Representing anthropological collections in the Gilded Age.

In this essay I review two quite different works concerning the rise of American anthropology as a discipline. Both address the display of anthropology and the ways it presented itself to the public and represented itself to the field during the late 19th and early 20th centuries, and provide alternative views of the coalescence of the field. I argue that each provides valuable insights into those formation processes without fully coming to grips with the contradictions inherent to the discipline during its formation, and which remain as fault lines in anthropological inquiry today. [ABSTRACT FROM PUBLISHER]