Michael Mazur.

The article presents information on the art exhibition by Michael Mazur in Manhattan. For one who started out under the spell of the gloomy graphic artist and sculptor Leonard Baskin, Mazur has come a distance. Primarily known as a printmaker, he is also a draftsman, sculptor and painter. The canvases and works on paper seem to have progressed beyond the Chinese influence to a looser, more open handling of paint and space. The resulting exuberance and canvases are less structured, their sunnier colors and freer linear forms floating in a limitless expanse.