O "TRENZINHO DO CAIPIRA": AS PERFORMANCES E A ILUSÃO ENUNCIATIVA DE UMA CANÇÃO DE MEMÓRIAS E HISTÓRIAS.

The article analyzes the song Trenzinho do caipira, by Villa Lobos and Ferreira Gullar, as a historical object full of memories and stories concretized in the performances that take place. It was observed that, in each one, the elements that are part of the song are organized according to what the songwriter wants to communicate, but the singing voice and the persona of the singer play an essential role in the message. The song has already been implemented in several performances, without failing to refer to the sounds of Maria Fumaça and what they mean, historically and for Ferreira Gullar's individuality. The methodology included analyzing the song in its performance, noting, in addition to the song's verses, elements that are part of the work, such as the types of musical instruments, timbres, rhythms, pitches, the persona of the singer, and how these elements are articulated in the songs sung by Edu Lobo and Ney Matogrosso. It is expected that the reader/listener listens to the song considering it as a historical, contextualized, multi-signal object, in which music, word and performance act to generate new works at each performance, according to the way the songwriter interprets what is, but also what is not in the score. [ABSTRACT FROM AUTHOR]