Book art as historical evidence: disputation and representation in late medieval Germany.

The increase in the distribution and availability of images for personal use in the late Middle Ages raises the question of their potential historical value for understanding the societies that produced and made use of them. This paper exposes the effects and the historical meanings of some woodcut illustrations of disputations between Jews and Christians: the woodcuts were widespread during the 1470s and 1480s in Swabia and Bavaria and surrounding areas, and they are still familiar and continue to play a role in shaping perceptions of Jewish-Christian relations of that period. These images do not reflect actual events: rather they are misrepresentations of polemical anti-Jewish sermons, designed as fictitious scholarly discourses. Their historical value is not limited to their ability to expose hidden angles. They can guide us to a better understanding of the written sources and to find new meanings there. [ABSTRACT FROM AUTHOR]