The Rise of Flâneuse Landscapes.

The article analyzes the flâneuse landscapes in the interdisciplinary film installation "Feminist Bodies in a Posthuman Mountain Imaginary" developed for Oxygen Art Centre Offsite Exhibition in Nelson, British Columbia. The depiction of the flâneur or a roaming female figure in the other works of feminist artists is explored. It explains the selection of the ghost town Zincton as film location. It details the use of technology to show posthumanist performativity in the installation.