A review of the romantic repertoire for bassoon in northern European composition schools.

This research article aims at bringing to the attention of the public and young performers a repertoire less played in our country and aims in addition to broadening and deepening a lesser known musical material and the analysis of new musical forms and genres, the issue being so related to instrumental technique, as well as understanding the elements of specific language. The deepening of these composers and their compositional style helps to diversify the romantic repertoire and to expand the knowledge on the lesser known schools. The peculiarity of these composers consists in the fact that they composed representative works especially for wind instruments. [ABSTRACT FROM AUTHOR]