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A new statistical control chart denoted as CHEWMA (Cultural Heritage EWMA) is proposed for microclimate monitoring in preventive conservation. This tool is a real-time detection method inspired by the EN 15757:2010 standard, serving as an alternative to its common adaptations. The proposed control chart is intended to detect short-term fluctuations (STFs) in temperature (T) and relative humidity (RH), which would enable timely interventions to mitigate the risk of mechanical damage to collections. The CHEWMA chart integrates the Exponentially Weighted Moving Average (EWMA) control chart with a weighting mechanism that prioritizes fluctuations occurring near extreme values. The methodology was validated using RH time series recorded by seven dataloggers installed at the Alava Fine Arts Museum, and, from these, seventy simulated time series were generated to enhance the robustness of the analyses. Sensitivity analyses demonstrated that, for the studied dataset, the CHEWMA chart exhibits stronger similarity to the application of EN 15757:2010 than other commonly used real-time STF detection methods in the literature. Furthermore, it provides a flexible option for real-time applications, enabling adaptation to specific conservation needs while remaining aligned with the general framework established by the standard. To the best of our knowledge, this is the first statistical process control chart designed for the field of preventive conservation of cultural heritage. Beyond assessing CHEWMA's performance, this study reveals that, when adapting the procedures of the European norm by developing a new real-time approach based on a simple moving average (herein termed SMA-FT), a window of approximately 14 days is more appropriate for STF detection than the commonly assumed 30-day period in the literature. [ABSTRACT FROM AUTHOR]

X-ray Computed Tomography (X-CT) is now an established technique for the investigation and diagnostics of Cultural Heritage. Its advantages include non-invasiveness, non-destructiveness, and the possibility of exploring the inner parts of an object without any modification. X-CT is often employed to investigate the construction methods of complex artifacts made with different parts or materials, but it is also able to support the analysis, intervention, monitoring and enhancement processes of artworks, creating digital models that can aid in the conservation and restoration procedures. In this work, several case studies are presented in which the CT technique has been decisive in identifying the effects of time and the events that occurred during the object's life influencing its state of conservation. These range from large objects, such as an 18th century CE writing cabinet or an ancient Egyptian wooden coffin, to very small artifacts, like Mesopotamian lapis lazuli beads or fragments of Roman colored glass. Additionally, the results obtained by µ-CT investigations on the conservation state of a bronze arrowhead uncovered from the Urama-chausuyama mounded tomb (Japan, Kofun period, end of the 3rd century CE) are presented here for the first time. Lastly, the versatility of the technique when applied with different setups is highlighted. [ABSTRACT FROM AUTHOR]

Copyright of Journal of the American Institute for Conservation is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the American Institute for Conservation is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the American Institute for Conservation is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the American Institute for Conservation is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Assessments of indoor microclimates are the first act of preventive conservation of cultural heritage. Interest in this subject has led to the development of an increasing number of standards and guidelines. This critical review examines the application of the main standards and guidelines for indoor microclimates for the preventive conservation of cultural heritage and proposes their synthesis in a common framework. In this manner, this study tries to shed light on their coordination and to propose guidance for better understanding and application. Generally speaking, there are two kinds of guidelines: the first is based on the fixed values of specific parameters, used as limits for the best preservation of the various materials, whereas the second identifies the historical microclimate specific to the environment as the reference for appropriate preservation, especially in the case of organic and hygroscopic materials. After analysing different standards and guidelines, the various parameters and calculation methods are discussed and summarised in a table for a synoptic comparison. [ABSTRACT FROM AUTHOR]

Historical tempera paints exposed to pollutant gases suffer chemical and mineralogical deterioration which manifests through physical changes. Knowledge about these changes is fundamental to develop strategies for preventive conservation of wall paintings. In this research, binary tempera mock-ups composed of calcite, gypsum or lead white mixed with a proteinaceous binder (i.e., egg yolk or rabbit glue) were exposed to an aging test by using SO2-rich atmosphere exposure to learn about the degradation mechanisms and forms related to the pigment–binder interaction. Reference (unaltered) and aged mock-ups were studied from a physical point of view, characterizing the morphological changes by using stereomicroscopy and profilometry, color variations by using spectrophotometry, gloss changes, and reflectance changes by using a hyperspectral camera. Also, mineralogical and chemical changes were studied by means of X-ray diffraction, Fourier transform infrared spectroscopy and scanning electron microscopy with energy-dispersive X-ray spectroscopy. Egg-yolk-based paints showed higher chromatic changes than their counterparts made of rabbit glue binder. Also, sulfate and sulfite salts precipitated on the surface of the aged paints regardless of their binder, influencing the painting reflectance which subsequently increased. Egg-yolk-based mock-ups exhibited roughness increases while the rabbit-glue-based paints showed roughness reduction, with the exception of lead-white-based paints. Therefore, the important influence of the type of binder and the interaction between the binder and the pigment on the durability of tempera paints in atmospheres rich in SO2 was confirmed. [ABSTRACT FROM AUTHOR]

[Display omitted] Paper-based relics is an important carrier for recording and preserving information, however, it faces irreversible UV-induced damage, including photocleavage, oxidation, acidification and discoloration, which seriously affects its value and lifespan. Carbon dots (CDs) possess excellent UV absorption and good chemical stability, making them suitable for UV protection. Herein, we propose a high-security and efficient method utilizing CDs films (CDFs) for preventive protection of paper against UV damage. The CDFs with high tunable UV absorbance and minimal absorbance in the visible light range, effectively shield paper from UV radiation while preserving its visual appeal. Moreover, the UV transmittance of the film can be fine-tuned to the content of CDs and can be easily removed from the paper without residue. Artificial accelerated UV aging experiments demonstrate the deceleration of acidification, oxidation, and photocleavage in the protected bamboo paper and Xuan paper. This research paces a new direction for the protection of paper and paper-based relics and artworks with emerging carbon materials, offering customizable protection effects tailored to specific preservation and exhibition requirements. This research pioneers a novel approach to preventive protection of paper and paper-based relics using emerging carbon dots materials, offering tailored protection for diverse preservation needs. [ABSTRACT FROM AUTHOR]

Palm Leaf Manuscripts represent a significant component of the world's cultural heritage. Investigating their primary chemical components and understanding the transformations these materials undergo under environmental influences are crucial for elucidating their material characteristics and aging mechanisms and developing effective strategies for preventive conservation. This study utilized infrared absorption spectroscopy and X-ray diffraction analysis to examine changes in the primary chemical components of Palm Leaf Manuscripts under varying relative humidity conditions over extended periods. The findings reveal that dry environments lead to surface cracking, while humid environments promote mold growth, both of which contribute to the degradation of the primary chemical components. These degradative processes reduce cellulose crystallinity and thermal stability. The deterioration is particularly severe under high humidity, with hemicellulose degrading faster and more extensively than cellulose under the same conditions. After 200 days of aging at 10% RH and 90% RH, cellulose degradation reached 19.82% and 54.40%, respectively, while hemicellulose degradation was 34.78% and 64.28%. Correspondingly, the relative crystallinity of cellulose decreased by 8.01% and 13.11%. In contrast, samples maintained at 50% RH exhibited minimal deterioration, with cellulose and hemicellulose degrading by only 4.08% and 13.55%, respectively, and a 6.61% reduction in cellulose crystallinity. These results suggest that a relative humidity of 50% is optimal for the preservation of Palm Leaf Manuscripts. This study offers significant insights into the ageing mechanisms and preventive conservation of Palm Leaf Manuscripts, as well as other cellulose-based organic heritage materials. [ABSTRACT FROM AUTHOR]

Heritage is strengthened through proactive actions, known as preventive conservation, that are considered before earthquakes, rather than reactive actions addressed when the emergency situation occurs. Considering that there are several regions around the world with very active seismicity, conservation interventions should guarantee human safety and the improvement of the inhabitant's living conditions while keeping alive the earthen fabric and adobe buildings, thus preserving the lives of the residents but also preserving cultural heritage in the face of earthquakes. The main aim of this paper is to define a comprehensive conservation procedure addressing the preventive conservation of vernacular adobe vaulted houses in Yazd, an Iranian World Heritage property, since 2017. The fundamental phases of this procedure, which this paper's structure is based on, include introducing the case study and addressing the conservation objectives, the assessment of significance and value, the seismic criteria, the conservation strategies, seismic safety assessment, and decision-making on interventions. The comprehensive preventive conservation procedure presented in this paper was determined by relevant conservation criteria, which contributed to an adequate seismic-retrofitted intervention design. This conservation approach requires evaluation of the seismic performance and the buildings' safety, through which the decision regarding intervention could be made. Accordingly, this research also dealt with the seismic safety assessment of an adobe building through numerical research work performed using the software HiStrA Ver.2022.1.6. Based on the numerical results, decisions on the need and on the extent of intervention techniques were addressed. In addition, a comparative study was performed on different seismic strengthening techniques available in the literature to define fundamental conservation criteria. In this way, there are more chances for human lives to be preserved if an earthquake occurs. [ABSTRACT FROM AUTHOR]

The Specola Museum is housed on the premises of the old Palermo Observatory, founded in 1790, and preserves most of the observatory’s cultural heritage. Environmental monitoring following the activation of air conditioning systems in 2018 revealed significant deviations from the historic thermo-hygrometric trends, with particularly dangerous fluctuations in relative humidity. A notable example of the impact of these changes is a 19th-century painted wooden Model of Mars, displayed in the Merz Hall since 2021. In less than two years, the Model has shown progressive damage to its paint layers. Conservation actions have been adopted to stop the deterioration process, but the risk of further deterioration phenomena involving other objects is expected to increase substantially in the absence of intervention. This paper presents the outcomes of a preliminary study on the thermo-hygrometric conditions in the Merz Hall. Based on the European Standard EN 15757: 2010 and the Italian Legislative decree of 10 May 2001, safe ranges for temperature and relative humidity have been identified for the long-term preservation of the collection. These findings will inform future climate management strategies in the museum.

On the surface of the Cave of Altamira’s prehistoric paintings, a series of active deterioration processes are evident, leading to significant alterations of this invaluable heritage. This study proposes a comprehensive methodology for the systematic recording and management of these alterations. To achieve this, advanced microphotogrammetric monitoring techniques are employed, allowing for the acquisition of very high-resolution images that provide objective and quantifiable data that let us determine the evolution of the alterations. By comparing these images with those from earlier campaigns, the study tracks changes. The data collected through this protocol has helped with the development of new research avenues to understand, among the many alteration processes that impact paintings, the dynamics of water and fluid mechanics affecting the conservation of Cave of Altamira. These investigations help clarify how, why, and at what rate degradation processes such as pigment migration, washing, and bacterial colonization occur. The insights gained from these techniques inform indirect conservation measures aimed at reducing the deterioration of the cave art, located both on the Polychrome ceiling and throughout the rest of the Cave of Altamira. The results underline the importance of regular monitoring and the application of precise, non-invasive techniques to protect rock art from continued degradation. This research provides a model for similar conservation initiatives at other vulnerable heritage sites.

Palm leaf manuscripts are a valuable part of world cultural heritage. Studying the mechanical properties of palm leaf manuscripts and their changes due to environmental influences is of great significance for understanding the material characteristics, aging mechanisms, and preventive conservation of these manuscripts. This study used dynamic vapor sorption (DVS) and a thermomechanical analyzer (TMA) to investigate the changes to the mechanical properties of palm leaf manuscripts in response to different relative humidity conditions and different time periods. The short-term study results show that exposure to varying relative humidities leads to changes in the equilibrium moisture content (EMC) of palm leaf manuscripts, causing the bending strength of the samples to decrease significantly with increasing humidity. The bending modulus initially increases and then decreases as the humidity increases. Moreover, the greater the desorption hysteresis of the samples, the more pronounced the changes to the mechanical properties. Therefore, a stable environment in terms of humidity can prevent changes in the mechanical properties of palm leaf manuscripts, thereby preventing the onset of degradation. The results of the long-term aging studies indicate that prolonged exposure to either very dry or very humid conditions greatly affects the mechanical properties of palm leaf manuscripts, which is detrimental to their preservation. The samples kept at 50% RH did not exhibit significant signs of deterioration, with no notable changes in their mechanical properties or chemical structure. This suggests that 50% RH is a relatively optimal humidity condition for the preservation of palm leaf manuscripts. [ABSTRACT FROM AUTHOR]

The Specola Museum is housed on the premises of the old Palermo Observatory, founded in 1790, and preserves most of the observatory's cultural heritage. Environmental monitoring following the activation of air conditioning systems in 2018 revealed significant deviations from the historic thermo-hygrometric trends, with particularly dangerous fluctuations in relative humidity. A notable example of the impact of these changes is a 19th-century painted wooden Model of Mars, displayed in the Merz Hall since 2021. In less than two years, the Model has shown progressive damage to its paint layers. Conservation actions have been adopted to stop the deterioration process, but the risk of further deterioration phenomena involving other objects is expected to increase substantially in the absence of intervention. This paper presents the outcomes of a preliminary study on the thermo-hygrometric conditions in the Merz Hall. Based on the European Standard EN 15757: 2010 and the Italian Legislative decree of 10 May 2001, safe ranges for temperature and relative humidity have been identified for the long-term preservation of the collection. These findings will inform future climate management strategies in the museum. [ABSTRACT FROM AUTHOR]

On the surface of the Cave of Altamira's prehistoric paintings, a series of active deterioration processes are evident, leading to significant alterations of this invaluable heritage. This study proposes a comprehensive methodology for the systematic recording and management of these alterations. To achieve this, advanced microphotogrammetric monitoring techniques are employed, allowing for the acquisition of very high-resolution images that provide objective and quantifiable data that let us determine the evolution of the alterations. By comparing these images with those from earlier campaigns, the study tracks changes. The data collected through this protocol has helped with the development of new research avenues to understand, among the many alteration processes that impact paintings, the dynamics of water and fluid mechanics affecting the conservation of Cave of Altamira. These investigations help clarify how, why, and at what rate degradation processes such as pigment migration, washing, and bacterial colonization occur. The insights gained from these techniques inform indirect conservation measures aimed at reducing the deterioration of the cave art, located both on the Polychrome ceiling and throughout the rest of the Cave of Altamira. The results underline the importance of regular monitoring and the application of precise, non-invasive techniques to protect rock art from continued degradation. This research provides a model for similar conservation initiatives at other vulnerable heritage sites. [ABSTRACT FROM AUTHOR]

The Digital Twin (DT) technology has shown promise in transforming complex engineered systems. However, its adoption in the Architecture, Engineering, Construction, and Operation (AECO) field, particularly for Built Cultural Heritage (BCH) conservation, is still in its early stages. This study presents a systematic literature review of 85 academic publications to evaluate the current state of DT implementation in heritage building conservation and identifies areas for optimising preventive management. In addition, this review explores interpretations of the DT concept in this field, addressing overlaps with Historical/Heritage Building Information Modelling (HBIM), discusses DT functionalities and presents existing frameworks. The findings demonstrate the potential of DT to revolutionise BCH conservation through a holistic approach. However, further focus is needed on features and tools for enhancing performance-based management with targeted strategies and advanced data analysis. Future research should prioritise developing these aspects to fully leverage the potential of the DT paradigm in BCH conservation. [ABSTRACT FROM AUTHOR]

This study addresses the features of the internal structure of the geological layers adjacent to the Polychrome Hall ceiling of the Cave of Altamira (Spain) and their link to the distribution of moisture and geological discontinuities mainly as fractures, joints, bedding planes and detachments, using 3D Ground Penetrating Radar (GPR) mapping. In this research, 3D GPR data were collected with 300 MHz, 800 MHz and 1.6 GHz center frequency antennas. The data recorded with these three frequency antennas were combined to further our understanding of the layout of geological discontinuities and how they link to the moisture or water inputs that infiltrate and reach the ceiling surface where the rock art of the Polychrome Hall is located. The same 1 × 1 m2 area was adopted for 3D data acquisition with the three antennas, obtaining 3D isosurface (isoattribute-surface) images of internal distribution of moisture and structural features of the Polychrome Hall ceiling. The results derived from this study reveal significant insights into the overlying karst strata of Polychrome Hall, particularly the interface between the Polychrome Layer and the underlying Dolomitic Layer. The results show moisture patterns associated with geological features such as fractures, joints, detachments of strata and microcatchments, elucidating the mechanisms driving capillary rise and water infiltration coming from higher altitudes. The study primarily identifies areas of increased moisture content, correlating with earlier observations and enhancing our understanding of water infiltration patterns. This underscores the utility of 3D GPR as an essential tool for informing and putting conservation measures into practice. By delineating subsurface structures and moisture dynamics, this research contributes to a deeper analysis of the deterioration processes directly associated with the infiltration water both in this ceiling and in the rest of the Cave of Altamira, providing information to determine its future geological and hydrogeological evolution. [ABSTRACT FROM AUTHOR]

Palm Leaf Manuscripts are an invaluable part of the cultural heritage of the world. Due to their strong hygroscopic properties, Palm Leaf Manuscripts are particularly susceptible to fluctuations in environmental humidity. Therefore, studying the hygroscopic behavior of these manuscripts and understanding how it changes under different environmental conditions is crucial for exploring their intrinsic properties, aging mechanisms, and the development of effective conservation strategies. In this study, we employed the dynamic vapor sorption (DVS) method to investigate the changes in the hygroscopic properties of Palm Leaf Manuscripts under conditions of high temperature and high humidity. The results indicate that high-temperature environments reduce the number of adsorption sites and the hygroscopicity of palm leaves, weakening their physical adsorption and capillary action towards moisture while increasing the hysteresis in desorption, thereby enhancing the stability of palm leaves in fluctuating humidity conditions. Conversely, high-humidity environments increase the number of adsorption sites and the hygroscopicity of the leaves, strengthening their physical adsorption and capillary action, and reducing the hysteresis in desorption. The extent of these changes increases with the aging time of the manuscripts. The surface energy test results of the samples similarly indicate that exposure to high-temperature environments reduces both surface energy and hygroscopicity, while high-humidity environments increase surface energy and hygroscopicity. The infrared spectroscopy results show that in high-temperature environments, the crystallinity of cellulose within the palm leaves increases, whereas in high-humidity environments and under the influence of fungal erosion, both the cellulose and hemicellulose in the Palm Leaf Manuscripts undergo significant degradation, with the amorphous regions of cellulose degrading more than the crystalline regions. [ABSTRACT FROM AUTHOR]

This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo Stefano dei Cavalieri in Pisa (Italy). Its wooden support is made of large horizontal planks glued together along their edges and stiffened by vertical, dovetailed crossbeams. The panel was tightly fastened to a church wall with several rigid bolts; due to the moisture cycling produced by rainwater leakage and a subsequent “compression set”, it had developed severe tension stresses perpendicular to the grain, resulting in cracks affecting both the wood and the paint layers. To decide how to carry out the structural restoration of the panel, it was necessary to know whether slippage could occur between the panel and crossbeams during seasonal variations in environmental humidity. Without slippage, tensile stresses would be generated in the wood and could produce further cracks and damage the paint layers. An in situ monitoring method for assessing the possibility of slippage was developed and implemented. An analysis of data collected over a period of 6 months before the structural restoration confirmed that adequate slippage was possible; hence, the decision to fully repair the cracks was taken. Monitoring continued for a year after restoration and confirmed the previous findings. This paper describes the monitoring method, the equipment used, the results of its implementation and its value as a preventive conservation tool.

Abstract Many historic buildings are at serious risk of deterioration due to changes in the moisture content of the soil under the buildings. Based on the typical deterioration problems of the Grand Deliverance Hall and the cultural relics in the hall, this study analyzes and concludes that the main factor affecting the generation and development of deterioration is groundwater erosion through environmental monitoring and geotechnical engineering investigation. The impact of changes in moisture content on the water-holding properties and pore distribution of the soil under the cultural-relics buildings was further assessed. Then, combined with the soil property, our study provides a novel and effective way to monitor and reflect the water-holding properties of the soil using electrochemical detection. The connected pore resistance and matrix suction decrease with the increase in the moisture content, both showing a power function law. Changes in moisture content cause changes in the thickness of the double electric layer, which in turn affects the connected pore resistance and matrix suction of soil. The greater the connected pore resistance, the greater the matrix suction and the water holding capacity. Finally, based on the research of this study and the conservation ideology of cultural relics that respects the original and minimizes intervention, protection recommendations to prevent groundwater erosion are proposed in order to provide guidance for future research. Graphical Abstract

This paper will examine the process taken to review current collection environment practices and the stakeholder management processes applied to various departments across the British Museum. The paper will provide key details on the parameters and controls considered for temperature, relative humidity, and light in the new guidance document, and consider successes and obstacles encountered throughout the project. Two case studies are included to show how the review has impacted on projects and collection environment since the new guidance has been authorised and brought into use. [ABSTRACT FROM AUTHOR]

This study aims to provide energy-efficient strategies for collections care in the face of financial and environmental challenges. Focusing on paper-based enclosures in storage rooms, the research proposes strategies to enhance energy efficiency by relaxing tight environmental controls. The five-stage process began with a standard test of hygrothermal properties and buffering capacity of the enclosures. In the second stage, a computer model was developed using the first stage results. This model was used in a series of specially designed tests simulating the transient heat, air, and moisture transfer between the room and enclosure to determine an acceptable room environment in which the enclosure conditions could meet collections care standards. The modelling results were used, in the third stage, to develop an AI model that predicted the enclosure conditions using room temperature and relative humidity (RH) inputs. In the final stage, a model for energy consumption of air-conditioning system operations was developed to predict across various control accuracies. Results indicate that the tight maintenance of room RH levels can be relaxed from 47–53% to 33–65%, with a corresponding reduction in energy consumption of approximately 16–18%. This relaxation, while maintaining enclosure conditions in line with conservation standards, was demonstrated through a simulation case at the National Library of Scotland. This study underscores the broader applicability of the developed procedure, asserting its relevance for cultural institutions seeking energy-saving potential through customized enclosure models. [ABSTRACT FROM AUTHOR]

The agents of deterioration (AoD) offer a structured categorization of hazards to collections: they are a basis for risk-informed preservation management. In drawing up the AoD their creators were not ignorant of wider societal issues of concern to conservators, but they envisaged them to be part of a broader institutional activity located beyond the scope of preventive conservation. Within conservation, there have been discussions about additional agents: social, cultural, or political causes of loss. Their continued exclusion from the AoD may mistakenly be interpreted as a lack of consideration of such concerns. There are reasons to limit the scope of an institution's preventive conservation system but not everyone agrees that those reasons are sufficient to justify this limitation. This paper is a discussion and disagreement by two authors. Henderson argues that dissociation should capture any loss of meaning resulting from any aspect of conservation practice, including cleaning, documentation, failure to respect beliefs, etc. She argues that dissociation from context may stop preventive conservators from identifying and respecting optimal traditional sustainable methods and techniques. Waller argues that the threat of losing context information about collection items should be managed as part of the wider cultural heritage institution's role and resolved through its engagement with the community. He acknowledges that preventive conservation can contribute to understanding and mitigating this form of loss, but advocates that primary responsibility must be situated at a higher level than the preventive conservation remit. [ABSTRACT FROM AUTHOR]

English Heritage (EH) is a large cultural heritage organisation, which cares for 1million artefacts over 136 sites. Preventive conservators and conservation scientists manage a mixture of controlled and uncontrolled historic site environments housing diverse object types. Two fine art conservators manage treatment programmes for easel and wall paintings, gilded frames and gilded furniture. Other objects are managed by preventive conservators and outsourced to private conservation studios for treatment. Sustainability is becoming an increasingly important part of the conservation team's agenda. Measuring and understanding the carbon impact of both the preventive and interventive conservators' work was an important starting point for creating more sustainable solutions. To create a baseline for future monitoring and carbon reduction, carbon footprint studies were undertaken to evaluate the carbon impact of interventive painting conservation treatments; preventive conservation framing (adapting frames and making microclimates for displaying paintings in non-ideal environments); and running conservation (humidistatic) heating vs air conditioning systems in display rooms. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Academic Social Science Studies is the property of Journal of Academic Social Science Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo Stefano dei Cavalieri in Pisa (Italy). Its wooden support is made of large horizontal planks glued together along their edges and stiffened by vertical, dovetailed crossbeams. The panel was tightly fastened to a church wall with several rigid bolts; due to the moisture cycling produced by rainwater leakage and a subsequent "compression set", it had developed severe tension stresses perpendicular to the grain, resulting in cracks affecting both the wood and the paint layers. To decide how to carry out the structural restoration of the panel, it was necessary to know whether slippage could occur between the panel and crossbeams during seasonal variations in environmental humidity. Without slippage, tensile stresses would be generated in the wood and could produce further cracks and damage the paint layers. An in situ monitoring method for assessing the possibility of slippage was developed and implemented. An analysis of data collected over a period of 6 months before the structural restoration confirmed that adequate slippage was possible; hence, the decision to fully repair the cracks was taken. Monitoring continued for a year after restoration and confirmed the previous findings. This paper describes the monitoring method, the equipment used, the results of its implementation and its value as a preventive conservation tool. [ABSTRACT FROM AUTHOR]

Strong winds or typhoon disasters pose significant risks to historical buildings in many countries and regions. Although numerous researchers have discussed the damage caused by natural wind disasters, little attention has been paid to the potential impact of renovation and adaptive reuse strategies on the wind resistance performance of historical buildings—an avoidable human-induced factor. This study selected the representative ancestral hall building in Guangzhou, namely Lujiang Academy, for on-site investigation and Computational Fluid Dynamics (CFD) simulation analysis. It examined two renovation approaches: installing glass curtain walls around the courtyard and enclosing the top of the courtyard with a glass canopy. This study also assessed the roof wind pressure distribution in its unaltered state to evaluate the impact of different renovation strategies on roof wind load distribution. The results showed that installing glass curtain walls can effectively reduce the upward suction effect on the main hall roof, thereby improving its wind resistance performance. Conversely, enclosing the courtyard with a glass canopy may increase negative pressure on areas such as the eaves and corridor roofs, raising the risk of roof damage. This study systematically evaluated the renovation strategies for historical buildings, detailing the specific impacts of different retrofit measures on the wind resistance performance of building roofs. The methods and findings are significant not only for the renovation of ancestral hall heritage buildings in Guangzhou but also for providing practical scientific methods and technical strategies for the conservation and renovation of similar historical structures. This research demonstrates an effective approach to enhancing wind resistance and preventive protection for historical buildings. [ABSTRACT FROM AUTHOR]

A method was developed to analytically distinguish between the ventilated (v) and nonventilated (nv) fractions of water‐soluble ions in deposits of particle indoors. The indicative method was based on low‐cost passive outdoor and indoor sampling of the particle and ion deposits and NO2 gas and analysis of the regression values and residuals of the correlations between these parameters. The method was applied to measurements in the Pieskowa Skała Castle Museum in Poland. A dominating source of "soil and building dust" was indicated all year round, probably partly from renovation works of the castle, with larger total infiltration in the winter–spring (W‐S) but with a higher proportion of ventilation ingress in the summer–autumn (S‐A). About 60%–80%, by mass, of the water‐soluble ions in the soil and building dust were calcium and probably some magnesium bicarbonate (Ca(HCO3)2, Mg(HCO3)2) and about 10%–20% sulfates (SO4−−) with calcium (Ca++) and several other cations. The other main source of the ion deposits was indicated to be air pollution, with chloride (Cl−), sulfate (SO4−−), and nitrate (NO3−), from outdoor combustion sources, like traffic, residential heating, and industry. These were mainly v from outdoors in the colder parts of the year, but also to the more open locations in the S‐A. A small source of nv sulfate (SO4−−) was identified inside two showcases in the S‐A. The study showed good enclosure protection of the museum objects against exposure to particle pollution, but also the need to avoid the trapping of particle pollution inside showcases or closed rooms. The identification of the probable different amounts and sources of v and nv ions in the castle aided preventive actions to reduce the pollution exposure. [ABSTRACT FROM AUTHOR]

Copyright of Ge-Conservación is the property of Instituto del Patrimonio Cultural and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This research aims to apply and evaluate the effectiveness of the QuiskScan method on the ecclesiastical assets of the Parish of Santo Domingo in Sanlúcar de Barrameda (Cádiz, Spain). The objectives are to test the viability of the method in a non-museum environment, assess the loss of value through a global evaluation of the different typologies present in the parish and determine which are more vulnerable to the identified risks. Using the risk analysis methodology applied in museums, an Excel matrix is used to assign values and assess vulnerability to agents of deterioration, the result of which is to determine the level of risk and whether this methodology is effective in assessing as another agent the ‘cult function’ they perform, which is crucial for this category of property.

Para determinar la aptitud de materiales de embalaje elaborados en papel/cartón y empleados en diferentes instituciones públicas a cargo de patrimonio documental costarricense, se llevó a cabo la medición de la acidez (pH) de los materiales, así como el uso de espectroscopía infrarroja para estudiar los cambios en la estructura cristalina de las moléculas de la celulosa del papel, las cuales influyen en la oxidación y degradación de la celulosa como consecuencia del envejecimiento (Chiriu et al., 2018). Estudiar los materiales empleados para embalar y almacenar documentos con valor histórico/patrimonial resulta de alta importancia ya que son estos los que se mantienen en contacto directo con los bienes por años, inclusive décadas. En total se llevó a cabo la medición de las propiedades fisicoquímicas en cuatro estadios de envejecimiento diferentes (0, 8, 15 y 28 días), para comparar los resultados y conocer los cambios y degradaciones en los materiales, esto con el fin de establecer cuáles de los materiales muestreados resultan más aptos para embalar patrimonio documental, tanto a corto como a largo plazo, y según los parámetros analizados = In order to determine the suitability of packaging materials made of paper/cardboard and used in different public institutions in charge of Costa Rican documentary heritage, the measurement of the acidity (pH) of the materials was carried out, as well as the use of infrared spectroscopy to study the changes in the crystalline structure of paper cellulose molecules, which influence the oxidation and degradation of cellulose as a consequence of aging (Chiriu et al., 2018). Studying the materials used to package and store documents with historical/heritage value is of high importance since these are the ones that remain in direct contact with the cultural assets for years, even decades. In total, the measurement of the physicochemical properties was carried out in four different aging stages (0, 8, 15 and 28 days) in order to compare the results and establish the changes and degradations in the materials, this to determine which of the sampled materials are more suitable for packaging documentary heritage, both in the short and long term, and according to the parameters analyzed.

Transhumance and its associated heritage are extremely complex and dynamic systems, and their conservation requires the analysis of interdisciplinary factors. To this end, fuzzy cognitive maps (FCMs) and Delphi surveys were applied for the first time in the field of heritage conservation. The model was applied to the tangible and intangible transhumance heritage of Andorra to determine its current state of conservation and to evaluate strategies for its preservation. Two panels of experts worked on the development of the model. Five experts with profiles related to conservation and transhumance heritage formed the first panel, which designed the preliminary FCMs, while seven experts in Andorran cultural heritage (panel 2) adapted the preliminary FCM model to Andorran transhumance heritage using Delphi surveys. The FCM model allowed us to analyze the influence of different variables on the conservation of transhumance heritage and to assess policy decisions. Further studies will focus on the implementation of this model in other countries to establish common recommendations for the conservation of the cultural heritage of transhumance.

Historical tempera paints exposed to pollutant gases suffer chemical and mineralogical deterioration which manifests through physical changes. Knowledge about these changes is fundamental to develop strategies for preventive conservation of wall paintings. In this research, binary tempera mock-ups composed of calcite, gypsum or lead white mixed with a proteinaceous binder (i.e., egg yolk or rabbit glue) were exposed to an aging test by using SO2-rich atmosphere exposure to learn about the degradation mechanisms and forms related to the pigment–binder interaction. Reference (unaltered) and aged mock-ups were studied from a physical point of view, characterizing the morphological changes by using stereomicroscopy and profilometry, color variations by using spectrophotometry, gloss changes, and reflectance changes by using a hyperspectral camera. Also, mineralogical and chemical changes were studied by means of X-ray diffraction, Fourier transform infrared spectroscopy and scanning electron microscopy with energy-dispersive X-ray spectroscopy. Egg-yolk-based paints showed higher chromatic changes than their counterparts made of rabbit glue binder. Also, sulfate and sulfite salts precipitated on the surface of the aged paints regardless of their binder, influencing the painting reflectance which subsequently increased. Egg-yolk-based mock-ups exhibited roughness increases while the rabbit-glue-based paints showed roughness reduction, with the exception of lead-white-based paints. Therefore, the important influence of the type of binder and the interaction between the binder and the pigment on the durability of tempera paints in atmospheres rich in SO2 was confirmed.

Heritage is strengthened through proactive actions, known as preventive conservation, that are considered before earthquakes, rather than reactive actions addressed when the emergency situation occurs. Considering that there are several regions around the world with very active seismicity, conservation interventions should guarantee human safety and the improvement of the inhabitant’s living conditions while keeping alive the earthen fabric and adobe buildings, thus preserving the lives of the residents but also preserving cultural heritage in the face of earthquakes. The main aim of this paper is to define a comprehensive conservation procedure addressing the preventive conservation of vernacular adobe vaulted houses in Yazd, an Iranian World Heritage property, since 2017. The fundamental phases of this procedure, which this paper’s structure is based on, include introducing the case study and addressing the conservation objectives, the assessment of significance and value, the seismic criteria, the conservation strategies, seismic safety assessment, and decision-making on interventions. The comprehensive preventive conservation procedure presented in this paper was determined by relevant conservation criteria, which contributed to an adequate seismic-retrofitted intervention design. This conservation approach requires evaluation of the seismic performance and the buildings’ safety, through which the decision regarding intervention could be made. Accordingly, this research also dealt with the seismic safety assessment of an adobe building through numerical research work performed using the software HiStrA Ver.2022.1.6. Based on the numerical results, decisions on the need and on the extent of intervention techniques were addressed. In addition, a comparative study was performed on different seismic strengthening techniques available in the literature to define fundamental conservation criteria. In this way, there are more chances for human lives to be preserved if an earthquake occurs.

The conservation of Cultural Heritage in cave environments, especially those hosting cave art, requires comprehensive conservation strategies to mitigate degradation risks derived from climatic influences and human activities. This study, focused on the Polychrome Hall of the Cave of Altamira, highlights the importance of integrating remote sensing methodologies to carry out effective conservation actions. By coupling a georeferenced Ground Penetrating Radar (GPR) with a 1.6 GHz central-frequency antenna along with photogrammetry, we conducted non-invasive and high-resolution 3D studies to map preferential moisture pathways from the surface of the ceiling to the first 50 cm internally of the limestone structure. In parallel, we monitored the dynamics of surface water on the Ceiling and its correlation with pigment and other substance migrations. By standardizing our methodology, we aim to increase knowledge about the dynamics of infiltration water, which will enhance our understanding of the deterioration processes affecting cave paintings related to infiltration water. This will enable us to improve conservation strategies, suggesting possible indirect measures to reverse active deterioration processes. Integrating remote sensing techniques with geospatial analysis will aid in the validation and calibration of collected data, allowing for stronger interpretations of subsurface structures and conditions. All of this puts us in a position to contribute to the development of effective conservation methodologies, reduce alteration risks, and promote sustainable development practices, thus emphasizing the importance of remote sensing in safeguarding Cultural Heritage. [ABSTRACT FROM AUTHOR]

Transhumance and its associated heritage are extremely complex and dynamic systems, and their conservation requires the analysis of interdisciplinary factors. To this end, fuzzy cognitive maps (FCMs) and Delphi surveys were applied for the first time in the field of heritage conservation. The model was applied to the tangible and intangible transhumance heritage of Andorra to determine its current state of conservation and to evaluate strategies for its preservation. Two panels of experts worked on the development of the model. Five experts with profiles related to conservation and transhumance heritage formed the first panel, which designed the preliminary FCMs, while seven experts in Andorran cultural heritage (panel 2) adapted the preliminary FCM model to Andorran transhumance heritage using Delphi surveys. The FCM model allowed us to analyze the influence of different variables on the conservation of transhumance heritage and to assess policy decisions. Further studies will focus on the implementation of this model in other countries to establish common recommendations for the conservation of the cultural heritage of transhumance. [ABSTRACT FROM AUTHOR]

Copyright of Sanat ve Tasarim Dergisi is the property of Ankara Haci Bayram Veli University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Dust deposition is an important aspect of the conservation of heritage collections. Most proposed methods for dust monitoring focus on total area coverage or airborne concentrations. There is a lack of published data and methodologies to obtain size distributions of deposited particles on real historic sites. The purpose of the study was to develop and describe a method for obtaining quantitative data from dust deposition without the need for sophisticated laboratory equipment, based on optical microscopy photography and software-based image analysis. Bare microscope slides were used as passive collectors of dust. Tests were carried out on a collection of oil paintings displayed in the cloister of the Monastery of Santa María de El Paular in the Sierra de Guadarrama in Spain for one year, with a distance of 100 km between this place and the laboratory. The designed method allowed for the detection of significant differences in deposition depending on the location and seasonal period. Vertically orientated bare slides did not provide relevant information and a magnification of 50× was not really useful. However, horizontal collectors and a magnification of 10× allowed studying the deposition of particles above 2 μm2. [ABSTRACT FROM AUTHOR]

Concerning preventive maintenance plans for heritage timber buildings, computational methods are pioneering knowledge for the implementation of new preservation approaches in heritage structure management. In this context, fuzzy logic and random forest methodologies manage both data obtained from professional experts and data obtained in situ from the buildings themselves. This kind of digital procedure can harmonize the outcomes of building assessments because slight variations in the evaluation of input parameters do not produce a significant dispersion over the model's output. Preventive conservation strategies require cooperation among qualified experts who examine multidisciplinary knowledge related to heritage properties. Thus, new digital protocols and procedures that help decision makers prioritize preventive interventions and avoid corrective actions are paramount in minimizing the irreparable loss of properties. The main aim of this research is a new approach to two computational management systems: fuzzy logic and random forest. The outcomes of this study will be useful to stakeholders who are responsible for the maintenance of heritage buildings, as this methodology reduces the probability of failure and uncertainty during decision-making. The instruments derived will establish mitigation strategies oriented toward proactive future maintenance programs for heritage timber buildings in southern Chile. [ABSTRACT FROM AUTHOR]

Abstract Since the introduction of the Oddy test in 1973, many museums and cultural institutions have put the method in use, developing their own versions and protocols. Currently the 3-in-1 version, temperature at 60 ºC and 2 g of tested material are set as common practice; however, other variables of the test are not standardized. The purpose of this study is to examine current versions of the Oddy test, to identify differences in the results derived from variations in the procedures, and ultimately raising awareness within the conservation community to work together towards a standardized protocol. In this article, we review the available information on the methodological differences in Oddy test protocols published in the literature related to glassware cleaning, coupon preparation, reaction vessel setup and rating of materials. Based on the review, and to highlight the many variables that could affect the results of the test, seven European cultural institutions working under the H2020 IPERION HS project performed a comparative 3-in-1 Oddy test by blindly evaluating the same ten materials. Each institution used its own test methodology but some guidelines were advised: (1) Detergents as a cleaning procedure for glassware, (2) P600 sandpaper or micromesh pad close to 1500 to prepare metal coupons and (3) 1:100 as water–air ratio. Despite this, differences between institutions’ results were still observed. Some of them are due to the differences in the coupons preparation, either in the sanding pattern or in the edge area. In order to separate the contribution of the experimental setup and the subjectivity of the evaluation in the discrepancies, coupons from all institutions have been rated by a single team of judges with experience in the Oddy Test. Results show that differences in the evaluation criteria play a relevant role in the discrepancies of the results, especially for institutions with less experience in the test. These results highlight the need to further standardize the methodology and criteria for visual assessment. Nevertheless, the Oddy test has been found to be reliable for the identification of materials that produce emissions hazardous for the conservation of cultural assets.