POUR UNE ESTHÉTIQUE TECHNO-ÉCOLOGIQUE QUAND L’ART RÉCONCILIE LA NATURE ET LA TECHNIQUE.

Our contribution aims to be an analysis of some of the many proposals put forward by the world of the arts, increasingly engaged in the ecological debate, to be able to repair the fracture that, over time, seems to have crossed between the human being and his environment. By analyzing some works (the study on trees by Olga Kisseleva, the Microbiocene by the Dutch collective NIOZ, the imaginary plant world by John McCormack, the life-generating artificial incubator by Austrian designers, Julia Kaisinger and Katharina Unger), we show how, both through a return to an ancestral past, the creation of a fictional past, the projection into a possible or imaginary technofuture, the reconciliation between ars and technè takes place in the imagination of artists. [ABSTRACT FROM AUTHOR]