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Copyright of Soziologische Revue is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Critical Hermeneutics: Biannual Journal of Philosophy is the property of Universita degli Studi di Cagliari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Critical Hermeneutics: Biannual Journal of Philosophy is the property of Universita degli Studi di Cagliari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Facilitating the patient’s ability to grasp reality truthfully is at the heart of psychoanalytic work. However, Bion’s radical contribution to psychoanalysis and its affinity with contemporary insights from quantum theory, highlight the ungraspable complexity of a reality that does not conform to what is comprehensible to the human mind. Clinically, Bion repeatedly emphasized the importance of closely observing the evolution of the emotional experience in the here-and-now of the session in order to get closer to an infinitely complex and often unthinkable reality and to expand the patient’s capacity to tolerate the pain and frustration involved in that encounter. Bion offers a way of listening that extricates us from a hallucinatory grip on the past and strengthens our capacity to tolerate what is unknown and unknowable about the infinite possibilities of future becoming. According to him, analytic work is not only about exposing unconscious thoughts buried in the past, but above all about cultivating a living psyche that is capable of generating new thoughts that are oriented toward the unknown. Thus, analytic work does not only facilitate the transformation of the unconscious into the conscious, but also the dialectical, paradoxical, and often contradictory movement between the finite and the infinite, thereby releasing the individual – both patient and analyst – from the rigid imprisonment of an apparently comprehensible, albeit hallucinatory, reality. [ABSTRACT FROM AUTHOR]

Copyright of Synthesis Philosophica is the property of Croatian Philosophical Society and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal for Business, Economics & Ethics / Zeitschrift für Wirtschafts und Unternehmensethik is the property of Nomos Verlagsgesellschaft mbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Rechtsextremismusforschung is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Taking the insights from diagrammatology – rooting in German media and culture studies (Medienkulturwissenschaft) and semiology – as background, this essay seeks to answer the question of how the history of the visual representation of temporal processes can be captured, and how the emergence of the statistical time series graph has influenced our ideas about time, history, and stories. To this end, I will provide a cultural-historical overview that, beyond shedding light on the interrelationships between different discourses (e. g., economy, statistics, science, literature), can contribute to a critical examination of perhaps the most widespread type of diagram used today. This overview can be understood more as a proposal for discussion, aimed at encouraging methodological and historical reflections on digital humanities practices, rather than as a presentation of a closed topic.

Der vorliegende Schwerpunkt beschäftigt sich mit dem Zusammenhang von Zeit und gutem Leben. Er verfolgt das Ziel, die systematische Auseinandersetzung mit den Themen, Problemen und Fragestellungen voranzubringen, die das Verhältnis zwischen den zeitlichen Strukturen der menschlichen Existenz auf der einen und den Bedingungen guten, sowohl subjektiv erfüllten als auch objektiv gelingenden Lebens auf der anderen Seite betreffen. Die verschiedenen Beiträge spannen ein breites Spektrum theoretischer Ansätze, thematischer Ausrichtungen und praktischer Bezüge auf. Es reicht von der philosophischen Erörterung grundlegender Fragen der zeitlichen Verfasstheit guten Lebens über die Auseinandersetzung mit psychopathologischen Phänomenen gestörter Zeiterfahrung bis hin zur sozialund erziehungswissenschaftlich angeregten ethischen Beschäftigung mit konkreten Lebensphasen und praktischen Anwendungsfeldern.

In diesem Beitrag wird dem Zeitbezug von pädagogischen Konzeptionen des guten Lebens – im Spannungsfeld von Individualität und Sozialität, Pädagogik und Politik, Bestimmtheit und Unbestimmtheit – exemplarisch anhand pädagogischer Programmatiken einerseits und philosophischer Referenzen andererseits nachgegangen. Diese pädagogischen Deutungen und damit die Pädagogisierung des ,guten‘ oder ,richtigen‘ Lebens werden in einer bildungsphilosophischen Sichtweise und unter Bezug auf ihre deutschsprachigen Vertreter*innen einer eingehenden Betrachtung unterzogen: So scheint die Pädagogik in Theorie und Praxis einerseits auf eine klare normative Zielperspektive im Sinne einer Vorstellung vom guten menschlichen Leben angewiesen zu sein, die auch für die Zukunft Geltung beanspruchen kann. Anderseits scheint die Offenheit der Zukunft, von der aus sich die Notwendigkeit einer Pädagogik allererst rechtfertigen lässt, in diesem Prozess bedacht und bewahrt werden zu müssen, um Heranwachsenden eine eigenverantwortliche Gestaltung ihrer Welt in Relation zu anderen zu ermöglichen. Letzteres scheint nun aber gerade gegen eine Überformung pädagogischer Kerngedanken durch gegenwartsbezogene starre Vorstellungen eines guten Lebens zu sprechen. Mit dem Aufzeigen dieses Dilemmas und der Analyse verschiedener Lösungsansätze vor dem aktuellen Hintergrund der Ungewissheit gesellschaftlicher Transformationsprozesse möchte der Text einen allgemeinpädagogischen Beitrag zur philosophischen Diskussion um das (kollektiv) gute Leben leisten.

Zu den Symptomen medizinisch depressiver Menschen gehört manchmal eine veränderte Zeiterfahrung, die als quälend empfunden wird. Die Zeit verlangsamt sich bis hin zum Eindruck des Stillstandes der Zeit. Diese Psychopathologie der Zeit wird hier als extremes Beispiel für etwas angesehen, das es in schwächerer Form auch nicht-pathologisch gibt und das als solches auch ein Thema für philosophische Theorien des guten Lebens darstellt. Die Untersuchung der pathologischen Störungen dient als Negativfolie, um zu zeigen, wie im Fall gelingenden Lebens menschliches Zeitbewusstsein verfasst sein muss bzw. verfasst ist. Offenbar sind wir auf die Erfahrung einer fortlaufenden Zeit angewiesen. In diesem Aufsatz wird erörtert, welcher Art genau diese Erfahrung ist, auf welche verschiedenen Weisen sie gestört sein kann und inwiefern solche Störungen ein ethisches Problem sind, insofern sie die Lebensführung in grundsätzlicher Hinsicht beeinträchtigen. Dafür wird insbesondere zwischen einem basalen und einem personalen Zeitbewusstsein unterschieden und das Problem auf der zweiten Ebene verortet.

Copyright of Zeitschrift für Politische Theorie is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Politische Theorie is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Politische Theorie is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zeitschrift für Politische Theorie is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The analysis of space-semantic oppositions – as developed by Jurij Lotman and extended by Karl Renner and Hans Krah – plays a much greater role in analysing prose than poetry. However, the focus on spatial and temporal oppositions, the connection of topological and semantic features of subspaces, as well as possible borders and their potential crossing can make a significant contribution to the interpretation of lyrical texts and also guide the interpretation of non-spatial text structures – such as word choice, motifs, and perspective – in appropriate poems. This is illustrated in the analysis of the poems "Indvielsen" (A. W. Schack von Staffeldt, 1804); "Borte!" (Henrik Ibsen, 1871); "Hvis jeg står" (Inger Christensen, 1962) and "Resan" (Tomas Tranströmer, 1962). The paper further makes a general point about a specific space semantics for lyrical texts. [ABSTRACT FROM AUTHOR]

Copyright of Ethik in der Medizin is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ethik in der Medizin is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ethik in der Medizin is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ethik in der Medizin is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal for Business, Economics & Ethics / Zeitschrift für Wirtschafts und Unternehmensethik is the property of Nomos Verlagsgesellschaft mbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In der Perspektive postdigitaler Kunst- und Bildungstheorie sind digitale Tools an Praktiken, soziale Räume und gesellschaftliche Strukturen geknüpft und nicht als losgelöste technische Phänomene zu verstehen. Postdigitale Medienkultur in der Hochschule bedeutet daher konsequenterweise, Digitalisierung auch im Hinblick auf soziokulturelle Verflechtungen zu adressieren. Diese Perspektive ist grundlegend für das Workbook Arts Education (http://myow.org/), das in seiner Struktur, Funktion und Programmatik vorgestellt wird. An einem Beispiel zur künstlerischen Arbeit mit GoogleStreetView wird verdeutlicht, wie hybride kunst- und mediendidaktische Ansätze ein vielschichtiges Verständnis von Digitalität befördern können.