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Ontophany and transimmanence in the experience of contemporary media artworks.
Ontophany and transimmanence in the experience of contemporary media artworks.
- Source :
-
Technoetic Arts: A Journal of Speculative Research . Dec2019, Vol. 17 Issue 3, p229-240. 12p. - Publication Year :
- 2019
-
Abstract
- How have contemporary media artworks been proposing hybrid experiences, discussing the ontological implications from the experimentation with emerging techniques that alter our way of being-in-the-world? These experiences dialectically articulate aesthetic relations between real and virtual, visible and invisible, human and technological. In this article, we develop a participant observation of two specific works: Generation 244 (2011), by Scott Draves, and Zee (2008), by Kurt Hentschläger. This observation establishes a dialogue with phenomenology as it considers experience and perception as needed prerequisites for the analysis, as proposed by Merleau-Ponty. In this scenario, we have observed that a whole way of partitioning the sensible resets itself and points in the direction of a trans-immanence, generating an integrated knowledge that not only relies on reason, but in a collective wisdom where we can find, according to Didi-Huberman, a 'light of survival'. [ABSTRACT FROM AUTHOR]
- Subjects :
- *MASS media
*PARTICIPANT observation
*EXPERIENCE
*SENSORY perception
*MEDIA art
Subjects
Details
- Language :
- English
- ISSN :
- 1477965X
- Volume :
- 17
- Issue :
- 3
- Database :
- Academic Search Index
- Journal :
- Technoetic Arts: A Journal of Speculative Research
- Publication Type :
- Academic Journal
- Accession number :
- 142042394
- Full Text :
- https://doi.org/10.1386/tear_00017_1