Los planos discursivo-enunciantes en la producción-recepción teatral.

This paper considered to the double enunciation in the theatre as the more genuine expression of the verbal communication, the declarative space from where is articulated a series of elements that contribute within the configuration of them universes symbolic that generate them works. This article is based on the concept of Iuri Lotman "the art as language", and of the theories of M. Bakhtin, of E. Benveniste and of John Austin, with the purpose of analyze them dimensions involved in the construction of them subject, the resignification of the sense and them meanings of the speech in the event theatrical. [ABSTRACT FROM AUTHOR]