TRUE SELF AND TRUE THING: A NEW READING AND REINTERPRETATION OF WANG LÜ'S "PREFACE TO THE SECOND VERSION OF THE MOUNT HUA PAINTINGS".

The most important themes of Wang Lü's painting theory are the "true self" and the "true thing." One reason this topic has not received sufficient attention is that the original text was altered. This article aims to correct and reinterpret the text. After textual research and interpretation, Wang Lü's paintings and painting theory have been reevaluated. This article also responds to some difficult topics such as the relationship between "form" (􁔶) and "meaning" (􁛣) and between "following" (􁕲) and "not following" (􄘩) the rules in Chinese painting theory. [ABSTRACT FROM AUTHOR]