دراسة تطبيق الصورة في التناص القرآني لأحمد محرم

The image is one of the most commonly used literary criticisms that critics of rhetoric have long since posited, and in the new critique, it is also widely discussed. In fact, the image is the same as the crystallization of the meanings and ideas of a literary artist, which is designed in a coherent and systematic framework and presents a concrete representation of his poetic experience. This image has components and components such as color, language, thought, emotion and imagination, which, when linked to each other, reflect the totality of a literary text with various functions such as religious, social, etc., among which, science of rhetoric and Particularly its illustrative elements (likeness, metaphor, permissiveness, curiosity, paradoxical representation, repetition, rhythm, etc.) have a prominent place in the reflection of poetic approaches, as well as the achievements of literary criticism. Ahmadmoham is one of the most prominent Egyptians in the Arab world. Since the Holy Qur'an and religious texts are the inspiration of all the poets and writers, Ahmadmoham was not an exception to this rule. The reason for the greatness of the Magdalen Islāma is the reason for the poetry and familiarity with Islam and especially the Holy Qur'an. Meanwhile, given the fact that the poet uses the elements of expression to illustrate the events and events of the caliphate Ali ibn Abi Talib and the issue of Ghadir and the Holy Prophet's family (pbuh). In this paper, the researcher deals with data processing using a descriptiveanalytical method [ABSTRACT FROM AUTHOR]