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The Digital Twin (DT) technology has shown promise in transforming complex engineered systems. However, its adoption in the Architecture, Engineering, Construction, and Operation (AECO) field, particularly for Built Cultural Heritage (BCH) conservation, is still in its early stages. This study presents a systematic literature review of 85 academic publications to evaluate the current state of DT implementation in heritage building conservation and identifies areas for optimising preventive management. In addition, this review explores interpretations of the DT concept in this field, addressing overlaps with Historical/Heritage Building Information Modelling (HBIM), discusses DT functionalities and presents existing frameworks. The findings demonstrate the potential of DT to revolutionise BCH conservation through a holistic approach. However, further focus is needed on features and tools for enhancing performance-based management with targeted strategies and advanced data analysis. Future research should prioritise developing these aspects to fully leverage the potential of the DT paradigm in BCH conservation. [ABSTRACT FROM AUTHOR]

This study addresses the features of the internal structure of the geological layers adjacent to the Polychrome Hall ceiling of the Cave of Altamira (Spain) and their link to the distribution of moisture and geological discontinuities mainly as fractures, joints, bedding planes and detachments, using 3D Ground Penetrating Radar (GPR) mapping. In this research, 3D GPR data were collected with 300 MHz, 800 MHz and 1.6 GHz center frequency antennas. The data recorded with these three frequency antennas were combined to further our understanding of the layout of geological discontinuities and how they link to the moisture or water inputs that infiltrate and reach the ceiling surface where the rock art of the Polychrome Hall is located. The same 1 × 1 m2 area was adopted for 3D data acquisition with the three antennas, obtaining 3D isosurface (isoattribute-surface) images of internal distribution of moisture and structural features of the Polychrome Hall ceiling. The results derived from this study reveal significant insights into the overlying karst strata of Polychrome Hall, particularly the interface between the Polychrome Layer and the underlying Dolomitic Layer. The results show moisture patterns associated with geological features such as fractures, joints, detachments of strata and microcatchments, elucidating the mechanisms driving capillary rise and water infiltration coming from higher altitudes. The study primarily identifies areas of increased moisture content, correlating with earlier observations and enhancing our understanding of water infiltration patterns. This underscores the utility of 3D GPR as an essential tool for informing and putting conservation measures into practice. By delineating subsurface structures and moisture dynamics, this research contributes to a deeper analysis of the deterioration processes directly associated with the infiltration water both in this ceiling and in the rest of the Cave of Altamira, providing information to determine its future geological and hydrogeological evolution. [ABSTRACT FROM AUTHOR]

Palm Leaf Manuscripts are an invaluable part of the cultural heritage of the world. Due to their strong hygroscopic properties, Palm Leaf Manuscripts are particularly susceptible to fluctuations in environmental humidity. Therefore, studying the hygroscopic behavior of these manuscripts and understanding how it changes under different environmental conditions is crucial for exploring their intrinsic properties, aging mechanisms, and the development of effective conservation strategies. In this study, we employed the dynamic vapor sorption (DVS) method to investigate the changes in the hygroscopic properties of Palm Leaf Manuscripts under conditions of high temperature and high humidity. The results indicate that high-temperature environments reduce the number of adsorption sites and the hygroscopicity of palm leaves, weakening their physical adsorption and capillary action towards moisture while increasing the hysteresis in desorption, thereby enhancing the stability of palm leaves in fluctuating humidity conditions. Conversely, high-humidity environments increase the number of adsorption sites and the hygroscopicity of the leaves, strengthening their physical adsorption and capillary action, and reducing the hysteresis in desorption. The extent of these changes increases with the aging time of the manuscripts. The surface energy test results of the samples similarly indicate that exposure to high-temperature environments reduces both surface energy and hygroscopicity, while high-humidity environments increase surface energy and hygroscopicity. The infrared spectroscopy results show that in high-temperature environments, the crystallinity of cellulose within the palm leaves increases, whereas in high-humidity environments and under the influence of fungal erosion, both the cellulose and hemicellulose in the Palm Leaf Manuscripts undergo significant degradation, with the amorphous regions of cellulose degrading more than the crystalline regions. [ABSTRACT FROM AUTHOR]

This paper will examine the process taken to review current collection environment practices and the stakeholder management processes applied to various departments across the British Museum. The paper will provide key details on the parameters and controls considered for temperature, relative humidity, and light in the new guidance document, and consider successes and obstacles encountered throughout the project. Two case studies are included to show how the review has impacted on projects and collection environment since the new guidance has been authorised and brought into use. [ABSTRACT FROM AUTHOR]

This study aims to provide energy-efficient strategies for collections care in the face of financial and environmental challenges. Focusing on paper-based enclosures in storage rooms, the research proposes strategies to enhance energy efficiency by relaxing tight environmental controls. The five-stage process began with a standard test of hygrothermal properties and buffering capacity of the enclosures. In the second stage, a computer model was developed using the first stage results. This model was used in a series of specially designed tests simulating the transient heat, air, and moisture transfer between the room and enclosure to determine an acceptable room environment in which the enclosure conditions could meet collections care standards. The modelling results were used, in the third stage, to develop an AI model that predicted the enclosure conditions using room temperature and relative humidity (RH) inputs. In the final stage, a model for energy consumption of air-conditioning system operations was developed to predict across various control accuracies. Results indicate that the tight maintenance of room RH levels can be relaxed from 47–53% to 33–65%, with a corresponding reduction in energy consumption of approximately 16–18%. This relaxation, while maintaining enclosure conditions in line with conservation standards, was demonstrated through a simulation case at the National Library of Scotland. This study underscores the broader applicability of the developed procedure, asserting its relevance for cultural institutions seeking energy-saving potential through customized enclosure models. [ABSTRACT FROM AUTHOR]

The agents of deterioration (AoD) offer a structured categorization of hazards to collections: they are a basis for risk-informed preservation management. In drawing up the AoD their creators were not ignorant of wider societal issues of concern to conservators, but they envisaged them to be part of a broader institutional activity located beyond the scope of preventive conservation. Within conservation, there have been discussions about additional agents: social, cultural, or political causes of loss. Their continued exclusion from the AoD may mistakenly be interpreted as a lack of consideration of such concerns. There are reasons to limit the scope of an institution's preventive conservation system but not everyone agrees that those reasons are sufficient to justify this limitation. This paper is a discussion and disagreement by two authors. Henderson argues that dissociation should capture any loss of meaning resulting from any aspect of conservation practice, including cleaning, documentation, failure to respect beliefs, etc. She argues that dissociation from context may stop preventive conservators from identifying and respecting optimal traditional sustainable methods and techniques. Waller argues that the threat of losing context information about collection items should be managed as part of the wider cultural heritage institution's role and resolved through its engagement with the community. He acknowledges that preventive conservation can contribute to understanding and mitigating this form of loss, but advocates that primary responsibility must be situated at a higher level than the preventive conservation remit. [ABSTRACT FROM AUTHOR]

English Heritage (EH) is a large cultural heritage organisation, which cares for 1million artefacts over 136 sites. Preventive conservators and conservation scientists manage a mixture of controlled and uncontrolled historic site environments housing diverse object types. Two fine art conservators manage treatment programmes for easel and wall paintings, gilded frames and gilded furniture. Other objects are managed by preventive conservators and outsourced to private conservation studios for treatment. Sustainability is becoming an increasingly important part of the conservation team's agenda. Measuring and understanding the carbon impact of both the preventive and interventive conservators' work was an important starting point for creating more sustainable solutions. To create a baseline for future monitoring and carbon reduction, carbon footprint studies were undertaken to evaluate the carbon impact of interventive painting conservation treatments; preventive conservation framing (adapting frames and making microclimates for displaying paintings in non-ideal environments); and running conservation (humidistatic) heating vs air conditioning systems in display rooms. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Academic Social Science Studies is the property of Journal of Academic Social Science Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

[Display omitted] Paper-based relics is an important carrier for recording and preserving information, however, it faces irreversible UV-induced damage, including photocleavage, oxidation, acidification and discoloration, which seriously affects its value and lifespan. Carbon dots (CDs) possess excellent UV absorption and good chemical stability, making them suitable for UV protection. Herein, we propose a high-security and efficient method utilizing CDs films (CDFs) for preventive protection of paper against UV damage. The CDFs with high tunable UV absorbance and minimal absorbance in the visible light range, effectively shield paper from UV radiation while preserving its visual appeal. Moreover, the UV transmittance of the film can be fine-tuned to the content of CDs and can be easily removed from the paper without residue. Artificial accelerated UV aging experiments demonstrate the deceleration of acidification, oxidation, and photocleavage in the protected bamboo paper and Xuan paper. This research paces a new direction for the protection of paper and paper-based relics and artworks with emerging carbon materials, offering customizable protection effects tailored to specific preservation and exhibition requirements. This research pioneers a novel approach to preventive protection of paper and paper-based relics using emerging carbon dots materials, offering tailored protection for diverse preservation needs. [ABSTRACT FROM AUTHOR]

This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo Stefano dei Cavalieri in Pisa (Italy). Its wooden support is made of large horizontal planks glued together along their edges and stiffened by vertical, dovetailed crossbeams. The panel was tightly fastened to a church wall with several rigid bolts; due to the moisture cycling produced by rainwater leakage and a subsequent “compression set”, it had developed severe tension stresses perpendicular to the grain, resulting in cracks affecting both the wood and the paint layers. To decide how to carry out the structural restoration of the panel, it was necessary to know whether slippage could occur between the panel and crossbeams during seasonal variations in environmental humidity. Without slippage, tensile stresses would be generated in the wood and could produce further cracks and damage the paint layers. An in situ monitoring method for assessing the possibility of slippage was developed and implemented. An analysis of data collected over a period of 6 months before the structural restoration confirmed that adequate slippage was possible; hence, the decision to fully repair the cracks was taken. Monitoring continued for a year after restoration and confirmed the previous findings. This paper describes the monitoring method, the equipment used, the results of its implementation and its value as a preventive conservation tool.

Abstract Many historic buildings are at serious risk of deterioration due to changes in the moisture content of the soil under the buildings. Based on the typical deterioration problems of the Grand Deliverance Hall and the cultural relics in the hall, this study analyzes and concludes that the main factor affecting the generation and development of deterioration is groundwater erosion through environmental monitoring and geotechnical engineering investigation. The impact of changes in moisture content on the water-holding properties and pore distribution of the soil under the cultural-relics buildings was further assessed. Then, combined with the soil property, our study provides a novel and effective way to monitor and reflect the water-holding properties of the soil using electrochemical detection. The connected pore resistance and matrix suction decrease with the increase in the moisture content, both showing a power function law. Changes in moisture content cause changes in the thickness of the double electric layer, which in turn affects the connected pore resistance and matrix suction of soil. The greater the connected pore resistance, the greater the matrix suction and the water holding capacity. Finally, based on the research of this study and the conservation ideology of cultural relics that respects the original and minimizes intervention, protection recommendations to prevent groundwater erosion are proposed in order to provide guidance for future research. Graphical Abstract

Para determinar la aptitud de materiales de embalaje elaborados en papel/cartón y empleados en diferentes instituciones públicas a cargo de patrimonio documental costarricense, se llevó a cabo la medición de la acidez (pH) de los materiales, así como el uso de espectroscopía infrarroja para estudiar los cambios en la estructura cristalina de las moléculas de la celulosa del papel, las cuales influyen en la oxidación y degradación de la celulosa como consecuencia del envejecimiento (Chiriu et al., 2018). Estudiar los materiales empleados para embalar y almacenar documentos con valor histórico/patrimonial resulta de alta importancia ya que son estos los que se mantienen en contacto directo con los bienes por años, inclusive décadas. En total se llevó a cabo la medición de las propiedades fisicoquímicas en cuatro estadios de envejecimiento diferentes (0, 8, 15 y 28 días), para comparar los resultados y conocer los cambios y degradaciones en los materiales, esto con el fin de establecer cuáles de los materiales muestreados resultan más aptos para embalar patrimonio documental, tanto a corto como a largo plazo, y según los parámetros analizados = In order to determine the suitability of packaging materials made of paper/cardboard and used in different public institutions in charge of Costa Rican documentary heritage, the measurement of the acidity (pH) of the materials was carried out, as well as the use of infrared spectroscopy to study the changes in the crystalline structure of paper cellulose molecules, which influence the oxidation and degradation of cellulose as a consequence of aging (Chiriu et al., 2018). Studying the materials used to package and store documents with historical/heritage value is of high importance since these are the ones that remain in direct contact with the cultural assets for years, even decades. In total, the measurement of the physicochemical properties was carried out in four different aging stages (0, 8, 15 and 28 days) in order to compare the results and establish the changes and degradations in the materials, this to determine which of the sampled materials are more suitable for packaging documentary heritage, both in the short and long term, and according to the parameters analyzed.

This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo Stefano dei Cavalieri in Pisa (Italy). Its wooden support is made of large horizontal planks glued together along their edges and stiffened by vertical, dovetailed crossbeams. The panel was tightly fastened to a church wall with several rigid bolts; due to the moisture cycling produced by rainwater leakage and a subsequent "compression set", it had developed severe tension stresses perpendicular to the grain, resulting in cracks affecting both the wood and the paint layers. To decide how to carry out the structural restoration of the panel, it was necessary to know whether slippage could occur between the panel and crossbeams during seasonal variations in environmental humidity. Without slippage, tensile stresses would be generated in the wood and could produce further cracks and damage the paint layers. An in situ monitoring method for assessing the possibility of slippage was developed and implemented. An analysis of data collected over a period of 6 months before the structural restoration confirmed that adequate slippage was possible; hence, the decision to fully repair the cracks was taken. Monitoring continued for a year after restoration and confirmed the previous findings. This paper describes the monitoring method, the equipment used, the results of its implementation and its value as a preventive conservation tool. [ABSTRACT FROM AUTHOR]

Strong winds or typhoon disasters pose significant risks to historical buildings in many countries and regions. Although numerous researchers have discussed the damage caused by natural wind disasters, little attention has been paid to the potential impact of renovation and adaptive reuse strategies on the wind resistance performance of historical buildings—an avoidable human-induced factor. This study selected the representative ancestral hall building in Guangzhou, namely Lujiang Academy, for on-site investigation and Computational Fluid Dynamics (CFD) simulation analysis. It examined two renovation approaches: installing glass curtain walls around the courtyard and enclosing the top of the courtyard with a glass canopy. This study also assessed the roof wind pressure distribution in its unaltered state to evaluate the impact of different renovation strategies on roof wind load distribution. The results showed that installing glass curtain walls can effectively reduce the upward suction effect on the main hall roof, thereby improving its wind resistance performance. Conversely, enclosing the courtyard with a glass canopy may increase negative pressure on areas such as the eaves and corridor roofs, raising the risk of roof damage. This study systematically evaluated the renovation strategies for historical buildings, detailing the specific impacts of different retrofit measures on the wind resistance performance of building roofs. The methods and findings are significant not only for the renovation of ancestral hall heritage buildings in Guangzhou but also for providing practical scientific methods and technical strategies for the conservation and renovation of similar historical structures. This research demonstrates an effective approach to enhancing wind resistance and preventive protection for historical buildings. [ABSTRACT FROM AUTHOR]

A method was developed to analytically distinguish between the ventilated (v) and nonventilated (nv) fractions of water‐soluble ions in deposits of particle indoors. The indicative method was based on low‐cost passive outdoor and indoor sampling of the particle and ion deposits and NO2 gas and analysis of the regression values and residuals of the correlations between these parameters. The method was applied to measurements in the Pieskowa Skała Castle Museum in Poland. A dominating source of "soil and building dust" was indicated all year round, probably partly from renovation works of the castle, with larger total infiltration in the winter–spring (W‐S) but with a higher proportion of ventilation ingress in the summer–autumn (S‐A). About 60%–80%, by mass, of the water‐soluble ions in the soil and building dust were calcium and probably some magnesium bicarbonate (Ca(HCO3)2, Mg(HCO3)2) and about 10%–20% sulfates (SO4−−) with calcium (Ca++) and several other cations. The other main source of the ion deposits was indicated to be air pollution, with chloride (Cl−), sulfate (SO4−−), and nitrate (NO3−), from outdoor combustion sources, like traffic, residential heating, and industry. These were mainly v from outdoors in the colder parts of the year, but also to the more open locations in the S‐A. A small source of nv sulfate (SO4−−) was identified inside two showcases in the S‐A. The study showed good enclosure protection of the museum objects against exposure to particle pollution, but also the need to avoid the trapping of particle pollution inside showcases or closed rooms. The identification of the probable different amounts and sources of v and nv ions in the castle aided preventive actions to reduce the pollution exposure. [ABSTRACT FROM AUTHOR]

• Combined microwave/optic approach for detection and characterization of detachments of wall paintings. • Risk falling assessment of the detachments and their classification in "stable", "almost-stable" and "unstable". • Reconstruction of wall painting stratigraphy by non-destructive techniques. • Proof of concept of the proposed tool on the wall paintings masterpiece of Masolino, Masaccio and Filippino Lippi in the Brancacci chapel in Florence, with the support of laboratory tests on proper mock-ups. This paper evaluates the improvements in wall paintings diagnostic achievable by the synergistic combination of DHSPI, SIRT and MWR techniques. These innovative portable and non-destructive techniques for in-situ diagnostic were tested in laboratory on mock-ups mimicking the real conditions of wall painting defects (such as detachments, cavities and cracks), and on the frescoes painted by Masolino, Masaccio and Filippino Lippi (between 1422 and 1475) in the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy. This research activity was part of the Brancacci Chapel diagnostic and monitoring project, where the assessment of the state of conservation is a mandatory prerequisite for planning the subsequent restoration work. In common practice, restorers make the preliminary evaluation on the state of conservation of the wall paintings by visual and tactile inspection, without the use of any special scientific instrumentation. Cracks, cavities, lack of material, detachments, out-of-plumb and deformation of (non-)structural elements are reported in a condition report to document the state of conservation at a given point in time. In particular, the detachments are recognized by the tap test, but this is a discretionary and highly subjective method. Thus, there is a strong demand for the development of a portable and non-destructive approach that refines this preliminary survey with objective data. Here, we present the results produced by the combination of MWR (useful for the dimensional characterization of hidden defects in the wall) and DHSPI-SIRT to identify the extent of deformations induced by thermal stimulus, providing an objective confirmation of the preliminary investigation performed by restorers, in which the detachments were indicated as "stable", "not very stable" and "unstable", i.e. , close to falling. The integrated use of these techniques in situ , supported by a laboratory study on ad-hoc prepared mock-ups, proved to be suitable for a quantitative evaluation of damage risk to guide restoration strategy accordingly. [ABSTRACT FROM AUTHOR]

The conservation of Cultural Heritage in cave environments, especially those hosting cave art, requires comprehensive conservation strategies to mitigate degradation risks derived from climatic influences and human activities. This study, focused on the Polychrome Hall of the Cave of Altamira, highlights the importance of integrating remote sensing methodologies to carry out effective conservation actions. By coupling a georeferenced Ground Penetrating Radar (GPR) with a 1.6 GHz central-frequency antenna along with photogrammetry, we conducted non-invasive and high-resolution 3D studies to map preferential moisture pathways from the surface of the ceiling to the first 50 cm internally of the limestone structure. In parallel, we monitored the dynamics of surface water on the Ceiling and its correlation with pigment and other substance migrations. By standardizing our methodology, we aim to increase knowledge about the dynamics of infiltration water, which will enhance our understanding of the deterioration processes affecting cave paintings related to infiltration water. This will enable us to improve conservation strategies, suggesting possible indirect measures to reverse active deterioration processes. Integrating remote sensing techniques with geospatial analysis will aid in the validation and calibration of collected data, allowing for stronger interpretations of subsurface structures and conditions. All of this puts us in a position to contribute to the development of effective conservation methodologies, reduce alteration risks, and promote sustainable development practices, thus emphasizing the importance of remote sensing in safeguarding Cultural Heritage. [ABSTRACT FROM AUTHOR]

Transhumance and its associated heritage are extremely complex and dynamic systems, and their conservation requires the analysis of interdisciplinary factors. To this end, fuzzy cognitive maps (FCMs) and Delphi surveys were applied for the first time in the field of heritage conservation. The model was applied to the tangible and intangible transhumance heritage of Andorra to determine its current state of conservation and to evaluate strategies for its preservation. Two panels of experts worked on the development of the model. Five experts with profiles related to conservation and transhumance heritage formed the first panel, which designed the preliminary FCMs, while seven experts in Andorran cultural heritage (panel 2) adapted the preliminary FCM model to Andorran transhumance heritage using Delphi surveys. The FCM model allowed us to analyze the influence of different variables on the conservation of transhumance heritage and to assess policy decisions. Further studies will focus on the implementation of this model in other countries to establish common recommendations for the conservation of the cultural heritage of transhumance. [ABSTRACT FROM AUTHOR]

In order to determine the suitability of packaging materials made of paper/cardboard and used in different public institutions in charge of Costa Rican documentary heritage, the measurement of the acidity (pH) of the materials was carried out, as well as the use of infrared spectroscopy to study the changes in the crystalline structure of paper cellulose molecules, which influence the oxidation and degradation of cellulose as a consequence of aging (Chiriu et al., 2018). Studying the materials used to package and store documents with historical/heritage value is of high importance since these are the ones that remain in direct contact with the cultural assets for years, even decades. In total, the measurement of the physicochemical properties was carried out in four different aging stages (0, 8, 15 and 28 days), in order to compare the results and establish the changes and degradations in the materials, this to determine which of the sampled materials are more suitable for packaging documentary heritage, both in the short and long term, and according to the parameters analyzed. [ABSTRACT FROM AUTHOR]

Copyright of Sanat ve Tasarim Dergisi is the property of Ankara Haci Bayram Veli University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Transhumance and its associated heritage are extremely complex and dynamic systems, and their conservation requires the analysis of interdisciplinary factors. To this end, fuzzy cognitive maps (FCMs) and Delphi surveys were applied for the first time in the field of heritage conservation. The model was applied to the tangible and intangible transhumance heritage of Andorra to determine its current state of conservation and to evaluate strategies for its preservation. Two panels of experts worked on the development of the model. Five experts with profiles related to conservation and transhumance heritage formed the first panel, which designed the preliminary FCMs, while seven experts in Andorran cultural heritage (panel 2) adapted the preliminary FCM model to Andorran transhumance heritage using Delphi surveys. The FCM model allowed us to analyze the influence of different variables on the conservation of transhumance heritage and to assess policy decisions. Further studies will focus on the implementation of this model in other countries to establish common recommendations for the conservation of the cultural heritage of transhumance.

Abstract Since the introduction of the Oddy test in 1973, many museums and cultural institutions have put the method in use, developing their own versions and protocols. Currently the 3-in-1 version, temperature at 60 ºC and 2 g of tested material are set as common practice; however, other variables of the test are not standardized. The purpose of this study is to examine current versions of the Oddy test, to identify differences in the results derived from variations in the procedures, and ultimately raising awareness within the conservation community to work together towards a standardized protocol. In this article, we review the available information on the methodological differences in Oddy test protocols published in the literature related to glassware cleaning, coupon preparation, reaction vessel setup and rating of materials. Based on the review, and to highlight the many variables that could affect the results of the test, seven European cultural institutions working under the H2020 IPERION HS project performed a comparative 3-in-1 Oddy test by blindly evaluating the same ten materials. Each institution used its own test methodology but some guidelines were advised: (1) Detergents as a cleaning procedure for glassware, (2) P600 sandpaper or micromesh pad close to 1500 to prepare metal coupons and (3) 1:100 as water–air ratio. Despite this, differences between institutions’ results were still observed. Some of them are due to the differences in the coupons preparation, either in the sanding pattern or in the edge area. In order to separate the contribution of the experimental setup and the subjectivity of the evaluation in the discrepancies, coupons from all institutions have been rated by a single team of judges with experience in the Oddy Test. Results show that differences in the evaluation criteria play a relevant role in the discrepancies of the results, especially for institutions with less experience in the test. These results highlight the need to further standardize the methodology and criteria for visual assessment. Nevertheless, the Oddy test has been found to be reliable for the identification of materials that produce emissions hazardous for the conservation of cultural assets.

Dust deposition is an important aspect of the conservation of heritage collections. Most proposed methods for dust monitoring focus on total area coverage or airborne concentrations. There is a lack of published data and methodologies to obtain size distributions of deposited particles on real historic sites. The purpose of the study was to develop and describe a method for obtaining quantitative data from dust deposition without the need for sophisticated laboratory equipment, based on optical microscopy photography and software-based image analysis. Bare microscope slides were used as passive collectors of dust. Tests were carried out on a collection of oil paintings displayed in the cloister of the Monastery of Santa María de El Paular in the Sierra de Guadarrama in Spain for one year, with a distance of 100 km between this place and the laboratory. The designed method allowed for the detection of significant differences in deposition depending on the location and seasonal period. Vertically orientated bare slides did not provide relevant information and a magnification of 50× was not really useful. However, horizontal collectors and a magnification of 10× allowed studying the deposition of particles above 2 μm2. [ABSTRACT FROM AUTHOR]

Concerning preventive maintenance plans for heritage timber buildings, computational methods are pioneering knowledge for the implementation of new preservation approaches in heritage structure management. In this context, fuzzy logic and random forest methodologies manage both data obtained from professional experts and data obtained in situ from the buildings themselves. This kind of digital procedure can harmonize the outcomes of building assessments because slight variations in the evaluation of input parameters do not produce a significant dispersion over the model's output. Preventive conservation strategies require cooperation among qualified experts who examine multidisciplinary knowledge related to heritage properties. Thus, new digital protocols and procedures that help decision makers prioritize preventive interventions and avoid corrective actions are paramount in minimizing the irreparable loss of properties. The main aim of this research is a new approach to two computational management systems: fuzzy logic and random forest. The outcomes of this study will be useful to stakeholders who are responsible for the maintenance of heritage buildings, as this methodology reduces the probability of failure and uncertainty during decision-making. The instruments derived will establish mitigation strategies oriented toward proactive future maintenance programs for heritage timber buildings in southern Chile. [ABSTRACT FROM AUTHOR]

Since the introduction of the Oddy test in 1973, many museums and cultural institutions have put the method in use, developing their own versions and protocols. Currently the 3-in-1 version, temperature at 60 ºC and 2 g of tested material are set as common practice; however, other variables of the test are not standardized. The purpose of this study is to examine current versions of the Oddy test, to identify differences in the results derived from variations in the procedures, and ultimately raising awareness within the conservation community to work together towards a standardized protocol. In this article, we review the available information on the methodological differences in Oddy test protocols published in the literature related to glassware cleaning, coupon preparation, reaction vessel setup and rating of materials. Based on the review, and to highlight the many variables that could affect the results of the test, seven European cultural institutions working under the H2020 IPERION HS project performed a comparative 3-in-1 Oddy test by blindly evaluating the same ten materials. Each institution used its own test methodology but some guidelines were advised: (1) Detergents as a cleaning procedure for glassware, (2) P600 sandpaper or micromesh pad close to 1500 to prepare metal coupons and (3) 1:100 as water–air ratio. Despite this, differences between institutions' results were still observed. Some of them are due to the differences in the coupons preparation, either in the sanding pattern or in the edge area. In order to separate the contribution of the experimental setup and the subjectivity of the evaluation in the discrepancies, coupons from all institutions have been rated by a single team of judges with experience in the Oddy Test. Results show that differences in the evaluation criteria play a relevant role in the discrepancies of the results, especially for institutions with less experience in the test. These results highlight the need to further standardize the methodology and criteria for visual assessment. Nevertheless, the Oddy test has been found to be reliable for the identification of materials that produce emissions hazardous for the conservation of cultural assets. [ABSTRACT FROM AUTHOR]

• Integrated approach for multi-scale and multi-resolution diagnostics of wall paintings by the combination of wave-based and optical techniques. • Surface and subsurface investigation for the stratigraphic reconstruction of past intervention and modification. • For the first time, the microwave reflectometry is here proposed in combination with digital holographic speckle pattern interferometry for wall paintings inspection. • Proof of concept of the proposed tool on the wall paintings masterpiece of Masolino, Masaccio and Filippino Lippi in the Brancacci chapel in Firenze. Based on the analysis of the renaissance wall paintings by Masaccio, Masolino, and Filippino Lippi in the Brancacci chapel in Firenze, this paper discusses the use of complementary non-destructive techniques based on microwave and optical methods for the characterization of the structural integrity of the wall paintings and their support in masonry. The selected non-destructive techniques are the InfraRed Thermography (IRT), Ground Penetrating Radar (GPR), Microwave Reflectometry (MWR), and Digital Holographic Speckle Pattern Interferometry (DHSPI). In particular, the paper analyses the in-situ applicability of these techniques for the identification of the sequence of past interventions during centuries (stratigraphy analysis) and decay phenomena and defects, such as out-of-plumb or swelling area/elements, detachments, cracks and voids inside the wall. The results are compared with data obtained by means of consolidated techniques and methods, such as the Photogrammetry (performed by Structure from Motion method) and knocking test. The last one is normally used by restorers and conservators to recognize the presence of detachments. The proposed diagnostic strategy provides a survey from large scale by means of imaging techniques, to small scale increasing the spatial resolution thanks to the scanning of the surface by means of spot techniques. Therefore, the macroscopic survey of wall paintings was carried out using photogrammetry, in order to also provide metric information, to quantify the sizing out-of-plumb and swelling of the masonry or to locate of cracks, and followed by IRT. This preliminary morphometric survey was, supplemented by GPR, MWR and DHSPI for improve the results of the investigation. By combining these three techniques it was possible to inspect the entire thickness of the masonry (60-70 cm) with resolutions ranging from a few millimetres up to several centimetres. The combination of microwave-based and optical-based methods proved to be a valuable addition to routine methods for the holistic masonry diagnosis. Standard practice based on visual inspection and knocking test can be significantly improved and objectified by the proposed full-field, multi-sensor, multi-resolution approach. [ABSTRACT FROM AUTHOR]

• Two complementary injection techniques: HS and direct injection of a DMA extract. • Simple, non-destructive, visually non-disruptive sampling setup for a display case. • Method successfully used to detect volatile degradation markers in a display case. A novel method was developed and optimized for the determination of volatile organic compounds (VOCs) inside an airtight exhibition case used for the storage and display of museum artifacts. The method uses a static headspace module coupled to a gas chromatograph/mass spectrometer. In this method, the air is sampled by passive samplers (coconut shell charcoal and synthetic charcoal). In the laboratory, the VOCs are thermally desorbed (120 min, 60 °C) in the HS furnace after the addition of a small volume of dimethylacetamide (DMA). The VOCs present in the gas phase are then automatically analyzed by GC–MS. The information obtained is complemented by the analysis of the DMA liquid phase by direct injection GC–MS in the same chromatograph. The VOCs are identified by studying the mass spectra obtained by both techniques. This approach provides an economically viable, non-invasive and visually non-disruptive solution for VOC detection in enclosed spaces in museum environments. The use of two complementary injection techniques allows for good detection and suitable chromatographic response to a wide range of volatile compounds. This method was applied for the identification of VOCs present in an enclosed airtight exhibition case at the Museu Nacional d'Art de Catalunya (MNAC), where the formation of efflorescence was observed on the surface of a Modernist jewel displayed inside, as it was suspected that VOCs were the main cause for the degradation. Forty-five different VOCs were detected and identified inside the exhibition case: thirteen of them by HS–GC–MS, fifteen of them by direct injection GC–MS, and seventeen by both techniques. Among the most relevant VOCs identified, acetic acid, acetaldehyde and formaldehyde stand out due to the danger they pose to museum artifacts exposed in enclosed spaces, especially in the long term. [ABSTRACT FROM AUTHOR]

In order to manage problems arising from rainwater/rock interaction in Miocene sandstones (calcareous litharenites) widely used in various monuments of the Ebro Valley (NE of Spain), a survey has been conducted with particular application to the building and architectural decorative materials of the Cathedral of Huesca. Once the current state of decay was diagnosed and the processes of alteration (enhanced by certain intrinsic factors and their particular exposure to the environmental conditions) were detected, a pre-restoration experimental assay was conducted. On the one hand, to propose the best stone replacement, this study evaluates the compatibility of the available sandstones in the local market based on their intrinsic features, especially those related to hydric behaviour. Once the most suitable sandstone was selected, pore size distributions were determined along with accelerated ageing cycles to show the importance of selecting properly the potential replacement sandstone. In a second step, to determine the effectiveness and long-term efficacy of four water-repellent products, several on-site and laboratory tests were performed. From the experimental results obtained, remedial works have been proposed which will be useful not only for the restoration programme of this monument, but also for other emblematic architectural Heritage in the Ebro Valley.

Abstract In recent years increased research efforts and environmental improvements have been directed towards the preventive conservation of the monumental, unvarnished oil paintings on canvas (1909–1916) by Edvard Munch (1863–1944) housed in the University of Oslo Aula. Surface soiling of the paintings has been a documented issue since their display, and the modern-day effect of air-borne particulates and gases on the painting surfaces remains hitherto undocumented. For the first time in the Aula, this study has measured the in-situ time-dependent mass deposit of air pollution onto vertical surfaces over the period of one year (2021–2022). Concomitant measurements of the concentrations of ozone (O3) and nitrogen dioxide (NO2) were also taken, to complement periodic data from 2020. The mass deposit was measured through incremental weight changes of Teflon membrane filters, and quartz filters for analysis of elemental/organic carbon (EC/OC), whilst the gaseous pollutants were measured using passive gas samplers. Indoor-to-outdoor ratios (I/O) for O3 were noted to be higher than those suggested by earlier data, whereas NO2 I/O ratios were found to be lower, indicating a stronger oxidising atmosphere in the Aula. Just over half of the deposited mass on the quartz filters was found to be OC, with no EC detected. Surprisingly, an overall decrease in the mass deposit from three to twelve months was measured on the Teflon membrane filters. It was hypothesised, based on models reported in the literature, that the source of the OC on the filters was mainly gaseous, semi-volatile organic compounds (SVOCs), which were present in an adsorption/desorption equilibrium that was dependent on possible SVOC emission episodes, relative humidity levels, gaseous oxidative reactions and the particulate matter deposit. A simple mathematical model is proposed to rationalise the observed mass deposits on the filters, together with a discussion of uncertainties affecting the measurements. The hypothesis preliminarily indicates the possible and previously unconsidered role of SVOCs on the initial film formation of soiling layers on the Aula paintings, and could bear implications for their monitoring in the preventive care of unvarnished oil paintings on canvas.

Among the least investigated aspects in historical architecture, one is the microclimatic behaviour linked to the preventive conservation of cultural heritage. This aspect should be studied intensively since it is closely related to any deterioration phenomenon of materials and can have a crucial role in updating management systems of cultural sites. Today the sensors that monitor environmental parameters can transfer data in real time into a continuous monitoring logic (cloud platforms) and this, in addition to the development of software capable of modelling the thermo-hygrometric behaviour of buildings, opens up new lines of research. The authors believe that it represents one of the most promising areas of investigation and capable of offering greater results in terms of preventive and planned measures. This contribution collects an experience recently conducted, financed by the Ministry of University and Research, in one of the most prestigious Italian museums, the National Archaeological Museum of Naples (MANN). The monitoring and modelling methodologies are illustrated, as well as the objectives of the intervention, with a view to a fruition that holds the psycho-physical well-being of staff and visitors and the conservation of heritage as close as possible. The results are closely linked to the pandemic experience, with the secondary objective of risk prevention for people and cultural heritage.

This study addresses the features of the internal structure of the geological layers adjacent to the Polychrome Hall ceiling of the Cave of Altamira (Spain) and their link to the distribution of moisture and geological discontinuities mainly as fractures, joints, bedding planes and detachments, using 3D Ground Penetrating Radar (GPR) mapping. In this research, 3D GPR data were collected with 300 MHz, 800 MHz and 1.6 GHz center frequency antennas. The data recorded with these three frequency antennas were combined to further our understanding of the layout of geological discontinuities and how they link to the moisture or water inputs that infiltrate and reach the ceiling surface where the rock art of the Polychrome Hall is located. The same 1 × 1 m2 area was adopted for 3D data acquisition with the three antennas, obtaining 3D isosurface (isoattribute-surface) images of internal distribution of moisture and structural features of the Polychrome Hall ceiling. The results derived from this study reveal significant insights into the overlying karst strata of Polychrome Hall, particularly the interface between the Polychrome Layer and the underlying Dolomitic Layer. The results show moisture patterns associated with geological features such as fractures, joints, detachments of strata and microcatchments, elucidating the mechanisms driving capillary rise and water infiltration coming from higher altitudes. The study primarily identifies areas of increased moisture content, correlating with earlier observations and enhancing our understanding of water infiltration patterns. This underscores the utility of 3D GPR as an essential tool for informing and putting conservation measures into practice. By delineating subsurface structures and moisture dynamics, this research contributes to a deeper analysis of the deterioration processes directly associated with the infiltration water both in this ceiling and in the rest of the Cave of Altamira, providing information to determine its future geological and hydrogeological evolution.

In order to manage problems arising from rainwater/rock interaction in Miocene sandstones (calcareous litharenites) widely used in various monuments of the Ebro Valley (NE of Spain), a survey has been conducted with particular application to the building and architectural decorative materials of the Cathedral of Huesca. Once the current state of decay was diagnosed and the processes of alteration (enhanced by certain intrinsic factors and their particular exposure to the environmental conditions) were detected, a pre-restoration experimental assay was conducted. On the one hand, to propose the best stone replacement, this study evaluates the compatibility of the available sandstones in the local market based on their intrinsic features, especially those related to hydric behaviour. Once the most suitable sandstone was selected, pore size distributions were determined along with accelerated ageing cycles to show the importance of selecting properly the potential replacement sandstone. In a second step, to determine the effectiveness and long-term efficacy of four water-repellent products, several on-site and laboratory tests were performed. From the experimental results obtained, remedial works have been proposed which will be useful not only for the restoration programme of this monument, but also for other emblematic architectural Heritage in the Ebro Valley. [ABSTRACT FROM AUTHOR]

Fluctuations in environmental conditions appear to affect the conservation of paintings on copper and in this article we report the results of tests carried out using a simple experimental setup to confirm previous studies to show how temperature and RH (relative humidity) fluctuations influence the development of degradation phenomena affecting these paintings. The experiment was conducted on real miniature paintings and the results underline the impact that variations in RH can have on the preservation of oil paintings on copper. The contribution here aims to provide more data to enrich the available information on this topic and broaden the reflection on the risk factors for the conservation of this type of painting. The study also proposes a simple experimental setup with self-made climate chambers which can be useful to artificially test samples or materials for other studies in the conservation field. [ABSTRACT FROM AUTHOR]

To preserve their collections, heritage institutions must understand and mitigate causes of damage, including environmental factors. Historically at the British Library this was addressed by policies developed over decades—frequently without overarching guidance—and in response to changing requirements. As a result, these policies were often disjointed, complex and unrepresentative of current practice. This article addresses the review, revision and application of policy. This is informed by a focus on collection needs that incorporate human, operational and practical requirements; the pragmatic understanding of contributory issues; and sufficient flexibility to encourage engagement and support Library activities without jeopardising collection safety. The revised policy has afforded a variety of benefits, not least that it is a single, concise document. It provides explicit reference to material types and vulnerabilities, and the requirements of operational activities, emphasising preventive conservation concerns. It is accessible to other stakeholders, encouraging effective collaboration and leading to achievable outcomes, benefitting the institution as a whole. As such it has strengthened the role of preventive conservation within the Library, and provided a solid and adaptable basis for future work. [ABSTRACT FROM AUTHOR]

Storage enclosures made of paper-based materials are commonly used to store and classify archival documents for their hygrothermal buffering effect. However, there is little information about papermaking and quantitative studies on such an effect. Aiming to assess the feasibility of using the enclosure to buffer temperature and relative humidity fluctuations, without any detrimental effect on the collections, this paper reports four measurements and a feasibility assessment: thermophysical properties of the enclosure material, hygroscopic properties of the material, air change rate of the enclosure, buffering effect in a climate chamber and the assessment of safeguarding collections without causing any detrimental effect. The measurement results show that the enclosure can buffer macro-environmental fluctuations, which was considered sufficient to mitigate temperature and humidity fluctuations from the room environment and to secure a condition inside that is safe for the collections. The paper-based material determines the buffering capacity of the enclosure, and an appropriate air change rate ensures average temperature and relative humidity inside the enclosure at a controllable level and prevents off-gassing accumulation. This work provides assurance that using enclosures is an effective approach to collection storage and establishes a significant basis for further heat–air–moisture simulation and energy-saving optimisation study in the service operation. [ABSTRACT FROM AUTHOR]

This paper addresses the conservation problems of the cave of Altamira, a UNESCO World Heritage Site in Santillana del Mar, Cantabria, Spain, due to the effects of moisture and water inside the cave. The study focuses on the description of methods for estimating the trajectory and zones of humidity from the external environment to its eventual dripping on valuable cave paintings. To achieve this objective, several multisensor remote sensing techniques, both aerial and terrestrial, such as 3D laser scanning, a 2D ground penetrating radar, photogrammetry with unmanned aerial vehicles, and high-resolution terrestrial techniques are employed. These tools allow a detailed spatial analysis of the moisture and water in the cave. The paper highlights the importance of the dolomitic layer in the cave and how it influences the preservation of the ceiling, which varies according to its position, whether it is sealed with calcium carbonate, actively dripping, or not dripping. In addition, the crucial role of the central fracture and the areas of direct water infiltration in this process is examined. This research aids in understanding and conserving the site. It offers a novel approach to water-induced deterioration in rock art for professionals and researchers. [ABSTRACT FROM AUTHOR]

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In the Armenian context, most of the architectural heritages are monasteries often subjected to geological hazards and degradation of materials due to the environmental conditions. The aim of this study, in collaboration between the Ca’ Foscari University of Venice and the National University of Architecture and Construction of Armenia, was a preliminary analysis of the state of conservation of the UNESCO heritage site of Geghard Monastery. Specifically, this research reports the results of the multi-disciplinary investigation on the internal stone surfaces of the caved "Proshian family room" belonging to the XIII century. In situ analyses that consisted of a careful visual survey of the stone surface, environmental monitoring, water absorption and ultrasonic measurements were conducted.The collected data constitute a starting point for monitoring the degradation phenomena, which is helpful for future preventive conservative interventions. [ABSTRACT FROM AUTHOR]

Salt decay is one of the main decay mechanisms of the porous building materials but due to its complexity progress has been slow, both in terms of understanding the mechanism itself and defining mitigation solutions. Research has so far privileged a reductionist approach, focusing on the behavior of a few individual salts. However, the typical reality of these constructions is the presence of multi-ionic solutions from which, depending on the conditions, different types of salts can precipitate in different crystalline forms. The originality of Arnold and Zehnder was that they did not embrace reductionist approaches, maintaining the focus on salt mixtures and the way these behave in real constructions. This path has led to approaches to the problem and possible mitigation solutions that have not yet been adequately discussed and explored. In this review, I seek to identify the most interesting contributions of the two authors and the directions they suggest for future research. [ABSTRACT FROM AUTHOR]

In recent years increased research efforts and environmental improvements have been directed towards the preventive conservation of the monumental, unvarnished oil paintings on canvas (1909–1916) by Edvard Munch (1863–1944) housed in the University of Oslo Aula. Surface soiling of the paintings has been a documented issue since their display, and the modern-day effect of air-borne particulates and gases on the painting surfaces remains hitherto undocumented. For the first time in the Aula, this study has measured the in-situ time-dependent mass deposit of air pollution onto vertical surfaces over the period of one year (2021–2022). Concomitant measurements of the concentrations of ozone (O3) and nitrogen dioxide (NO2) were also taken, to complement periodic data from 2020. The mass deposit was measured through incremental weight changes of Teflon membrane filters, and quartz filters for analysis of elemental/organic carbon (EC/OC), whilst the gaseous pollutants were measured using passive gas samplers. Indoor-to-outdoor ratios (I/O) for O3 were noted to be higher than those suggested by earlier data, whereas NO2 I/O ratios were found to be lower, indicating a stronger oxidising atmosphere in the Aula. Just over half of the deposited mass on the quartz filters was found to be OC, with no EC detected. Surprisingly, an overall decrease in the mass deposit from three to twelve months was measured on the Teflon membrane filters. It was hypothesised, based on models reported in the literature, that the source of the OC on the filters was mainly gaseous, semi-volatile organic compounds (SVOCs), which were present in an adsorption/desorption equilibrium that was dependent on possible SVOC emission episodes, relative humidity levels, gaseous oxidative reactions and the particulate matter deposit. A simple mathematical model is proposed to rationalise the observed mass deposits on the filters, together with a discussion of uncertainties affecting the measurements. The hypothesis preliminarily indicates the possible and previously unconsidered role of SVOCs on the initial film formation of soiling layers on the Aula paintings, and could bear implications for their monitoring in the preventive care of unvarnished oil paintings on canvas. [ABSTRACT FROM AUTHOR]

Preventing the progressive deterioration of works of art over time is a topic of great interest to collectors and museums. With this aim, time capsules where environmental conditions remain unchanged are well known for preserving art. In this paper, a prototype of an IoT time capsule is presented with a focus on low cost in order to make it accessible to private collectors or small museums with tight budgets. Valencian 'sainetes' (small plays), which are considered materials of artistic interest, have been placed in a "time capsule", which is a manually made container with insulating materials for keeping small pieces for a long time. Environmental control has been performed with a low-cost microcontroller, sensors and actuators connected to a free online IoT platform. This platform recorded data and made decisions based on these data, sending cooling or heating orders to an environmental control system. The results obtained are very satisfactory and open interesting perspectives for future research. However, they also highlight some relevant technical and economic limitations that will have to be considered in the future. [ABSTRACT FROM AUTHOR]

In recent decades, the application of GIS and RS in archaeological and cultural heritage (ACH) has witnessed a notable surge both in terms of quantity and scope. During the initial implementation period (2016–2021) of the Digital Belt and Road Heritage (DBAR-Heritage) working group, several instances of GIS-RS-based applications in support of cultural heritage conservation have merged. In this paper, in order to discuss the great potential of GIS and RS on the Silk Road, an overview of GIS- and RS-based applications in ACH is first presented. In a substantial portion of the published scientific literature, the identification and comprehension of archaeological sites, the monitoring and risk assessment of cultural heritage, and the management and visualization of cultural heritage data are highlighted. Following this, five illustrative case studies from the DBAR-Heritage working group are presented to exemplify how the integration of GIS and RS serves as key approaches in recognizing and appreciating cultural heritage. These selected case studies showcase the utilization of multi-source data for the identification of linear sites; detailed, refined monitoring and assessment of the Angkor Wat heritage; and the reconstruction of the Silk Road routes. These instances serve as the cornerstone for highlighting current trends in GIS and RS applications in ACH along the Silk Road. These methodologies efficiently integrate multi-source geospatial data and employ multidisciplinary approaches, ultimately furnishing sophisticated and intelligent tools for the exploration and management of archaeological and cultural heritage in the era of Big Earth Data. Subsequently, a comprehensive discussion on the merits and challenges of GIS and RS applications in ACH is presented, followed by an exploration of the current application trends. Finally, the prospects for the widespread application of GIS and RS in ACH along the Silk Road are outlined in accordance with the operational plan of DBAR-Heritage during its second implementation phase. [ABSTRACT FROM AUTHOR]

Preventive conservation of archaeological buildings is one of the most important procedures that helps to preserve the sustainability of these buildings and transfers them to future generations with all their characteristics and values. The importance of this procedure increases with the increase in the building's value and uniqueness especially its archaeological value and historical depth. Therefore, the study came up with a proposal for the preventive conservation of the Valley Temple of King Khafre that is located in the Giza plateau. The temple receives visitors daily, but it suffers from a set of structural and architectural problems which threaten its sustainability and negatively affect its presentation. Therefore, the study aims to monitor risks and develop a proposal for preventive conservation through: a. a proposal for interventional conservation to get rid of the main problems b. developing a proposal to avoid future problems and c. suggesting ways to better present the temple. The study suggested a preventive conservation proposal for the temple, which includes urgent restoration work to keep the temple from collapsing or losing some granite blocks, roofing the temple as a preventive measure that contributes to reducing the effect of deterioration factors in its environment, as well as a way to better present it by simulating its original architecture where the temple had a roof. In addition to a proposal to use some modern techniques to display models of the King Khafre's statues inside the temple, with the possibility of employing these techniques to clarify some of the ancient Egyptian rituals that were performed in the temple. [ABSTRACT FROM AUTHOR]

Among the least investigated aspects in historical architecture, one is the microclimatic behaviour linked to the preventive conservation of cultural heritage. This aspect should be studied intensively since it is closely related to any deterioration phenomenon of materials and can have a crucial role in updating management systems of cultural sites. Today the sensors that monitor environmental parameters can transfer data in real time into a continuous monitoring logic (cloud platforms) and this, in addition to the development of software capable of modelling the thermo-hygrometric behaviour of buildings, opens up new lines of research. The authors believe that it represents one of the most promising areas of investigation and capable of offering greater results in terms of preventive and planned measures. This contribution collects an experience recently conducted, financed by the Ministry of University and Research, in one of the most prestigious Italian museums, the National Archaeological Museum of Naples (MANN). The monitoring and modelling methodologies are illustrated, as well as the objectives of the intervention, with a view to a fruition that holds the psycho-physical well-being of staff and visitors and the conservation of heritage as close as possible. The results are closely linked to the pandemic experience, with the secondary objective of risk prevention for people and cultural heritage. [ABSTRACT FROM AUTHOR]