A EXCEPCIONALIDADE ESTÉTICA: AGENCIAMENTO E PRODUÇÃO DE MUNDOS.

This text is a heuristic account of the many arrangements (or agencements) of the literary experience through the debate over the aesthetic exceptionality and the position of the subject in artistic experience. It starts by discussing how the concept of subject guided the different aesthetic approaches in literary and aesthetic theory, turning art into some sort of fatiche which incorporates itself into the Western metaphysics that allegedly works as a static reference for the thinking of the world in which we live in. Then, after redefining the role of the subject in the aesthetic experience, the paper tries to present works of art as objects that speculate and experiment with the immanence. Thus, the exceptionality of the aesthetics lies in its completely original position regarding the potentially infinite ways of making words (cosmovisions) by means of literary agencements. Finally, the article ends with a reflection on the arrangements or agencements within immanence itself, shedding light on how literature connects itself with this kind of experience. [ABSTRACT FROM AUTHOR]