria memória social, sob a lente da desconstrução, pretendemos (re) imaginar o binário herói/vilão que estrutura a narrativa fílmica hollywoodiana. Nesse ponto, propomos repensar o binário verdadeiro/falso para descrever e desafiar as imagens estabilizadas sobre os enunciados da ciência. Sugerimos que as narrativas em torno da cidade mítica, povoada por heróis e vilões, conformam parte da memória social desse gênero peculiar na história do cinema. O cenário descrito é reelaborado a partir das semânticas criminológicas que articulamos (“criminologias de médicos, advogados e sociólogos”) no debate com o leitor. Na última parte, pelas mãos de Jacques Derrida, propomos lente filosófica pós-metafísica da narrativa fílmica. A partir da desconstrução do binário herói/vilão investimos nas brechas que levam à desconstrução do binário verdadeiro/falso, estabilizado no discurso científico, e do binário criminológico etiologia/reação social. Ao final, sugerimos que a proposta fílmica do Coringa se constitui em paradigma para se pensar as criminologias “do” cinema.

Copyright of Ciência & Trópico (03042685) is the property of Fundacao Joaquim Nabuco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociedad e Infancias is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Punto Género is the property of Revista Punto Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article deals with the Black Experimental Theater of São Paulo experience. It's a lesser known theater company than Black Experimental Theater of Rio de Janeiro, founded in 1944. My aim is analyzing its conception, goals, partnerships and anti-racist and anti-colonialist commitments, during 1945 and 1966 period. Newspapers archives and the bibliography on such issue were the main sources of analysis. [ABSTRACT FROM AUTHOR]

Este artigo propõe analisar os acontecimentos relacionados a necessidade de revisitar a receita de um bolinho crocante conhecido em uma região do estado do Piauí com mirrado. A demanda por fazê-lo surgiu em razão de uma antiga amiga da minha família, que estava distante há muitos anos, manifestar a vontade de voltar a sentir o sabor dele, pois era algo bastante significativo das suas lembranças de adolescência. O evento proporcionou um encontro intergeracional de algumas mulheres da família, com o propósito de retomar um saber-fazer que a passagem do tempo havia deslocado para o plano das incertezas. As observações e narrativas aqui apresentadas são utilizadas como dados etnográficos que colocam em evidência como vínculos familiares lidam com processos de transformações que atingem práticas culturais e, por consequência, afetam a memória social.

El paisaje es algo intrínseco en la formación de cualquier cosmovisión cultural. En este estudio nos centraremos en la comarca de l’Horta (València) para hablar de como se configura los registros culturales de lo que podríamos definir como un paisaje cultural único en Europa. En este lugar, también se articulan discursos que definen ecosaberes e historias de vida narradas por las personas que habitan el lugar. En este marco, analizaremos un proyecto que registra y archiva estas costumbres; construidas como contrarelato, por boca de todas sus propias protagonistas. Si un archivo se construye desde una esfera de poder, este anarchivo pretende articular nuevas narrativas desde la posibilidad de construir relatos horizontales y orgánicos. También como cápsulas de memoria, retazos de vidas que se entrecruzan en una catarsis emocional. Estas acciones pueden construir resistencias, y un tipo de estética social mediada por el arte. La forma de ordenar recuerdos pasados que nos ayudan a construir el futuro en una época de colapso, vinculada a una crisis ecológica y socioeconómica a nivel global.