Search

Namen diplomskega dela je prikazati pomembnost zakonov gestalta pri izdelavi celostne grafične podobe. Diplomsko delo je sestavljeno iz teoretičnega in praktičnega dela. V prvem delu bom izpostavila pojem gestalt teorije, ga natančno definirala ter preučila posamezne zakone gestalta. Sledi definiranje splošnega pojma grafičnega oblikovanja, loga, logotipa in predstavitev procesa oblikovanja vizualnih sporočil. Prav tako bom analizirala tudi druge logotipe v odnosu do zakonov gestalta. V teoretičnem delu bom predstavila nujnost poznavanja zaznavnih načel oblikovanja. Na podlagi teoretičnega dela, torej z gestaltističnimi zakoni, bom v praktičnem delu predstavila rešitev loga, logotipa za podjetje APS, d. o. o., ki se ukvarja z informatizacijo interne logistike. Celostno grafično podobo bom aplicirala tudi na promocijske izdelke omenjenega podjetja. Pojasnila bom tudi sam proces oblikovanja celostne grafične podobe. Cilj je razviti učinkovito takšno celostno grafično podobo, da najbolje prikazuje identiteto podjetja, je dobro prepoznavna in svojstvena. Pravzaprav se vsa komunikacija s podjetjem prične pri celostni grafični podobi, ta pa nam prikazuje identiteto podjetja, s čimer se lahko približamo potencialni stranki ali pa jo morebiti odvrnemo z motečo ali pomanjkljivo celostno grafično podobo. The purpose of the diploma thesis is to demonstrate the importance of Gestalt principles when creating a corporate identity. The diploma thesis consists of a theoretical and an empirical section. The first section highlights the concept of Gestalt theory, defines it thoroughly, and then examines individual Gestalt principles. This is followed by a definition of the concept of graphic design, of a logo/logotype, and a presentation of the process of designing visual messages. We will also analyse other logotypes in relation to Gestalt principles. The theoretical section points out the necessity of being familiar with the principles of perception in design. Based on the theoretical section, i.e., on Gestalt principles, the practical section will present a possible logo/logotype design for the company APS, d.o.o., which is engaged in the informatization of internal logistics. The corporate identity will also be applied to the promotional products of this company. We will also explain the very process of designing a corporate identity. The aim is to develop an efficient corporate identity that best represents the company's identity, is recognizable and unique. In fact, communication with a company begins with its corporate identity, which presents the identity of the company and either attracts potential clients or drives them away if it is unappealing or incomplete.

Diplomska naloga se osredotoča na pomembnost zaznave v teoriji udejanjene kognicije. Kakor v svojem članku predlaga Di Paolo (2017), kot izhodiščna teorija zaznavnega učenja služi Piagetova genetska epistemologija, natančneje vidik, da se »kognitivne strukture porajajo iz ponavljajočih se senzomotoričnih vzorcev, ki omogočajo, da je delovanje zaznavno vodeno« (Varela et al., 2017: 274). Glavno vprašanje naloge je v kolikšni meri, če sploh, je možno združiti teoriji, ki se na prvi pogled razlikujeta v kar nekaj temeljnih stališčih, predvsem pri vprašanju funkcije reprezentacije, in posledično, če je preplet možen, na kakšen način. Najprej s bom posvetila splošnejši predstavitve obeh teorij in nato na kratko pomembnosti telesa in zaznave, ne zgolj kot pred-lingvističnima pojmoma, temveč kot podlago in vedno prisoten temelj v našem delovanju in razvoju. Kot mesto združitve bo nato služila teorija gradnje senzomotoričnega védenja s pomočjo miselnih procesov ekvilibracije, asimilacije in akomodacije, razumljene kot jih predstavi Piaget, na teoretični podlagi udejanjene kognicije, kjer je za spoznavo nujno medsebojno delovanja sveta in organizma. Preplet teorij bo posredno odgovarjal tudi na vprašanje Menonovega paradoksa, kako je s trenutnimi shemami védenja možno usvojiti novo znanje. The thesis focuses on the importance of perception in the theory of enacted cognition. As Di Paolo (2017) suggests in his article, Piaget's genetic epistemology serves as the starting point for perceptual learning theory, more precisely the aspect that "cognitive structures arise from repeated sensorimotor patterns that allow action to be perceptually guided" (Varela et al., 2017: 274). The main question of the paper is to what extent, if at all, it is possible to combine the two theories, which at first glance differ in quite a few fundamental points of view, especially regarding the question of the function of representation and, consequently, if the interweaving is possible, in what way. First, I will focus on a more general presentation of both theories and then briefly on the importance of the body and perception, not only as pre-linguistic concepts, but as a basis and an ever-present foundation in our functioning and development. The theory of building sensorimotor knowledge with the help of thought processes of equilibration, assimilation, and accommodation, understood as presented by Piaget, on the theoretical basis of enactive cognition, where cognition requires the interaction of the world and the organism, will then serve as a place of unification. The interweaving of theories will also indirectly answer the question of Meno's paradox, how it is possible to acquire new knowledge with current schemes of knowledge.

Magistrska naloga obravnava tematiko vpliva sestave vina na percepcijo senzoričnih lastnosti vina. Namen naloge je bil pokazati, kakšen vpliv imajo sestavine vina na to, kako vino dojemamo in kakšen je razvoj okusa ter zaznav oziroma občutkov dveh vzorcev vina, belega in rdečega. S pomočjo delavnice, namenjene razlikovanju med strukturo in teksturo vina, smo s tremi različnimi senzoričnimi metodami – trenutno prevladujoča zaznava (TPZ), »označi vse, kar ustreza« (CATA) in 9-točkovno hedonsko lestvico – dobili rezultate, ki na praktičen način prikazujejo tisto, kar smo v teoretičnem delu naloge predstavili. Glavna dognanja so, da je zaznavanje strukture in teksture vina povezano s časom. V prvih 45 sekundah okušanja se izrazijo strukturni gradniki vina, torej senzorični atributi okusa. V našem primeru so bili to sladkost, kislost in grenkoba. Po dobrih 30 sekundah se je začela kazati tekstura vina, s hrapavostjo, oljavostjo in ostalimi opisniki teksture. Nato je sledil pookus vina, kjer je bil vzorcema skupen kovinski okus. Pri metodi CATA smo s pomočjo besednega oblaka orisali okus vina in opazili, da sta si glede na percepcijo vzorca precej podobna, kajti dva glavna opisnika obeh sta grenko in kislo. Hedonska analiza nam je razkrila splošno všečnost vzorca vina. Sestava vina ima močan vpliv na percepcijo senzoričnih lastnosti in všečnosti vina, kajti pravo sliko vina dobimo, ko njegove komponente reagirajo z notranjostjo ustne votline preskuševalca. This master's thesis deals with the topics of the influence of wine composition on the perception of sensory properties of wine. The purpose of the thesis was to show the influence of wine components on our perception of wine and the development of its taste and perception of two samples of wine, white and red. With a workshop designed to distinguish between the structure and texture of wine, we obtained results using three different sensory methods – Temporal dominance of sensations (TDS), Check-all-that-apply (CATA) and the 9-points Hedonic scale – that demonstrate in a practical way what we presented in the theoretical part of the thesis. The main findings are that the perception of the structure and texture of wine is related to time. In the first 45 seconds of tasting, the structural building compounds of wine, i.e. sensory attributes of taste, are expressed. In our case, it was sweetness, acidity and bitterness. After about 30 seconds, the texture of the wine began to show roughness, oiliness and other texture descriptors. This was followed by an aftertaste, where the two samples had a common metallic taste. In the CATA method, we created a graphical presentation of the wine's taste, using a word cloud to outline the tastes and observed that they were quite similar in terms of sample perception, as the two main descriptors of both were bitter and acidic. Hedonic analysis revealed to us the general liking of the wine sample. The composition of wine has a strong influence on the perception of the sensory properties and liking of wine, because the true image of wine is obtained when its components react with the interior of the taster's mouth.

V magistrski nalogi raziskujem otroštvo kot družbeni in osebni konstrukt. Tematika je obširna, kompleksna in večplastna, zato sem se pri pisanju omejila in osredotočila predvsem na tiste vidike, za katere menim, da pripomorejo k lažjemu razumevanju praktičnega dela magistrske naloge. V teoretičnem delu sem najprej raziskala, kako se je dojemanje otroštva skozi zgodovino spreminjalo, nato pa s pomočjo različnih teorij, tudi psihoanalitičnih, poskušala pojasniti, kako zgodnje izkušnje vplivajo na razvoj osebnosti in kako z nami »ostajajo« v odraslosti. V praktičnem delu magistrske naloge sem se spraševala o naravi naše zaznave, o simboliki svetlobe otroka, kot ponavljajoči se motiv v svojem ustvarjanju, pa poskušala reflektirati na sebi lasten način. Opis tematike risb in grafik sem zaključila z mislimi o družbenih notah, ki se odražajo v samih delih. Nadaljevala sem z daljšim opisom mojih risarskih in grafičnih tehničnih postopkov, ki se mi zdijo pomemben del moje umetniške prakse. This thesis explores childhood as a social and personal construct, which is vast, complex and multi-layered topic it is limited and oriented mostly by those aspects, which lead to understanding the practical part of this masters’ thesis. The theoretical part first researches, how the perception of childhood changed through the history what follows is an attempt to explain, how the early experiences, which often stay with us in adulthood, affect the development of a personality with the help of various theories, including psychoanalytical theories. The description of the practical part of the thesis includes wondering about the nature of our perception, the symbolism of light and to reflect the child as a reoccurring motif in my own work in its own approach. I concluded the theme description of my drawings and prints with thoughts about the social aspects that are present in my work. I went on to a longer description of own drawing and graphical technical procedures, which are an important element of my art practice

V magistrskem delu je predstavljen razvoj robotskega mehanizma za pobiranje stebelne zelenjave. Najprej so predstavljene uveljavljene rešitve, obravnavani različni pristopi in utemeljena izbira mehanizma. Sledi opis teoretične analize ter zasnove in izdelave mehanizma. Opisani sta zasnova in izdelava orodja za pobiranje rastlin. Predstavljena je strojna in programska oprema. V delu smo raziskali in predstavili tudi možnosti zaznave rastlin. Osredotočili smo se na zajem podatkov za namen zaznave. Predstavljena je izdelana mobilna platforma za zajem podatkov. Opisana sta merilni sistem in uporabljena senzorika. Nato so prikazane in analizirane zajete meritve. Delo smo sklenili s preizkusom robotskega sistema za pobiranje špargljev. Opisana sta delovanje robotskega mehanizma in pobiranje poganjkov. Aplikacija je ovrednotena in predlagane so izboljšave. Opisano je nadaljevanje projekta izdelave robotskega sistema za pobiranje stebelne zelenjave. This thesis addresses the development of a robotic system for harvesting green asparagus. First, established solutions are presented, different approaches are discussed and the choice of the mechanism is justified. This is followed by the presentation of the theoretical analysis, the design and the construction of the selected robotic mechanism, wherein the design and the construction of the harvesting tool are described. Lastly, the hardware and software of the robotic mechanism are presented. The possibilities of plant detection are also investigated and presented. The primary focus lies on data acquisition. A mobile platform for data acquisition developed specifically for the object of this thesis is presented. The measurement system and the sensors are described, followed by the presentation and analysis of the captured measurements. The thesis is concluded with a test of the robotic harvesting system for asparagus. The operation of the robotic mechanism is described, along with its abilities to harvest and pick up asparagus. The application is evaluated and improvements are suggested. Finally, according to the proposition to continue developing the robotic system for harvesting stem vegetables, further development of the project is set out.

Diplomska naloga obravnava odnos med človekom in naravo, vplive na človekovo zaznavo in koncept senzorialnega odmika, ki sem ga v praksi izvajal z uporabo metode dérive (angleško drift). Metodo, zasnovano leta 1956, teoretik in filozof Guy Debord opisuje kot "naključno hojo skozi določeno okolje brez posebnega cilja glede na trenutni navdih in zavedajoč se, kako te različni deli danega okolja pritegnejo ali odvrnejo". Diplomska naloga v prvem delu obravnava prevpraševanje meja med antropogenim in naravnim. Ker pa odmik v veliki meri vpliva na zaznavo samo, se v drugem delu posvetim tudi njej in predstavim načine odmika od običajne zaznave, tj. kako lahko nanjo vplivamo ali jo celo spremenimo. Praktični del naloge obsega fotografski cikel in avtorefleksijo fotografij, ki ponazarjajo senzorialni odmik v naravo kot metodo poglabljanja povezanosti človeka z naravo. The thesis deals with the human-nature relationship, the impacts on human perception and the concept of sensory retreat, carried out through practical work using the dérive method or drift. Devised in 1956, theorist and philosopher Guy Debord describes it as "aimless, random drift- ing through a place, guided by whim and an awareness of how different spaces draw you in or repel you". The first part of my thesis focuses on the differentiation between anthropogenic and natural and the perception of natural. However, as a retreat largely affects the perception itself, the second part of the thesis centers on perception, presenting various ways of achieving a drift from the usual perception and the ways in which we can influence or even change it. In its practical part, the thesis encompasses a photographic cycle and autoreflection of the pho- tographs, illustrating a sensory retreat to nature as a method of deepening our connectedness with nature.

V diplomskem delu smo analiziral vpliv svetlobe na zaznavo opazovalca na fotografiji. Primerjali smo vpliv tople, nevtralne in hladne svetlobe, uporabljene na fotografiji, na opazovalčevo zaznavo, spremembo v čustvenem stanju občutke in razpoloženje. V teoretičnem delu so predstavljeni svetloba na splošno, vrste svetil s poudarkom na umetnih svetilih, vrste svetlobe, fotografija na splošno in tudi kadriranje fotografije. V eksperimentalnem delu se je s fotoaparatom Nikon D7500 izdelalo fotografije z uporabo različnih vrst svetlobe. Slike so se v post produkciji še dodatno obdelale za podarjanje učinka tople in hladne svetlobe. Obdelane fotografije so se uporabile kot slikovni material ob anketi. Anketa je večinsko izdelana iz vprašanj zaprtega tipa. Zbrani podatki so bili opisni oziroma kvalitativni. Rezultati ankete so bili obdelani in primerjani s predhodno postavljenimi hipotezami oziroma predvidevanji. Hipoteza 1 je bila na podlagi zbranih rezultatov potrjena. Ta je namreč predvidevala, da različne vrste svetlobe na opazovalca vplivajo različno. Opazovalcem so se prikazovale enake mimike obraza, osvetljene z različno svetlobo. Njihova naloga je bila, da izmed spodaj naštetih čustvenih stanj izberejo najustreznejšega. Izkazalo se je da so različne vrste svetlobe povzročile različno asociacijo čustvenih stanj pri opazovalcih. Prav tako so rezultati anketnega vprašalnika potrdili hipotezo 2. Ta je predvidela, da topla svetloba na opazovalca vpliva bolj pozitivno v primerjavi s hladno svetlobo. Opazovalcem se je prikazoval par fotografij, eden osvetljen s toplo in eden s hladno svetlobo. Njihova naloga je bila izmed para fotografij izbrati najustreznejšo za dano čustveno stanje v navodilih. Izkazalo se je, da so opazovalci večinoma izbrali fotografije osvetljene s toplo svetlobo, če je bilo čustveno stanje v navodilih pozitivno, npr. veselje. Rezultati anketnega vprašalnika so ovrgli hipotezo 3. Ta je predvidevala, da se bodo opazovalci odločili, da je za splošno uporabo najprimernejša nevtralna svetloba. Rezultati pa so pokazali, da se je opazovalcem za splošno uporabo zdela primernejša topla svetloba. Opazovalcem so se prikazale tri fotografije, osvetljene s toplo, nevtralno in hladno svetlobo. Njihova naloga je bila izbrati najustreznejšo fotografijo za splošno uporabo. In the thesis, the influence of light on the perception of the observer in photography was analyzed. The comparison, of the influence of warm, neutral, and cold light used in a photo on the observer's perception, change in emotional state, feelings, and mood, was analysed. In the theoretical part, light, in general, as well as types of lighting with an emphasis on artificial lights, types of light, photography, in general, and framing photography, was presented. In the experimental part, photos were taken using different types of light with Nikon D7500. Furthermore, the pictures were edited in post-production to give the effect of warm and cold light. The processed photos were used as a picture material for the survey. The survey was mostly made from closed-ended questions. The data obtained were descriptive or qualitative. The processed results of the survey showed that neither warm nor cold light was comfortable to look at but an approximation of average daylight. Hypothesis 1 was confirmed based on the collected results. This presupposed that those different types of light affect the observer differently. Observers were shown the same facial expressions illuminated with different lights. Their task was to choose the most appropriate of the emotional states listed below. It turned out that different types of light caused different associations of emotional states in observers. The results of the survey questionnaire also confirmed Hypothesis 2. This, in turn, predicted that warm light had a more positive effect on the observer compared to cold light. Observers were shown a pair of photographs, one illuminated by warm and one by cold light. Their task was to choose from a pair of photos the most appropriate for a given emotional state in the instructions. It turned out that the observers mostly chose photographs illuminated by warm light, insofar as the emotional state in the instructions was positive, e.g. joy. The results of the questionnaire refuted Hypothesis 3. This assumed that observers would decide that neutral light was the most suitable for general use. The results, however, showed that observers found warm light more suitable for general use. Observers were shown three photographs illuminated by warm, neutral, and cold light. Their task was to select the most suitable photograph for general use.

The paper presents the most comprehensive and large-scale study to date on how students perceive the impacts of the first wave of COVID-19 crisis in early 2020 on various aspects of their lives on a global level. With a sample of 30,383 students from 62 countries, the study reveals that amid the worldwide lockdown and transition to online learning students were most satisfied with the support provided by teaching staff and their universities’ public relations. Still, deficient computer skills and the perception of a higher workload prevented them from perceiving their own improved performance in the new teaching environment. Students were mainly concerned about issues to do with their future professional career and studies, and experienced boredom, anxiety, and frustration. The pandemic has led to the adoption of particular hygienic behaviours (e.g., wearing masks, washing hands) and discouraged certain daily practices (e.g., leaving home, shaking hands). Students were also more satisfied with the role played by hospitals and universities during the epidemic compared to the governments and banks. The findings also show that students with certain socio-demographic characteristics (male, part-time, first-level, applied sciences, a lower living standard, from Africa or Asia) were significantly less satisfied with their academic work/life during the crisis, whereas female, full-time, first-level students and students faced with financial problems were generally affected more by the pandemic in terms of their emotional life and personal circumstances. Key factors influencing students’ satisfaction with the role of their university are also identified. Policymakers and higher education institutions around the world may benefit from these findings while formulating policy recommendations and strategies to support students during this and any future pandemics.

Magistrsko besedilo opredeljuje in povzema proces lastne umetniške produkcije v obdobju zadnjih treh let, ki je potekalo v času študija druge stopnje. Osnovna forma se drži kronološkega zaporedja izbranih del in projektov, znotraj katerih izvedem podrobnejšo raziskavo konceptualnih izhodišč ter vsebinskih sklopov. Posledično se besedilo v prvem delu osredotoča na slikarsko produkcijo ter raziskavo prvih zastavkov koncepta del »na prelomu«. Serijo slikarskih del analiziram in primerjalno definiram preko referenčnega opusa nemške sodobne slikarke Charline von Heyl ter koncepta slabega slikarstva. Abstraktna dela z vizualnim izhodiščem v arhitekturnih in lokacijsko specifičnih dražljajih določenega okolja vodijo k prostorsko bazirani umetnosti. V drugem delu besedila se fokus prevesi v medij instalacije ter novih medijev (video, interaktivna umetnost), kjer se osredotočim predvsem na razumevanje fenomenov, povezanih z odnosom med človekom in okoljem: gibanje, spomin, zgodovina, čas in časovnost. Gre torej za razumevanje koncepta prostor-čas kot nerazločljivega področja človeške akcije. V tem delu se srečamo z glavnimi misleci tega področja (med njimi Henry Bergson, Martin Heidegger, Gilles Deleuze, Edmund Husserl), fizikom Albertom Einsteinom ter referenčnimi umetniki, med njimi: Marcel Duchamp, Olafur Eliasson, Dan Graham in drugi. In my master’s thesis, I conduct the basic analysis of my artistic process and production which emerged during the last three years of my master’s study. The basic form of the following text is chronologically following my own projects through which I develop conceptual analysis, as well as include the main referential material as an extension to my own contextual research. Therefore, the text coherently follows the dialogue between theoretical and practical. It is roughly divided into two sections. With the initial chapters of each section, I present the base of inspirations within the philosophical and art historical references which are followed by the specific analysis of my own art practice. The first part is focused on my painting practice which is also the foundation of the conceptual field evident throughout the entire thesis. Abstract painting series is a basic starting point in terms of “breaking point” or “in-between” concept which I develop through contextualizing the oeuvre of German contemporary artist Charline von Heyl and the concept of Bad painting in the 20th century. The transition in the space-based art is manifested with the turn to sculpture and installation intertwined with new media (video and interactive art) in my practice. The second part, therefore, is focused mainly on the phenomena related to the relation between a subject and space. Here, I focus on the basic concepts of motion (as the basic interaction between being and space), memory and history, and time and temporality and its perception. The main topic of interest is the space-time as a platform of human action and perception through which understanding of the world emerges. In this research, I include the basic theories of well-known philosophers (i.e. Henry Bergson, Martin Heidegger, Gilles Deleuze, and Edmund Husserl), a physicist Albert Einstein, and several artists, among others Marcel Duchamp, Olafur Eliasson, and Dan Graham.

V diplomskem delu raziskujem performativnost skozi teoretičen pristop s performativnimi akcijami in zaznavo publike. Sprva sem raziskovala modele proizvajanja zaznave, njenega sprejema in razlage, beleženja trenutnih situacij in pomena performativnega v odnosu do akterja samega. S performativnimi akcijami se osredotočam na relacijo situacije v prostoru. S performativnimi akcijami beležim vedenje in odziv drugih v nepričakovanih situacijah. V svojih delih se ukvarjam s percepcijo glavnega akterja v danem okolju. S telesom in njegovo manipulacijo subtilno kot akter prehajam v zaznavo gledalca. Tu ni razlik med vsakdanjim in epskim, zato ne čakam na obrazložitev ali pomen. Naslanjam se na reakcijo drugih. V performativni akciji Spanje, ki jo bom podrobno analizirala, tako vzpostavljam dvoumen pogled na človeka. Sprašujem se o vlogi umetnika in gledalca na način, da svoje vsakdanje življenje postavim v nenavadno situacijo, ki ni nujno opažena. In the bachelor thesis, I research performativity through theoretical approach with performative action and the perception of the audience. Initially, I investigated models which produce perception and their reception and interpretation in relation to the artist and the public. In performative actions, I tracked the routine of everyday life inside the unusual situations and gave focus on the relationship of the situation in the space. Through performance action, I was questioning the behavior and response of others in unexpected situations. In my works, I deal with the perception of the main actor in a given environment. With the body and its manipulation, I pass subtly as an actor in the perception of the viewer. There is no difference between everyday and epic, so I do not wait for an explanation or meaning. I rely on the reaction of others. I will analyze performative action Sleep where I create an ambiguous view on the artist role and the role of the society with putting an ordinary situation in my everyday life in an unusual situation.

Zasebne naročniške telefonske centrale (PBX centrale) podjetjem nudijo številne funkcije. Določene funkcije omogočajo nepooblaščeno uporabo, ki ima za posledico finančno korist. V diplomskem delu je predstavljen pregled tipičnih funkcionalnosti PBX central in izpostavljen izbor možnosti za zlorabe central. Pri raziskavi možnosti zaznave zlorab na strani ponudnika telekomunikacijskih storitev smo upoštevali priporočila organizacij, ki se ukvarjajo s področjem zlorab telekomunikacij. Rezultat diplomskega dela je razvoj aplikacije, ki zlorabe z večjim finančnim vplivom sproti zaznava in se na njih samodejno odziva. PBX phone systems provide many features to companies. It is possible to use some of them unauthorized and gain financial benefits. Thesis shows typical features of PBXs and describes some possibilities on how to abuse them. Explored are possibilities of detecting toll fraud on the carrier side, using recommendations from organizations dealing with telecommunications fraud. Application was developed as part of the thesis for ongoing detection of fraud with higher financial impact and automatic reaction to it.

Dobri odnosi na delovnem mestu delavcu omogočijo preživljanje časa v prijetnem delovnem okolju, ga spodbujajo k delu in so ključnega pomena za uspešno opravljeno delo. A mnogokrat na delovnem mestu prihaja tudi do nerešenih konfliktov, ki pa lahko vodijo do nasilnega vedenja. Ena od oblik nasilja je tudi šikaniranje na delovnem mestu. »Šikaniranje« je skupni izraz za psihično (čustveno) nasilje, izsiljevanje, nadlegovanje, trpinčenje na delovnem mestu in je prevod mednarodnega izraza »mobbing«. V Sloveniji smo izraz mobbing v 4. odstavku 7. člena Zakona o delovnih razmerjih (ZDR-1, 2013) definirali kot trpinčenje na delovnem mestu, v 197. členu Kazenskega zakonika (KZ-1, 2008) pa kot šikaniranje na delovnem mestu. Magistrsko delo obravnava šikaniranje na delovnem mestu od zaznave, prepoznave, prijave, nakar sledi (naj)težji del, to je dokazovanje kaznivega dejanja šikaniranja. Namen naloge je na podlagi dostopne literature predstaviti proces in značilnosti pojava ter podati nekaj predlogov, ki bi prispevali k lažjemu prepoznavanju, odkrivanju in posledično dokazovanju obravnavanega pojava. Osrednji problem proučevanja je ugotoviti zaznavanje, prepoznavanje in ukrepanje javnih uslužbencev v Pomurju glede šikaniranja, mobbinga. Raziskava, ki je predstavljena, je bila opravljena na večjem številu javnih uslužbencev na izbranih enotah v Pomurju. Raziskava je pokazala, da med moškimi in ženskami ne prihaja do statistično značilnih razlik glede izbire žrtve (spol ne vpliva na izbiro žrtve). Prav tako je raziskava pokazala, da so Pomurci v večjem številu šikanirani s strani nadrejenih. Večina jih je mnenja, da so dovolj ozaveščeni o pojavu in vedo, kako ukrepati, ko postanejo žrtev šikaniranja, mobbinga. Rezultati raziskave nam tudi kažejo, da je šikaniranje v sodnem postopku težko dokazljivo in se zaradi strahu pred izgubo službe ne odločajo za tožbo šikaniranja. Good relations at the workplace make it possible for the worker to spend time in a pleasant working environment, they encourage work and are essential for the worker to be able to successfully complete work tasks. But often there are also unresolved conflicts that can lead to violent behaviour in the workplace. One form of violence is also workplace mobbing. Mobbing is a term used to describe psychological (emotional) violence, extortion, harassment and bullying in the workplace. In Slovenia, the term »mobbing« is in the Employment Relationship Act, article 7, paragraph 4, defined as bullying at the workplace and in article 197 of the Criminal Code, it is defined as workplace mobbing. The master’s thesis deals with workplace mobbing, from its detection, recognition, reporting, and is followed by the hard(est) part, which is proving the criminal offence of workplace mobbing. The purpose of this thesis is, based on available sources, to present the process and the characteristics of the phenomenon and to make some proposals that would make it easier to identify, detect and consequently prove the discussed phenomenon. The main issue of the survey is to establish how civil servants in Pomurje detect, recognize and react in cases of workplace mobbing. The presented research was conducted on a larger number of civil servants in selected units in Pomurje. The research showed that among men and women, there are no statistically significant differences regarding the selection of victims (gender does not affect the choice of victims). The research also showed that many inhabitants of Pomurje are bullied by their superiors. Most of them are of the opinion that they are sufficiently aware of the phenomenon and that they know what measures to take when they become victims of mobbing. The results of this research also show that mobbing is difficult to prove in legal proceedings and, because of fear of losing their job, they do not decide for filing lawsuits for mobbing.

V diplomski nalogi smo s pomočjo literature opisali simboliko osnovnih barv, vpliv, ki ga imajo na ljudi, ter njihov pomen v oglasnih sporočilih. Omejili smo se na tiskane oglase (plakate, časopise, revije, neposredno pošto in embalažo) in opisali njihove prednosti in slabosti. Z anketnim vprašalnikom smo ugotavljali, na katere barve smo najbolj pozorni in katerim lastnostim se posamezne barve bolj približajo. Osredotočili smo se na sedem barv zeleno, rumeno, oranžno, rdečo, vijolično, modro in črno barvo. We have described the symbolism of basic colours, their impact on people's perception and their role in advertisement. We limited thesis by printed ads – posters, newspapers, magazines, direct mail and packaging. Further on, we described their advantages and disadvantages. Survey was used to determine which colour alerts us the most and to which properties each colour gets the closest. We focused on the following seven colours: green, yellow, orange, red, purple, blue and black.

Antični filozofi Levkip, Demokrit, Epikur in Lukrecij so razvili filozofijo atomizma, ki postavlja za osnovo vsega neštete nedeljive in nezaznavne delce. Ti delci ali atomi zadevajo eden ob drugega, se odbijajo in zapletajo v neskončni praznini ter na ta način tvorijo zaznavna telesa. Ker lahko vse, tudi dušo, zreduciramo na atome, ti pa so najmanjši delci materije, veljajo atomisti za prve materialiste. Gibanje pa je posledica medsebojnega delovanja atomov, zato je njihov nazor mehanistični. Takšen pogled na sestavo sveta pa zavrača možnost nekega višjega smotra ali božje intervencije, saj v svetu vladata naravna urejenost in zakonitost. Platon se ne strinja z atomisti in predpostavlja drugačno fizikalno teorijo, ki temelji na nedeljivih delcih. Aristotelova fizikalna teorija pa zanika nedeljivost delcev in govori o zveznosti materije. Ancient philosophers Leucippus, Democritus, Epicurus and Lucretius developed the philosophy of atomism, setting the base for everything in innumerable, undivided and indiscernible parts. These parts or atoms collide, rebound and ravel in the endless void, making visible bodies. Since everything, even the soul, can be divided in atoms, the smallest parts of matter, these philosophers are called materialists. Movement is the result of interaction between atoms. That is why their view is mechanical. This viewpoint denies any other higher purpose or god's intervention because of the rule of natural order and law. Plato does not agree with the atomists. He assumes a different physical theory, founded on indivisible parts. Aristotle’s physical theory denies indivisibility of parts and lectures about connective matter.

Diplomska naloga se osredotoča na problem varovanja brezžičnih omrežij, zasnovanih po standardu IEEE 802.11. Opisano je združenje IEEE in njihova specifikacija standardov z oznako 802, prav tako pa so opisani tudi standardi, protokoli in tehnike varovanja in zaščite omrežij, ki delujejo po tej specifikaciji. Predstavljeno je tudi trenutno stanje varnosti brezžičnih omrežij na področju mesta Ptuj, opisani in prikazani pa so tudi različni pristopi za zlorabo brezžičnih omrežij, skupaj s programsko in strojno opremo, ki jo napadalec potrebuje za izvedbo napada. Prikazano je tudi, kako ugotavljanje ključa poteka v praksi in na kak način se lahko zavarujemo pred takšnimi napadi. This diploma work focuses on the problem of protection of wireless networks that are based on standard IEEE 802.11. You will find the description of IEEE association including their standard specification with number 802. Furthermore there is description of standards, protocols and technics that are used to guard and protect wireless networks based on this specification. The current status of wireless network security on the area of city Ptuj is presented. Diploma work also includes description of various approaches to abuse wireless network and its security, including software and hardware that attacker needs to perform an attack. It is also shown how the password cracking looks like in practice and in what way can we protect ourselves against such attacks.